| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
We Three Kings [BIB290 - 5] |
2'16 | Rory Sheridan, Alex Tschallener from P.D. | Serious, old-fashioned, glorious. Minor strings sail out with a | 传统圣诞 庄严 古典音乐改编曲 迷人 | G | 165 | ||||
|
We Three Kings Sting [BIB290 - 15] |
版本. | 0'05 | Rory Sheridan, Alex Tschallener from P.D. | Serious, old-fashioned, glorious. Minor strings sail out with a | 传统圣诞 庄严 古典音乐改编曲 迷人 | B | 155 | |||
|
From the Concept to the Real [CEZ4679 - 5] |
2'40 | Rémo | Electro beat, corporate electro. Serious, obstinate & steady. Synth & | 固执 electro beat 严谨 工业 | Em | 110 | ||||
|
From the Concept to the Real
[CEZ4679 - 34] |
版本. | 2'40 | Rémo | Alternate no FX. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 35] |
版本. | 2'13 | Rémo | Underscore version. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 36] |
版本. | 1'00 | Rémo | 60 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 37] |
版本. | 0'30 | Rémo | 30 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 38] |
版本. | 0'20 | Rémo | 20 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 39] |
版本. | 0'10 | Rémo | Sting. | 固执 electro beat 严谨 工业 | G | 109 | |||
|
Midnight In The Heartland [TBX223 - 4] |
2'52 | Lee Franklin, Ethan Maltby | Starlit, curious, worried. Echoing percussion and concerned string | 果断 全景 电影原声带 令人激动 | Cm | 120 | ||||
|
Midnight In The Heartland
[TBX223 - 14] |
版本. | 2'52 | Lee Franklin, Ethan Maltby | Starlit, curious, worried. Echoing percussion and concerned string | 果断 全景 电影原声带 令人激动 | Cm | 120 | |||
|
Arctic Dawn [TBX221 - 1] |
2'18 | Lizzie Neal | Icy, epic, beautiful. Cold wind and choral pads spread out over a | 画面感 冷沙漠 明朗 全景 | Am | 80 | ||||
|
Arctic Dawn Underscore [TBX221 - 11] |
版本. | 2'16 | Lizzie Neal | Icy, epic, beautiful. Cold wind and choral pads spread out over a | 画面感 冷沙漠 明朗 全景 | C | 118 | |||
|
The Dancing Nightlights [TBX221 - 3] |
2'14 | Lizzie Neal | Graceful, spiritual, touching. Strings and light piano trickle out | 动物世界 温柔 伴音 冷沙漠 | B | 63 | ||||
|
The Dancing Nightlights
[TBX221 - 13] |
版本. | 2'14 | Lizzie Neal | Graceful, spiritual, touching. Strings and light piano trickle out | 动物世界 温柔 伴音 冷沙漠 | B | 62 | |||
|
In Case of Emergency [CEZ4668 - 5] |
2'28 | Laetitia Frenod | Electronic score. Sneaky, edgy, rusty & surreal. Break @ 1'19 with | 令人不安 画面感 恐怖 恐怖片 | C | 126 | ||||
|
In Case of Emergency Edit
[CEZ4668 - 32] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 84 | |||
|
In Case of Emergency Edit 30
[CEZ4668 - 33] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 126 | |||
|
In Case of Emergency Edit 20
[CEZ4668 - 34] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 126 | |||
|
In Case of Emergency Sting [CEZ4668 - 35] |
版本. | 0'20 | Laetitia Frenod | Sting | 令人不安 画面感 恐怖 恐怖片 | C | 124 | |||
|
Under Bad Influence [CEZ4668 - 6] |
2'37 | Laetitia Frenod | Electronic score. Retrofuturist & minimal intro with pulsating synth. | 司法 气势 画面感 信息技术 | Cm | 133 | ||||
|
Under Bad Influence Alternate [CEZ4668 - 36] |
版本. | 2'07 | Laetitia Frenod | Short version without drums | 司法 画面感 信息技术 周期性的 | Cm | 133 | |||
|
Under Bad Influence Edit 60sec [CEZ4668 - 37] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Edit 30
[CEZ4668 - 38] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Edit 20
[CEZ4668 - 39] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Sting [CEZ4668 - 40] |
版本. | 0'16 | Laetitia Frenod | Sting | 司法 气势 画面感 信息技术 | Cm | 133 | |||
|
Recovery [CCB1068 - 3] |
2'27 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Serene, wise & | 命运 果断 内心 医疗 | Db | 130 | ||||
|
Recovery Edit 20 sec [CCB1068 - 16] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | 命运 果断 内心 医疗 | Fm | 132 | |||
|
Recovery Edit 30 sec [CCB1068 - 17] |
版本. | 0'30 | Louis-Ronan Choisy | 30 second cut. | 命运 果断 内心 医疗 | Fm | 132 | |||
|
Recovery Sting [CCB1068 - 18] |
版本. | 0'10 | Louis-Ronan Choisy | Sting | 命运 果断 内心 医疗 | Db | 130 | |||
|
Un Océan [ISC098 - 10] |
3'02 | IDALIA, Sandia | French pop inspired by the 60s. Chanson. Falsely naive, swinging & 歌词 | 浪漫喜剧 流行歌曲 爱情 多愁善感 | Bm | 123 | ||||
|
Un Océan Alternate [ISC098 - 20] |
版本. | 3'02 | IDALIA, Sandia | Instrumental version. | 浪漫喜剧 爱情 多愁善感 自信 | Bm | 123 | |||
|
Eternal Cycle [ISC099 - 1] |
0 | 4'32 | Loic Ghanem | Cinematic soundscape. Panoramic, moving, solemn, suspended & | 命运 全景图 感动 庄严 | Bbm | 112 | |||
|
In All Innocence [CEZ4665 - 3] |
2'04 | Jérémy Dirat | Folk. Tender, innocent yet lively. Constant progression. Ukulele, | 童年 新民谣 日常生活 宠物 | G | 96 | ||||
|
In All Innocence Alternate [CEZ4665 - 23] |
版本. | 2'06 | Jérémy Dirat | Alternate no percussion. | 童年 新民谣 日常生活 宠物 | G | 96 | |||
|
In All Innocence Edit 60 sec [CEZ4665 - 24] |
版本. | 1'00 | Jérémy Dirat | 60 second cut. | 童年 新民谣 日常生活 宠物 | G | 96 | |||
|
In All Innocence Edit 30 sec [CEZ4665 - 25] |
版本. | 0'30 | Jérémy Dirat | 30 second cut. | 童年 新民谣 日常生活 宠物 | G | 96 | |||
|
In All Innocence Edit 20 sec [CEZ4665 - 26] |
版本. | 0'20 | Jérémy Dirat | 20 second cut. | 童年 新民谣 日常生活 宠物 | G | 96 | |||
|
In All Innocence Edit Sting [CEZ4665 - 27] |
版本. | 0'12 | Jérémy Dirat | Sting. | 童年 新民谣 日常生活 宠物 | G | 96 | |||
|
Tread Carefully [TBX215 - 4] |
2'25 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Goofy, entertaining, wacky. Light plucked strings create a whimsical | 动画 悲喜剧 讽刺 & 恶意 动物喜感 | Gm | 115 | ||||
|
Tread Carefully (Underscore) [TBX215 - 14] |
版本. | 2'10 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Goofy, entertaining, wacky. Subtle double bass creates a dramatic | 动画 悲喜剧 动物喜感 童年 | Gm | 115 | |||
|
An Eternal Memory [CEZ4650 - 5] |
0 | 1'36 | Olivier Militon | Cinematic. Moving, heart-rending & melancholy. Full orchestra with | 画面感 命运 庄严 海洋 | Em | 99 | |||
|
Etre Libre Final [CEO2178 - 13] |
0 | 2'54 | Olivier Militon | Calm introduction, then swirling, obstinate & resilient @ 0'27. | 电影原声带 命运 当代历史 自信 | Cm | 130 | |||
|
Like Wild Horses [CEC8059 - 8] |
0 | 1'59 | Zhang Hao, Junrui Zhao | Gallop. Bouncy, determined & captivating with a western vibe. | 全景 进步 公路电影 跟踪摄影 | Em | 115 | |||
|
Strange Guest [AMS5045 - 4] |
2'09 | SHIFUMI | Trapedy. Mysterious, whimsical & surreptitious. Trap beat, marimba, | trapedy 恐怖喜剧 阴险 摇摆 | Em | 130 | ||||
|
Strange Guest Alternate 1 [AMS5045 - 24] |
版本. | 2'09 | SHIFUMI | Version without beat | 悲喜剧 电影原声带 恐怖喜剧 阴险 | Em | 130 | |||
|
Strange Guest Alternate 2 [AMS5045 - 25] |
版本. | 2'09 | SHIFUMI | Light version | trapedy 恐怖喜剧 阴险 摇摆 | Em | 130 | |||
|
Strange Guest Edit 1 (60 sec) [AMS5045 - 26] |
版本. | 1'00 | SHIFUMI | 60 seconds cut | trapedy 恐怖喜剧 阴险 摇摆 | Em | 130 | |||
|
Strange Guest Edit 2 (30 sec) [AMS5045 - 27] |
版本. | 0'30 | SHIFUMI | 30 seconds cut | trapedy 恐怖喜剧 阴险 摇摆 | Em | 130 | |||
|
Strange Guest Edit 3 (15 sec) [AMS5045 - 28] |
版本. | 0'15 | SHIFUMI | 15 seconds cut | trapedy 恐怖喜剧 阴险 摇摆 | Em | 130 | |||
|
Celestial Mountains [CEC8058 - 6] |
2'43 | Zhang Hao, Peng Qu | Wild, adventurous, radiant & mystical. Female sung vocals, | 神奇 飞行 画面感 东南亚 | Bm | 110 | ||||
|
Celestial Mountains Alternate [CEC8058 - 12] |
版本. | 2'26 | Zhang Hao, Peng Qu | Instrumental version | 神奇 飞行 画面感 东南亚 | Bm | 110 | |||
|
The Knife Edge [CEG5051 - 3] |
3'00 | Bruno Alexiu | Heavy, punchy, incisive, distressing & energic. Beat, bass synth & | 调查研究 阴险 工业噪音 令人不安 | Cm | 70 | ||||
|
The Knife Edge Alternate [CEG5051 - 18] |
版本. | 3'00 | Bruno Alexiu | Version with percussion only. | 工业 IDM 令人不安 电子鼓 | Abm | 70 | |||
|
The Knife Edge Edit 1 (60sec) [CEG5051 - 19] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 2 (60sec) [CEG5051 - 20] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 3 (30sec) [CEG5051 - 21] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 4 (30sec) [CEG5051 - 22] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 5 (15sec) [CEG5051 - 23] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 6 (15sec) [CEG5051 - 24] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
Sophisticated Thoughts [BIB280 - 3] |
2'14 | Benedic Lamdin, Riaan Vosloo | Anticipatory, sophisticated, promising. Optimistic and investigative | 放松 cocktail bar 耐心 梦幻 | Gbm | 70 | ||||
|
Sophisticated Thoughts
[BIB280 - 13] |
版本. | 2'14 | Benedic Lamdin, Riaan Vosloo | Anticipatory, sophisticated, promising. Optimistic and investigative | 放松 cocktail bar 耐心 梦幻 | Gbm | 70 | |||
|
A Brilliant Idea [ISC087 - 2] |
2'24 | Norbert Gobor | Cinematic score. Pulsating, technological & positive. Synths, synth | 工业 气氛 信息技术 electro beat | Dm | 131 | ||||
|
A Brilliant Idea Alternate [ISC087 - 12] |
版本. | 2'24 | Norbert Gobor | Version without lead synth | 工业 气氛 信息技术 electro beat | Dm | 131 |