| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Uncontrolled Violence [CEZ4251 - 9] |
0 | 3'40 | Sham Makdessi, Morgan Sansous | Jerking & weird powerful riff. Rock band & electronics. Industrial | 工业金属 火热 连复段 不平稳 | Em | 95 | |||
|
Game of Fear [CEZ4251 - 12] |
0 | 3'54 | Sham Makdessi, Morgan Sansous | Epic, fiery & lyrical. Rock band & electronics. Industrial metal. | 工业金属 团队运动 史诗 动作游戏 | Am | 124 | |||
|
Deep into your Mind [CEZ4250 - 3] |
4'11 | Luigi Marletta, Morgan Sansous | Imposing & loud. Rock band & electronics. Alternative/nu metal. | 沉重 其他金属 电吉他效果器 气势 | Em | 70 | ||||
|
Deep Into Your Mind (Extented
[CEZ4250 - 14] |
版本. | 4'52 | Luigi Marletta, Morgan Sansous | Moody intro with bass & electronics 0'42. Imposing & loud. Rock band. | 沉重 其他金属 电吉他效果器 气势 | Em | 70 | |||
|
Intense Power [CEZ4250 - 5] |
0 | 4'03 | Luigi Marletta, Morgan Sansous | Tense & imposing. Rock band & electronics. Alternative/nu metal. | 其他金属 电吉他效果器 气势 滑行运动 | Dbm | 107 | |||
|
One Step Forward [CEZ4250 - 6] |
0 | 3'13 | Luigi Marletta, Morgan Sansous | Fiery, proud & powerful. Rock band & electronics. Alternative/nu | 其他金属 极限运动 赛车 连复段 | Dm | 95 | |||
|
From the Bottom of my Grave [CEZ4250 - 10] |
0 | 3'56 | Luigi Marletta, Morgan Sansous | Distressing & percussive. Rock band & electronics. Alternative/nu | 裸金属 恐怖 冲击 冲突 | Am | 137 | |||
|
Heavy and Dirty [CEZ4250 - 12] |
0 | 3'56 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'32. Massive & tense. Rock band. Alternative/nu | 裸金属 冲突 火热 电吉他效果器 | Dbm | 148 | |||
|
Spider Wolf [CEZ4250 - 13] |
0 | 4'12 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'34. Agressive, heavy & worrying. Rock band & | 裸金属 冲突 动作游戏 沉重 | Dm | 150 | |||
|
Public Opinion [CEZ4252 - 9] |
2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | 神秘 警匪片 疑问 企业宣传 | Fm | 162 | ||||
|
Public Opinion 2 [CEZ4252 - 27] |
版本. | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with | 神秘 警匪片 疑问 周期性的 | F | 161 | |||
|
Shocking Information [CEZ4252 - 12] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Percussive & punctuated. Electronics, sequence & piano @ 0'50. | 强调突出 沉重 军事冲突 小说纪录片 | Gm | 98 | |||
|
According to the Evidence [CEZ4252 - 17] |
2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | 神秘 间谍片 疑问 害羞 | Cm | 100 | ||||
|
According to the Evidence 2 [CEZ4252 - 33] |
版本. | 2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | 调查研究 神秘 伴音 强调突出 | C | 100 | |||
|
Top Secret [CEZ4252 - 18] |
2'40 | Elisabeth Skornik, Guy Skornik | Suspense, intriguing & insidious. Electronics. Strings & brass @ | 神秘 都市 调查研究 间谍片 | Eb | 62 | ||||
|
Top Secret 2 [CEZ4252 - 34] |
版本. | 1'52 | Elisabeth Skornik, Guy Skornik | Urgent, weird & intriguing. Electronics. Build up gradually. | 强调突出 警匪片 沉重 神秘 | Bbm | 124 | |||
|
Hidden Jems [CEZ4246 - 20] |
0 | 2'00 | Colo Colo | High & urgent. Piano, marimba, synth & electronic percussion. | 电子 手工业 通透 企业宣传 | Am | 113 | |||
|
Private Thoughts [CEZ4244 - 21] |
0 | 3'38 | Gabriel Saban, Philippe Briand | Serious & determined. Piano & electronics. | 后古典 静音钢琴 社会悲剧 固执 | C | 62 | |||
|
Into a Dark Forest [CEZ4243 - 11] |
0 | 3'09 | Piotr Moss | Introspective, nocturnal & delicate. Solo harp. | 温带森林 竖琴 反省 艺术 | A | 117 | |||
|
Storm in a Tea Cup [CEZ4243 - 20] |
0 | 2'14 | Piotr Moss | Agitated, worrying & swarming. Harp tremolo in re-recording.. | 动荡 当代艺术 拥挤 竖琴 | Eb | 136 | |||
|
The Harp Gallery [CEZ4243 - 31] |
0 | 1'22 | Piotr Moss | Strange & abstract. Harp trio & fx. | 复杂 恐怖 当代艺术 恐怖片 | E | 133 | |||
|
Epicentre [CEZ4242 - 7] |
0 | 2'27 | Christophe Zurfluh | Deep & mysterious. Electronics. | 地下 深邃 太空 科学 | Abm | 100 | |||
|
Tidal Power [CEZ4241 - 15] |
0 | 2'11 | Benoit Cimbé | Elevated & mysterious. Electronics & wind fx. | 风声 飞行 气氛 自然灾害 | Cm | 110 | |||
|
Mind Games [CEZ4240 - 10] |
0 | 2'24 | Christophe Zurfluh | Serious & constant. Electronics. | 太空 科学 稳定的 疑问 | Am | 60 |