| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Orchestral Pieces No8 [AUD052 - 3] |
2'00 | Bruno Letort | Avant-garde classical. Solemn & sharp-edged, building urgently. | 军事冲突 无调性音乐 弦乐乐团 灾难 | D | 120 | ||||
|
Orchestral Pieces No8 (Short
[AUD052 - 8] |
版本. | 0'34 | Bruno Letort | Short edit version | 军事冲突 无调性音乐 弦乐乐团 灾难 | Gbm | 120 | |||
|
Orchestral Pieces No9 [AUD052 - 4] |
1'32 | Bruno Letort | Avant-garde classical. Atmospheric & eerie intro with crackling | 历史旁白 复杂 军事冲突 警匪片 | G | 83 | ||||
|
Orchestral Pieces No9 (Short
[AUD052 - 9] |
版本. | 0'42 | Bruno Letort | Short edit version | 历史旁白 复杂 军事冲突 警匪片 | G | 172 | |||
|
Hidden Affairs [CEG5061 - 1] |
1'00 | Xavier Jamaux | Suspicious, cinematic, tense & evocative. Dramatic & emotional | 政治 阴险 调查研究 electronic score | Cm | 105 | ||||
|
Hidden Affairs Alternate [CEG5061 - 13] |
版本. | 0'59 | Xavier Jamaux | Version without flute | 政治 阴险 调查研究 electronic score | Cm | 105 | |||
|
Dark Hole [AMS5069 - 4] |
2'22 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Insidious, inexorable but courageous. Drum | 科幻片 八十年代 周期性的 electronic score | Cm | 126 | ||||
|
Dark Hole Alternate 1 [AMS5069 - 21] |
版本. | 2'22 | Dario Ferrante, Jure Jerebic | Version without lead synth. | 科幻片 八十年代 周期性的 electronic score | Cm | 80 | |||
|
Dark Hole Alternate 2 [AMS5069 - 22] |
版本. | 2'22 | Dario Ferrante, Jure Jerebic | Underscore version. | 科幻片 八十年代 周期性的 electronic score | C | 80 | |||
|
Dark Hole Edit 1 30 sec [AMS5069 - 23] |
版本. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | 科幻片 八十年代 周期性的 electronic score | Cm | 80 | |||
|
Dark Hole Edit 2 15 sec [AMS5069 - 24] |
版本. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | 科幻片 八十年代 周期性的 electronic score | Gm | 80 | |||
|
Airports [EOS148 - 1] |
0 | 1'43 | Mathieu Harlaut | Distant, nocturnal & hypnotic. Cyclical. Analog synth sequence. | 加速镜头 环境 催眠 工业 | Bbm | 131 | |||
|
Ambient I [EOS148 - 2] |
0 | 2'54 | Mathieu Harlaut | Deep, floating & toxic. Analog synth soundscape & sequence. | 太空 模拟合成器 环境 漂泊 | Cm | 112 | |||
|
Half Time [BIB297 - 10] |
2'10 | Audio Aroma, Ari Goldhand | Powerful, theatrical, strong. Glassy euphoria is sucked up into | 固执 都市景色 态度 阴险 | Db | 142 | ||||
|
Half Time (Instrumental) [BIB297 - 21] |
版本. | 2'10 | Audio Aroma, Ari Goldhand | Powerful, theatrical, strong. Glassy euphoria is sucked up into | 固执 都市景色 态度 阴险 | Db | 142 | |||
|
Half Time (Underscore) [BIB297 - 22] |
版本. | 2'10 | Audio Aroma, Ari Goldhand | Powerful, theatrical, strong. Glassy euphoria meets gritty bassline | 固执 都市景色 态度 阴险 | Dbm | 142 | |||
|
Scary & Spooky (Ghostly
[TBX233 - 12] |
1'00 | Sergey Kolosov | Silly, creepy, theatrical. Big deep string notes and bells collide to | 恐怖喜剧 万圣节 笨拙 弦乐部分 | Cm | 137 | ||||
|
Scary & Spooky (Ghostly
[TBX233 - 29] |
版本. | 1'00 | Sergey Kolosov | Silly, creepy, theatrical. Big deep string notes and bells collide to | 恐怖喜剧 万圣节 笨拙 弦乐部分 | Cm | 137 | |||
|
Bring the Noise [ISC116 - 2] |
2'37 | Francesco Bondi | Electro. Repetitive, haunting & rough. Synth, riser, claps & beat. | 冲突 electro beat 动人 动作片 | Fm | 140 | ||||
|
Bring the Noise Alternate 1 [ISC116 - 13] |
版本. | 2'37 | Francesco Bondi | Version without percussion. | 冲突 electro beat 动人 动作片 | Fm | 70 | |||
|
Bring the Noise Alternate 2 [ISC116 - 14] |
版本. | 2'37 | Francesco Bondi | Version without lead. | 冲突 electro beat 动人 动作片 | Fm | 140 | |||
|
Digital Revolution [ISC116 - 6] |
2'25 | Francesco Bondi | Electro. Tense, aggressive & dark. Synth & rhythmic. Suggested for | 信息技术 固执 冲突 都市 | G | 135 | ||||
|
Digital Revolution Alternate 1 [ISC116 - 20] |
版本. | 2'25 | Francesco Bondi | Version without percussion. | 信息技术 固执 冲突 都市 | G | 135 | |||
|
Digital Revolution Alternate 2 [ISC116 - 21] |
版本. | 2'25 | Francesco Bondi | Version without lead. | 信息技术 固执 冲突 都市 | Gm | 135 | |||
|
Litany of Shadows [ISC115 - 6] |
2'58 | Christophe Le Guen | Horror trailer. Scary intro with wind fx, shadowy & shrilling sounds. | 进步 画面感 高潮 史诗 | Dm | 90 | ||||
|
Litany of Shadows Alternate 1 [ISC115 - 21] |
版本. | 2'58 | Christophe Le Guen | Version without percussion. | 进步 画面感 高潮 史诗 | D | 91 | |||
|
Litany of Shadows Alternate 2 [ISC115 - 22] |
版本. | 2'58 | Christophe Le Guen | Light version. | 进步 画面感 高潮 史诗 | Dm | 178 | |||
|
Patience my Dear [CEZ4700 - 25] |
0 | 2'46 | Elisabeth Skornik, Guy Skornik | Neo-classical. Jerky, bouncy, repetitive, narrative & insistent. | 手工业 耐心 强调突出 工业 | Dm | 156 | |||
|
Kosmische Musik Part 5 [AUD050 - 5] |
2'09 | Dominique Grimaldi | Kosmische Musik / Krautrock. 1970s. Floating, echoing & errie. Analog | 阴险 德国酸菜摇滚 模拟合成器 周期性的 | G | 152 | ||||
|
Kosmische Musik Part 5 (Short
[AUD050 - 10] |
版本. | 0'28 | Dominique Grimaldi | Short edit version. | 阴险 德国酸菜摇滚 模拟合成器 周期性的 | G | 152 | |||
|
Kosmische Musik Part 5 (No Fx) [AUD050 - 15] |
版本. | 2'09 | Dominique Grimaldi | Version without fx. | 阴险 德国酸菜摇滚 模拟合成器 周期性的 | G | 152 | |||
|
Elevate Frequency [AMS5063 - 3] |
2'08 | Zoltan Zadori | Investigation underscore. Intro with pulse that comes & goes. | 画面感 稳定的 进行中 间谍片 | E | 128 | ||||
|
Elevate Frequency Alternate 1 [AMS5063 - 15] |
版本. | 2'08 | Zoltan Zadori | Version without percussion | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Elevate Frequency Alternate 2 [AMS5063 - 16] |
版本. | 2'08 | Zoltan Zadori | Bed version | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Elevate Frequency Alternate 3 [AMS5063 - 17] |
版本. | 2'08 | Zoltan Zadori | Underscore version | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Protagonist [INP083 - 4] |
2'08 | Joel Stoner | Epic, strong, climactic. Dramatic piano note into drifting euphoric | 悬念 画面感 无情 动作游戏 | Gm | 60 | ||||
|
Protagonist (Underscore) [INP083 - 16] |
版本. | 2'08 | Joel Stoner | Epic, strong, climactic. Dramatic piano note into drifting euphoric | 悬念 画面感 无情 动作游戏 | Gm | 60 | |||
|
Low Orbit [AMS5061 - 7] |
2'16 | Felix Weber | Cinematic trap. Edgy, tense & dark. Trap beat, strings, vox fx, flute | 电影节奏 固执 悬念 态度 | D | 162 | ||||
|
Low Orbit Alternate 1 [AMS5061 - 50] |
版本. | 2'16 | Felix Weber | Version without percussion | 电影节奏 固执 悬念 态度 | D | 161 | |||
|
Low Orbit Alternate 2 [AMS5061 - 51] |
版本. | 2'16 | Felix Weber | Version with percussion only | 电影节奏 固执 悬念 态度 | Gbm | 162 | |||
|
Low Orbit Alternate 3 [AMS5061 - 52] |
版本. | 2'16 | Felix Weber | Version without vox | 电影节奏 固执 悬念 态度 | Dm | 162 | |||
|
Low Orbit Alternate 4 [AMS5061 - 53] |
版本. | 2'16 | Felix Weber | Bed version | 电影节奏 固执 悬念 态度 | D | 162 | |||
|
Low Orbit Alternate 5 [AMS5061 - 54] |
版本. | 2'16 | Felix Weber | Underscore version | 电影节奏 固执 悬念 态度 | D | 162 | |||
|
Low Orbit Edit 1 30 sec [AMS5061 - 55] |
版本. | 0'31 | Felix Weber | 30 second cut | 电影节奏 固执 悬念 态度 | Dm | 161 | |||
|
Low Orbit Edit 2 15 sec [AMS5061 - 56] |
版本. | 0'17 | Felix Weber | 15 second cut | 电影节奏 固执 悬念 态度 | Dm | 162 | |||
|
Fragment [BIB293 - 10] |
2'10 | Kohshi Kamata | Moving, dark, cinematic. Flurry of strings curls up with fast moving | 感动 命运 画面感 周期性的 | Gm | 96 | ||||
|
Fragment (Underscore) [BIB293 - 20] |
版本. | 2'09 | Kohshi Kamata | Moving, dark, cinematic. Flurry of strings curls up with fast moving | 感动 命运 画面感 周期性的 | Gm | 96 | |||
|
The Mafia doesn't Sleep [CEC8064 - 1] |
0 | 2'39 | Zhang Hao, Qingfeng Mu | Dark, threatening & suspended. Determined, powerful & disturbing @ | 命运 史诗 orchestral score 进步 | Am | 86 | |||
|
An Invisible Threat [CEC8064 - 8] |
0 | 2'58 | Zhang Hao, Qingfeng Mu | Unsettling, oppressive, insidious & patient. Harp, percussion, brass | 画面感 历史片 阴险 间谍片 | Am | 86 | |||
|
Suspended Stillness Variation
[CEO2183 - 7] |
0 | 1'46 | Irina Prieto Botella, Pablo Saguez | Guitars version. Suspended & panoramic. Introspective. Electric | 反省 抽象艺术 复杂 心理剧 | B | 90 |