| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
On a Roll [CEZ4318 - 12] |
0 | 3'28 | Mars Red Sky | Stoner rock. Catchy, psyche & powerful. Rock band with male singer.歌词 | 斯托纳摇滚 赛车 朗朗上口 动作片 | Bm | 120 | |||
|
Life, Animated [BIB062 - 5] |
0 | 2'17 | Luke Coltman | Staccato strings build with a suspended and expected tone. Movement | 命运 企业宣传 工业 遗产 | Ab | 120 | |||
|
Arcade Life [TBX008 - 13] |
0 | 1'49 | Sergey Kolosov | A simple prgrammed drum beat with catchy electric guitar riff. Upbeat | 滑行运动 果断 赛车 室外 | D | 85 | |||
|
Oddity [TBX008 - 14] |
0 | 1'31 | Sergey Kolosov | Shiny and angular guitars, with punchy drum beat. Positive, happy, | 果断 紧急 日常生活 动人 | Am | 172 | |||
|
Plasticine Song [TBX008 - 16] |
0 | 2'11 | Sergey Kolosov | Positive, driving and memorable indie pop. Uplifting with handclaps. | 青春剧 果断 广告 日常生活 | G | 90 | |||
|
Rocklad [TBX008 - 25] |
0 | 1'50 | Chris Doney | Straight up rock with a 90's inspired feel. Driving and catchy. | 青春剧 滑行运动 开心 室外 | E | 132 | |||
|
Hell to Pay [TBX008 - 26] |
0 | 2'40 | Mark Peter Revell | Moody and sultry industrial rock, distorted guitars, driving beats | 极限运动 赛车 固执 团队运动 | Em | 123 | |||
|
Wherever it Goes [BIB049 - 1] |
2'54 | Chris Durkin, Courtney Visser | Expansive, dream-like pop track, building electronic production with 歌词 | 舞蹈流行音乐 室外 英语歌唱 女歌手 | Gbm | 115 | ||||
|
Wherever it Goes Instrumental [BIB049 - 14] |
版本. | 2'54 | Chris Durkin, Courtney Visser | Expansive, dream-like pop track, building electronic production with | 舞蹈流行音乐 室外 俱乐部 动人 | A | 115 | |||
|
Let Go [BIB049 - 2] |
3'31 | Oliver Slack, Weyinmi Slim | House track with a strong vocal hook & drop, contemporary and 歌词 | 舞蹈流行音乐 动人 室外 英语歌唱 | Bbm | 120 | ||||
|
Let Go Instrumental [BIB049 - 15] |
版本. | 3'31 | Oliver Slack, Weyinmi Slim | House track with contemporary and expansive production. | 舞蹈流行音乐 动人 室外 俱乐部 | Ebm | 120 | |||
|
The Voice of Inspiration [CEZ4312 - 1] |
2'52 | Elisabeth Skornik, Guy Skornik | Celestial & emotional. Female choir, strings & electronics. | 不可归类 广告 女性 时尚 | A | 70 | ||||
|
The Voice of Inspiration
[CEZ4312 - 16] |
版本. | 2'09 | Elisabeth Skornik, Guy Skornik | Celestial & emotional. Female choir & electronics. Underscore with | 不可归类 广告 女性 酒吧音乐 | A | 70 | |||
|
Shibuya Station [MAG6024 - 3] |
0 | 3'19 | Veens | Electro / future beat. Confident, intense & powerful @ 0'57. Synth, | future beat 现代 朗朗上口 时尚 | Em | 140 | |||
|
Leaving Narita Airport [MAG6024 - 5] |
0 | 3'28 | Veens | Electro / future beat. Solar, intense & happy. Synth, pitched voices | 现代 future beat 节奏感 朗朗上口 | Gbm | 150 | |||
|
Instant Love [MAG6023 - 4] |
0 | 2'41 | Relayer | Electro pop. Lively, confident & driving. Synth & rhythm. | 流行电子音乐 现代 俱乐部 动人 | Dbm | 110 | |||
|
Acapulco [MAG6023 - 6] |
0 | 2'59 | Relayer | Electro pop. Driving, powerful & heavy. Piano, synth & rhythm. | 流行电子音乐 现代 动人 人物 | Em | 120 | |||
|
Outlaws [CEZ4305 - 2] |
2'46 | Sham Makdessi, Morgan Sansous | Surf music. Epic, proud & driving. Electric twangy guitar, alto sax & | 冲浪摇滚 骄傲 当代西部片 朗朗上口 | Em | 164 | ||||
|
Outlaws 2 [CEZ4305 - 30] |
版本. | 2'44 | Gael Diatta, Sham Makdessi, Régis Moreau, Morgan Sansous | Surf music. Epic, proud & driving. Electric twangy guitar & rhythm | 冲浪摇滚 骄傲 当代西部片 朗朗上口 | Em | 164 | |||
|
The Last Night [CEZ4302 - 2] |
0 | 3'55 | Vermair | Electronic Dance Music. Dreamy but driving. Electric piano, synth, | 电子舞曲 动人 人物 俱乐部 | Am | 125 | |||
|
Cannonball Run [CEZ4302 - 12] |
0 | 3'23 | Vermair | Electronic Dance Music. Driving, urgent & incisive. Synth & rhythm. | 赛车 电子舞曲 极限运动 果断 | Am | 120 | |||
|
Laserworld [CEZ4302 - 14] |
0 | 3'47 | Vermair | Electronic Dance Music. Retro, powerful & determined. Synth & rhythm. | 俱乐部 电子舞曲 动人 朗朗上口 | Gm | 120 | |||
|
Funk That [CEZ4300 - 24] |
0 | 7'06 | Stan Laferriere | Modern jazz of the 80s with a touch of funk. Relaxed but complex. Big | 爵士俱乐部 即兴发挥 现代爵士 北美 | Fm | 89 | |||
|
Happy Song [TBX003 - 9] |
0 | 2'14 | Claire Batchelor | Happy and joyful acoustic guitar with mandolin, ukelele, glockenspiel | 广告 开心 好玩 自信 | C | 94 |