| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Night Drifters Takeover [CEZ4649 - 9] |
1'56 | SHIFUMI | Trap beat, hip-hop beat. Nocturne, fatal & sharp. Synth & rhythm. | 陷阱音乐 调查研究 电子琴 都市 | Gb | 137 | ||||
|
Night Drifters Takeover
[CEZ4649 - 66] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 陷阱音乐 调查研究 电子琴 都市 | C | 137 | |||
|
Night Drifters Takeover
[CEZ4649 - 67] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 陷阱音乐 调查研究 电子琴 都市 | C | 137 | |||
|
Night Drifters Takeover
[CEZ4649 - 68] |
版本. | 0'15 | SHIFUMI | 15 second cut. | 陷阱音乐 调查研究 电子琴 都市 | C | 137 | |||
|
Night Drifters Takeover
[CEZ4649 - 69] |
版本. | 0'07 | SHIFUMI | Sting. | 陷阱音乐 调查研究 电子琴 都市 | Cm | 137 | |||
|
Chasing the Fog [CEG5051 - 7] |
3'03 | Bruno Alexiu | Strange, jerky, constant, hypnotic & nightmarish. Electronic | 低沉 工业 机械的 电子鼓 | Fm | 120 | ||||
|
Chasing the Fog Alternate [CEG5051 - 37] |
版本. | 3'03 | Bruno Alexiu | Version with percussion only. | 追逐场面 进行中 低沉 工业 | Dm | 120 | |||
|
Chasing the Fog Edit 1 (60s) [CEG5051 - 38] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 2 (60s) [CEG5051 - 39] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 3 (30s) [CEG5051 - 40] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 4 (30s) [CEG5051 - 41] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Am | 118 | |||
|
Chasing the Fog Edit 5 (15s) [CEG5051 - 42] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 6 (15s) [CEG5051 - 43] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | Am | 120 | |||
|
Effervescent [IOM033 - 9] |
2'00 | Jack Pierce | Flamboyant, theatrical, serious. Chiming strings are hit with | 新古典音乐 火热 预告片 阴险 | Am | 131 | ||||
|
Effervescent (Underscore A) [IOM033 - 34] |
版本. | 2'00 | Jack Pierce | Flamboyant, theatrical, serious. Chiming strings are hit with | 新古典音乐 火热 预告片 阴险 | Am | 131 | |||
|
Effervescent (Underscore B) [IOM033 - 35] |
版本. | 1'59 | Jack Pierce | Flamboyant, theatrical, serious. Chiming strings are hit with | 新古典音乐 火热 预告片 阴险 | Am | 131 | |||
|
Effervescent (Strings Only) [IOM033 - 36] |
版本. | 1'59 | Jack Pierce | Flamboyant, theatrical, serious. Chiming strings build layers as | 新古典音乐 火热 预告片 阴险 | Am | 131 | |||
|
Eisiger Winter [CEG5052 - 11] |
2'37 | Louis Edlinger | Minimal ambient. Cold, atmospheric & eerie. Soundscape & electronics. | 背景音 极简电子音乐 漂泊 神秘 | Am | 68 | ||||
|
Eisiger Winter Alternate 1 [CEG5052 - 33] |
版本. | 2'36 | Louis Edlinger | Version without lead synth. | 背景音 极简电子音乐 漂泊 神秘 | Am | 68 | |||
|
Eisiger Winter Alternate 2 [CEG5052 - 34] |
版本. | 2'15 | Louis Edlinger | Version without bass, sfx & percussion. | 极简电子音乐 漂泊 神秘 冷沙漠 | Bm | 68 | |||
|
Nachtstreife [CEG5052 - 12] |
3'10 | Louis Edlinger | Minimalism. Elegant, reflective & inspirational with a hint of | 疑问 神秘 社会悲剧 调查研究 | Fm | 73 | ||||
|
Nachtstreife Alternate 1 [CEG5052 - 35] |
版本. | 3'03 | Louis Edlinger | Version without melody. | 疑问 神秘 社会悲剧 调查研究 | Fm | 73 | |||
|
Nachtstreife Alternate 2 [CEG5052 - 36] |
版本. | 2'48 | Louis Edlinger | Version without rhythm & pad. | 疑问 神秘 社会悲剧 调查研究 | Fm | 72 | |||
|
Persistent Question [CEG5049 - 10] |
1'59 | Felix Halbe | Suspense. Interrogative, mysterious, tragic & insidious. Piano, synth | 信息技术 社会悲剧 疑问 神秘 | Bbm | 140 | ||||
|
Persistent Question Alternate [CEG5049 - 24] |
版本. | 1'59 | Felix Halbe | Reduced version with lowpassed main synth & without deep pulse. | 信息技术 社会悲剧 疑问 神秘 | Bbm | 140 | |||
|
Resistance [ISC086 - 9] |
3'16 | Stanislav Barantsov | Cinematic hybrid trailer. Eerie intro with piano & sub bass. Edgy & | 画面感 战争 气势 紧急 | Em | 130 | ||||
|
Resistance Alternate [ISC086 - 19] |
版本. | 3'16 | Stanislav Barantsov | Version without percussion | 画面感 气势 紧急 高潮 | Em | 130 | |||
|
Je Le Savais Très Bien [CEZ4645 - 5] |
2'30 | Iain Harper | Future garage. Groovy, determined & futuristic. Lively drum & bass | 车库 丛林音乐 夜晚 固执 | Em | 140 | ||||
|
Je Le Savais Très Bien
[CEZ4645 - 45] |
版本. | 2'30 | Iain Harper | Instrumental version | 车库 夜晚 固执 果断 | Em | 140 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 46] |
版本. | 0'15 | Iain Harper | 15 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 47] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 48] |
版本. | 0'30 | Iain Harper | 30 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 49] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 50] |
版本. | 1'00 | Iain Harper | 60 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 51] |
版本. | 1'00 | Iain Harper | 60 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 52] |
版本. | 0'08 | Iain Harper | Sting | 车库 夜晚 固执 果断 | Bm | 139 | |||
|
A Man at the Crossroads [EOS125 - 4] |
0 | 1'22 | Anthony Mowat, David Poirier, Tommy Rizzitelli, Laurent Rochelle | Mysterious, distant & wandering. Guitar, clarinet, bass, drums & wind | 令人不安 神秘 夜晚 气氛 | Bb | 101 | |||
|
Le Blues des Martyrs [EOS125 - 5] |
0 | 1'46 | Anthony Mowat, Tommy Rizzitelli | Weird, unsettling & sorrowful. Synth, metallic percussion & distant | 气氛 悬念 奇怪 令人不安 | Bm | 62 | |||
|
Nightcrawler [EOS125 - 7] |
0 | 1'42 | Anthony Mowat, Tommy Rizzitelli | Cavernous, tense & obstinate. Distant vocals, guitar, bass, drums, | 警匪片 令人不安 进行曲 固执 | Gb | 83 | |||
|
On the Edge [CEZ4641 - 4] |
2'58 | Jon Du | Ambient cinematic. Dark, fragile & tragic. Constant progression. | 画面感 神秘 夜晚 全景 | Bm | 130 | ||||
|
On the Edge Alternate [CEZ4641 - 14] |
版本. | 2'58 | Jon Du | Alternate no perc. | 画面感 神秘 夜晚 全景 | Bm | 129 | |||
|
Stunned [CEZ4641 - 5] |
0 | 2'56 | Vincent Leibovitz | Ambient electro, analog horror. Confused, vibrating & limitless. | 背景电子乐 漂泊 奇怪 神秘 | Eb | 66 | |||
|
The Mechanics of Evil [CEZ4641 - 6] |
3'34 | Adrien Degioanni | Ambient electro, analog horror. Ominous, dark & evil. Ideal for | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 67 | ||||
|
The Mechanics of Evil
[CEZ4641 - 15] |
版本. | 3'34 | Adrien Degioanni | Alternate no perc. | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 65 | |||
|
The Mechanics of Evil
[CEZ4641 - 20] |
版本. | 2'23 | Adrien Degioanni | Alternate no perc. | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
|
Blasting [AMS5042 - 3] |
1'42 | Danijel Grubovic | Hybrid trailer. Suspended intro. Sneaky build-up @ 0'20 with metallic | 画面感 战争 战士 动作游戏 | Dm | 154 | ||||
|
Blasting Alternate 1 [AMS5042 - 25] |
版本. | 1'42 | Danijel Grubovic | No percussion version | 画面感 战争 战士 动作游戏 | Dm | 156 | |||
|
Blasting Alternate 2 [AMS5042 - 26] |
版本. | 1'42 | Danijel Grubovic | Percussion only version | 画面感 战争 战士 动作游戏 | Am | 155 | |||
|
Blasting Alternate 3 [AMS5042 - 27] |
版本. | 1'42 | Danijel Grubovic | Bed | 画面感 战争 战士 动作游戏 | Dm | 155 | |||
|
Blasting Alternate 4 [AMS5042 - 28] |
版本. | 1'42 | Danijel Grubovic | Underscore | 画面感 战争 战士 动作游戏 | Dm | 154 | |||
|
Blasting Edit 1 (60 sec) [AMS5042 - 29] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 156 | |||
|
Blasting Edit 2 (30 sec) [AMS5042 - 30] |
版本. | 0'31 | Danijel Grubovic | 30 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 154 | |||
|
Blasting Edit 3 (15 sec) [AMS5042 - 31] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 155 | |||
|
Condition Zero [AMS5042 - 4] |
1'32 | Danijel Grubovic | Hybrid trailer. Heavy, jittery & edgy. Tribal build-up @ 0'14 with | 冲击 动作游戏 画面感 火热 | Am | 120 | ||||
|
Condition Zero Alternate 1 [AMS5042 - 32] |
版本. | 1'32 | Danijel Grubovic | No percussion version | 动作游戏 画面感 火热 沉重 | Cm | 130 | |||
|
Condition Zero Alternate 2 [AMS5042 - 33] |
版本. | 1'32 | Danijel Grubovic | Percussion only version | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
|
Condition Zero Alternate 3 [AMS5042 - 34] |
版本. | 1'32 | Danijel Grubovic | No voice fx version | 冲击 动作游戏 画面感 火热 | Am | 119 | |||
|
Condition Zero Alternate 4 [AMS5042 - 35] |
版本. | 1'32 | Danijel Grubovic | Bed | 冲击 动作游戏 画面感 火热 | Fm | 120 | |||
|
Condition Zero Alternate 5 [AMS5042 - 36] |
版本. | 1'32 | Danijel Grubovic | Underscore | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
|
Condition Zero Edit 1 (60 sec) [AMS5042 - 37] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
|
Condition Zero Edit 2 (30 sec) [AMS5042 - 38] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲击 动作游戏 画面感 火热 | Dm | 120 | |||
|
Condition Zero Edit 3 (15 sec) [AMS5042 - 39] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲击 动作游戏 画面感 火热 | Dm | 120 | |||
|
Pedal To The Metal [AMS5042 - 8] |
2'11 | Danijel Grubovic | Hybrid trailer. Dark, ominous & punchy. Muffled bass intro. Build-up | 冲突 战士 动作游戏 都市 | Ebm | 105 | ||||
|
Pedal To The Metal Alternate 1 [AMS5042 - 64] |
版本. | 2'11 | Danijel Grubovic | No percussion version | 冲突 战士 动作游戏 都市 | Bbm | 130 | |||
|
Pedal To The Metal Alternate 2 [AMS5042 - 65] |
版本. | 2'11 | Danijel Grubovic | Percussion only version | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Alternate 3 [AMS5042 - 66] |
版本. | 2'11 | Danijel Grubovic | Bed | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Alternate 4 [AMS5042 - 67] |
版本. | 2'11 | Danijel Grubovic | Underscore | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Edit 1 (60
[AMS5042 - 68] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 战士 动作游戏 都市 | Ebm | 105 | |||
|
Pedal To The Metal Edit 2 (30
[AMS5042 - 69] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 战士 动作游戏 都市 | Ebm | 105 | |||
|
Pedal To The Metal Edit 3 (15
[AMS5042 - 70] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 战士 动作游戏 都市 | Bbm | 105 | |||
|
The Immortal Monarchs [CEO2174 - 2] |
2'22 | Erella Atlan | Epic cinematic score. Inexorable, impressive & grand. Epic staccato | 画面感 军事冲突 命运 史诗 | Cm | 85 | ||||
|
The Immortal Monarchs
[CEO2174 - 15] |
版本. | 2'22 | Erella Atlan | Version without percussion. | 画面感 军事冲突 命运 史诗 | Cm | 85 | |||
|
The Immortal Monarchs
[CEO2174 - 16] |
版本. | 2'22 | Erella Atlan | Version without choir. | 画面感 军事冲突 命运 史诗 | Cm | 85 | |||
|
Reloaded [ISC083 - 2] |
2'09 | Martin Emilio Insaurgarat | Cinematic. Warlike, shrilling & in anticipation. Electronics, | 冲突 爆炸 战士 动作游戏 | Cm | 135 | ||||
|
Reloaded Alternate [ISC083 - 12] |
版本. | 2'09 | Martin Emilio Insaurgarat | No alarms version | 冲突 爆炸 战士 动作游戏 | Cm | 135 |