| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Des Knaben Wunderhorn - Trost
[CLA1921 - 5] |
0 | 2'31 | 古斯塔夫·马勒 | Proud, solemn & confident. Chamber orchestra and baritone. | 骄傲 男中音(声乐) 室内乐团 庄重 | Am | 90 | |||
|
Action then Reflection 2 [CEZ4390 - 18] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Animated, changing & positive. First part with prepared piano. | 果断 机械的 无电声钢琴 自信 | D | 116 | |||
|
Hurricane Warning [CEG5019 - 1] |
2'38 | Michel Roche | Panoramic, worrying & tense. Synth pads & tribal percussion @ 0'50. | 海滨 加勒比 潮湿 神秘 | Am | 151 | ||||
|
Hurricane Warning Alternate [CEG5019 - 22] |
版本. | 1'48 | Michel Roche | Alternate. Worrying & tense. Synth pads & tribal percussion @ 0'50. | 海底 加勒比 潮湿 海滨 | Dm | 150 | |||
|
Hurricane Warning Underscore [CEG5019 - 23] |
版本. | 1'48 | Michel Roche | Underscore. Synth pads a light percussion only. | 海底 加勒比 潮湿 海滨 | D | 150 | |||
|
Mesto amatore [CLA1820 - 7] |
0 | 2'26 | Carlo Donato Cossoni | Introspective, serious & intimate. Soprano and chamber orchestra. | 反省 内心活动 严谨 忧伤 | Bm | 107 | |||
|
Ecce Jesu mi [CLA1820 - 10] |
0 | 6'02 | Carlo Donato Cossoni | Mystic & rigorous. Soprano and chamber orchestra. | 神奇 严谨 反省 巴罗克音乐(1600-1750) | Gm | 104 | |||
|
Prélude en La Majeur [CLA1602 - 7] |
0 | 0'40 | 弗雷德里克·肖邦 | Refined, confident & waiting. Piano. | 高雅 自信 无电声钢琴 迷人 | A | 90 | |||
|
Prélude en Si Majeur [CLA1602 - 11] |
0 | 0'43 | 弗雷德里克·肖邦 | Confident, carefree & delicate. Piano. | 自信 无忧无虑 无电声钢琴 迷人 | B | 155 | |||
|
Prélude en do mineur [CLA1602 - 20] |
0 | 1'34 | 弗雷德里克·肖邦, 路德维希·范·贝多芬 | Sad, serious & pressed. Piano. | 伤心 反省 无电声钢琴 严谨 | Cm | 80 | |||
|
Bagatelle en Ré Majeur [CLA1602 - 30] |
0 | 3'32 | 路德维希·范·贝多芬 | Intimate & peaceful. Piano. | 内心活动 宁静 无电声钢琴 反省 | Em | 72 | |||
|
Bagatelle en La bémol Majeur [CLA1602 - 31] |
0 | 2'00 | 路德维希·范·贝多芬 | Rigorous, obstinate & confident. Piano. | 严谨 自信 疑问 固执 | Ab | 123 | |||
|
Act. 1, VII. Aschenbrödel
[CLA1202 - 7] |
0 | 6'42 | 弗兰克·马丁 | 7th scene. New theme @ 2'04. Sad & introspective. Tenor, soprano, | 伤心 反省 芭蕾舞曲 严谨 | Em | 65 | |||
|
Act. 1, IX. Entree des Fee [CLA1202 - 9] |
0 | 4'32 | 弗兰克·马丁 | 9th scene. Interrogative & mysterious. Contre-alto, soprano and | 疑问 神秘 芭蕾舞曲 严谨 | Gbm | 90 | |||
|
Act. 2, VII. Tanz des Prinzes
[CLA1202 - 16] |
0 | 4'01 | 弗兰克·马丁 | 7th scene. Charming, refined & rigorous. Interrogative & mysterious @ | 迷人 芭蕾舞曲 高雅 严谨 | Gbm | 82 | |||
|
Act. 3, V. Entree des
[CLA1202 - 22] |
0 | 3'12 | 弗兰克·马丁 | 5th scene. Determined, pressed & serious. Soprano, tenor and symphony | 果断 疑问 芭蕾舞曲 交响乐队 | Gb | 143 | |||
|
Act. 3, VIII. Finale [CLA1202 - 25] |
0 | 3'20 | 弗兰克·马丁 | 8th scene. Proud & confident. Soprano, tenor and symphony orchestra. | 骄傲 自信 芭蕾舞曲 交响乐队 | A | 120 | |||
|
Cruda Amarilli, che col nome
[CLA1814 - 2] |
0 | 4'33 | Luca Marenzio | Serious & solemn. Alto, bass, soprano, tenor and lute. 歌词 | 严谨 自信 文艺复兴时期音乐 神奇 | Am | 65 | |||
|
O fido, o caro Aminta [CLA1814 - 4] |
0 | 2'57 | Luca Marenzio | Rigorous & solemn. Alto, bass, soprano, tenor and chamber orchestra. | 严谨 庄重 中音(声乐) 男低音(声乐) | Am | 70 | |||
|
Ah, dolente partita! [CLA1814 - 7] |
0 | 2'04 | Luca Marenzio | Peaceful & patient. Tenor and lute. | 宁静 文艺复兴时期音乐 耐心 严谨 | Em | 90 | |||
|
Tirsi mio, caro Tirsi [CLA1814 - 12] |
0 | 2'35 | Luca Marenzio | Rigorous & solennel. Alto, bass, soprano, tenor and harpsichord. | 文艺复兴时期音乐 严谨 庄重 自信 | Dm | 152 | |||
|
Sonate a due e tre, Op. 2 [CLA1805 - 11] |
0 | 3'27 | Giovanni Legrenzi | Proud & confident. Violin and organ. | 果断 自信 严谨 动人 | G | 127 |