| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Romance del Rio y la Paloma [OCR560186 - 11] |
0 | 2'31 | Gicela Mendez Ribeiro, Nini Flores, Rudy Flores | Chamame. Classical guitar, double bass, accordion, male singer & | 阿根廷舞曲 键钮手风琴 阿根廷 西班牙语歌唱 | B | 130 | |||
|
Tu Regreso [OCR560186 - 12] |
0 | 3'56 | Nini Flores, Rudy Flores | Chamame. Classical guitar, guitarron & bandoneon. | 阿根廷舞曲 阿根廷 小六角手风琴 民族 | G | 129 | |||
|
Lunita Entrerriana [OCR560186 - 13] |
0 | 2'46 | Nini Flores | Chamame. Solo accordion. | 阿根廷舞曲 键钮手风琴 阿根廷 民族 | D | 103 | |||
|
Mi Bien Amada [OCR560186 - 14] |
0 | 1'53 | Nini Flores, Rudy Flores | Chamame. Classical guitar & bandoneon duet. | 阿根廷舞曲 键钮手风琴 阿根廷 民族 | A | 123 | |||
|
Luna Llena [OCR560186 - 15] |
0 | 3'45 | Gicela Mendez Ribeiro, Nini Flores, Rudy Flores | Chamame with singing. Classical guitar, guitarron, bandoneon & female | 阿根廷舞曲 阿根廷 小六角手风琴 西班牙语歌唱 | A | 128 | |||
|
La Topada [OCR560186 - 16] |
0 | 1'48 | Nini Flores, Rudy Flores | Chamame. Classical guitar, guitarron & bandoneon. | 阿根廷舞曲 阿根廷 小六角手风琴 民族 | G | 100 | |||
|
A! Mi Corrientes Porà [OCR560186 - 17] |
0 | 2'51 | Fabrizio Fenoglietto, Gicela Mendez Ribeiro, Nini Flores, Rudy Flores | Chamame with singing. Classical guitar, double bass, accordion, | 阿根廷舞曲 西班牙语歌唱 人声 键钮手风琴 | Am | 104 | |||
|
La Città del Vaticano [CEO2012 - 29] |
0 | 1'21 | Bruno Alexiu | Solemn & meditative. Organ & symphonic orchestra. | 天主教音乐 庄重 宗教仪式 教堂管风琴 | D | 66 | |||
|
War Consequences [CEO2012 - 36] |
0 | 1'36 | Bruno Alexiu | Tense & inexorable. Constant progression. Timpani & symphonic | 无情 命运 历史旁白 悲剧 | Cm | 82 | |||
|
Field of Ruins [CEO2012 - 40] |
0 | 0'55 | Arnaud de Boisfleury | Fatal & tragic. Symphonic orchestra. | 弦乐部分 军事冲突 命运 悬念 | A | 111 | |||
|
Basta Corazon [OCR560153 - 1] |
0 | 3'34 | Florindo Alvis from P.D. | Huayno. Love song. Solo charango. | 小型八弦 民族 huayno 玻利维亚 | Ab | 96 | |||
|
Waynu Carnaval [OCR560153 - 2] |
0 | 2'47 | Eustaquio Alvis from P.D. | Waynu. Song. Guitarrilla & male voice. | 盖丘亚语歌唱 民族 玻利维亚 guitarrilla | C | 85 | |||
|
Aiwisku [OCR560153 - 3] |
0 | 2'53 | Barbara Reynaga de Alvis , Eustaquio Alvis from P.D. | Aiwisku. Song. Charango & female voice. | 盖丘亚语歌唱 小型八弦 民族 玻利维亚 | E | 90 | |||
|
Qolqechakamanta [OCR560153 - 4] |
0 | 5'03 | Eustaquio Alvis, Florindo Alvis from P.D. | Aiwisku. Popular theme. Charangos duet. | 小型八弦 民族 玻利维亚 二重奏 | Gm | 97 | |||
|
Canto De Jalq'a [OCR560153 - 5] |
0 | 1'16 | Barbara Reynaga de Alvis from P.D. | Song performed during Carnival. A cappella female voice. | 盖丘亚语歌唱 民族 无伴奏合唱 玻利维亚 | Bbm | 108 | |||
|
Yana Llamita [OCR560153 - 6] |
0 | 2'49 | Florindo Alvis from P.D. | Huayno. About the disappointments of love. Solo charango. | 小型八弦 民族 huayno 玻利维亚 | Abm | 92 | |||
|
Wanuy Taki [OCR560153 - 7] |
0 | 1'18 | Barbara Reynaga de Alvis from P.D. | Funeral song. A cappella female voice. | 盖丘亚语歌唱 民族 民族女声歌唱 无伴奏合唱 | E | 136 | |||
|
Chiri Waira [OCR560153 - 8] |
0 | 4'26 | Florindo Alvis | Huayno. Inspired by the cold & the wind. Solo charango. | 小型八弦 民族 huayno 玻利维亚 | Bbm | 96 | |||
|
Casaray Taki [OCR560153 - 9] |
0 | 1'56 | Barbara Reynaga de Alvis from P.D. | Very popular song. A cappella female voice. | 盖丘亚语歌唱 民族 无伴奏合唱 玻利维亚 | Bm | 99 | |||
|
Todos Los Santos De Ocuri [OCR560153 - 10] |
0 | 4'36 | Barbara Reynaga de Alvis , Eustaquio Alvis, Florindo Alvis from P.D. | Huayno. All Saints theme. Charangos, male & female voices. | 盖丘亚语歌唱 小型八弦 民族 huayno | Eb | 98 |