Meaningful, bold, dominant. Serious bass sequence is joined by ...Meaningful, bold, dominant. Serious bass sequence is joined by crunchy overdriven guitars and excitable drums and percussion. Throng of sound builds behind uplifting chord sequence, with bright brass providing trills and stabs, delivering an austere but ornate atmosphere. Sharp vocal stabs add a sense of passion and emotion, a room full of people dancing, getting low and working hard to pull off impressive moves.
Meaningful, bold, dominant. Serious bass sequence is joined by ...Meaningful, bold, dominant. Serious bass sequence is joined by crunchy overdriven guitars and excitable drums and percussion. Throng of sound builds behind uplifting chord sequence, with bright brass providing trills and stabs, delivering an austere but ornate atmosphere. Instrumental version.
Meaningful, bold, dominant. Serious bass sequence is joined by ...Meaningful, bold, dominant. Serious bass sequence is joined by crunchy overdriven guitars and excitable drums and percussion.Throng of sound builds behind uplifting chord sequence, with sharp vocal stabs adding a sense of passion and emotion, a room full of people dancing, getting low and working hard to pull off impressive moves. Stripped back underscore version.
Classy, chic, carefree. Big band instrumentation launches into jazzy ...Classy, chic, carefree. Big band instrumentation launches into jazzy refrains with trumpets and scratchy guitar providing a fun rhythm. Flute offers a sense of effervescence. A hall full of people dancing and having drinks, chatting in stylish attire.
Classy, chic, carefree. Big band instrumentation launches into jazzy ...Classy, chic, carefree. Big band instrumentation launches into jazzy refrains with lounge piano and scratchy guitar providing rhythm. Mumbling bass provides a fun brisk pace, with vocals entering to provide a fun-loving atmosphere. Stripped back underscore version.
Show opening. Spoken guttural & ghostly male voice. Intriguing quirky ...Show opening. Spoken guttural & ghostly male voice. Intriguing quirky & jazzy. Orchestra with brass ensemble, Theremin, piano, guitar, chorus, claps & rhythm with tom tom rolls. In the spirit of 90s musicals.歌词
MONSTERS
Music by Julien vega
Lyrics by John Greaves & Julien Vega
Ladies and gentlemen
Now is the time
Dusk has fallen
And long will be the night
Are you ready? Behold this most
Awful terrifying sight
Dear guests Please welcome...
The monsters!
Monsters
We are monsters
Monsters
Wild monsters
See these ugly faces
The power in their jaws
There’s evil their gazes
And no pity in their claws
Come closer don’t be shy
Chains about their necks do lie
Just watch them do their stuff
Scream when you’ve had enough
Nasty monsters, ugly monsters, freaky monsters, mean monsters!!!
Show opening. Spoken male voice. Joyful, quirky & jazzy. Music hall ...Show opening. Spoken male voice. Joyful, quirky & jazzy. Music hall orchestra, brass ensemble, Theremin, piano, guitar, choir, claps & rhythm with tom tom rolls. In the spirit of 90s musicals.歌词
MONSTERS
Music by Julien vega
Lyrics by John Greaves & Julien Vega
Ladies and gentlemen
Now is the time
Dusk has fallen
And long will be the night
Are you ready? Behold this most
Awful terrifying sight
Dear guests Please welcome...
The monsters!
Monsters
We are monsters
Monsters
Wild monsters
See these ugly faces
The power in their jaws
There’s evil their gazes
And no pity in their claws
Come closer don’t be shy
Chains about their necks do lie
Just watch them do their stuff
Scream when you’ve had enough
Nasty monsters, ugly monsters, freaky monsters, mean monsters!!!
Lovelorn, fiery, raw. Marching percussion and austere guitar creates ...Lovelorn, fiery, raw. Marching percussion and austere guitar creates a meaningful and heated atmosphere. Trumpet stabs meet with fuller percussion, setting out an impulsive aura joined by rapid guitar solo at 00:43. An individual heartbroken by their true love, pining after them and walking the streets with a broken heart. Ensemble instrumentation conjures images of a high-energy spanish band playing in a dimly lit, sultry bar.
Lovelorn, fiery, raw. Marching percussion and austere guitar creates ...Lovelorn, fiery, raw. Marching percussion and austere guitar creates a meaningful and heated atmosphere. Trumpet stabs meet with fuller percussion, setting out an impulsive aura joined by rapid guitar solo at 00:43. An individual heartbroken by their true love, pining after them and walking the streets with a broken heart. Ensemble instrumentation conjures images of a high-energy spanish band playing in a dimly lit, sultry bar. Stripped back underscore version.
Electro beat, electro French Touch. Inevitable, lively & classy. ...Electro beat, electro French Touch. Inevitable, lively & classy. Suggested for fashion, catwalk. Synth, sampled female voice, electric guitar & rhythm. 歌词
Does anybody know if the place we go
where do we go
Does anybody know if the place we go
HOU HOU HOU HOU HOU
HOU HOU HOU HOU HOU
HOU HOU HOU HOU HOU
HOU HOU HOU HOU HOU
Does anybody know if the place we go
where do we go
Does anybody know if the place we go
HOU HOU HOU HOU HOU
HOU HOU HOU HOU HOU
HOU HOU HOU HOU HOU
HOU HOU HOU HOU HOU
Does anybody know if the place we go
know where do we go
finally sleep HOU HOU HOU
questions HOU HOU HOU
answers...
Patriotic & inspirational brass intro with cinematic low impact. ...Patriotic & inspirational brass intro with cinematic low impact. Military & marching drum roll @ 0'50. Intense riser @1'30. Finale @ 1'44 with heroic & ceremonial orchestra. Suggested for World War, military purpose & patriotic holidays.
Upbeat, summery, fun. Relaxed, cool piano is joined by atmospheric ...Upbeat, summery, fun. Relaxed, cool piano is joined by atmospheric bass, propulsive beats and celebratory brass. Light, warm and laid-back verses move into determined, catchy choruses with rousing brass and vocal FX. Positive and playful pop with an uplifting, carefree feel.歌词
Miami drill, 80s, traps-lite. Soft pad synth arpeggio, brass joining, ...Miami drill, 80s, traps-lite. Soft pad synth arpeggio, brass joining, rising wind synth behind, 00:34 drop into thumping electro beat and main brass riff, filter bass. Palm trees, sunglasses, open top car. Vegas strip, mafioso money, cristal. 01:04 saxophone solo, chord progression, 01:36 drop into brass only descending chord progression into 7th, 01:59 back to main theme.
Cool, contemporary, uplifting. Bright synths with playful vocal cuts ...Cool, contemporary, uplifting. Bright synths with playful vocal cuts are joined by confident male MC vocals, building to catchy, positive, determined and motivating choruses. Commercial percussive pop with swagger, hip hop vibes and a warm, summery, carefree feel.歌词
Chorus Let’s get it let’s go, I was just sleeping on floors, Now I’m on top of the globe. I can’t see no more, I can’t see no more,
Say they don’t know where to go, This the infinity flow, Baby you know I’m the GOAT, You know I can’t see the floor, You know I’m livin’ up higher the ceiling was open
Post Chorus Let’s get it let’s go, I was outside you ain’t even know, I was on the rise you ain’t even low, Walkin’ on the moon you ain’t even show up (let’s go)
Verse And now, I raise the bar you know the kid gon’ blow up, (hey hey) I’m dancin’ with the stars you know the high is over, (let’s go) Can’t be on the ground you know I’m going global, They try to weigh you down but now you on your way up, (let’s go) They try to hold you back and tell you that you ain’t up, (hey hey) They tried to tell you that you wasn’t goin’ major.
[Repeat Chorus] Post Chorus Goin’ major baby, I’m up late little lady, I’m up high, upgraded, I can’t see y’all faces.
Playful, positive, bright. Happy and catchy African-influenced pop ...Playful, positive, bright. Happy and catchy African-influenced pop with quirky synths, electronic beats, fun, upbeat keys. Contemporary and commercial, featuring carefree and celebratory female lead vocals with atmospheric, uplifting male backing vocals.歌词
Take me away,
And bring me to your dream, Don’t make me stay here I wanna see the beams
Of sun that shine All the way to the dance floor We’ll walk on the lines That lead us to the shore
Feeling closer to you I’m never letting you go We see the bay - blue My feet are starting to move now We’re jumping around No one can stop us grooving Let’s lose control now I wanna make you dancing
I love the way you move You grab me by the hips Now i’m your lover The sand feels warm
Rough, punchy & attitude hard-rock sung in Spanish. Facing a ...Rough, punchy & attitude hard-rock sung in Spanish. Facing a conflictive situation. Male singer, male choir, brass & rock band. Rhythm change & lead distorted electric guitar @ 1'48.歌词
ES:
Tu sutileza
no te esconde bien
Ya ni si quiera
entusiasmas mi parte cruel
Que mas quisieras
que ser un tal dorian grey
Buitres de bien
Debajo de tu vaivén
No quiero
verte más por las calles,
Que dolor
Que me causa tu muerte
No quiero
verte más de maleante
Que es dolor?
si el dolor pasa baby
Son mas de dos
los que quieres vencer
Pero un cuentico
Confunde tu renacer
Crecer distinto y a la
Vez sos tan igual
No puedo ver lo que haz hecho
Con tu piedad
Somos bebés llorando por alcanzar
Un tren que os lleve directo a un altar
Se mueve lento tus ojos color Ámbar
Borran recuerdos para volver a intentar
No quiero
verte más por las calles
Que dolor
que me causa tu muerte
No quiero
verte más de maleante,
que es dolor?
Pero y aveces tu
ya pareces todo olvidar
Pero también soy yo
el que quiere todo ignorar
Y lo sabes tan bien
que prefieres todo ocultar,
Todo te basta ya
Pero y aveces tu
ya pareces todo olvidar
Pero también soy yo
el que quiere todo ignorar
Y lo sabes tan bien
que prefieres todo ocultar,
Y eso no es de admirar
Y si quieres, pues llora.
EN:
Your subtlety
does not hide you well
You don't even
excite my cruel side
What more do you want
Than to be a certain dorian grey
Vultures of good
Underneath your swaying
I don't want
To see you on the streets anymore,
What pain
That your death causes me
I don't want
to see you as a thug anymore
What is pain?
If the pain passes baby
There are more than two
You want to beat
But a little story
Confuses your rebirth
Growing up different and yet
You' re still the same
I can't see what you've done
With your mercy
We are babies crying to reach
A train that will take you straight to an altar
Slowly moving your amber eyes
Erasing memories to try again
I don't want to
see you on the streets anymore
What pain
that your death causes me
I don't want
to see you as a thug anymore,
what is pain?
But sometimes you
already seem all to forget
But it's also me
the one who wants to ignore everything
And you know it so well
that you prefer to hide everything,
Everything is enough for you
But sometimes you
already seem to forget everything
But it's also me
Who wants to ignore everything
And you know it so well
That you prefer to hide everything,
And that's not to be admired
Feelgood, spirited, soulful. Poppy soul piano chords play out ...Feelgood, spirited, soulful. Poppy soul piano chords play out alongside tuneful vocal samples and percussion rising in intensity. Slides into commercial drum and bass energy with heavy, intricate drumbeat and uplifting sub bass. Alarm FX rise in pitch into cathartic climax at 01:58 with triumphant strings. Galvanising energy from fast-paced style and upbeat melody.
Feelgood, spirited, soulful. Poppy soul piano chords play out ...Feelgood, spirited, soulful. Poppy soul piano chords play out alongside tuneful vocal samples and percussion rising in intensity. Slides into commercial drum and bass energy with heavy, intricate drumbeat and uplifting sub bass. Alarm FX rise in pitch into cathartic climax at 01:58 with triumphant strings. Galvanising energy from fast-paced style and upbeat melody. Alternative version.
Feelgood, spirited, soulful. Poppy soul piano chords play out as ...Feelgood, spirited, soulful. Poppy soul piano chords play out as percussion rises in intensity. Slides into commercial drum and bass energy with heavy, intricate drumbeat and uplifting sub bass. Lone synth melody instils an emotive tinge. Vocal samples gift a galvanising energy, combined with fast-paced style and upbeat melody. Stripped back underscore version.
Lively, proud, solemn & uplifting. Neo-classical in the spirit of the ...Lively, proud, solemn & uplifting. Neo-classical in the spirit of the 18th century. Orchestra & harpsichord @ 0'47. Suggested for historical/period drama & conflict.
Lively, proud, solemn & uplifting. Neo-classical in the spirit of the ...Lively, proud, solemn & uplifting. Neo-classical in the spirit of the XVIIIth century. Orchestra & harpsichord @ 0'47.
Short version. Lively, proud, solemn & uplifting. Neo-classical in ...Short version. Lively, proud, solemn & uplifting. Neo-classical in the spirit of the 18th century. Orchestra & harpsichord.
Short version. Lively, proud, solemn & uplifting. Neo-classical in ...Short version. Lively, proud, solemn & uplifting. Neo-classical in the spirit of the 18th century. Orchestra & harpsichord. Suggested for historical/period drama & conflict.
Deceptively kitschy noble intro with strings ievolving with epic ...Deceptively kitschy noble intro with strings ievolving with epic metal riffs in a swashbuckling spirit. Eccentric, hybrid, courageous & glorious but parodic march. Build-up @ 1'20 with organ synth & tireless drum. Break @ 1'36. Build-up @ 2'08 with fat & heavy toms. Suggested for video games, gothic heroic fantasy & pirates.
