Fast - Upbeat and carefree 60's easy-listening in a modern way. Funky ...Fast - Upbeat and carefree 60's easy-listening in a modern way. Funky guitar, brass, vintage electric piano, female vocal accent. Tv game excitement.
Groovy, funky, warm. Deep fluffy synth chords play out with bright ...Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into fun beat and charismatic male vocals. A party all over the city with mentions of compass points. Rapping lyrics paint a picture of a cool individual riding through the streets, talking to girls and feeling their own style. Big bass give a confident tone.歌词
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on i don't need you to lie to me) Come on we got that sound don't we, (come on i don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
West side, South side, North side, East side, Uh what side you on, What what side you on, Yeah what side you on, What what side you on.
Look im on the north side tonight we creepin, Its a 4 day weekend so we 4 times turnt we just lit 4 up, So we pulled up geekin she was talking to you till I arrived with a crew now I know that hurt, Went from holdin my stance to doing my dance and shawty got back show me how that work, Im just keeping it real i just need my thrills when they play my song shawty know my verse, Aw man im the star of the function and its causing commotion but its all in conjunction see, Me and mans came with the jams so do your part and shake a lil yams, We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
Groovy, funky, warm. Deep fluffy synth chords play out with bright ...Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soul-style bass and simple lead give a throwback vibe, 90s style. Big boom bap percussion offers a confident tone. Instrumental version.
Groovy, funky, warm. Deep fluffy synth chords play out with bright ...Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soft percussion and soul-style bass give a throwback 90s vibe. Stripped back underscore version.
Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ ...Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ gives a sense of arrogance, teasing men with their irresistible style. Sultry hip hop instrumentation adds to a sense of smooth womanising aura. Male vocals calmly deliver lyrics giving confidence.歌词
We apologize, If your girl left you tonight, We sorry.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo.
Aw damn that that was your girl, Thats your girl, The one that just chose us, Ima smoother operator, Shoes alligator, You a imitator, Ima innovator, She just came to me with an invitation after hittin' you with an ultimatum, After birth, I destroyed the mold in which they made em, You aint freshazimiz dawg aint no debatin, I was holding auditions sorry she kept you waiting, You might get you a lil sumn for participating, You might get you al lil whip nah I was just playing, I mean I got but I aint got a chick is what im saying, I mean you is looking thick but, Somebody come get their chick bruh.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo, don't watch your girl, Go watch your girl, Come watch your girl.
Smooth, charismatic, romantic. Dramatic organs and piano play out ...Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Instrumental version.
Smooth, charismatic, romantic. Dramatic organs and piano play out ...Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Stripped back underscore version.
Stylish, nostalgic, funky. Clap beat and bass gives a cool energy. ...Stylish, nostalgic, funky. Clap beat and bass gives a cool energy. High pitched male vocals offer a passionate groovy vibe with lyrics about being hip and trendy, taking dangerous streets to a cool bar. Steady instrumentation with guitar stabs and dynamic brass elements are given a theatrical power. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura.歌词
Said you wanna take the back streets, But I don't think you know what that means, ‘Cause You've never really been on the scene, With the crowd getting loud back in 1993.
You’d, Do right, To learn what life was like, ‘Cause it’s going down in history. . Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before, You should see the way that they move, Across the floor in 1992, Tootsee-Roll, Running Man, Macarena, Cabbage-patch, oh let me show it to you.
New-jack-Groove, Gonna get a hold on you, And it’s gonna make your body move, Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before.
Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before.
Stylish, nostalgic, funky. Clap beat and bass gives a cool energy, ...Stylish, nostalgic, funky. Clap beat and bass gives a cool energy, muted guitar communicates a modesty or subtlety. A hip cat who moves with a slow, calculated style. Organ brings a throwback element to instrumentation as guitar stabs and dynamic brass elements are given a theatrical power. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura. Instrumental version.
Stylish, nostalgic, funky. Subtle funk beat and bass give a cool ...Stylish, nostalgic, funky. Subtle funk beat and bass give a cool energy, muted guitar communicates a modesty or subtlety. A hip cat who moves with a slow, calculated style. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura. Stripped back underscore version.
Careless, explosive, passionate. Strong bass and claps push out with ...Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Female vocals lamenting a romantic situation, driven by lust and heartbreak. Trumpets communicate a power, an individual that's fed up of being treated badly. An impassioned admission of love.歌词
I'm shook, you got me on a hook, I've gotta get a fix, if only just another look, You're fine and I'm just waiting on a sign.
You got me folding up in feelings, Rolled up in love, I'm straight up reeling, Gotta tell you now, how it’s going down, Now You've lit the fuse, nothing left to lose.
One time, I put it on the line, Put my money where my lips are sealed tight, Could you be mine, or am I running out of time.
When we ran solo and felt free, We were just Youngbloods, it’s crazy, I got your number, don't block me, The rest is now all just history.
Careless, explosive, passionate. Strong bass and claps push out with ...Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Trumpets communicate a power, an individual that's fed up of being treated badly. An impassioned admission of love. Instrumental version.
Careless, explosive, passionate. Strong bass and claps push out with ...Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Determined bassline conjures visions of a lovelorn situation. An individual that's fed up of being treated badly. An impassioned admission of love. Stripped back underscore version.
Groovy, retro, sultry. Jazz impacts push into funky 70s jazz vibe ...Groovy, retro, sultry. Jazz impacts push into funky 70s jazz vibe with passionate organ solo supported by trumpets and other instrumentation. Trumpet solo @ 0'46 gives a sense of energy and fun, people dancing uncontrollably to the jazz stylings. A heated atmosphere, an individual moving through a crowded bar full of movement.
Groovy, fast, retro. Snare roll moves into fast-paced jazzy ...Groovy, fast, retro. Snare roll moves into fast-paced jazzy progression with subtle organ chords and pacy guitar as bass struts with a confident 12-bar blues riff. Organ plays out 70s hippie melody with tremolo effect. A sense of rushed coolness, an individual making his way quickly through the city. Guitar solo @ 1'00 grows into frantic skilled freeform riff with passion and coolness.
Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. ...Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's Vallenati pop. broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Extended intro. Lively, rhythmic & sentimental Colombian vallenato ...Extended intro. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar? Ay qué le pasa a mi acordeón, que ya no quiere sonar? Será que se siente mal, como está mi corazón Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí Ay si tú no te consuelas de mí, yo no vuelvo más por aquí Las parrandas se acabarán cuando Rey ya no quiera tocar Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba Ya no suena mi acordeón, así como antes sonaba Que alegraba las parrandas por todita la región Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí Si tú no te consuelas de mí, yo no vuelvo más por aquí Las parrandas se acabarán cuando Rey ya no quiera tocar Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore? What's wrong with my accordion that it doesn't want to play anymore? Maybe it feels bad, like my heart does Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore Oh, if you don't find solace in me, I won't come back here anymore The parties will end when Rey no longer wants to play Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to My accordion doesn't play anymore, like it used to It used to bring joy to the parties all around the region It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore If you don't find solace in me, I won't come back here anymore The parties will end when Rey no longer wants to play Oh, the parties will end when Rey no longer wants to play
30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung ...30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar? Ay qué le pasa a mi acordeón, que ya no quiere sonar? Será que se siente mal, como está mi corazón Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí Ay si tú no te consuelas de mí, yo no vuelvo más por aquí Las parrandas se acabarán cuando Rey ya no quiera tocar Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba Ya no suena mi acordeón, así como antes sonaba Que alegraba las parrandas por todita la región Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí Si tú no te consuelas de mí, yo no vuelvo más por aquí Las parrandas se acabarán cuando Rey ya no quiera tocar Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore? What's wrong with my accordion that it doesn't want to play anymore? Maybe it feels bad, like my heart does Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore Oh, if you don't find solace in me, I won't come back here anymore The parties will end when Rey no longer wants to play Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to My accordion doesn't play anymore, like it used to It used to bring joy to the parties all around the region It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore If you don't find solace in me, I won't come back here anymore The parties will end when Rey no longer wants to play Oh, the parties will end when Rey no longer wants to play
Medium tempo - Catchy and uplifting female vocal pop song. Male ...Medium tempo - Catchy and uplifting female vocal pop song. Male backing vocals. Delicate verse, driving chorus. A new love. For romantic comedy, movies, commercials.歌词
Chorus :Walk on the lineBreaking the timeCome with me to be mine Ready to takeLove the shakeCome with me to daybreak Verse :You’ll be mineI know every dayYou’ll be mineClose to me on my wayGet me highShow me the way to youGet me highDrive me to something youClose to you Chorus :Walk on the lineBreaking the timeCome with me to be mine Ready to takeLove the shakeCome with me to daybreak Verse :You are the fireMy desireTake me to be higherReady to takeLove the shakeCome with me to daybreak` You’ll be mineI’m going to love youYou’ll be mineNever live without youTake my handWalk with me till the endTame my handWith me to neverland, neverland Chorus :Walk on the lineBreaking the timeCome with me to be mine Ready to takeLove the shakeCome with me to daybreak Verse :You are the fireMy desireTake me to be higherReady to takeLove the shakeCome with me to daybreak` You’ll be mineI’m going to love youYou’ll be mineNever live without youTake my hand
Rebellious, playful, happy. Strong and fast bass and drums push ...Rebellious, playful, happy. Strong and fast bass and drums push forward with energy. Female vocals give a charismatic performance communicating a sense of playful joy and positivity. Fun vocal stabs around 00:30 launch into feelgood vibe with driving guitar and lyrics about looking on the more optimistic, bright side of life. Two individuals enjoying life and coming at it with a hopeful viewpoint.歌词
At the crossroads I met a man named luther, Told me a little story ‘bout a stone and two birds, He said hey girl you’re a smart commuter, We can take a ride on my brand new scooter.
Well OK, Let’s Go.
Oh look at how fast we can go when we don’t slow down at the stop lights, Oh look at how far we’ve gone when we’re keepin’ our eyes on the bright side, On the bright the side, On the bright the side, Everything feels right when we’re looking on the bright side, On the bright the side, On the bright the side, Everything feels right when we’re looking on the bright side.
I spy with my little eye, A grass so green on the other side, I read in the Somewhere Times, Everything’s gonna be alright.
Well OK, Let’s Go.
Oh look at how fast we can go when we don’t slow down at the stop lights, Oh look at how far we’ve gone when we’re keepin’ our eyes on the bright side, On the bright the side, On the bright the side, Everything feels right when we’re looking on the bright side, On the bright the side, On the bright the side, Everything feels right when we’re looking on the bright side.
Rebellious, playful, happy. Strong and fast bass and drums push ...Rebellious, playful, happy. Strong and fast bass and drums push forward with vigour. Launch into feelgood vibe with driving guitar offering a feeling of positivity and energy. Two individuals enjoying life and coming at it with a hopeful viewpoint. Instrumental version.
Rebellious, playful, happy. Fast drums are joined by dirty guitar ...Rebellious, playful, happy. Fast drums are joined by dirty guitar tone, before launching into feelgood vibe with driving guitar offering a feeling of positivity and energy. Two individuals enjoying life and coming at it with a hopeful viewpoint. Stripped back underscore version.
Mischievous, theatrical, cool. Old school suspicious sequence with ...Mischievous, theatrical, cool. Old school suspicious sequence with resonant honky tonk keys, giving a sinister but fun vibe. A villainous character skulking around and drawing boos from the crowd. Lighthearted vibe from bright instrumentation and oompah rhythm.
Mischievous, theatrical, cool. Old school suspicious sequence with ...Mischievous, theatrical, cool. Old school suspicious sequence with keys and tuba, giving a sinister but fun vibe. A villainous character skulking around and drawing boos from the crowd. Lighthearted vibe from bright instrumentation and oompah rhythm. Stripped back underscore version.
Bright, uplifting, wholesome. Warm guitar chords play out with a ...Bright, uplifting, wholesome. Warm guitar chords play out with a yearning feelgood vibe. Vocals and echoed percussion give a dramatic edge to wholesome tone. A group of people striving for positivity, building something for the benefit of everyone, or having a great time with friends and loved ones. Clapping and shouted ad libs give a sense of community and goodness. Vocals give a sense of adventure at 01:54, joined by passionate percussion.歌词
Now we know this feeling we won't ever let it go, Now we know this feeling we won't ever let it go, Give me all you've got, Give me all you've got, Give me all you've got, Give me all you've got.
Bright, uplifting, wholesome. Warm guitar chords play out with a ...Bright, uplifting, wholesome. Warm guitar chords play out with a yearning feelgood vibe. A group of people striving for positivity, building something for the benefit of everyone, or having a great time with friends and loved ones. Wholesome indie instrumentation. Alternate version.
Bright, uplifting, wholesome. Warm guitar chords play out with a ...Bright, uplifting, wholesome. Warm guitar chords play out with a yearning feelgood vibe. Echoed percussion gives an epic edge. A group of people striving for positivity, building something for the benefit of everyone, or having a great time with friends and loved ones. Clapping give a sense of community and goodness. Wholesome indie instrumentation. Instrumental version.
Adventurous, spirited, wistful. Spacey synths combine with guitars to ...Adventurous, spirited, wistful. Spacey synths combine with guitars to create a serious indie tone before launching into full drums and vocal cooing giving a sense of emotion and passion. Detuned electronic synths combine with sharp bass and drums to give a slightly futuristic, indie power. An individual setting off into an unknown world with a feeling of energy.
Adventurous, spirited, wistful. Spacey synths combine with guitars to ...Adventurous, spirited, wistful. Spacey synths combine with guitars to create a serious indie tone before launching into full drums. Detuned electronic synths combine with sharp bass and drums to give a slightly futuristic, indie power. An individual setting off into an unknown world with a feeling of energy. Instrumental version.
Adventurous, spirited, wistful. Spacey synths combine with guitars to ...Adventurous, spirited, wistful. Spacey synths combine with guitars to create a serious indie tone. Detuned electronic synths combine with sharp bass slightly futuristic, indie power. An individual setting off into an unknown world with a feeling of energy. Stripped back underscore version.
Determined, rocky, cool. Fiery rock guitars build up with drums in a ...Determined, rocky, cool. Fiery rock guitars build up with drums in a powerful indie rock style, strong, blues-y chord progressions offer a sense of seriousness. An individual preparing to save the world or for a showdown against bad people. Addition of electronic drums and synths give a feeling of modernity. Vocals offer a more communal, organic feeling. Building into cathartic crescendo at 01:16 before smouldering down into a soulful conclusion.
Determined, rocky, cool. Fiery rock guitars build up with drums in a ...Determined, rocky, cool. Fiery rock guitars build up with drums in a powerful indie rock style, strong, blues-y chord progressions offer a sense of seriousness. An individual preparing to save the world or for a showdown against bad people. Addition of electronic drums and synths give a feeling of modernity. Building into cathartic crescendo at 01:16 before smouldering down into a soulful conclusion. Instrumental version.
Determined, rocky, cool. Guitar and synths launch into blues-y chord ...Determined, rocky, cool. Guitar and synths launch into blues-y chord progressions. An individual preparing to save the world or for a showdown against bad people. Rough, rustic vibe from instrumentation. Stripped back underscore version.
Rebellious, nautical, raucous. Winding accordion meets with distorted ...Rebellious, nautical, raucous. Winding accordion meets with distorted guitar, launching into dramatic drumbeat in a determined rock instrumentation. Sea shanty vibe from vocals as lyrics describe as dangerous situation as a ship sinks. Imagery of the devil gives a sense of real danger and intrigue, a mythic energy.歌词
Fire, Fire, Fire burning gold, Better get those waggon wheels a-turnin’, Fire, Fire, Fire in the hold, Better get a bucket boys, she’s burnin’.
The devil himself is shippin’ to sea, He’s settin’ out to follow me, He’s got his black flag flowin’ free, The devil himself is shippin’ to sea!
Fire, Fire, Fire burning gold, Better get those waggon wheels a-turnin’, Fire, Fire, Fire in the hold, Better get a bucket boys, she’s burnin’.
Rebellious, nautical, raucous. Winding accordion meets with distorted ...Rebellious, nautical, raucous. Winding accordion meets with distorted guitar, launching into dramatic drumbeat in a determined rock instrumentation. Sea shanty vibe from rolling rhythm and stern chord progressions. Instrumentation disappears for banjo solo at 01:46, giving a sense of tension and spirit. Instrumental version.
Rebellious, nautical, raucous. Serious guitar chords give a dramatic ...Rebellious, nautical, raucous. Serious guitar chords give a dramatic vibe with percussive momentum offering a sense of determination. Sea shanty vibe from rolling rhythm and stern chord progressions. Instrumentation disappears for banjo solo at 01:46, giving a sense of tension and spirit. Stripped back underscore version.
Pacy, glamorous, superficial. Chattering percussive FX moving into ...Pacy, glamorous, superficial. Chattering percussive FX moving into solid hip hop instrumental gives a sense of speed and slickness. Male vocals rap about money being the main priority, enjoying fame and notoriety and looking good in fashionable clothing. A sense of superficial, shallow lifestyle. Individuals in fur coats with cameras flashing and people stopping to look. Supported by pristine electro hip hop style.歌词
All of the stars are out,Let’s get together and run our mouth,Cars, fashion, and chasing clout,Who’s the best, that’s what we're about,We're just here to show out,Talk about money, we throw out,This is our only mission,This is the life, rags to riches. Flash lights, camera, and action,Let’s get together in high fashion,Flash lights, camera, and action,Let’s get together in high fashion,Go ahead and take a picture,This is a great time to remember,Go ahead and take a picture,This is a great time to remember. Smile for the paparazzi,Necks, wrists, fingers all rocky,This is the high life,Blinded by all the lights,Nothing matters but the price,Money talking all night,This is our only mission,This is the life, rags to riches. Flash lights, camera, and action,Let’s get together in high fashion,Flash lights, camera, and action,Let’s get together in high fashion,Go ahead and take a picture,This is a great time to remember,Go ahead and take a picture,This is a great time to remember. All of the stars are out,Let’s get together and run her mouth,Cars, fashion, and chasing clout,Who’s the best, that’s what we're about,We're just here to show out,Talk about money, we throw out,This is our only mission,This is the life, rags to riches.
Pacy, glamorous, superficial. Chattering percussive FX moving into ...Pacy, glamorous, superficial. Chattering percussive FX moving into solid hip hop instrumental gives a sense of speed and slickness. A sense of superficial, shallow lifestyle. Individuals in fur coats with cameras flashing and people stopping to look. Supported by pristine electro hip hop style. Instrumental version.
Pacy, glamorous, superficial. Chattering percussive FX moving into ...Pacy, glamorous, superficial. Chattering percussive FX moving into solid hip hop instrumental gives a sense of speed and slickness. A sense of superficial, shallow lifestyle. Individuals in fur coats with cameras flashing and people stopping to look. Supported by pristine electro hip hop style. Stripped back underscore version.
Rustic, powerful, fun. French cafe music plays out in a tinny style, ...Rustic, powerful, fun. French cafe music plays out in a tinny style, a rushed atmosphere before modern instrumentation. Chugging electronic bass and risers give a sense of modern power meeting with old traditional style. Drumming underneath accordion gives a feeling of a challenge. A sporting event with contestants enjoying themselves but locked in competition with eachother. Dramatic energy from vocals at 01:14 with echoing gravitas. Heavy drums feed into a sense of power and supremacy.
Rustic, powerful, fun. French cafe music plays out in a tinny style, ...Rustic, powerful, fun. French cafe music plays out in a tinny style, a rushed atmosphere before modern instrumentation. Chugging electronic bass and risers give a sense of modern power meeting with old traditional style. Drumming underneath accordion gives a feeling of a challenge. A sporting event with contestants locked in competition with eachother. Dramatic energy at 01:14 with echoed instrumentation. Heavy drums feed into a sense of power and supremacy. Alternate version.
Rustic, powerful, fun. French cafe music plays out in a tinny, lofi ...Rustic, powerful, fun. French cafe music plays out in a tinny, lofi style, a rushed atmosphere before meeting with modern instrumentation. Chugging electronic bass and risers give a sense of modern power meeting with old traditional style. Dramatic energy at 01:14 with echoed instrumentation and vocals. Alternate version.
