Intriguing intro with piano & electro beat. Trailer FX & synth. Intriguing intro with piano & electro beat. Trailer FX & synth. Virtuoso piano @ 0'48 with brass stabs. Break @ 1'15. Strong climax @ 1'43 in a swagger mood. Suggested for video games & action sport.
Wondrous, epic, stirring. Big kick drum gives rise to swells of Wondrous, epic, stirring. Big kick drum gives rise to swells of strings and twinkling piano notes. Instrumentation glides into a steady and determined momentum with sharp strings and sublime choral voices. Reminiscent of a beautiful starry sky being viewed from a clearing or high on top of a mountain.
Wondrous, epic, stirring. Big kick drum gives rise to swells of Wondrous, epic, stirring. Big kick drum gives rise to swells of strings and timid piano notes. Choral voices and large kick drums inspire a feeling of grandeur. Reminiscent of a beautiful starry sky being viewed from a clearing or high on top of a mountain. Stripped back underscore version.
Emotive, epic, spacey. Muddy synth melody sets out a hopeful tone, Emotive, epic, spacey. Muddy synth melody sets out a hopeful tone, bolstered by resonant bass and trickling synth arpeggiation. Contrast between organic and electronic instruments inspires feelings of futuristic grandeur. Humans charting a course through space, taking their first steps on a new planet. Triumphant strings and dramatic drums gift an unquenchable spirit, an innate desire to push onward through the unknown. Gentle conclusion reminiscent of the soft quiet of space.
Emotive, epic, spacey. Muddy synth melody sets out a hopeful tone, Emotive, epic, spacey. Muddy synth melody sets out a hopeful tone, bolstered by resonant bass and trickling synth arpeggiation. Contrast between organic and electronic instruments inspires feelings of futuristic grandeur. Humans charting a course through space, taking their first steps on a new planet. Triumphant strings and dramatic drums gift an unquenchable spirit, an innate desire to push onward through the unknown. Gentle conclusion reminiscent of the soft quiet of space. Stripped back underscore version.
Charming, intimate & rhythmic reggaeton-pop sung in Spanish. Longing Charming, intimate & rhythmic reggaeton-pop sung in Spanish. Longing for the kisses from a former lover. Female singer, female backing vocals, sampling, sequencing, arpeggiator, Latin & electronic percussion. Suggested for telenovela & fitness. 歌词
ES:
Déjate llevar por mi cuerpo
A fuego lento
Quiero amanecer contigo
Yo no te olvido
Mira que se van las horas
Dios no perdona
Ven y tócame otra vez
Otra vez ehh ehh ehh
Na nara nanana
Na nara nanana
Na nana
Na nana
Na nara nanana
Na nara nanana
Na nana
Bésame tócame siénteme
Como lo hacías ayer,
Ayer
Besame tócame siénteme
Como lo hacías ayer,
Ayer
Déjate llevar por mi cuerpo
A fuego lento
Tócame en secreto ahora
Espero tu boca
Mira que se pasan los días
Y yo aquí solita
Ven y siénteme otra vez
Otra vez
Na nara nanana
Na nara nanana
Na nana
Na nana
Na nara nanana
Na nara nanana
Na nana
Bésame tócame siénteme
Como lo hacías ayer,
Ayer
Bésame tócame siénteme
Como lo hacías ayer,
Ayer
Bésame tócame siénteme
Como lo hacías ayer,
Ayer
Bésame tócame siénteme
Como lo hacías ayer,
Ayer
Na nara nanana
Na nara nanana
Na nana
Na nana
Na nara nanana
Na nara nanana
Na nana
EN:
Let yourself be carried away by my body
On a slow fire
I want to wake up with you
I don't forget you
Look at the hours go by
God does not forgive
Come and touch me again
Again ehh ehh ehh
Na nara nanana
Na nara nanana
Na nana
Na nana
Na nara nanana
Na nara nanana
Na nana
Kiss me touch me feel me
Like you did yesterday,
Yesterday
Kiss me touch me feel me
Like you did yesterday,
Yesterday
Let yourself be carried away by my body
On a slow fire
Touch me secretly now
I wait for your mouth
Look how the days go by
And I'm here alone
Come and feel me again
Again
Na nara nanana
Na nara nanana
Na nana
Na nana
Na nara nanana
Na nara nanana
Na nana
Kiss me touch me feel me
Like you did yesterday,
Yesterday
Kiss me touch me feel me
Like you did yesterday,
Yesterday
Kiss me touch me feel me
Like you did yesterday,
Yesterday
Kiss me touch me feel me
Like you did yesterday,
Yesterday
Na nara nanana
Na nara nanana
Na nana
Na nana
Na nara nanana
Na nara nanana
Na nana
Feel good 60's rhythm 'n' blues, easy-listening pop. Positive, Feel good 60's rhythm 'n' blues, easy-listening pop. Positive, exuberant, quirky & fun. Male vocals, vintage organ, backing vocals & rhythm. Suggested for bloopers & playful daytime TV. 歌词
I Think It’s Good To Be Laizy On Your Sofa I Think It’s Good To Be King On Your Place I Think It’s Good To Spend Your Money Without Counting If It’s Good For You I Think It’s Good For Me Too
I Think It’s Good If It’s Good For You I Think It’s Good For Me Too
I Think It’s Good X5 If It’s Good For Me I Think It’s Good For Me Too
I Think It’s Good X2 And If It’s Good For Me I Think It’s Good For Everybody
Swagger, ballsy & greasy rock guitar riff building-up with catchy & Swagger, ballsy & greasy rock guitar riff building-up with catchy & motivating trailer percussion. Determined & confident in a get ready mood. Pre-climax @ 1'14 with synth & cinematic impact. Climax @ 1'43 with bending lead guitar. Heavy rock trailer music suggested for action sport, video games & entertainment.
Moving then fervent & dignified with a touch of solemnity. Moving then fervent & dignified with a touch of solemnity. Neo-classical. Constant crescendo & build-up. Suggested for corporate motivation, prestige & business on the move.
Jazz improvisation on a flamenco rumba rhythm. Vivid & ardent. Solo Jazz improvisation on a flamenco rumba rhythm. Vivid & ardent. Solo double bass. Cajon & virtuoso Spanish guitar improvisation @ 1'40. Bowed double bass improvisation @ 2'25.
Nu soul, nu disco, electronic beat. Catchy & nocturnal with attitude. Nu soul, nu disco, electronic beat. Catchy & nocturnal with attitude. Suggested for clubbing & party. Vocals samples, synth & rhythm with snaps.
Suspenseful & barren intro with sudden impact & crying harmonica. Suspenseful & barren intro with sudden impact & crying harmonica. Galloping rhythm @ 0'52 with electric guitar. Adventurous & courageous build-up @ 1'30 with hybrid orchestra & finale climax. Trailer music suggested for western, hot / desert landscape & cowboy. Like a gunfight in a spaghetti western...
Synth-pop song, dream-pop with a 90's vibe. Catchy, resolute & Synth-pop song, dream-pop with a 90's vibe. Catchy, resolute & lively. Constant. Male singer, female back-up singer, synth & rhythm. Suggested for tracking shot, road movie, cocktail lounge. 歌词
Singa-pouring the sling
No juice without the Gin Everything's okay
As long as you master my drink Will she Mary my blood
Got six shots in my gun I aim to pass away Free Cuba in my Rum
Oooh. Oooh ? Oooh ! Oooh... Pour some liquor down my drink Oooh. Oooh ? Oooh ! Oooh... Pour some trouble down my drink
High on Coke in the Sky Even on the rocks I am dry
I am all shook up
Not concerned if I die
As if you forgot my Gin
Now my Fizz seems too clean Holding my beers up
'Til the world starts to lean
Oooh. Oooh ? Oooh ! Oooh... Pour some liquor down my drink Oooh. Oooh ? Oooh ! Oooh... Pour some trouble down my drink
I land into the Long
Your red eye's on my tongue Coughlin's law so far
Kept my cool with this song French since 75
I'm a corpse to revive
Get me a Sidecar
I can hardly Screwdrive
Oooh. Oooh ? Oooh ! Oooh...
Pour some liquor down my drink Oooh. Oooh ? Oooh ! Oooh...
Pour some trouble down my drink Oooh. Oooh ? Oooh ! Oooh...
Pour some Tom Cruise down my drink Oooh. Oooh ? Oooh ! Oooh...
Pour some Tom Cruise down my drink
Very fast action. Energetic & heavy drums intro with smashing guitar Very fast action. Energetic & heavy drums intro with smashing guitar riffs. Massive part @ 0'49 introducing a virtuoso & epic lead guitar @ 1'05. Wild & conclusive finale. Hard rock music suggested for truck, extreme roads & motor racing.
Spirited, confident, playful. Reversed cymbal gives rise to rough, Spirited, confident, playful. Reversed cymbal gives rise to rough, jagged guitar riff and reverberating vocal calls. Male vocals sing about determination and drive to succeed. Heavy drumbeat with repeated crash cymbals. Gritty toned guitars and bass make for a dirty, self-assured energy. Redemptive quality indicative of a montage of someone’s road to recovery or preparation for a big event.歌词
I might be down but you can never count me out Inside the fire goes to the wire without a doubt Just when you think you own the ring I come alive I got the drive From deep inside Can’t take a dive
Ooo ooo I feel I’m comin’ alive Ooo ooo I feel I’m comin’ alive again Ooo ooo Just take one look in my eyes You know I’m comin’ alive again
Get to the top I’ll never stop until I’m king Not gonna cry I’ll try again until I win This is the start This is my path to victory I’m on the cusp of making of history
Ooo ooo I feel I’m comin’ alive Ooo ooo I feel I’m comin’ alive again Ooo ooo Just take one look in my eyes You know I’m comin’ alive again
Spirited, confident, playful. Reversed cymbal gives rise to rough, Spirited, confident, playful. Reversed cymbal gives rise to rough, jagged guitar riff. Heavy drumbeat with repeated crash cymbals. Gritty toned guitars and bass make for a dirty, self-assured energy. Repeated toms give a trudging, consistent momentum. Instrumental version.
Spirited, confident, playful. Reversed cymbal gives rise to rough, Spirited, confident, playful. Reversed cymbal gives rise to rough, jagged guitar riff and reverberating vocal calls. Heavy drumbeat with repeated crash cymbals. Gritty toned guitars and bass make for a dirty, self-assured energy. Redemptive quality indicative of a montage of someone’s road to recovery or preparation for a big event. Alternative version.
Confident, rugged. Rough, jagged guitar riff and reversed vocals. Confident, rugged. Rough, jagged guitar riff and reversed vocals. Gritty toned guitars and bass make for a dirty, self-assured energy. Redemptive quality indicative of a montage of someone’s road to recovery or preparation for a big event. Stripped back underscore version.
Positive, motivating, uplifting. Dreamy intro of expansive, Positive, motivating, uplifting. Dreamy intro of expansive, reverberating synths are joined by propulsive drum and bass beats and bright toplines. Upbeat and driving EDM with a hopeful vibe, moving through light, minimal sections with atmospheric, contemporary vocal cuts before building again to a determined, rousing finale.
Positive, motivating, uplifting. Dreamy intro of expansive, Positive, motivating, uplifting. Dreamy intro of expansive, reverberating synths are joined by propulsive drum and bass beats and bright toplines. Upbeat and driving EDM with a hopeful vibe, moving through light, minimal sections before building again to a determined, rousing finale.
Unifying, emotive, proud. Steady piano melody joins with rhythmic Unifying, emotive, proud. Steady piano melody joins with rhythmic clapping as choral vocals sing about unity and togetherness. Euphoric vocals accompany guitars in an ascending chord sequence, gospel choir sings about beauty, instilling an atmosphere of empowerment and self-love. Cathartic moment as percussion rejoins alongside celebratory trumpets and brass starting at 01:04.歌词
Come together You and me Come together right now For all the world to see Come together You and me Come together right now There’s joy in unity
Oh oh oh You’re beautiful
Come together You and me Come together Come together You and me Come together right now There’s joy in unity
Unifying, emotive, proud. Steady piano melody joins choral vocals Unifying, emotive, proud. Steady piano melody joins choral vocals singing about unity and togetherness. Euphoric vocals accompany guitars in an ascending chord sequence, gospel choir sings about beauty, instilling an atmosphere of empowerment and self-love. Acoustic version.
Emotive, proud, spirited. Steady piano melody joins with rhythmic Emotive, proud, spirited. Steady piano melody joins with rhythmic clapping, organ lead trills imbuing a soulfulness to the instrumentation. Piano and guitar both reach upwards in an ascending sequence. Cathartic moment as percussion rejoins alongside celebratory trumpets and brass starting at 01:04. Instrumental version.