Hey babe I saw you standing over there I spotted you Looking my way
And I don’t think
I’ve seen you before
Because I would Remember your face
I can feel you
Feeling me too
I want to know you better
Hey coz I like what I feel
I can feel the energy
All the way from ever here Wondering did you put a spell on me? Coz I’m feeling a lil crazy Don’t even know your name But I really want to get to know you better
Coz I like what I feel
Hey babe I just wanna hang out with you Or maybe we can go somewhere Find a place where we can just chill You know I don’t care
Fast - Upbeat and carefree 60's easy-listening in a modern way. Funky Fast - Upbeat and carefree 60's easy-listening in a modern way. Funky guitar, brass, vintage electric piano, female vocal accent. Tv game excitement.
Confident, passionate, demanding. Emotive lofi whistling sample is Confident, passionate, demanding. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy contrasted by lively ad libs. Male vocals give a sense of style and a commanding persona as lyrics talk about taking what you want and being proactive. Male vocals give a sense of arrogance and desire, backed up by gloomy instrumentation.歌词
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
I'm like woop woop, Okay what it do, I'm making big moves, Yea I'm coming through, While you're playing, Negotiating, what is you saying, Nah I ain't with the chit chat, I need a big bag, If she got a big ugh, Well then back it up, I need this that, And the third too, I got options, But I prefer you, I’ve been on the grind, but I ain't pretty Ricky, I need it all, I ain't doing 50/50, I got the pack on me, Iit's that sticky icky, Yea it’s up so, Holla if you with me, And we went from the car to the, (It’s a Lexus) Yea we went to the house to the, (It’s a mansion) Pulled up to the bank just to, (Put some cash in) Now we in the Jeep with the. (Speaker blasting)
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
Confident, passionate, tragic. Emotive lofi whistling sample is taken Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Gloomy instrumentation give a sense of struggle and honour. Instrumental version.
Confident, passionate, tragic. Emotive lofi whistling sample is taken Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Contrasted by heavy beats with commanding sub bass. Stripped back underscore version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power, male vocals give a sense of skill and talent atop emotive instrumentation. Lyrics use bounce to give a sense of infectious buoyancy. Fresh and emotive style gives a feeling of realness and passionate performance.歌词
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
I got that bounce indeed, Took the game by surprise, they account for me, I need a her over there and an ounce of, I got that dog me, so come bounce with me, Fresh like I just came out the package, They gon try but nah they can’t match it, I came back outside and they lacking, I came back outside to get active, Said you was rider, Tell me is you sliding.
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Instrumental version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Stripped back underscore version.
Romantic, emotive, inspirational. Sultry keys play out alongside Romantic, emotive, inspirational. Sultry keys play out alongside dynamic impassioned vocal performance, a wistful affectionate energy. Beat pushes out with an open-ended energy matched by vocals until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion.歌词
Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Whoa, Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Romantic, emotive, inspirational. Sultry keys play out alongside Romantic, emotive, inspirational. Sultry keys play out alongside dynamic impassioned vocal performance, a wistful affectionate energy. Bass gives an open-ended vibe moving along with kick drum before more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Alternate version.歌词
Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Whoa, Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Romantic, emotive, inspirational. Sultry keys play out with a wistful Romantic, emotive, inspirational. Sultry keys play out with a wistful affectionate energy. Beat pushes out with an open-ended energy until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Instrumental version.
Romantic, emotive, inspirational. Sultry keys play out with a wistful Romantic, emotive, inspirational. Sultry keys play out with a wistful affectionate energy. Beat pushes out with an open-ended energy until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Stripped back underscore version.
Soulful, pacy, poppy. Tuneful synths play out like steel drums as Soulful, pacy, poppy. Tuneful synths play out like steel drums as fast-moving rhythm sets in, giving a sense of modernity and light bright atmosphere. Jungle breakbeats as passionate female vocals sing about dedicated oneself to a loved one. Big bass hitting in chorus 00:44 offering a power, reminiscent of strong feelings of love and connection.歌词
[It’s just what I notice, Something got me haunted, Haunted felt like.]
Ooh I might need a life vest,
Or a raincheck,
If I'm in too deep, But our love could fill an ocean,
Or keep a forest green. (baby)
Baby long as you treat me right,
The impossible I'd do it twice,
Cuz you’d find me in every life ooh,
And if loving all of you was a crime,
Then you’d watch me fall out of line,
And if that’s enough.
I could be yours to love, I could be yours to love,
You could be the one that I ride for, The one that I'd fight for,
The one that I'd fall on my sword and die for,
Like a soldier for us,
Like a soldier for us,
I could be yours to love.
Ow,
20 minutes got to you in the west side,
From east LA that’s gotta be a record time babe, When you call I come at the drop of a dime,
Cuz you would do the same the same the same for me,
What’s meant to be will be,
So sweet,
If that would mean, Would it mean that.
I could be yours to love, I could be yours to love,
You could be the one that I ride for, The one that I'd fight for,
The one that I'd fall on my sword and die for,
Like a soldier for us,
Like a soldier for us,
I could be yours to love, I could be yours to love,
You could be the one that I ride for, The one that I'd fight for,
Soulful, pacy, poppy. Tuneful synths play out like steel drums as Soulful, pacy, poppy. Tuneful synths play out like steel drums as fast-moving rhythm sets in, giving a sense of modernity and light bright atmosphere. Jungle breakbeats convey slick stylish vibe. Big bass hitting in chorus 00:44 gives a sense of power. Instrumental version.
Soulful, pacy, poppy. Tuneful synths play out like steel drums as Soulful, pacy, poppy. Tuneful synths play out like steel drums as fast-moving rhythm sets in, giving a sense of modernity and light bright atmosphere. Jungle drumming conveys slick stylish vibe. Big bass hitting in chorus 00:44 gives a sense of power. Stripped back underscore version.
Candid, exalted, assured. Bright promising piano chords push out Candid, exalted, assured. Bright promising piano chords push out gently into a fertile soundscape. A feeling of brightness and positivity as sparkling euphoria grows. Strings stride forward as drumming builds subtly. A new challenge, with individuals ready to face it with bravery and a triumphant spirit. Resurgence at 01:08 gives a spirited energy. An overwhelming sense of brilliance and altruism. Epic vibes from soaring stringwork.
Candid, exalted, assured. Bright promising piano chords push out Candid, exalted, assured. Bright promising piano chords push out gently into a fertile soundscape. A feeling of brightness and positivity as sparkling euphoria grows. Strings stride forward with the feeling of a new challenge, with individuals ready to face it with bravery and a triumphant spirit. Resurgence at 01:08 gives a spirited energy. An overwhelming sense of brilliance and altruism. Epic vibes from soaring stringwork. Stripped back underscore version.
Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's Vallenati pop. broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Extended intro. Lively, rhythmic & sentimental Colombian vallenato Extended intro. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung 30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Medium tempo - Catchy and uplifting female vocal pop song. Male Medium tempo - Catchy and uplifting female vocal pop song. Male backing vocals. Delicate verse, driving chorus. A new love. For romantic comedy, movies, commercials.歌词
Chorus : Walk on the line Breaking the time Come with me to be mine
Ready to take Love the shake Come with me to daybreak
Verse : You’ll be mine I know every day You’ll be mine Close to me on my way Get me high Show me the way to you Get me high Drive me to something you Close to you
Chorus : Walk on the line Breaking the time Come with me to be mine
Ready to take Love the shake Come with me to daybreak
Verse : You are the fire My desire Take me to be higher Ready to take Love the shake Come with me to daybreak`
You’ll be mine I’m going to love you You’ll be mine Never live without you Take my hand Walk with me till the end Tame my hand With me to neverland, neverland
Chorus : Walk on the line Breaking the time Come with me to be mine
Ready to take Love the shake Come with me to daybreak
Verse : You are the fire My desire Take me to be higher Ready to take Love the shake Come with me to daybreak`
You’ll be mine I’m going to love you You’ll be mine Never live without you Take my hand
Blooming, hopeful, determined. Effervescent string arpeggiations Blooming, hopeful, determined. Effervescent string arpeggiations reach upwards with a lively energy as instrumentation begins to encircle. An inspirational momentum with brass instruments and light percussion adding to a feeling of determination and hope. Large drum roll at 01:13 gives a feeling of sophistication. A political battle won or an academic triumph.
Blooming, hopeful, determined. Effervescent string arpeggiations Blooming, hopeful, determined. Effervescent string arpeggiations reach upwards with a lively energy as instrumentation begins to encircle. An inspirational momentum with an excited expression of hope. Large drum roll at 01:13 gives a feeling of sophistication. A political battle won or an academic triumph. Stripped back underscore version.
Blooming, hopeful, determined. Effervescent string arpeggiations Blooming, hopeful, determined. Effervescent string arpeggiations reach upwards with a lively energy as instrumentation begins to encircle. Double bass and low-moving woodwind elements offer a sense of momentum behind flurry of strings. Large drum roll at 01:13 gives a feeling of sophistication. A political battle won or an academic triumph. Stripped back underscore version.
Communal, crowded, exciting. Rhythm sets in over reverbed droning Communal, crowded, exciting. Rhythm sets in over reverbed droning notes, clearing a space for graceful strings to begin to dance and embrace. A feeling of ornate beauty, a temple brightly coloured and beautifully decorated. Overwhelming percussion gives a sense of crowds and movement. A busy city as a temple swells with people. Noble chord progressions give a feeling of a search for truth in a crowded world.
Communal, crowded, exciting. Rhythm sets in over reverbed droning Communal, crowded, exciting. Rhythm sets in over reverbed droning notes, clearing a space for graceful strings to begin to dance and embrace. A feeling of ornate beauty, a temple brightly coloured and beautifully decorated. Overwhelming percussion gives a sense of crowds and movement. A busy city as a temple swells with people. Noble chord progressions give a feeling of a search for truth in a crowded world. Stripped back underscore version.
Powerful, tense, swaggering & combative. Batucada remixed in a Rio de Powerful, tense, swaggering & combative. Batucada remixed in a Rio de Janeiro funk style with drum machine, Brazilian whistle, synth bass, melodic keyboards, fx & sampled vocals. Suggested for Brazilian soccer (futebol) & tropical clubbing.
