| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Taqsim [ISC101 - 4] |
0 | 2'22 | Michel-Yves Kochmann | Middle Eastern. Mystical, introspective & dignified. Bouzouki, | 地理政治 热沙漠 反省 全景图 | A | 140 | |||
|
Judgement Day [AMS5053 - 1] |
2'00 | Thomas Langan | Trailer. Toxic intro with layers of synths & cinematic percussion. | 预告片 冲突 画面感 战争 | B | 147 | ||||
|
Judgement Day Alternate 1 [AMS5053 - 9] |
版本. | 2'00 | Thomas Langan | Version without percussion. | 画面感 预告片 科幻片 战争 | B | 98 | |||
|
Judgement Day Alternate 2 [AMS5053 - 10] |
版本. | 2'00 | Thomas Langan | Version with percussion only. | 画面感 预告片 冲突 沉重 | Ebm | 147 | |||
|
Judgement Day Alternate 3 [AMS5053 - 11] |
版本. | 2'00 | Thomas Langan | Bed version. | 画面感 预告片 沉重 科幻片 | B | 98 | |||
|
Judgement Day Edit 1 30 sec [AMS5053 - 12] |
版本. | 0'33 | Thomas Langan | 30 second cut. | 画面感 预告片 冲突 沉重 | B | 147 | |||
|
Judgement Day Edit 2 15 sec [AMS5053 - 13] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 画面感 预告片 冲突 沉重 | B | 98 | |||
|
Machine Learning [AMS5053 - 5] |
2'05 | Thomas Langan | Trailer. Anticipating intro. Dark, urgent, percussive & aggressive. | (音效)滴答声 冲击 恐怖 沉重 | Cm | 129 | ||||
|
Machine Learning Alternate 1 [AMS5053 - 29] |
版本. | 2'05 | Thomas Langan | Version without percussion. | 恐怖 沉重 预告片 画面感 | C | 97 | |||
|
Machine Learning Alternate 2 [AMS5053 - 30] |
版本. | 2'05 | Thomas Langan | Version with percussion only. | 冲击 恐怖 沉重 预告片 | Gbm | 129 | |||
|
Machine Learning Alternate 3 [AMS5053 - 31] |
版本. | 2'05 | Thomas Langan | Bed version. | 冲击 恐怖 沉重 预告片 | Cm | 129 | |||
|
Machine Learning Edit 1 30 sec [AMS5053 - 32] |
版本. | 0'32 | Thomas Langan | 30 second cut. | 冲击 恐怖 沉重 预告片 | C | 129 | |||
|
Machine Learning Edit 2 15 sec [AMS5053 - 33] |
版本. | 0'17 | Thomas Langan | 15 second cut. | 冲击 恐怖 沉重 预告片 | Cm | 129 | |||
|
Rise Up [AMS5053 - 6] |
2'07 | Thomas Langan | Trailer. Sustained intro with bass synth pulse. Waiting, violent & | 冲突 画面感 紧急 爆炸 | Fm | 102 | ||||
|
Rise Up Alternate 1 [AMS5053 - 34] |
版本. | 2'07 | Thomas Langan | Version without percussion. | 画面感 紧急 战争 令人不安 | Fm | 102 | |||
|
Rise Up Alternate 2 [AMS5053 - 35] |
版本. | 2'07 | Thomas Langan | Version with percussion only. | 冲突 画面感 紧急 爆炸 | Gm | 102 | |||
|
Rise Up Alternate 3 [AMS5053 - 36] |
版本. | 2'07 | Thomas Langan | Bed version. | 画面感 紧急 战争 令人不安 | Fm | 102 | |||
|
Rise Up Edit 1 30 sec [AMS5053 - 37] |
版本. | 0'30 | Thomas Langan | 30 second cut. | 冲突 画面感 紧急 爆炸 | Fm | 102 | |||
|
Rise Up Edit 2 15 sec [AMS5053 - 38] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 冲突 画面感 紧急 爆炸 | Gbm | 102 | |||
|
Car Bomb [AMS5053 - 8] |
2'24 | Thomas Langan | Trailer. Anxious intro with sound design & riser FX. Scary, toxic & | 冲击 画面感 预告片 垃圾音效 | Dm | 131 | ||||
|
Car Bomb Alternate 1 [AMS5053 - 44] |
版本. | 2'24 | Thomas Langan | Version without percussion. | 画面感 预告片 冲突 战争 | Dm | 172 | |||
|
Car Bomb Alternate 2 [AMS5053 - 45] |
版本. | 2'24 | Thomas Langan | Version with percussion only. | 冲击 画面感 预告片 垃圾音效 | Gm | 131 | |||
|
Car Bomb Alternate 3 [AMS5053 - 46] |
版本. | 2'24 | Thomas Langan | Bed version. | 冲击 画面感 预告片 垃圾音效 | Dm | 130 | |||
|
Car Bomb Edit 1 30 sec [AMS5053 - 47] |
版本. | 0'30 | Thomas Langan | 30 second cut. | 冲击 画面感 预告片 垃圾音效 | Dm | 131 | |||
|
Car Bomb Edit 2 15 sec [AMS5053 - 48] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 冲击 画面感 预告片 垃圾音效 | Em | 131 | |||
|
Hymn for Tomorrow [CCB1068 - 1] |
2'22 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Dramatic, touching | 命运 感动 令人激动 旋律重复的音乐 | Cm | 125 | ||||
|
Hymn for Tomorrow Edit 20 sec [CCB1068 - 10] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | 命运 感动 令人激动 旋律重复的音乐 | Gm | 125 | |||
|
Hymn for Tomorrow Edit 30 sec [CCB1068 - 11] |
版本. | 0'29 | Louis-Ronan Choisy | 30 second cut. | 命运 感动 令人激动 旋律重复的音乐 | G | 124 | |||
|
Hymn for Tomorrow Sting [CCB1068 - 12] |
版本. | 0'11 | Louis-Ronan Choisy | Sting | 命运 感动 令人激动 旋律重复的音乐 | Gm | 124 | |||
|
All Along the Way [CEZ4663 - 10] |
2'20 | Laurent Dury | Pastoral, carefree, bright and easy. Harp, marimba, piano, Fender | 自然 童年 田园 跟踪摄影 | C | 90 | ||||
|
All Along the Way Alternate [CEZ4663 - 21] |
版本. | 2'20 | Laurent Dury | Underscore version | 自然 童年 田园 跟踪摄影 | C | 90 | |||
|
Tiny Turing Steps [BIB285 - 9] |
2'12 | James Cameron | Quaint, hopeful, progressive. Toy piano tune plays out, a simplistic | 童年 疑问 玩具钢琴 伴音 | D | 120 | ||||
|
Tiny Turing Steps (Underscore) [BIB285 - 25] |
版本. | 2'12 | James Cameron | Quaint, hopeful, progressive. Toy piano tune plays out, a simplistic | 童年 疑问 玩具钢琴 伴音 | D | 118 | |||
|
Agency Leaks [CEG5056 - 8] |
2'17 | Studio 65 | Electro Jazz. Determined, atmospheric, dark & dramatic. Meticulous | 间谍片 固执 司法 电子爵士 | Dm | 150 | ||||
|
Agency Leaks Alternate 1 [CEG5056 - 52] |
版本. | 2'17 | Studio 65 | Underscore 1. | 间谍片 固执 司法 电子爵士 | Dm | 150 | |||
|
Agency Leaks Alternate 2 [CEG5056 - 53] |
版本. | 2'11 | Studio 65 | Underscore 2. | 间谍片 固执 司法 电子爵士 | Dm | 150 | |||
|
Agency Leaks Edit 1 (20 sec) [CEG5056 - 54] |
版本. | 0'20 | Studio 65 | 20 second cut. | 间谍片 固执 司法 电子爵士 | Dm | 151 | |||
|
Agency Leaks Edit 2 (30 sec) [CEG5056 - 55] |
版本. | 0'30 | Studio 65 | 30 second cut. | 间谍片 固执 司法 电子爵士 | Dm | 151 | |||
|
Agency Leaks Edit 3 (60 sec) [CEG5056 - 56] |
版本. | 1'00 | Studio 65 | 60 second cut. | 间谍片 固执 司法 电子爵士 | Dm | 150 | |||
|
Agency Leaks Edit 4 (sting) [CEG5056 - 57] |
版本. | 0'14 | Studio 65 | Sting. | 间谍片 固执 司法 电子爵士 | Dm | 150 | |||
|
Backroom Deals [CEG5057 - 12] |
2'55 | DoubtingThomas | Electronic beat. Heady, cyclic & hypnotising. Synth & rhythm. Ideal | 固执 都市 BEAT MAKING 阴险 | Ebm | 167 | ||||
|
Backroom Deals Edit 20 sec [CEG5057 - 64] |
版本. | 0'20 | DoubtingThomas | 20 second cut. | 固执 都市 BEAT MAKING 阴险 | Ebm | 167 | |||
|
Backroom Deals Edit 30 sec [CEG5057 - 65] |
版本. | 0'30 | DoubtingThomas | 30 second cut. | 固执 都市 BEAT MAKING 阴险 | Ebm | 84 | |||
|
Backroom Deals Edit 60 sec [CEG5057 - 66] |
版本. | 1'00 | DoubtingThomas | 60 second cut. | 固执 都市 BEAT MAKING 阴险 | Ebm | 84 | |||
|
Backroom Deals Edit Sting [CEG5057 - 67] |
版本. | 0'13 | DoubtingThomas | Sting. | 固执 都市 BEAT MAKING 阴险 | Abm | 84 | |||
|
We Were Comrades [CEO2175 - 16] |
0 | 1'40 | Olivier Militon | Cinematic/Orchestral score. Poignant, sorrowful & emotional. Full | 感动 爱国主义 使人心碎 冒险片 | Fm | 72 | |||
|
Miniatures No 5 [AUD046 - 5] |
1'14 | Bruno Letort | Orchestral. Tense, nervous & lively. More hectic @ 0'39. Snare drum, | 恐怖片 令人不安 军事冲突 阴险 | Fm | 125 | ||||
|
Miniatures No 5 Short Edit [AUD046 - 10] |
版本. | 0'15 | Bruno Letort | Short edit version | 恐怖片 令人不安 军事冲突 阴险 | Ebm | 144 | |||
|
Covert Operations [EOS135 - 11] |
0 | 2'59 | Astronotes | Luminous, panoramic & epic. Steady progression. Piano, synth, strings | 冒险片 太空 神秘 进步 | C | 115 | |||
|
Bit Crusher [TBX217 - 6] |
2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 动人 调查研究 | A | 100 | ||||
|
Bit Crusher (Underscore) [TBX217 - 31] |
版本. | 2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (Underscore No
[TBX217 - 32] |
版本. | 2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (30 Sec) [TBX217 - 33] |
版本. | 0'30 | Gary Meek | Gritty, cyber, daring. Icy futuristic textures lead into factory-like | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (Sting) [TBX217 - 34] |
版本. | 0'14 | Gary Meek | Gritty, cyber, daring. Icy futuristic textures lead into and sharp | 信息技术 电子琴 调查研究 神秘 | A | 133 | |||
|
Clumsy Steps [TBX215 - 7] |
2'23 | Anthony Sallis, Ben Bodie | Fun, sneaky, suspicious. Strings and glockenspiel creep out amid | 恐怖喜剧 动画 悲喜剧 讽刺 & 恶意 | Ebm | 98 | ||||
|
Clumsy Steps (Underscore) [TBX215 - 17] |
版本. | 2'10 | Anthony Sallis, Ben Bodie | Fun, sneaky, suspicious. Footstep rough percussion creeps out, | 悲喜剧 讽刺 & 恶意 动画 电影原声带 | Ebm | 98 | |||
|
Make It Slow [CEZ4661 - 10] |
2'15 | Cvd | Lounge beat. Glamorous, vintage, sensual & classy. Fender Rhodes, | 高雅 cocktail bar 酒吧音乐 放松 | Ebm | 85 | ||||
|
Make It Slow Alternate [CEZ4661 - 59] |
版本. | 2'15 | Cvd | Underscore version | 高雅 cocktail bar 酒吧音乐 放松 | Ebm | 86 | |||
|
Make It Slow Edit 1 15 sec [CEZ4661 - 60] |
版本. | 0'15 | Cvd | 15 seconds instrumental cut | 高雅 cocktail bar 酒吧音乐 放松 | Ebm | 86 | |||
|
Make It Slow Edit 2 30 sec [CEZ4661 - 61] |
版本. | 0'30 | Cvd | 30 seconds instrumental cut | 高雅 cocktail bar 酒吧音乐 放松 | Ebm | 86 | |||
|
Make It Slow Edit 3 60 sec [CEZ4661 - 62] |
版本. | 1'00 | Cvd | 60 seconds instrumental cut | 高雅 cocktail bar 酒吧音乐 放松 | Ebm | 85 | |||
|
Make It Slow Sting [CEZ4661 - 63] |
版本. | 0'10 | Cvd | Sting | 高雅 cocktail bar 酒吧音乐 放松 | Ebm | 86 | |||
|
Wave of Despair [CEZ4650 - 14] |
0 | 1'54 | Olivier Militon | Cinematic. Dark, emotional & dramatic. Full orchestra. Ethereal choir | 画面感 悲剧 感动 军事冲突 | Fm | 96 | |||
|
Lumbering Larry [TBX213 - 6] |
2'18 | Alexander Young | Comedic, theatrical, portly. A slow circus instrumentation plods | 醉酒 悲喜剧 滑稽镜头 喜剧 | Cm | 95 | ||||
|
Lumbering Larry (Underscore) [TBX213 - 17] |
版本. | 2'18 | Alexander Young | Comedic, theatrical, portly. A slow circus instrumentation plods | 醉酒 悲喜剧 滑稽镜头 喜剧 | Cm | 95 | |||
|
The Shady Slinker [TBX213 - 10] |
2'32 | Lee Franklin, Ethan Maltby | Suspicious, villainous, childish. Clean twanging guitar winds through | 节奏乐器组 好玩 滑稽镜头 媚俗 & 艳俗 | Cm | 123 | ||||
|
The Shady Slinker (Underscore) [TBX213 - 21] |
版本. | 2'32 | Lee Franklin, Ethan Maltby | Suspicious, villainous, childish. Xylophones and subtle guitar wind | 节奏乐器组 好玩 滑稽镜头 媚俗 & 艳俗 | Cm | 123 | |||
|
Midnight In Montmartre [TBX213 - 11] |
2'30 | Lee Franklin, Ethan Maltby | Malicious, scheming, nautical. Drunken rhythm plays through droning | 好玩 鼓 电吉他 铜管部分 | G | 130 | ||||
|
Midnight In Montmartre
[TBX213 - 22] |
版本. | 2'30 | Lee Franklin, Ethan Maltby | Malicious, scheming, nautical. Drunken rhythm plays through droning | 好玩 鼓 电吉他 摇摆 | G | 130 |