| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Year of Fog [CEO2052 - 12] |
0 | 2'36 | Baptiste Thiry | Patient & mysterious. Sudden & powerful @ 0'50. Determined & | 冒险片 全景图 警匪片 令人不安 | Am | 62 | |||
|
The Sea & I [BIB062 - 7] |
0 | 4'11 | Luke Coltman | Ambient, cinematic underscore. Softly undulating string textures | 乡村 悬念 飞行 漂泊 | Ab | 60 | |||
|
Ruinous Quarries [CEO2051 - 12] |
0 | 1'00 | Gregory Cotti | Investigation. Life Drama. Sad & desolate. Electronics. | 令人不安 气氛 低沉 中东 | E | 115 | |||
|
Lost Highway [TBX008 - 10] |
0 | 2'12 | Sergey Kolosov | Simple guitar riff and off beat drum rhythm create a layering verse, | 滑行运动 赛车 追逐场面 连复段 | Am | 143 | |||
|
A Lesson in Murder [CEZ4311 - 3] |
0 | 1'27 | Gregory Cotti | Impacts. Trailers. Action. Powerful, creepy & inexorable. Cinematic | 大电影打击乐 画面感 战争 突然 | Am | 162 | |||
|
Heist Time [TBX006 - 4] |
0 | 2'43 | Peter Nickalls | Electronic, pulsing bed. Tense yet calm, with gradual, determined | 调查研究 固执 果断 追逐场面 | Cm | 120 | |||
|
Odd Ones [TBX006 - 5] |
0 | 2'05 | Peter Henry Mayne, Lee Sparey | Muted, sparse, arpeggiated synth bed. Suspended and uncertain, with | 固执 催眠 进步 科学 | Am | 120 | |||
|
Estranged [TBX006 - 9] |
0 | 2'18 | Lee Sparey | Ambient, etheral drones with grounded bassline. Brooding in a calm, | 阴暗氛围 太空 诡异 气氛 | Bbm | 60 | |||
|
Catching a Killer [TBX006 - 12] |
0 | 2'33 | Peter Nickalls | Sinister and deep bass with deranged ambient sfx. Undulations give | 灾难 悬念 漂泊 调查研究 | Cm | 120 | |||
|
Time Almost Up [TBX006 - 18] |
0 | 2'07 | Lee Sparey | Pensive sfx with sci-fi flavours tick and pulse towards a building | 阴暗氛围 漂泊 全景 气氛 | Eb | 65 | |||
|
Data Center [CEZ4309 - 4] |
0 | 2'05 | Thomas Didier | Analog electro. Percussive, heavy & tense. Analog synth & rhythm. | 固执 electro beat 恐怖片 令人不安 | Fm | 90 | |||
|
Hacktivist [CEZ4309 - 8] |
0 | 2'12 | Claude Samard | Analog electro. Disturbing, obstinate then violent. Build-up and | 进步 令人不安 突然 模拟合成器 | Am | 124 | |||
|
Deep Web [CEZ4309 - 11] |
0 | 2'20 | Colo Colo | Analog electro. Inevitable, tense & dark. Arpeggiator, analog synth. | 信息技术 太空 科幻片 琶音器 | Gm | 112 | |||
|
Battlefield Preparations [CEZ4306 - 10] |
0 | 1'26 | Eric Caissy | History, war, news. Solemn & dramatic. Build up. Constant crescendo. | 重大庆典 无情 战士 经典好莱坞 | D | 120 | |||
|
A Terrible Presence [BIB052 - 5] |
0 | 2'58 | Christopher Boot, Benjamin John Daniel | Arpeggiated motif with brooding, ominous bass undertones and sfx. | 轰隆声 复古电视 有毒 八十年代 | Dm | 71 | |||
|
Carton Rouge [CEO2040 - 9] |
0 | 0'49 | Arnaud de Boisfleury | Documentary. History. Tense & interrogative Woodwind & string | 历史旁白 中断 令人不安 法国电影 | D | 135 | |||
|
Brooding Sky [BIB051 - 8] |
2'19 | Dominik Johnson, Alexius Tschallener | Dusky, darkly panoramic with open-air widescreen tone. Unnerving | 恐怖 恐怖片 令人不安 神秘 | Em | 130 | ||||
|
Brooding Sky (30s) [BIB051 - 25] |
版本. | 0'30 | Dominik Johnson, Alexius Tschallener | Dusky, darkly panoramic with open-air widescreen tone. Unnerving | 恐怖 恐怖片 令人不安 神秘 | Em | 129 | |||
|
Brooding Sky (15s) [BIB051 - 26] |
版本. | 0'20 | Dominik Johnson, Alexius Tschallener | Dusky, darkly panoramic with open-air widescreen tone. Unnerving | 恐怖 恐怖片 令人不安 神秘 | Em | 130 | |||
|
Nightmare Two [BIB051 - 10] |
1'44 | Dominik Johnson, Alexius Tschallener | Part two of the nightmare. Skittering and malevolent, ominous and | 悬念 恐怖片 灾难 伴音 | Ebm | 90 | ||||
|
Nightmare Two (30s) [BIB051 - 29] |
版本. | 0'35 | Dominik Johnson, Alexius Tschallener | Part two of the nightmare. Skittering and malevolent, ominous and | 悬念 恐怖片 灾难 伴音 | Ebm | 90 | |||
|
Nightmare Two (15s) [BIB051 - 30] |
版本. | 0'18 | Dominik Johnson, Alexius Tschallener | Part two of the nightmare. Skittering and malevolent, ominous and | 悬念 恐怖片 灾难 伴音 | Ebm | 108 | |||
|
Black Tale [TBX005 - 7] |
0 | 1'43 | Sergey Kolosov | Spooky and slightly melancholic intro builds with steady kick and | 魔幻电影 神秘 进步 画面感 | Dm | 63 | |||
|
Man in the Middle [CEZ4295 - 2] |
0 | 2'19 | Thomas Didier | Trip hop / downtempo. Dark, urgent & inexorable. Synth & rhythm. | 追逐场面 动作片 固执 间谍片 | Dm | 120 |