| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Saturday at the Mall [CEC8068 - 10] |
2'36 | Zhang Hao, Peng Qu | Kitsch, vintage, nostalgic & sentimental. Electric piano, | 媚俗 & 艳俗 迷人 反省 明朗 | A | 116 | ||||
|
Saturday at the Mall Alternate [CEC8068 - 23] |
版本. | 2'36 | Zhang Hao, Peng Qu | No lead synth version | 媚俗 & 艳俗 迷人 反省 明朗 | A | 116 | |||
|
Let's DIY [TBX233 - 9] |
1'00 | Sergey Kolosov | Rough, sharp, fun. Drums play out a scrappy rock beat, followed by | 日常生活 自信 日间节目 果断 | Em | 156 | ||||
|
Let's DIY (Underscore) [TBX233 - 25] |
版本. | 1'00 | Sergey Kolosov | Rough, sharp, fun. Drums play out a scrappy rock beat, followed by | 日常生活 自信 日间节目 果断 | Em | 156 | |||
|
Nature Cycles [TBX234 - 1] |
2'06 | Reid Durtschi | Explorative, progressive, brave. Echoing guitars swirl in a rich | 全景图 梦幻 气氛 安静 | Fm | 112 | ||||
|
Nature Cycles (Underscore) [TBX234 - 11] |
版本. | 2'06 | Reid Durtschi | Explorative, progressive, brave. Echoing guitars swirl in a rich | 全景图 梦幻 气氛 安静 | Fm | 112 | |||
|
Outta Darkness [CEM3024 - 10] |
1'53 | Kenny Serane, Léo Natale, Morgan Sansous | Rap metal. Powerful, rowdy & driving. Male rap, bouncy bass & rock 歌词 | 加利福尼亚 其他金属 态度 男歌手 | Gm | 85 | ||||
|
Outta Darkness Alternate [CEM3024 - 56] |
版本. | 1'53 | Kenny Serane, Léo Natale, Morgan Sansous | Instrumental version | 加利福尼亚 其他金属 态度 乐队 | Gm | 85 | |||
|
Outta Darkness Edit 1 60 sec [CEM3024 - 57] |
版本. | 1'00 | Kenny Serane, Léo Natale, Morgan Sansous | 60 second cut | 加利福尼亚 其他金属 态度 乐队 | Gm | 86 | |||
|
Outta Darkness Edit 2 30 sec [CEM3024 - 58] |
版本. | 0'30 | Kenny Serane, Léo Natale, Morgan Sansous | 30 second cut | 加利福尼亚 其他金属 态度 乐队 | Gm | 85 | |||
|
Outta Darkness Edit 3 15 sec [CEM3024 - 59] |
版本. | 0'15 | Kenny Serane, Léo Natale, Morgan Sansous | 15 second cut | 加利福尼亚 其他金属 态度 乐队 | Gm | 86 | |||
|
Outta Darkness Sting [CEM3024 - 60] |
版本. | 0'08 | Kenny Serane, Léo Natale, Morgan Sansous | Sting | 加利福尼亚 其他金属 态度 乐队 | Cm | 112 | |||
|
Lost In Mumbai [AMS5064 - 2] |
2'14 | Ilan Kunik | Indian cinematic. Mysterious intro with sitar, tabla, then chimes. | 紧急 骑马 画面感 固执 | Cm | 127 | ||||
|
Lost In Mumbai Alternate 1 [AMS5064 - 17] |
版本. | 2'14 | Ilan Kunik | Version without percussion. | 紧急 骑马 画面感 固执 | C | 128 | |||
|
Lost In Mumbai Alternate 2 [AMS5064 - 18] |
版本. | 2'14 | Ilan Kunik | Version with percussion only. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Alternate 3 [AMS5064 - 19] |
版本. | 2'14 | Ilan Kunik | Version without strings. | 紧急 骑马 画面感 固执 | Cm | 128 | |||
|
Lost In Mumbai Alternate 4 [AMS5064 - 20] |
版本. | 2'14 | Ilan Kunik | Version without voices. | 紧急 骑马 画面感 固执 | Cm | 128 | |||
|
Lost In Mumbai Alternate 5 [AMS5064 - 21] |
版本. | 2'14 | Ilan Kunik | "Bed" version. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Alternate 6 [AMS5064 - 22] |
版本. | 2'14 | Ilan Kunik | Underscore version. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Edit 1 30 sec [AMS5064 - 23] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 紧急 骑马 画面感 固执 | C | 127 | |||
|
Lost In Mumbai Edit 2 15 sec [AMS5064 - 24] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 紧急 骑马 画面感 固执 | C | 127 | |||
|
The Orients [AMS5064 - 5] |
2'06 | Ilan Kunik | Asian cinematic. Ceremonial intro. Assertive, jerky & determined. | 冒险片 画面感 中断 亚洲 | Bm | 143 | ||||
|
The Orients Alternate 1 [AMS5064 - 40] |
版本. | 2'06 | Ilan Kunik | Version without percussion. | 冒险片 画面感 中断 亚洲 | Bm | 143 | |||
|
The Orients Alternate 2 [AMS5064 - 41] |
版本. | 2'06 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 中断 亚洲 | Em | 144 | |||
|
The Orients Alternate 3 [AMS5064 - 42] |
版本. | 2'06 | Ilan Kunik | Version without strings. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 4 [AMS5064 - 43] |
版本. | 2'06 | Ilan Kunik | Version without voices. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 5 [AMS5064 - 44] |
版本. | 2'06 | Ilan Kunik | "Bed" version. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 6 [AMS5064 - 45] |
版本. | 2'06 | Ilan Kunik | Underscore version. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Edit 1 30 sec [AMS5064 - 46] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 亚洲 功夫 | Bm | 144 | |||
|
The Orients Edit 2 15 sec [AMS5064 - 47] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 亚洲 功夫 | Bm | 144 | |||
|
As Life Flows - Electro
[CEZ4700 - 3] |
0 | 2'51 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate. Restrained but with emotion. Regular | electronic score 调查研究 悬念 稳定的 | A | 104 | |||
|
One Man Army [AMS5065 - 1] |
2'11 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Aggressive, sharp & fierce. Metal rock band & trailer fx | 态度 影院摇滚 极限运动 动人 | Bm | 95 | ||||
|
One Man Army Alternate 1 [AMS5065 - 9] |
版本. | 2'11 | Flaviu Ciocan, Revesz Gabor | Version without drums | 态度 影院摇滚 极限运动 动人 | Bm | 124 | |||
|
One Man Army Alternate 2 [AMS5065 - 10] |
版本. | 2'11 | Flaviu Ciocan, Revesz Gabor | Version with drums only | 态度 影院摇滚 极限运动 动人 | Gm | 95 | |||
|
One Man Army Alternate 3 [AMS5065 - 11] |
版本. | 2'11 | Flaviu Ciocan, Revesz Gabor | Underscore version | 态度 影院摇滚 极限运动 动人 | Bm | 126 | |||
|
One Man Army Edit 1 30 sec [AMS5065 - 12] |
版本. | 0'35 | Flaviu Ciocan, Revesz Gabor | 30 second cut | 态度 影院摇滚 极限运动 动人 | Bm | 95 | |||
|
One Man Army Edit 2 15 sec [AMS5065 - 13] |
版本. | 0'19 | Flaviu Ciocan, Revesz Gabor | 15 second cut | 态度 影院摇滚 极限运动 动人 | Bm | 95 | |||
|
Secret Betrayed [CEG5059 - 3] |
0 | 1'24 | Felix Halbe | Jerky, punctuated, dramatic & determined in a neo-classical spirit. | 动荡 小说纪录片 心理剧 有节奏感 | C | 81 | |||
|
Dementia [EOS147 - 1] |
0 | 2'47 | Simon Gruwé | Introspective, hypnotic & choppy. Build-up. Strings, electric guitar | 气氛 悬念 电子琴 sequencing | Fm | 75 | |||
|
An Eye for an Eye [CEZ4680 - 1] |
3'36 | Walter de Castro, Jean-Philippe Freu | Indie pop song. Cinematic. Mischievous & confident verses, smooth 歌词 | 印度流行音乐 自信 公路电影 无忧无虑 | Gbm | 108 | ||||
|
An Eye for an Eye Alternate 1 [CEZ4680 - 10] |
版本. | 3'37 | Walter de Castro, Jean-Philippe Freu | Instrumental version | 印度流行音乐 自信 公路电影 无忧无虑 | Bm | 108 | |||
|
An Eye for an Eye Alternate 2 [CEZ4680 - 11] |
版本. | 3'37 | Walter de Castro, Jean-Philippe Freu | Underscore version | 印度流行音乐 自信 公路电影 无忧无虑 | Bm | 108 | |||
|
An Eye for an Eye Edit 1 (60
[CEZ4680 - 12] |
版本. | 1'00 | Walter de Castro, Jean-Philippe Freu | 60 second cut | 印度流行音乐 自信 公路电影 无忧无虑 | Gbm | 108 | |||
|
An Eye for an Eye Edit 2 (30
[CEZ4680 - 13] |
版本. | 0'30 | Walter de Castro, Jean-Philippe Freu | 30 second cut | 印度流行音乐 自信 公路电影 无忧无虑 | Bm | 108 | |||
|
An Eye for an Eye Edit 3 (20
[CEZ4680 - 14] |
版本. | 0'20 | Walter de Castro, Jean-Philippe Freu | 20 second cut | 印度流行音乐 自信 公路电影 无忧无虑 | D | 108 | |||
|
An Eye for an Eye Edit 4
[CEZ4680 - 15] |
版本. | 0'13 | Walter de Castro, Jean-Philippe Freu | Sting | 印度流行音乐 自信 公路电影 无忧无虑 | Gbm | 109 | |||
|
Driving Angst [INP083 - 5] |
2'26 | Marvin Losch | Fast, determined, grand. Low humming notes and lone string chugging | 固执 预告片 画面感 史诗 | Cm | 120 | ||||
|
Driving Angst (Underscore) [INP083 - 17] |
版本. | 2'26 | Marvin Losch | Fast, determined, grand. Low humming notes and lone string chugging | 固执 预告片 画面感 史诗 | C | 162 | |||
|
Paradox [INP083 - 8] |
2'31 | Lukasz Jankowski, Dariusz Orlowski | Determined, thriller, futuristic. Riser launches into a menacing | 固执 科幻片 画面感 史诗 | C | 134 | ||||
|
Paradox (Underscore) [INP083 - 20] |
版本. | 2'31 | Lukasz Jankowski, Dariusz Orlowski | Determined, thriller, futuristic. Riser launches into a menacing | 固执 科幻片 画面感 史诗 | C | 100 | |||
|
Hard Reset [BIB296 - 7] |
2'01 | Omer Agca | Explosive, modern, heavy. Crowd cheering leads into slick | 极限运动 future beat 都市景色 电子鼓 | Am | 75 | ||||
|
Hard Reset (Instrumental) [BIB296 - 27] |
版本. | 1'59 | Omer Agca | Explosive, modern, heavy. Crowd cheering leads into slick | 极限运动 future beat 都市景色 电子鼓 | Am | 76 | |||
|
Hard Reset (Bed) [BIB296 - 28] |
版本. | 1'58 | Omer Agca | Explosive, modern, heavy. Slick electronic instrumentation, with | 极限运动 future beat 都市景色 电子鼓 | Am | 151 | |||
|
Glamour & Anarchy [BIB296 - 9] |
2'29 | Elias Kolkas | Theatrical, driven, determined. Soaring 80s synth wiggles above | 态度 固执 琶音器 electro beat | Gm | 95 | ||||
|
Glamour & Anarchy
[BIB296 - 31] |
版本. | 2'29 | Elias Kolkas | Theatrical, driven, determined. Soaring 80s synth wiggles above | 态度 固执 琶音器 electro beat | Gm | 95 | |||
|
Glamour & Anarchy (Bed) [BIB296 - 32] |
版本. | 2'24 | Elias Kolkas | Theatrical, driven, determined. Chugging bassline giving a sense of | 态度 固执 琶音器 electro beat | Gm | 95 | |||
|
Glamour & Anarchy (30 sec) [BIB296 - 33] |
版本. | 0'30 | Elias Kolkas | Theatrical, driven, determined. Soaring 80s synth wiggles above | 态度 固执 琶音器 electro beat | Gm | 95 | |||
|
African Vibranium [CEZ4694 - 1] |
2'12 | Gwadakongo | Afrofuturism. Dreamy, bright & captivating. Synths, beats, | 非洲 afro-house 节奏感 自信 | Ebm | 113 | ||||
|
African Vibranium Alternate [CEZ4694 - 11] |
版本. | 2'12 | Gwadakongo | Underscore version | 非洲 afro-house 节奏感 自信 | Ebm | 113 | |||
|
African Vibranium Edit 30 sec [CEZ4694 - 12] |
版本. | 0'30 | Gwadakongo | 30 second cut | 非洲 afro-house 节奏感 自信 | Ebm | 113 | |||
|
Playfulness [CEZ4688 - 11] |
0 | 2'11 | Gréco Casadesus | Fairy tale theme. Joyful, carefree, lively & graceful. Symphony | 开心 orchestral score 动画 喜剧 | Am | 185 | |||
|
Neon Residue [AMS5061 - 2] |
2'17 | Felix Weber | Cinematic trap. Pulsating with a light Asian atmosphere, urban & | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | ||||
|
Neon Residue Alternate 1 [AMS5061 - 15] |
版本. | 2'18 | Felix Weber | Version without percussion | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Alternate 2 [AMS5061 - 16] |
版本. | 2'18 | Felix Weber | Version with percussion only | 电影节奏 疑问 科幻片 社会悲剧 | Bm | 150 | |||
|
Neon Residue Alternate 3 [AMS5061 - 17] |
版本. | 2'18 | Felix Weber | Version without vox | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Alternate 4 [AMS5061 - 18] |
版本. | 2'18 | Felix Weber | Bed version | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Alternate 5 [AMS5061 - 19] |
版本. | 2'18 | Felix Weber | Underscore version | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Edit 1 30 sec [AMS5061 - 20] |
版本. | 0'32 | Felix Weber | 30 second cut | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Edit 2 15 sec [AMS5061 - 21] |
版本. | 0'16 | Felix Weber | 15 second cut | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Ticket Please [CEZ4696 - 5] |
2'45 | Cheik Sound, Tae C | K-Pop rap. Catchy, jumpy & with attitude. Korean rapper, autotune, 歌词 | 现代 2010 舞蹈流行音乐 动人 | Am | 102 | ||||
|
Ticket Please Alternate 1 [CEZ4696 - 21] |
版本. | 2'45 | Cheik Sound | Instrumental version. | 现代 2010 舞蹈流行音乐 动人 | Am | 102 | |||
|
Ticket Please Alternate 2 [CEZ4696 - 22] |
版本. | 2'45 | Cheik Sound | Underscore version | 现代 2010 舞蹈流行音乐 动人 | Am | 102 | |||
|
Ticket Please Edit 30 sec [CEZ4696 - 23] |
版本. | 0'30 | Cheik Sound | 30 second cut. | 现代 2010 舞蹈流行音乐 动人 | Am | 102 | |||
|
Deeper [CEZ4696 - 7] |
3'06 | Cheik Sound, Tae C | K-Pop song with an R&B touch. Bright, sensual, carefree & groovy. 歌词 | 现代 动人 朗朗上口 韩国 | G | 119 | ||||
|
Deeper Alternate 1 [CEZ4696 - 27] |
版本. | 3'06 | Cheik Sound | Instrumental version. | 现代 动人 朗朗上口 韩国 | Am | 119 | |||
|
Deeper Alternate 2 [CEZ4696 - 28] |
版本. | 3'06 | Cheik Sound | Underscore version | 现代 动人 朗朗上口 韩国 | Dm | 119 | |||
|
Deeper Edit 30 sec [CEZ4696 - 29] |
版本. | 0'30 | Cheik Sound | 30 second cut. | 现代 动人 朗朗上口 韩国 | Am | 118 |