Modern blues rock track in the spirit of a famous australian rock ...Modern blues rock track in the spirit of a famous australian rock band. Arena rock, rowdy & rollicking. Perfect for football, extreme sports, wresling & motor racing.
Rude, energetic, confident. Commercial house music trumpet shifts ...Rude, energetic, confident. Commercial house music trumpet shifts into deep synth notes setting out an invigorating beat. Quick-witted female raps, bragging about money and that she is a trendsetter. Impulsive and empowering energy supported by lively instrumentation. A club filled with beats, dancing and fast paced movement. Vocals encourage individuality, believing in your own energy and style. Empowering female aura, girls having a good time and not letting anyone or anything stop them.
Rousing, determined, heroic. Cool, contemporary electronic beats with ...Rousing, determined, heroic. Cool, contemporary electronic beats with deep, brooding bass and bright, mysterious synth melodies. Purposeful and propulsive electronic cue, which moves through reflective, restrained sections to uplifting moments, building a dark sense of drive and triumph to a dramatic finale with atmospheric choral vocals.
Tingling intro building-up with celesta & strings textures setting a ...Tingling intro building-up with celesta & strings textures setting a gloomy & dark fantasy atmosphere. Fantastical build-up @ 0'23 with eerie staccato strings. Dramatic & confident @ 0'57 until epic climax with choir & back end. Suggested for horrific adventure, Halloween, animation, video games, freaks & magicians trailer.
Punchy, danceable & lively reggaeton sung in Spanish & Japanese. ...Punchy, danceable & lively reggaeton sung in Spanish & Japanese. Regret over the loss of a former lover. Male singer, male backing vocals, auto-tune, sampling, strings, synth, Latin & electronic percussion. Japanese rap @ 1'33. Suggested for workout & fitness.歌词
ES/JP:
Ya no te niego que te extraño
Y no te puedo sacar de mi mente
Me paso to' el dia pensando
En que quizás no te di suficiente
Quiero que tu y yo seamos
lo que fuimos antes
Ya no quiero tenerte lejos
baby tan distante
bailemos hasta que esto se acabe
aun te amo y tu lo sabes
del corazón tienes la llave
pero supongo que se me hizo tarde
se que falle
te ilusione
pero te juro no lo volveré a hacer
porque te perdí y no quieres volver
te clavaste en mi corazón sin querer
y ahora
por ti siempre lloro
mi cuarto se siente solo
por favor baby te lo imploro
vuelve a mi vuelve a mi
y debajo de la luna vamo' a bailar
te comento que se siente espectacular
cuando logro tocarte una vez mas
a ti nadie podrá remplazarte
y debajo de la luna vamo' a bailar
te comento que se siente espectacular
cuando logro tocarte una vez mas
a ti nadie podrá remplazarte
quiero que tu y yo seamos
lo que fuimos antes
ya no quiero tenerte lejos
baby tan distante
bailemos hasta que esto se acabe
aun te amo y tu lo sabes
del corazón tienes la llave
pero supongo que se me hizo tarde
至近距離の
君の瞳に吸い込まれてる合間に
信じられない結末に
後悔後に立たない
目の前で接吻
することすら叶わない現実
それでもこの世界はmade from you
深みにはまる底無し 潜水
君が欲しい数秒
俺の部屋は涙で濡れ空虚
帰って帰ってくれ 夜な夜な言う
大人の無い物ねだり
俺の元に仮に戻ってきたら
月明かりで2人踊り
手握って
I'm gonna tell you
君以外に
替えはいないって
(Traducción en español:
que ya llegué tarde
No me lo creo cuando te miro a los ojos
Siempre lo veo cuando te acercas a mí
Siempre lo veo cuando te acercas a mí
también te mata el deseo
quieres que cierre los ojos
y te de un beso
aunque ya no estemos juntos
te convertiste en mi mundo
por ti bajaría a lo más profundo
solo para tenerte 5 segundos
por ti siempre lloro
mi cuarto se siente tan solo
por favor baby te lo imploro
vuelve a mi vuelve a mi
y debajo de la luna vamo' a bailar
te comento que se siente espectacular
cuando logro tocarte una vez mas
a ti nadie podrá remplazarte)
quiero que tu y yo seamos
lo que fuimos antes
ya no quiero tenerte lejos
baby tan distante
bailemos hasta que esto se acabe
aun te amo y tu lo sabes
del corazón tienes la llave
pero supongo que se me hizo tarde
todavía no se hizo tarde
yo volveré a conquistarte
a la luna voy a llevarte
te hare feliz y tu lo sabes
todavía no se hizo tarde
yo volveré a conquistarte
a la luna voy a llevarte
te hare feliz y tu lo sabes baby
quiero que tu y yo seamos
lo que fuimos antes
ya no quiero tenerte lejos
baby tan distante
bailemos hasta que esto se acabe
aun te amo y tu lo sabes
del corazón tienes la llave
pero supongo que se me hizo tarde
EN:
I don't deny that I miss you
And I can't get you out of my mind
I spend all day thinking
That maybe I didn't give you enough
I want you and me to be
What we were before
I don't want you so far away
baby so distant
Let's dance until it's over
I still love you and you know it
you've got the key to my heart
But I guess I'm too late
I know I failed
I got your hopes up
but I swear I won't do it again
because I lost you and you don't want to come back
you got stuck in my heart without wanting to
and now
I always cry for you
my room feels so lonely
please baby I implore you
come back to me come back to me
and under the moon we're gonna dance
I tell you it feels spectacular
when I get to touch you one more time
no one will ever be able to replace you
and under the moon we're gonna dance
I tell you it feels spectacular
when I get to touch you one more time
no one will ever be able to replace you
I want you and me to be
What we were before
I don't want you so far away
baby so distant
let's dance until this is over
I still love you and you know it
you've got the key to my heart
But I guess I'm too late
(Japanese rap, English translation:
that I'm already late
I don't believe it when I look into your eyes
I always see it when you get close to me
I always see it when you get close to me
You're also dying of desire
you want me to close my eyes
and give you a kiss
even though we are no longer together
you became my world
for you I would go down to the deepest depths
just to have you for 5 seconds
because now for you i cry
my room feels so lonely
please baby i implore you
come back to me come back to me
and underneath the moon we're gonna dance
I tell you that it feels spectacular
when I get to touch you one more time
no one will ever be able to replace you)
I want you and me to be
What we were before
I don't want you so far away
baby so distant
Let's dance until it's over
I still love you and you know it
you've got the key to my heart
But I guess I'm too late
it's not too late
I will conquer you again
I'll take you to the moon
I'll make you happy and you know it
it's not too late
I will conquer you again
I'll take you to the moon
I'll make you happy and you know it baby
I want you and me to be
What we were before
I don't want you so far away
baby so distant
Let's dance until it's over
I still love you and you know it
you've got the key to my heart
But I guess I'm too late
Electro swing on a vintage jazz rhythm. Male voice with ...Electro swing on a vintage jazz rhythm. Male voice with telephone/gramophone effect. Gypsy rhythm guitar & walking bass. Guitar solo @ 1'06.歌词
MR BEGGIN’ME I’m the guy who paints the walls all pink, white, red and green
Yellow, blue, black, purple, orange lime and gray
Moving like the bouncy ball, I bump your clouds away
Ain't no goddamn chains to slow me down today
Boys and girls, stay with me 'cause I got so much to say
Listen up! Get down! All good ? Now it's time to play!
I was made to lift you up, to send you all to sky and space
I'm your best shot if you need a dream to chase
I'm sure you'll be back for more, I'm such a sight to see
When your day's all wrong, y'all know the place to be
Jump on board my ship of gold, we're leaving in a bit
It's a free ride if you're ready, take a trip
I'm Mister Beggin'me x2
Take your time you'll find you're fine with Beggin'me
Swinging, lively, & urgent pop-rock sung in Spanish. Tells the story ...Swinging, lively, & urgent pop-rock sung in Spanish. Tells the story of a night stalker. Female singer, electric guitar, brass section & rock band. Cut & onomatopoeia lead voice @ 1'59.歌词
ES:
Lo ven por las noches cuando sale a merodear
Los sábados va, domingos no está
se esconde para trabajar
Sale a caminar una nueva víctima atrapar
sus pasos se acercan
el sonido aumenta
pronto me alcanzará
Te veo en la esquina
Ya no me persigas
Me enferma tu mirada perdida
no encuentro salida de esta persecución
de esta persecución
voces en su mente que lo obligan a actuar así
lo llevan aquí, lo llevan acá
¿cuándo será que callan?
Red de callejones y guaridas
llego a un laberinto sin salida
Cuento hasta 3 quiero correr
Pronto me alcanzará
te veo en la esquina
Ya no me persigas
Me enferma tu mirada perdida
no encuentro salida de esta persecución
de esta persecución
de esta persecución
Te veo en la esquina
ya no me persigas
Me enferma tu mirada perdida
no encuentro salida
Te veo en la esquina
ya no me persigas
Me enferma tu mirada perdida
no encuentro salida de esta persecución
de esta persecución
de esta persecución
EN:
He is seen at night when he goes out to prowl around
On Saturdays he goes, on Sundays he's not there
He hides to work
He goes out to walk a new victim to catch
his footsteps approach
the sound increases
soon he'll catch up with me
I see you at the corner
Don't chase me anymore
I'm sick of your lost look
I can't find a way out of this chase
of this chase
voices in his mind that force him to act like this
they take him here, they take him here
when will they be silent?
Network of alleys and lairs
I reach a labyrinth with no way out.
I count to 3 I want to run
Soon he' ll catch up with me
I see you at the corner
Don't chase me anymore
I'm sick of your lost look
I can't find a way out of this chase
of this chase
of this chase
I see you in the corner
Don't chase me anymore
Your lost look makes me sick
I can't find a way out
I see you in the corner
Don't chase me anymore
I'm sick of your lost look
I can't find a way out of this chase
of this chase
of this chase
Instrumental version of a swingy, lively, & urgent pop-rock. Electric ...Instrumental version of a swingy, lively, & urgent pop-rock. Electric guitar, brass section & rock band. Cut @ 1'59.
Serious & concerned with brass, percussion & ostinato strings. Full ...Serious & concerned with brass, percussion & ostinato strings. Full of hope & wisdom. Majestic climax @ 1'35 with an epic & grandiose touch. Suggested for natural documentaries, adventure & great discoveries.
Joyful, bouncy, lively & elegant but with a mischievous touch. String ...Joyful, bouncy, lively & elegant but with a mischievous touch. String orchestra, flute & piano. Whistled melody @ 1'10.
Shorter alternate version without whistled melody. Joyful, bouncy, ...Shorter alternate version without whistled melody. Joyful, bouncy, lively & elegant but with a mischievous touch. String orchestra, flute & piano.
Motivating, cyclic, very fast, urgent, lively & uplifting. ...Motivating, cyclic, very fast, urgent, lively & uplifting. Neo-classical. Piano & string orchestra. Suggested for enterprise on the move & accelerated images.
Pondering, sudden, riding & rising intro with acoustic & country ...Pondering, sudden, riding & rising intro with acoustic & country twangy guitar building with lively strings & percussion. Riser & fearless climax @ 1'44. Epic Americana trailer suggested for modern western.
Stomp clap, edgy, positive. Dramatic and celebratory hip hop ...Stomp clap, edgy, positive. Dramatic and celebratory hip hop underscore featuring confident rock guitar riffs, propulsive drums, uplifting brass and cool, motivating vocal shout outs. Hip hop, rock hybrid with swagger and attitude, becoming more energetic and motivating throughout.
Driving, determined and fearless Indie rock/Britpop instrumental ...Driving, determined and fearless Indie rock/Britpop instrumental track. Hypnotic and powerful drums, with distorted electric guitars. This track has swagger and confidence.
Tragic & mysterious intro with heavy taiko, dizi & shakuhashi. Lead ...Tragic & mysterious intro with heavy taiko, dizi & shakuhashi. Lead guzheng @ 0'33 buiding-up gradually in an adventurous & determined mood until an exhilarating & victorious climax. For final battle in an adventurous Chinese movie.
Alternate without percussion. Sparse & mysterious intro dizi flute & ...Alternate without percussion. Sparse & mysterious intro dizi flute & shakuashi. Lead guzheng @ 0'33 evolving in an adventurous & confident mood until an victorious climax.
Electro beat, body music. Mechanical, amusing, a bit silly but funny. ...Electro beat, body music. Mechanical, amusing, a bit silly but funny. Suggested for cooking, advertising, childhood, daytime TV. Body percussion, onomatopeias, sampled vocals, snaps, claps, synth & rhythm.
Electro beat, body music. Mechanical, amusing, a bit silly but funny. ...Electro beat, body music. Mechanical, amusing, a bit silly but funny. Suggested for cooking, advertising, childhood, daytime TV. Body percussion, onomatopeias, sampled vocals, snaps, claps, synth, fx mouth & rhythm.
Underscore, electro beat, body music. Mechanical, amusing, a bit ...Underscore, electro beat, body music. Mechanical, amusing, a bit silly but funny. Suggested for cooking, advertising, childhood, daytime TV. Body percussion, snaps, claps, synth & rhythm.
Underscore, electro beat, body music. Mechanical, amusing, a bit ...Underscore, electro beat, body music. Mechanical, amusing, a bit silly but funny. Suggested for cooking, advertising, childhood, daytime TV. Body percussion, snaps, claps, synth, fx mouth & rhythm.
Electro beat, electro world, body music. Catchy intro with Indian ...Electro beat, electro world, body music. Catchy intro with Indian vibe, then active & percussive. Suggested for holidays & travel, advertising, Bollywood, sports. Body percussion, claps, snaps, Indian vocals (takatak), synth & rhythm.
Underscore, electro beat, electro world, body music. Catchy intro ...Underscore, electro beat, electro world, body music. Catchy intro with Indian vibe, then active & percussive. Suggested for holidays & travel, advertising, Bollywood, sports. Body percussion, claps, snaps, synth & rhythm.