☆ Nominated "Best Fantasy Trailer" @Production Music Awards UK 2025 ☆ Nominated "Best Fantasy Trailer" @Production Music Awards UK 2025 ☆ Orchestral trailer. Mysterious & floating intro with heavenly vocals. Build up @ 0’45 with urgent staccato strings, intense vocals & electric guitar. Spectacular climax @ 1’55 with cinematic percussion. Back end. Suggested for trailer, post-apocalyptic drama, fantasy epic, neo sword & scandal.
Drum n Bass & Rap. Fierce, ominous & intimidating. Male rapper, drum Drum n Bass & Rap. Fierce, ominous & intimidating. Male rapper, drum machine, trailer fx & electronics. Ticking break @ 1’11. Suggested for combat & extreme sports, action.歌词
I Guarantee that you payin up,
I’m on the run but I’m pulling up,
They passed you the rock but you gave it up, I guess you really ain’t him enough,
I’m Maxed out on the stamina, Back down, nah I never did, Ten down, since I been a kid, Man down, if they try to diss,
How could you try to play me, you are not my replacement,
I done mastered the basics, Broken out of this matrix, came back for my day ones,
Putting fear on they faces,
Bank is filled looking gracious,
on they mind and they playlist, From unknown to being a-list,
I been the one, like mcgrady, yeah,
Don’t play with my money x4
Don’t play with my money,
Pockets filled I need hunnids,
If you owe me, then I want it,
If you don’t respond then I’m coming,
Don’t play with my money,
Don’t play with my money,
Don’t play if you don’t want it, uh, Don’t play cuz I’m gunning,
Don’t play with my money, Pockets filled I need hunnids,
If you owe, then I want it,
If you don’t respond then I’m coming,
Don’t play with my money,
Don’t play with my money,
Don’t play if you don’t want it, uh, Don’t play cuz I’m gunning,
Tic toc tic toc,
hearing the sound of the clock,
Just a couple more hours, for we brings the dogs out and we pull up on yo block,
Checkin the boxes,
Clocking my job in,
don’t really mess with these bots,
If we got a problem,
Ima solve it,
I’m pulling up with the choppers, Somebody call em a doctor,
The floor be catchin all of them bodies,
Nothing alike we ain’t similar,
You Underfed you ain’t big enough, When the money be calling I pick it up, Am to pm, I’m staying up,
Don’t play with my money x4
Don’t play with my money,
Pockets filled I need hunnids,
If you owe me, then I want it,
If you don’t respond then I’m coming,
Don’t play with my money,
Don’t play with my money,
Don’t play if you don’t want it, uh,
Don’t play cuz I’m gunning,
Don’t play with my money,
Pockets filled I need hunnids,
If you owe, then I want it,
If you don’t respond then I’m coming,
Don’t play with my money,
Don’t play with my money,
Don’t play if you don’t want it, uh, Don’t play cuz I’m gunning,
Drum n Bass & Rap. Ego trip, determined & energetic. Male rapper, Drum n Bass & Rap. Ego trip, determined & energetic. Male rapper, drum machine, electronics & trailer fx. Suggested for sports & action video games.歌词
Yeah I’m on my way,
Tell em count the days, Tell em move out my way, They can’t match my pace,
Man dem come in ready,
No slow mo, we move steady, They chose war they gon get it, My boys know how to dead it,
I’m in the beast, in the belly,
I make it hot, like nelly,
Ready or not, they gon feel it,
Im making moves on the telly, (watch me)
Worldwide,
Worldwide,
Don’t want smoke with those guys no,
It’s do or die all the time, I don’t know slow down no,
Can you hear that sound,
I’m bout to turn it round,
I Hop in to win then I’m out,
I reached the tip of the mountain, go,
Worldwide,
Worldwide,
Don’t want smoke with those guys no,
It’s do or die all the time, I don’t know slow down no,
We them ones all around, Did it all for the town, Put it on, like a crown,
3,2,1, tell em count they days, Monday, Tuesday, Wednesday,
Tell em count they days, They don’t really want it,
tell em count they days, Monday, Tuesday, Wednesday, Tell em count they days,
I’m on my way,
Tell em count they days, Monday, Tuesday, Wednesday, Tell em count they days,
They don’t really want it,
tell em count they days, Monday, Tuesday, Wednesday, Tell em count they days,
It was written in the stars,
You already know who I’m are, I am the one with the ball,
Not scared to get lost,
Found gold and more,
now the crowd scream encore, Here they go, here they go, Beast mode on road,
The opps know I’m a pro,
That’s why they probe on the low, They Wanna move like a goat,
I’ll never give em the ropes,
Can you hear that sound,
I’m bout to turn it round,
I Hop in to win then I’m out,
I reached the tip of the mountain, go,
Worldwide,
Worldwide,
Don’t want smoke with those guys no,
It’s do or die all the time, I don’t know slow down no,
We them ones all around, Did it all for the town, Put it on, like a crown, A
3,2,1, tell em count they days, Monday, Tuesday, Wednesday, Tell em count they days,
They don’t really want it,
tell em count they days, Monday, Tuesday, Wednesday, Tell em count they days,
I’m on my way,
Tell em count they days, Monday, Tuesday, Wednesday, Tell em count they days,
They don’t really want it,
tell em count they days,
Monday, Tuesday, Wednesday, Tell em count they days,
Cinematic / Trailer. Very ominous & frightening intro with rumbling Cinematic / Trailer. Very ominous & frightening intro with rumbling sound design. Build up urgent like a chase @ 0'30 with tribal percussion. Climax @ 1'38 with ethnic female screams. Perfect for tension, horror, hunting & pursuit scene in a jungle, disaster movie, epic percussion trailer music for wildlife & video games.
Simplistic, jaunty, colourful. Theatrical piano part with upright Simplistic, jaunty, colourful. Theatrical piano part with upright folky vibe gives a feeling of comical fun. Silly characters running around or involved in a comedic scene. High-pitched male vocals give a sense of distraction and a spacey mindset. A person staring out of the window mindlessly. Oom-pah rhythm accentuated by drums accentuating sense of silliness and vocal synth offers a sense of strangeness and intrigue.歌词
Mind not open, Mind not open, I was in another world, Mind not open, Mind not open, I was dreaming of a girl, And all I ever wanted was one, And all I ever wanted was to run, And all I ever needed to worship was the sun.
Simplistic, jaunty, colourful. Theatrical piano part with upright Simplistic, jaunty, colourful. Theatrical piano part with upright folky vibe gives a feeling of comical fun. Silly characters running around or involved in a comedic scene. A person staring out of the window mindlessly. Oom-pah rhythm accentuated by drums accentuating sense of silliness and vocal synth offers a sense of strangeness and intrigue. Instrumental version.
Simplistic, jaunty, colourful. Theatrical piano part with upright Simplistic, jaunty, colourful. Theatrical piano part with upright folky vibe gives a feeling of comical fun. Silly characters running around or involved in a comedic scene. A person staring out of the window mindlessly. Oom-pah rhythm accentuated by drums accentuating sense of silliness and vocal synth offers a sense of strangeness and intrigue. Stripped back underscore version.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Raspy female vocals sing about lies and wrongdoing by greedy members of the society. Low humming give a blues-y painfulness to the instrumentation. Tone shift at 00:50 into a gospel style, chorus lyrics about peace and understanding, a cathartic religious-coded refrain. Percussion becomes more fiery, a sense of upheaval and passion.歌词
Got us hatin', feedin' us their lies, Cash in on division, rake it in that’s right, Shine on, you're tough, what you hating for, Shake down in love until we're all gone, Yeah and if we want it we could have it all.
You gotta lay, lay down your arms, You gotta lay, lay down your arms, And so, it's your call.
Got no ticket to leave it all behind, yeah, Got the spirit in our drunken minds, Shine on, you're tough, what d’you shake ‘em for, Shake down in love until we're all gone, And if we want it we could have it all.
You gotta lay, lay down your arms, You gotta lay, lay down your arms, And so, it's your call.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Low humming give a blues-y painfulness to the instrumentation. Tone shift at 00:50 into a gospel style, choral vocal flood in with a sense of love and warmth. No lead vocal version.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Tone shift at 00:50 into a gospel style, organ pushes out with pride into more striding section, major chords giving a feeling of triumph. Instrumental version.
Mysterious, harsh, dark. Reverbed voices swarm around a steady click Mysterious, harsh, dark. Reverbed voices swarm around a steady click beat before launching into a clean heavy trappy bass and poppy drumbeat. Mean sub bass gives a sense of confidence and coolness. An individual walking confidently through a dark street, looking stylish. Contrast of echoing and sharp phases give a sense of dynamic and tension released.
Mysterious, harsh, dark. Droning sinister bass tone walks along with Mysterious, harsh, dark. Droning sinister bass tone walks along with steady click beat before launching into a clean heavy trappy bass and poppy drumbeat. Mean sub bass gives a sense of confidence and coolness supported by rattling trappy cymbals. An individual walking confidently through a dark street, looking stylish. Instrumental version.
Mysterious, harsh, dark. Droning sinister bass tone walks along with Mysterious, harsh, dark. Droning sinister bass tone walks along with steady click beat before launching into a clean heavy trappy bass. Mean sub bass gives a sense of confidence and coolness. An individual walking confidently through a dark street, looking stylish. Stripped back underscore version.
Heavy, chaotic, retro. Screeching dissonant samples play out over a Heavy, chaotic, retro. Screeching dissonant samples play out over a simple 80s electronic beat and chunky bass. Maximalist percussion style gives a sense of rushed chaos and action. Muffled vocals offer a feeling of mystery, visions of a futuristic landscape, heavily industrial and dangerous. Choral vocals help to convey an uncertain atmosphere, with big beat bringing a dance element to tone.
Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are joined by unpredictable percussive elements giving a rushed and random style. Sub bass at 00:35 conveys strength amid randomly interjecting percussive sounds. Trickling hi hat sounds contrast swampy bass and big beat moments. Instrumental version.
Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are joined by random percussive elements giving a rushed style. Sub bass at 00:35 conveys strength amid randomly interjecting percussive sounds. Trickling hi hat sounds contrast swampy bass and big beat moments. Stripped back underscore version.
Hip hop dramedy. Intro with children's choir in a lyrical & pizz. Hip hop dramedy. Intro with children's choir in a lyrical & pizz. style. Attitude, quirky & fun. Choir, strings, pizzicato & beat. Suggested dramedy, Christmas & childrens.
Soft, religious, warm. Banjo and guitar walk together in a happy Soft, religious, warm. Banjo and guitar walk together in a happy assured tune. Female vocals sing, telling the story of Jesus' birth with heartfelt gentleness. Vocal harmonies give a sense of community and warmth. A group of individuals regaling themselves with the Christmas story as instrumentation grows like a roaring fire.
Soft, religious, warm. Banjo and guitar walk together in a happy Soft, religious, warm. Banjo and guitar walk together in a happy assured tune. Female vocals sing, telling the story of Jesus' birth with heartfelt gentleness. Vocal harmonies give a sense of community and warmth. A group of individuals regaling themselves with the Christmas story as instrumentation grows like a roaring fire. Acoustic version.
Soft, religious, warm. Banjo and guitar walk together in a happy Soft, religious, warm. Banjo and guitar walk together in a happy assured tune. Tremolo guitar sets out on an old Christmas tune, giving a wistful storytelling vibe. A group of individuals regaling themselves with the Christmas story as instrumentation grows like a roaring fire. Alternate version.
Soft, religious, warm. Banjo and guitar walk together in a happy Soft, religious, warm. Banjo and guitar walk together in a happy assured tune. Warm instrumentation with brush kit rhythm and welcoming tones. Starry vibe at 00:47 with dulcet bottleneck guitar. A sense of togetherness at Christmastime. Stripped back underscore version.
Charming, animated & catchy Colombian vallenato-pop sung in Spanish. Charming, animated & catchy Colombian vallenato-pop sung in Spanish. Give me the chance to show you my love is real. Male singer, male backing vocals, accordion, guacharaca, Spanish guitar, drums & Latin percussion.歌词
ES:
Ya tanto tiempo llevo siendo
Tu paño de lagrimas
Viéndote suspirar
Siempre por alguien mas
No te imaginas que deseo
Ver que a mi lado estás
Que seamos algo más
Tengo que confesar
Que me enamoré de tus ojos
Y de tu sonrisa bella
Que ahora tu eres esa estrella
Que ilumina to' mi corazón
Que nada tiene sentido
Si no estas aquí conmigo
Que quiero vivir contigo
Y morir cerquita de tu amor
Deja que te muestre todo lo que hay
Dentro de éste corazón loco por ti
Que muere por escuchar tu voz
Respondiendo a este amor que si
Quiero que comprendas que no puedo mas
Ocultar todo lo que siento por ti
Que no me queda mas que esperar
Que tu sientas lo mismo por mi
Dame la oportunidad
De demostrarte que
Mi amor por ti es real
Que no puedo mas que
Confesarte
Que me enamoré de tus ojos
Y de tu sonrisa bella
Que ahora tu eres esa estrella
Que ilumina todo mi corazón
Que nada tiene sentido
Si no estas aquí conmigo
Que quiero vivir contigo
Y morir cerquita de tu amor
Ya no quiero seguir siendo
Tu Paño de lagrimas
Hacerte suspirar
Es lo que quiero más
No te imaginas que deseo
Ver que a mi lado estas
Que seamos algo más
Y es que no puedo más que
Confesarte
Que me enamoré de tus ojos
Y de tu sonrisa bella
Que ahora tu eres esa estrella
Que ilumina to' mi corazón
Que nada tiene sentido
Si no estas aquí conmigo
Que quiero vivir contigo
Y morir cerquita de tu amor
Ay cerquita de tu amor
EN:
I've been for so long
Your shoulder to cry on
Watching you sigh
Always for someone else
You can't imagine how much I desire
To see you by my side
That we could be something more
I have to confess
That I fell in love with your eyes
And your beautiful smile
That now you're that star
That lights up all my heart
That nothing makes sense
If you're not here with me
That I want to live with you
And die close to your love
Let me show you everything that's inside
This heart crazy for you
That dies to hear your voice
Responding to this love that's real
I want you to understand that I can't
Hide anymore everything I feel for you
That all I have left is to wait
For you to feel the same for me
Give me the chance
To show you that
My love for you is real
That all I can do is
Confess
That I fell in love with your eyes
And your beautiful smile
That now you're that star
That lights up all my heart
That nothing makes sense
If you're not here with me
That I want to live with you
And die close to your love
I don't want to keep being
Your shoulder to cry on
To make you sigh
Is what I want the most
You can't imagine how much I desire
To see you by my side
That we could be something more
And I can't help but
Confess
That I fell in love with your eyes
And your beautiful smile
That now you're that star
That lights up all my heart
That nothing makes sense
If you're not here with me
That I want to live with you
And die close to your love
