| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Swords of Fire [CEC8001 - 9] |
0 | 0'51 | Bo Tian | Kung fu / adventure. Wild, disturbing & determined. Sparse intro. | 中国 功夫 太鼓 追逐场面 | Gbm | 92 | |||
|
The Machine Head [CET9009 - 1] |
2'07 | Gabriel Saban, Philippe Briand | Gloomy, threatening & massive intro. Intense, heroic & strong | 冲击 预告片 史诗 画面感 | Dm | 91 | ||||
|
The Machine Head Alternate [CET9009 - 11] |
版本. | 2'07 | Gabriel Saban, Philippe Briand | Alternate without percussion. Gloomy & threatening. Intense, heroic & | 预告片 史诗 高潮 画面感 | Dm | 137 | |||
|
The Machine Head Alternate 2 [CET9009 - 12] |
版本. | 2'07 | Gabriel Saban, Philippe Briand | Alternate without choir. Gloomy, threatening & massive intro. | 预告片 史诗 高潮 画面感 | Dm | 91 | |||
|
Inside the Chaos [CET9009 - 5] |
2'18 | Gabriel Saban, Philippe Briand | Urgent & impetuous progression with analog synth sequence & hypnotic | 史诗 预告片 爆炸 冲突 | Dm | 146 | ||||
|
Inside the Chaos Alternate [CET9009 - 19] |
版本. | 2'18 | Gabriel Saban, Philippe Briand | Alternate without percussion. Urgent & impetuous progression with | 史诗 预告片 爆炸 冲突 | Dm | 146 | |||
|
Inside the Chaos Alternate 2 [CET9009 - 20] |
版本. | 2'18 | Gabriel Saban, Philippe Briand | Alternate without choir. Urgent & impetuous progression with analog | 史诗 预告片 爆炸 动作游戏 | Dm | 146 | |||
|
Extinction [CET9009 - 6] |
2'36 | Gabriel Saban, Philippe Briand | Build-up gradually from oncoming danger with clock to intense & | 史诗 预告片 冒险片 高潮 | Em | 140 | ||||
|
Extinction Alternate [CET9009 - 21] |
版本. | 2'36 | Gabriel Saban, Philippe Briand | Alternate without percussion. Build-up gradually from oncoming danger | 史诗 预告片 冒险片 高潮 | Em | 140 | |||
|
Extinction Alternate 2 [CET9009 - 22] |
版本. | 2'36 | Gabriel Saban, Philippe Briand | Alternate without choir. Build-up gradually from oncoming danger with | 史诗 预告片 冒险片 高潮 | Em | 140 | |||
|
Alleviate [TBX027 - 2] |
2'07 | Ronnie W Verboom | Ethereal, dreamy, inspiring. Atmospheric, reflective solo piano | 冷沙漠 反省 静音钢琴 气氛 | Gb | 96 | ||||
|
Alleviate - 30sec [TBX027 - 16] |
版本. | 0'32 | Ronnie W Verboom | Ethereal, dreamy, inspiring. Atmospheric, reflective solo piano | 冷沙漠 反省 静音钢琴 气氛 | Gb | 84 | |||
|
Roswell Blues [EOS33 - 9] |
0 | 2'50 | Seb EL ZIN | Road movie / sci fi. Wandering, mysterious & hypnotic. Synth & | 热沙漠 漂泊 fx backwards 跟踪摄影 | Am | 65 | |||
|
Reintroduction [CEO2082 - 10] |
0 | 4'07 | Stéphane Lopez | Panoramic & sparse. @ 0'48 tense & serious. Constant progression. | 改变 气氛 全景图 神秘 | Em | 152 | |||
|
The Fox's Chance [CEO2082 - 12] |
1'35 | Stéphane Lopez | Urgent & tense. Sequencing. | 冒险片 固执 追逐场面 疑问 | Dbm | 147 | ||||
|
The Fox's Chance Alternate [CEO2082 - 25] |
版本. | 1'06 | Stéphane Lopez | Threatening & urgent. Pizz, cello & sequencing. | 冒险片 固执 追逐场面 疑问 | Dbm | 147 | |||
|
In a Golden Cage [CEO2082 - 15] |
0 | 1'24 | Stéphane Lopez | Japan. Determined & funny. Shakuhachi flute, percussion, music box & | 冒险片 疑问 神秘 固执 | Dm | 112 | |||
|
Altiplano Suite [CEG5008 - 21] |
0 | 1'48 | Daniel Diaz | Indian vocals & rhythm. Mysterious & panoramic. Male voice, charango, | 安第斯山脉 调查研究 神秘 全景 | E | 87 | |||
|
Lamento del Altiplano [CEG5008 - 23] |
0 | 2'55 | Daniel Diaz | Indian vocals & rhythm. Mysterious & panoramic. Mal voice, charango, | 安第斯山脉 调查研究 神秘 全景 | E | 87 | |||
|
DrumWorks [EOS32 - 3] |
0 | 1'48 | Stéphane Augier de Moussac, Eric Volpatti | Action movie / trailer. Fiery, urgent & determined. Percussion | 火热 追逐场面 打击乐合奏 固执 | Db | 151 | |||
|
Research Data Supporting [EOS32 - 4] |
0 | 1'54 | Stéphane Augier de Moussac, Eric Volpatti | Underscore / fantastic movie. Mysterious & suspended. Percussion | 悬念 悬念 稳定的 进行中 | Em | 60 | |||
|
Workforce [EOS32 - 9] |
0 | 2'03 | Eric Volpatti, Stéphane Augier de Moussac | Action movie / spy movie. Complex, determined & lively. Percussion | 打击乐合奏 调查研究 果断 动作片 | Gm | 102 | |||
|
Battle Hymn [BIB059 - 1] |
2'41 | Carmen Mary Bradford | Haunting, emotive, mysterious. Atmospheric piano is joined by | 画面感 命运 悲剧 反省 | Bbm | 100 | ||||
|
Battle Hymn - Instrumental [BIB059 - 13] |
版本. | 2'41 | Carmen Mary Bradford | Haunting, emotive, mysterious. Atmospheric piano is joined by | 冒险片 画面感 命运 悲剧 | Bbm | 100 | |||
|
Battle Hymn - 30sec [BIB059 - 14] |
版本. | 0'30 | Carmen Mary Bradford | Haunting, emotive, mysterious. Atmospheric piano is joined by | 冒险片 画面感 命运 悲剧 | Bbm | 76 | |||
|
Stranger Abroad [CEO2080 - 8] |
2'51 | Alice Guerlot Kourouklis | Threatening, bizarre & panoramic. Drone with banjo & glissando | 气氛 抱歉 调查研究 热沙漠 | C | 77 | ||||
|
Stranger Abroad Alternate [CEO2080 - 23] |
版本. | 2'51 | Alice Guerlot Kourouklis | Alternate underscore version without lead violin. | 抱歉 自然灾害 气氛 漂泊 | G | 119 | |||
|
Retour d'Orient [CEO2080 - 14] |
0 | 2'54 | Alice Guerlot Kourouklis | Anticipating, suspended, mysterious & sparse. Middle-East. String | 抱歉 热沙漠 悬念 漂泊 | Gbm | 82 | |||
|
Nothing to be Sorry About [CEO2081 - 9] |
1'26 | Barthélémy Corbelet | Dreamy, peaceful but with a worrying touch. Electric guitar, female | 漂泊 梦幻 女音哼唱 气氛 | Bb | 76 | ||||
|
Nothing to be Sorry About
[CEO2081 - 25] |
版本. | 1'26 | Barthélémy Corbelet | Alternate version without drums. | 梦幻 悬念 疑问 叙述 | Bb | 65 | |||
|
Nothing to be Sorry About
[CEO2081 - 26] |
版本. | 1'26 | Barthélémy Corbelet | Alternate version featuring lead cello. | 伴音 热沙漠 悬念 太空 | Bb | 82 | |||
|
Nothing to be Sorry About
[CEO2081 - 27] |
版本. | 1'15 | Barthélémy Corbelet | Alternate version without cello. | 梦幻 悬念 女音哼唱 飞行 | Eb | 76 | |||
|
Betrayal Alternate [CEO2081 - 22] |
1'22 | Barthélémy Corbelet | Alternate version without trumpet & drums. | 悬念 漂泊 令人不安 夜晚 | Eb | 63 | ||||
|
Betrayal [CEO2081 - 6] |
版本. | 1'26 | Barthélémy Corbelet | Wandering, nocturnal & introspective. Muted trumpet with acoustic | 电影爵士乐 漂泊 悬念 黑色电影 | Eb | 125 | |||
|
Retrolution [CET9008 - 1] |
3'04 | Gabriel Saban, Philippe Briand | Moody & atmospheric intro with hypnotic synth sequence @ 0'30. | 体育电竞 信息技术 史诗 模拟合成器 | Am | 151 | ||||
|
Retrolution - No Perc [CET9008 - 13] |
版本. | 3'04 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | 固执 预告片 画面感 史诗 | Am | 150 |