| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
                    
                         
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                    Waves of You [ISC092 - 9]  |                        
		    
                2'48 | Alexandre Méaux | Cinematic. Wavy, noble & grand. Slow panoramic build-up with synth | 画面感 科幻片 命运 令人激动 | Db | 124 | ||||
                    
                         
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                    Waves of You Alternate [ISC092 - 21]  |                        
		    
                版本. | 2'48 | Alexandre Méaux | Version without percussion | 画面感 科幻片 命运 令人激动 | Db | 124 | |||
                    
                         
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                    Twinkle Toe Prowler [TBX213 - 8]  |                        
		    
                2'14 | Lee Franklin, Ethan Maltby | Lumbering, rough, cool. Twanging guitar bites through a cowboy-coded | 讽刺 & 恶意 好玩 动画 鼓 | Am | 89 | ||||
                    
                         
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                    Twinkle Toe Prowler 
			
			 [TBX213 - 19]  |                        
		    
                版本. | 2'10 | Lee Franklin, Ethan Maltby | Lumbering, rough, cool. Large clarinet and bass plods with | 讽刺 & 恶意 好玩 动画 鼓 | Am | 90 | |||
                    
                         
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                    Analog Dance [AUD044 - 1]  |                        
		    
                2'02 | Frederic Sicart | Retro Electro. Quirky, playful & lively. Break @ 0'58, @ 1'29. Analog | 怪异 机器人 六十年代 电子 | D | 140 | ||||
                    
                         
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                    Analog Dance (Short Edit) [AUD044 - 6]  |                        
		    
                版本. | 0'29 | Frederic Sicart | Short edit | 怪异 机器人 六十年代 电子 | Gbm | 140 | |||
                    
                         
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                    Analog Dance (No Drums) [AUD044 - 11]  |                        
		    
                版本. | 2'02 | Frederic Sicart | No beat version | 怪异 机器人 六十年代 电子 | Dm | 140 | |||
                    
                         
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                    Over the Green Hills [ISC089 - 10]  |                        
		    
                2'22 | Arnaud Delannoy, Damien Deshayes | Celtic orchestral. Reflective, nostalgic & heartwarming. Build-up | 爱尔兰 凯尔特音乐 令人激动 民族吉他 | G | 100 | ||||
                    
                         
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                    Over the Green Hills Alternate [ISC089 - 28]  |                        
		    
                版本. | 2'22 | Arnaud Delannoy, Damien Deshayes | Version without lead instrument | 爱尔兰 凯尔特音乐 令人激动 民族吉他 | G | 100 | |||
                    
                         
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                    Wild Horses’ Land [CEC8058 - 4]  |                        
		    
                2'27 | Zhang Hao, Peng Qu | Airy & mysterious introduction, then exhilarating, majestic & dreamy | 神秘 全景图 气氛 画面感 | Bbm | 108 | ||||
                    
                         
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                    Wild Horses’ Land Alternate [CEC8058 - 11]  |                        
		    
                版本. | 2'26 | Zhang Hao, Peng Qu | Instrumental version | 神秘 全景图 气氛 画面感 | Bbm | 108 | |||
                    
                         
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                    Down in the Hood [CEZ4649 - 8]  |                        
		    
                1'57 | GASTON DDD | Drill beat, hip-hop beat. Suspended, dark & ominous. Synth & rhythm. | 神秘 drill 令人不安 都市景色 | Fm | 140 | ||||
                    
                         
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                    Down in the Hood Alternate 1 [CEZ4649 - 53]  |                        
		    
                版本. | 1'00 | GASTON DDD | 60 second cut. | 神秘 drill 令人不安 都市景色 | Gb | 140 | |||
                    
                         
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                    Down in the Hood Alternate 2 [CEZ4649 - 54]  |                        
		    
                版本. | 0'30 | GASTON DDD | 30 second cut. | 神秘 drill 令人不安 都市景色 | Gb | 140 | |||
                    
                         
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                    Down in the Hood Alternate 3 [CEZ4649 - 55]  |                        
		    
                版本. | 0'15 | GASTON DDD | 15 second cut. | 神秘 drill 令人不安 都市景色 | Gb | 140 | |||
                    
                         
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                    Down in the Hood Alternate 4 [CEZ4649 - 56]  |                        
		    
                版本. | 0'09 | GASTON DDD | Sting. | 神秘 drill 令人不安 都市景色 | Gb | 70 | |||
                    
                         
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                    Time Runs Fast [CEG5051 - 6]  |                        
		    
                3'33 | Bruno Alexiu | Haunting, steady, mechanical & robotic. Electronic percussion, bass | 紧急 低沉 沉重 稳定的 | Cm | 110 | ||||
                    
                         
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                    Time Runs Fast Alternate [CEG5051 - 33]  |                        
		    
                版本. | 3'33 | Bruno Alexiu | Version with percussion only. | 沉重 冲击 低沉 工业 | Cm | 110 | |||
                    
                         
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                    Time Runs Fast Edit 1 (60s) [CEG5051 - 34]  |                        
		    
                版本. | 0'59 | Bruno Alexiu | 60 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
                    
                         
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                    Time Runs Fast Edit 2 (30s) [CEG5051 - 35]  |                        
		    
                版本. | 0'30 | Bruno Alexiu | 30 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
                    
                         
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                    Time Runs Fast Edit 3 (15s) [CEG5051 - 36]  |                        
		    
                版本. | 0'15 | Bruno Alexiu | 15 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
                    
                         
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                    Summers In Italy [TBX211 - 2]  |                        
		    
                1'49 | Jack Pierce | Warm, special, romantic. Clarinet tune descends with a fanciful air | 浪漫喜剧 爱情 摇摆 迷人 | D | 75 | ||||
                    
                         
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                    Summers In Italy (Underscore) [TBX211 - 14]  |                        
		    
                版本. | 1'49 | Jack Pierce | Warm, special, romantic. Bass and strings descend with a fanciful air | 浪漫喜剧 爱情 摇摆 迷人 | D | 75 | |||
                    
                         
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                    Dreamy Day [TBX210 - 2]  |                        
		    
                2'56 | Patrick Roberts | Blissful, calm, hopeful. Soft clean acoustic guitar rides atop swells | 感动 田园 温柔 日常生活 | A | 100 | ||||
                    
                         
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                    Dreamy Day (Underscore) [TBX210 - 12]  |                        
		    
                版本. | 2'56 | Patrick Roberts | Blissful, calm, hopeful. Soft clean acoustic guitar rides atop swells | 感动 田园 温柔 日常生活 | A | 100 | |||
                    
                         
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                    Moving Forward [TBX210 - 4]  |                        
		    
                2'22 | Patrick Roberts | Wistful, journeying, determined. Resonant electric guitar follows a | 电影原声带 outro (end credits) 多愁善感 跟踪摄影 | Em | 100 | ||||
                    
                         
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                    Moving Forward (Underscore) [TBX210 - 14]  |                        
		    
                版本. | 2'22 | Patrick Roberts | Wistful, journeying, determined. Resonant electric guitar follows a | 电影原声带 outro (end credits) 多愁善感 跟踪摄影 | G | 100 | |||
                    
                         
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                    Der Puls der Stadt [CEG5052 - 1]  |                        
		    
                2'06 | Louis Edlinger | Minimal techno. Pulsating, industrial, hypnotic & futuristic. Driving | 简约科技 工业 都市景色 固执 | Cm | 122 | ||||
                    
                         
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                    Der Puls der Stadt Alternate 1 [CEG5052 - 13]  |                        
		    
                版本. | 1'59 | Louis Edlinger | Version without rhythm. | 工业 都市景色 闪回 固执 | Cm | 162 | |||
                    
                         
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                    Der Puls der Stadt Alternate 2 [CEG5052 - 14]  |                        
		    
                版本. | 1'50 | Louis Edlinger | Version without lead synth. | 简约科技 工业 都市景色 固执 | Cm | 121 | |||
                    
                         
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                    The Last One [AMS5043 - 3]  |                        
		    
                2'53 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. First part slowly burning with | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | ||||
                    
                         
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                    The Last One Alternate 1 [AMS5043 - 20]  |                        
		    
                版本. | 2'53 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
                    
                         
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                    The Last One Alternate 2 [AMS5043 - 21]  |                        
		    
                版本. | 2'53 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
                    
                         
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                    The Last One Alternate 3 [AMS5043 - 22]  |                        
		    
                版本. | 2'53 | Aleksandar Dimitrijevic | Version with bass & drums only | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
                    
                         
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                    The Last One Edit 1 (30 sec) [AMS5043 - 23]  |                        
		    
                版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 影院摇滚 无情 | Am | 96 | |||
                    
                         
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                    The Last One Edit 2 (15 sec) [AMS5043 - 24]  |                        
		    
                版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 影院摇滚 无情 | Am | 96 | |||
                    
                         
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                    The End [AMS5043 - 6]  |                        
		    
                2'48 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. A 1st part in expectation & doubt. | 后摇滚 固执 高潮 动作片 | Abm | 61 | ||||
                    
                         
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                    The End Alternate 1 [AMS5043 - 35]  |                        
		    
                版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
                    
                         
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                    The End Alternate 2 [AMS5043 - 36]  |                        
		    
                版本. | 2'48 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
                    
                         
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                    The End Alternate 3 [AMS5043 - 37]  |                        
		    
                版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
                    
                         
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                    The End Edit 1 (30 sec) [AMS5043 - 38]  |                        
		    
                版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
                    
                         
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                    The End Edit 2 (15 sec) [AMS5043 - 39]  |                        
		    
                版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
                    
                         
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                    Empathy [ISC085 - 7]  |                        
		    
                3'26 | Gabriel Saban | Neoclassical. Empathic, emotional & hopeful. Build-up with piano & | 命运 感动 迷人 爱情 | A | 110 | ||||
                    
                         
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                    Empathy Alternate [ISC085 - 16]  |                        
		    
                版本. | 3'26 | Gabriel Saban | Solo piano version. | 日常生活 爱情 感动 广告 | E | 110 | |||
                    
                         
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                    Le Bal Noir [EOS119 - 2]  |                        
		    
                0 | 4'04 | Dominique Malan | En marche & panoramique. Strings, mallet percussion, guitar, bass & | 冒险片 弦乐(全部) 命运 木鼓 | A | 115 | |||
                    
                         
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                    Summer Skies [TBX209 - 9]  |                        
		    
                2'03 | Jonathan Terry | Hopeful, determined, gentle. Ornate acoustic guitar sequence gives a | 民族民谣 公路电影 乡村 稳定的 | E | 143 | ||||
                    
                         
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                    Summer Skies (Underscore) [TBX209 - 20]  |                        
		    
                版本. | 1'17 | Jonathan Terry | Hopeful, determined, gentle. Ornate acoustic guitar sequence gives a | 民族民谣 公路电影 乡村 稳定的 | E | 140 | |||
                    
                         
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                    Hopeful Dreams [IOM031 - 6]  |                        
		    
                2'21 | Alex Munk | Uplifting, sweet, caring. Lilting indie guitar plays out with a | 爱情 新民谣 宁静 精致 | F | 104 | ||||
                    
                         
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                    Hopeful Dreams (Instrumental) [IOM031 - 20]  |                        
		    
                版本. | 2'21 | Alex Munk | Uplifting, sweet, caring. Lilting indie guitar plays out with a | 爱情 新民谣 宁静 精致 | F | 104 | |||
                    
                         
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                    Hopeful Dreams (Underscore) [IOM031 - 21]  |                        
		    
                版本. | 2'21 | Alex Munk | Uplifting, sweet, caring. Lilting indie guitar plays out with a | 爱情 新民谣 宁静 精致 | F | 104 | |||
                    
                         
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                    Sweet Lament [BIB277 - 3]  |                        
		    
                2'13 | Kohshi Kamata | Determined, delicate, tragic. Bass guides forlorn strings and dainty | 现代芭蕾 严谨 艺术 感动 | Cm | 96 | ||||
                    
                         
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                    Sweet Lament (Underscore) [BIB277 - 13]  |                        
		    
                版本. | 2'13 | Kohshi Kamata | Determined, delicate, tragic. Bass guides forlorn strings and dainty | 现代芭蕾 严谨 艺术 感动 | Cm | 96 | |||
                    
                         
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                    Dimensional Theory [CEG5050 - 1]  |                        
		    
                2'04 | Jia | Cinematic Dark Score. A mysterious sequence evolving with eerie & | 画面感 太空 科幻片 夜晚 | Bm | 119 | ||||
                    
                         
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                    Dimensional Theory Alternate 1 [CEG5050 - 11]  |                        
		    
                版本. | 1'54 | Jia | Version underscore. | 画面感 太空 科幻片 夜晚 | D | 60 | |||
                    
                         
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                    Dimensional Theory Alternate 2 [CEG5050 - 12]  |                        
		    
                版本. | 2'05 | Jia | Version underscore. | 画面感 太空 科幻片 夜晚 | Bm | 60 | |||
                    
                         
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                    Reloaded [ISC083 - 2]  |                        
		    
                2'09 | Martin Emilio Insaurgarat | Cinematic. Warlike, shrilling & in anticipation. Electronics, | 冲突 爆炸 战士 动作游戏 | Cm | 135 | ||||
                    
                         
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                    Reloaded Alternate [ISC083 - 12]  |                        
		    
                版本. | 2'09 | Martin Emilio Insaurgarat | No alarms version | 冲突 爆炸 战士 动作游戏 | Cm | 135 |