| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Whispers In The Wheat [TBX223 - 1] |
2'31 | Lee Franklin, Ethan Maltby | Rustic, suspicious, dark. Bending guitar notes and rough detuned | 电影原声带 社会悲剧 阴险 疑问 | Dm | 128 | ||||
|
Whispers In The Wheat
[TBX223 - 11] |
版本. | 2'31 | Lee Franklin, Ethan Maltby | Rustic, suspicious, dark. Rough jangling acoustic picking gives a | 电影原声带 社会悲剧 阴险 疑问 | D | 128 | |||
|
Heartland Vendetta [TBX223 - 10] |
2'35 | Lee Franklin, Ethan Maltby | Tense, energetic, gritty. Fast-moving rhythm starts up as trickling | 影院摇滚 固执 史诗 火热 | Gbm | 157 | ||||
|
Heartland Vendetta Underscore [TBX223 - 21] |
版本. | 2'35 | Lee Franklin, Ethan Maltby | Tense, energetic, gritty. Fast-moving rhythm starts up as trickling | 影院摇滚 固执 美国西部 史诗 | Gbm | 157 | |||
|
Under Bad Influence [CEZ4668 - 6] |
2'37 | Laetitia Frenod | Electronic score. Retrofuturist & minimal intro with pulsating synth. | 司法 气势 画面感 信息技术 | Cm | 133 | ||||
|
Under Bad Influence Alternate [CEZ4668 - 36] |
版本. | 2'07 | Laetitia Frenod | Short version without drums | 司法 画面感 信息技术 周期性的 | Cm | 133 | |||
|
Under Bad Influence Edit 60sec [CEZ4668 - 37] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Edit 30
[CEZ4668 - 38] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Edit 20
[CEZ4668 - 39] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Sting [CEZ4668 - 40] |
版本. | 0'16 | Laetitia Frenod | Sting | 司法 气势 画面感 信息技术 | Cm | 133 | |||
|
The Thrill - Closing Theme [CEZ4668 - 9] |
1'03 | Laetitia Frenod | Electronic score. Hypnotic, repetitive & futuristic. Bass, 1980s | 令人不安 科幻片 进行中 恐怖片 | Ebm | 154 | ||||
|
The Thrill - Closing Theme
[CEZ4668 - 50] |
版本. | 1'03 | Laetitia Frenod | Version without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 51] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 52] |
版本. | 0'30 | Laetitia Frenod | 30 second cut without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 154 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 53] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 54] |
版本. | 0'20 | Laetitia Frenod | 20 second cut without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 154 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 55] |
版本. | 0'09 | Laetitia Frenod | Sting | 令人不安 科幻片 进行中 调查研究 | B | 153 | |||
|
Judgement Day [AMS5053 - 1] |
2'00 | Thomas Langan | Trailer. Toxic intro with layers of synths & cinematic percussion. | 预告片 冲突 画面感 战争 | B | 147 | ||||
|
Judgement Day Alternate 1 [AMS5053 - 9] |
版本. | 2'00 | Thomas Langan | Version without percussion. | 画面感 预告片 科幻片 战争 | B | 98 | |||
|
Judgement Day Alternate 2 [AMS5053 - 10] |
版本. | 2'00 | Thomas Langan | Version with percussion only. | 画面感 预告片 冲突 沉重 | Ebm | 147 | |||
|
Judgement Day Alternate 3 [AMS5053 - 11] |
版本. | 2'00 | Thomas Langan | Bed version. | 画面感 预告片 沉重 科幻片 | B | 98 | |||
|
Judgement Day Edit 1 30 sec [AMS5053 - 12] |
版本. | 0'33 | Thomas Langan | 30 second cut. | 画面感 预告片 冲突 沉重 | B | 147 | |||
|
Judgement Day Edit 2 15 sec [AMS5053 - 13] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 画面感 预告片 冲突 沉重 | B | 98 | |||
|
Wake Up! [AMS5053 - 2] |
2'13 | Thomas Langan | Trailer. Clean intro with beeping, distant strings & sub FX. | 爆炸 预告片 画面感 进行中 | Am | 118 | ||||
|
Wake Up! Alternate 1 [AMS5053 - 14] |
版本. | 2'13 | Thomas Langan | Version without percussion. | 预告片 画面感 进行中 无情 | A | 117 | |||
|
Wake Up! Alternate 2 [AMS5053 - 15] |
版本. | 2'13 | Thomas Langan | Version with percussion only. | 爆炸 预告片 画面感 进行中 | Em | 118 | |||
|
Wake Up! Alternate 3 [AMS5053 - 16] |
版本. | 2'13 | Thomas Langan | Bed version. | 爆炸 预告片 画面感 进行中 | Am | 118 | |||
|
Wake Up! Edit 1 30 sec [AMS5053 - 17] |
版本. | 0'33 | Thomas Langan | 30 second cut. | 爆炸 预告片 画面感 进行中 | A | 118 | |||
|
Wake Up! Edit 2 15 sec [AMS5053 - 18] |
版本. | 0'17 | Thomas Langan | 15 second cut. | 爆炸 预告片 画面感 进行中 | Am | 118 | |||
|
Launch Codes [AMS5053 - 4] |
2'12 | Thomas Langan | Trailer. Noxious intro with ticking FX & bass synth. Tense, urgent & | 无情 画面感 令人不安 沉重 | Dm | 88 | ||||
|
Launch Codes Alternate 1 [AMS5053 - 24] |
版本. | 2'12 | Thomas Langan | Version without percussion. | 无情 画面感 令人不安 沉重 | D | 88 | |||
|
Launch Codes Alternate 2 [AMS5053 - 25] |
版本. | 2'12 | Thomas Langan | Version with percussion only. | 无情 画面感 令人不安 沉重 | Em | 88 | |||
|
Launch Codes Alternate 3 [AMS5053 - 26] |
版本. | 2'12 | Thomas Langan | Bed version. | 无情 画面感 令人不安 沉重 | D | 88 | |||
|
Launch Codes Edit 1 30 sec [AMS5053 - 27] |
版本. | 0'32 | Thomas Langan | 30 second cut. | 无情 画面感 令人不安 沉重 | Em | 88 | |||
|
Launch Codes Edit 2 15 sec [AMS5053 - 28] |
版本. | 0'18 | Thomas Langan | 15 second cut. | 无情 画面感 令人不安 沉重 | Gm | 88 | |||
|
Rise Up [AMS5053 - 6] |
2'07 | Thomas Langan | Trailer. Sustained intro with bass synth pulse. Waiting, violent & | 冲突 画面感 紧急 爆炸 | Fm | 102 | ||||
|
Rise Up Alternate 1 [AMS5053 - 34] |
版本. | 2'07 | Thomas Langan | Version without percussion. | 画面感 紧急 战争 令人不安 | Fm | 102 | |||
|
Rise Up Alternate 2 [AMS5053 - 35] |
版本. | 2'07 | Thomas Langan | Version with percussion only. | 冲突 画面感 紧急 爆炸 | Gm | 102 | |||
|
Rise Up Alternate 3 [AMS5053 - 36] |
版本. | 2'07 | Thomas Langan | Bed version. | 画面感 紧急 战争 令人不安 | Fm | 102 | |||
|
Rise Up Edit 1 30 sec [AMS5053 - 37] |
版本. | 0'30 | Thomas Langan | 30 second cut. | 冲突 画面感 紧急 爆炸 | Fm | 102 | |||
|
Rise Up Edit 2 15 sec [AMS5053 - 38] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 冲突 画面感 紧急 爆炸 | Gbm | 102 | |||
|
Malfunction [AMS5053 - 7] |
2'02 | Thomas Langan | Trailer. Intro with sound design, metallic FX & pulsations. | 冲突 战争 画面感 战士 | Em | 102 | ||||
|
Malfunction Alternate 1 [AMS5053 - 39] |
版本. | 2'02 | Thomas Langan | Version without percussion. | 战争 画面感 令人不安 固执 | Em | 136 | |||
|
Malfunction Alternate 2 [AMS5053 - 40] |
版本. | 2'02 | Thomas Langan | Version with percussion only. | 冲突 战争 画面感 战士 | Em | 102 | |||
|
Malfunction Alternate 3 [AMS5053 - 41] |
版本. | 2'02 | Thomas Langan | Bed version. | 战争 画面感 令人不安 沉重 | Em | 101 | |||
|
Malfunction Edit 1 30 sec [AMS5053 - 42] |
版本. | 0'31 | Thomas Langan | 30 second cut. | 冲突 战争 画面感 战士 | Em | 102 | |||
|
Malfunction Edit 2 15 sec [AMS5053 - 43] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 冲突 战争 画面感 战士 | Em | 102 | |||
|
Lost Biome [ISC099 - 4] |
4'58 | Loic Ghanem | Cinematic soundscape. Alternating between rhythmic and non-rhythmic | 令人不安 神秘 改变 固执 | Gm | 90 | ||||
|
Lost Biome Alternate [ISC099 - 13] |
版本. | 4'58 | Loic Ghanem | Version without percussion. | 令人不安 神秘 改变 固执 | Gm | 136 | |||
|
Cryptanalysis [CEG5056 - 4] |
1'47 | SHIFUMI | Electro Jazz. Investigative, stealthy & alert. Synth layers, rhythm, | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | ||||
|
Cryptanalysis Alternate 1 [CEG5056 - 31] |
版本. | 1'46 | SHIFUMI | Underscore 1. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | |||
|
Cryptanalysis Alternate 2 [CEG5056 - 32] |
版本. | 1'46 | SHIFUMI | Underscore 2. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | |||
|
Cryptanalysis Edit 1 (20 sec) [CEG5056 - 33] |
版本. | 0'20 | SHIFUMI | 20 second cut. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 78 | |||
|
Cryptanalysis Edit 2 (30 sec) [CEG5056 - 34] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | |||
|
Cryptanalysis Edit 3 (60 sec) [CEG5056 - 35] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | |||
|
Cryptanalysis Edit 4 (sting) [CEG5056 - 36] |
版本. | 0'14 | SHIFUMI | Sting. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 77 | |||
|
Stop A Conspiracy [CEG5056 - 6] |
2'50 | Gopal Sound | Trip hop-inspired electro jazz. Troubled, atmospheric & misleading. | 间谍片 调查研究 神秘 夜晚 | Ebm | 89 | ||||
|
Stop A Conspiracy Alternate [CEG5056 - 42] |
版本. | 2'51 | Gopal Sound | Underscore version. | 间谍片 调查研究 神秘 夜晚 | Eb | 89 | |||
|
Stop A Conspiracy Edit 1 (20
[CEG5056 - 43] |
版本. | 0'20 | Gopal Sound | 20 second cut. | 间谍片 调查研究 神秘 夜晚 | Ebm | 89 | |||
|
Stop A Conspiracy Edit 2 (30
[CEG5056 - 44] |
版本. | 0'30 | Gopal Sound | 30 second cut. | 间谍片 调查研究 神秘 夜晚 | Ebm | 89 | |||
|
Stop A Conspiracy Edit 3 (60
[CEG5056 - 45] |
版本. | 1'00 | Gopal Sound | 60 second cut. | 间谍片 调查研究 神秘 夜晚 | Ebm | 89 | |||
|
Stop A Conspiracy Edit 4
[CEG5056 - 46] |
版本. | 0'14 | Gopal Sound | Sting. | 间谍片 调查研究 神秘 夜晚 | Eb | 89 | |||
|
Agency Leaks [CEG5056 - 8] |
2'17 | Studio 65 | Electro Jazz. Determined, atmospheric, dark & dramatic. Meticulous | 间谍片 固执 司法 电子爵士 | Dm | 150 | ||||
|
Agency Leaks Alternate 1 [CEG5056 - 52] |
版本. | 2'17 | Studio 65 | Underscore 1. | 间谍片 固执 司法 电子爵士 | Dm | 150 | |||
|
Agency Leaks Alternate 2 [CEG5056 - 53] |
版本. | 2'11 | Studio 65 | Underscore 2. | 间谍片 固执 司法 电子爵士 | Dm | 150 | |||
|
Agency Leaks Edit 1 (20 sec) [CEG5056 - 54] |
版本. | 0'20 | Studio 65 | 20 second cut. | 间谍片 固执 司法 电子爵士 | Dm | 151 | |||
|
Agency Leaks Edit 2 (30 sec) [CEG5056 - 55] |
版本. | 0'30 | Studio 65 | 30 second cut. | 间谍片 固执 司法 电子爵士 | Dm | 151 | |||
|
Agency Leaks Edit 3 (60 sec) [CEG5056 - 56] |
版本. | 1'00 | Studio 65 | 60 second cut. | 间谍片 固执 司法 电子爵士 | Dm | 150 | |||
|
Agency Leaks Edit 4 (sting) [CEG5056 - 57] |
版本. | 0'14 | Studio 65 | Sting. | 间谍片 固执 司法 电子爵士 | Dm | 150 | |||
|
Unknown Enemies [CEG5056 - 10] |
2'48 | Airsouth, Tiago Ribeiro | Trip Hop-inspired Electro Jazz. Slow, nocturnal & menacing. | 神秘 夜晚 间谍片 令人不安 | Em | 119 | ||||
|
Unknown Enemies Alternate [CEG5056 - 63] |
版本. | 2'49 | Airsouth, Tiago Ribeiro | Underscore version. | 神秘 夜晚 间谍片 令人不安 | Em | 119 | |||
|
Unknown Enemies Edit 1 (20
[CEG5056 - 64] |
版本. | 0'20 | Airsouth, Tiago Ribeiro | 20 second cut. | 神秘 夜晚 间谍片 令人不安 | Em | 118 | |||
|
Unknown Enemies Edit 2 (30
[CEG5056 - 65] |
版本. | 0'30 | Airsouth, Tiago Ribeiro | 30 second cut. | 神秘 夜晚 间谍片 令人不安 | Em | 118 | |||
|
Unknown Enemies Edit 3 (60
[CEG5056 - 66] |
版本. | 1'00 | Airsouth, Tiago Ribeiro | 60 second cut. | 神秘 夜晚 间谍片 令人不安 | Em | 119 | |||
|
Unknown Enemies Edit 4 (sting) [CEG5056 - 67] |
版本. | 0'18 | Airsouth, Tiago Ribeiro | Sting. | 神秘 夜晚 间谍片 令人不安 | Em | 119 | |||
|
Caught in Speculations [CEG5055 - 8] |
2'06 | Louis Edlinger | Organic electro. Ominous, insidious & heavy. Piano, synth pulse & | 自然灾害 稀疏 警匪片 令人不安 | Cm | 98 | ||||
|
Caught in Speculations
[CEG5055 - 25] |
版本. | 2'05 | Louis Edlinger | Version without pulsation & without synth strings. | 自然灾害 稀疏 警匪片 叙述 | Cm | 74 | |||
|
Caught in Speculations
[CEG5055 - 26] |
版本. | 2'06 | Louis Edlinger | Version without strings & without piano. | 自然灾害 阴险 诡异 pulsation | Cm | 99 | |||
|
Last Stand [CET9105 - 3] |
2'25 | Emmanuel Rousseau | Epic tension trailer. Intriguing & synthetic intro with squeaky | 动作片 动作游戏 预告片 进行中 | Gm | 106 | ||||
|
Last Stand Alternate 1 [CET9105 - 15] |
版本. | 2'25 | Emmanuel Rousseau | Version without percussion. | 史诗 动作片 动作游戏 画面感 | Gm | 106 | |||
|
Last Stand Alternate 2 [CET9105 - 16] |
版本. | 2'25 | Emmanuel Rousseau | Tense version without choir, strings & brass. | 史诗 动作片 动作游戏 画面感 | Gm | 106 | |||
|
Eternal Rivals [CET9105 - 4] |
2'57 | Gabriel Saban | Epic tension trailer. Strategic & suspensful intro with braams. | 动作片 进步 预告片 冒险片 | Cm | 107 | ||||
|
Eternal Rivals Alternate 1 [CET9105 - 17] |
版本. | 2'57 | Gabriel Saban | Version without percussion. | 动作片 进步 预告片 冒险片 | Cm | 107 | |||
|
Eternal Rivals Alternate 2 [CET9105 - 18] |
版本. | 2'57 | Gabriel Saban | Tense version without brass & choir. | 动作片 进步 预告片 冒险片 | Cm | 107 | |||
|
Sabotage Unit [CEO2175 - 2] |
0 | 2'05 | Olivier Militon | Cinematic/Hybrid orchestra. Grand, serious & gripping. More emotional | 画面感 战士 无情 气势 | Cm | 130 | |||
|
Rush into Danger [CEO2175 - 4] |
0 | 2'29 | Olivier Militon | Cinematic/Orchestral score. Eerie, secretive & dangerous. Glissando. | 庄重 悲剧 画面感 军事冲突 | Dm | 63 | |||
|
Commando Raid [CEO2175 - 5] |
0 | 3'18 | Olivier Militon | Cinematic/Hybrid orchestra. Edgy & constantly on the move and on its | 军事冲突 令人不安 历史旁白 固执 | Fm | 151 |