专辑 | 曲名 | 版本 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM |
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Balanced On The Axis [BIX005 - 4] |
3'35 | Peter Mills | Inquisitive, calm, sombre. Futuristic arpeggiation drifts in from ... | 周期性的 进行中 钢鼓 神秘 ... | Fm | 86 |
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Balanced On The Axis ...
[BIX005 - 17] |
版本. | 2'53 | Peter Mills | Inquisitive, calm, sombre. Futuristic arpeggiation drifts in from ... | 自然灾害 进行中 钢鼓 神秘 ... | Fm | 86 |
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Balanced On The Axis ...
[BIX005 - 18] |
版本. | 3'36 | Peter Mills | Inquisitive, calm, sombre. Futuristic arpeggiation drifts in from ... | 进行中 钢鼓 神秘 科学 ... | Fm | 86 |
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Another Day In The Office [BIB197 - 3] |
3'08 | David Birnie | Sultry, smooth, touching. Light percussion and investigative bell ... | 疑问 电影爵士乐 高雅 黑色电影 ... | Fm | 84 |
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Another Day In The Office ...
[BIB197 - 15] |
版本. | 3'08 | David Birnie | Sultry, smooth, touching. Light percussion and investigative bell ... | 疑问 电影爵士乐 高雅 黑色电影 ... | F | 84 |
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Another Day In The Office ...
[BIB197 - 16] |
版本. | 3'08 | David Birnie | Sultry, smooth, touching. Investigative bell notes craft a ... | 疑问 电影爵士乐 高雅 黑色电影 ... | Bbm | 84 |
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Inspector [BIB197 - 6] |
2'11 | David Birnie | Determined, crafty, cunning. Clean double bass joins with light ... | 高雅 黑色电影 疑问 电影爵士乐 ... | F | 120 |
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Inspector (Underscore) [BIB197 - 18] |
版本. | 2'05 | David Birnie | Determined, crafty, cunning. Clean double bass joins with light ... | 高雅 黑色电影 疑问 电影爵士乐 ... | F | 119 |
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A New Generation [CET9069 - 10] |
3'01 | Gabriel Saban | Shimmering intro with aerial female voice textures & trailer FX. ... | 仪式 赛事 电视主题曲 豪言壮语 ... | F | 130 |
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A New Generation Alternate 1 [CET9069 - 38] |
版本. | 3'01 | Gabriel Saban | Alternate without percussion. | 仪式 赛事 电视主题曲 豪言壮语 ... | F | 130 |
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A New Generation Alternate 2 [CET9069 - 39] |
版本. | 3'01 | Gabriel Saban | Alternate without choir. | 仪式 赛事 电视主题曲 豪言壮语 ... | F | 130 |
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Late Night Driving [CEZ4515 - 10] |
2'12 | Pura Pura | Drum & Bass. Nocturnal, urban & energetic with repetitive mysterious ... | 鼓和贝司 果断 夜晚 赛车 ... | Bbm | 80 |
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Late Night Driving Alternate [CEZ4515 - 28] |
版本. | 2'03 | Arthur Dutil | Short version without intro. | 鼓和贝司 果断 夜晚 赛车 ... | Bbm | 80 |
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Manhunt [TBX135 - 13] |
0 | 1'28 | Frank Spears | Important, tense, dangerous. Sharp rhythmic synths meet with low bass ... | 阴险 科学 信息技术 神秘 ... | G | 90 |
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Requiem for Humanity [CET9065 - 9] |
2'25 | Gabriel Saban | Suspenseful intro with a tense riser. Awe inspiring strings @ 0'23 ... | 史诗 气势 画面感 固执 ... | Em | 100 |
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Requiem for Humanity Alternate [CET9065 - 23] |
版本. | 2'25 | Gabriel Saban | Alternate without percussion. | 史诗 气势 画面感 固执 ... | Em | 100 |
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Requiem for Humanity ...
[CET9065 - 24] |
版本. | 2'25 | Gabriel Saban | Alternate without choir. | 史诗 气势 画面感 固执 ... | Em | 100 |
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Departure for the High Seas [EOS80 - 10] |
0 | 2'01 | Damien Poupart-Taussat | Lively & determined then strong & grand. Constant progression. ... | 开阔 气势 冒险片 画面感 ... | Am | 86 |
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Granulation 2 [CEO2140 - 20] |
0 | 2'15 | Vincent Carlo | Experimental electro. Vibrating, dissonant & rumbling. Crystalline ... | 电子琴 气氛 神秘 全景 ... | Bb | 103 |
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Crystal Waters [BIB192 - 3] |
2'05 | Paper Boy | Sophisticated, austere, dramatic. Icy note repeats, joined by ... | 疑问 新闻 社会悲剧 固执 ... | Bm | 127 |
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Crystal Waters (Underscore A) [BIB192 - 15] |
版本. | 2'05 | Paper Boy | Sophisticated, austere, dramatic. Icy note repeats, joined by ... | 疑问 社会悲剧 固执 政治 ... | B | 127 |
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Crystal Waters (Underscore B) [BIB192 - 16] |
版本. | 2'05 | Paper Boy | Sophisticated, austere, dramatic. Icy note repeats, joined by ... | 社会悲剧 疑问 进行中 阴险 ... | B | 127 |
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Concerto Forte [BIB192 - 9] |
2'00 | Paper Boy, Richard Lewis | Gripping, tense, epic. Sharp, striding string melody gifts a ... | 爆炸性新闻 固执 有节奏感 弦乐部分 ... | Em | 120 |
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Concerto Forte (Underscore A) [BIB192 - 26] |
版本. | 2'00 | Paper Boy, Richard Lewis | Gripping, tense, epic. Pulsing pads meet with light percussion and ... | 固执 有节奏感 都市 态度 ... | Em | 120 |
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Concerto Forte (Underscore B) [BIB192 - 27] |
版本. | 2'00 | Paper Boy, Richard Lewis | Gripping, tense, epic. Pulsing pads meet with light percussion and ... | 有节奏感 进行中 固执 无电声钢琴 ... | Em | 120 |
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Rising with the Night [CEZ4492 - 21] |
3'39 | Hiroki Ishikura | Originale version. | 反省 耐心 内心 加速镜头 ... | Fm | 65 |
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Rising with the Night (Thomas ...
[CEZ4492 - 3] |
版本. | 2'34 | Thomas Lucas & Hiroki Ishikura | Contemporary electro. Progressive, serene & reflective. Piano, synth, ... | 背景电子乐 反省 夜晚 科学 ... | Fm | 142 |
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Organic Lab [CEZ4492 - 35] |
2'00 | Marc-Olivier Dupin | Originale version. | 抽象艺术 魔幻电影 阴险 现代音乐 ... | Gbm | 73 |
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Organic Lab (Thomas Lucas ...
[CEZ4492 - 17] |
版本. | 2'15 | Thomas Lucas & Marc-Olivier Dupin | Contemporary electro. Intriguing & arty. Confident drumbeat @ 0'22. ... | 背景电子乐 反省 原声电子 remix ... | Em | 66 |
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Night Magic [CEZ4497 - 2] |
2'30 | Antoine Berquet | Cinematic, post-classical. Hopeful, cyclic & fairy. Tender & ... | 夜晚 后古典 内心 加速镜头 ... | Eb | 125 |
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Night Magic Alternate [CEZ4497 - 18] |
版本. | 2'30 | Antoine Berquet | Alternate no fx. | 后古典 内心 加速镜头 催眠 ... | Fm | 125 |
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Ironclad Evidence [CEC8021 - 5] |
0 | 1'57 | Bo Tian | Crescendo intro. Bizarre & disorienting. Progressively tenacious & ... | 动作片 固执 冒险片 影院摇滚 ... | Am | 100 |
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In the Eyes of the Judge [CEO2135 - 1] |
0 | 1'56 | Baptiste Thiry | Anticipating, moving & questionning. Piano, layers & rhythm. | 社会悲剧 疑问 叙述 无电声钢琴 ... | Abm | 78 |
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A History of Submarine ...
[CEO2137 - 2] |
0 | 2'51 | Gréco Casadesus | Restrained & narrative but with majesty & solemnity. Symphony ... | 海底 小说纪录片 神秘 调查研究 ... | Am | 94 |
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Nemo's Universe [CEO2137 - 12] |
0 | 1'50 | Gréco Casadesus | Intriguing but magical & bright. Synth layers & crystalline sound. ... | 海底 伴音 电子键盘 通透 ... | A | 69 |
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Dusty Roads [CET9054 - 10] |
2'44 | Gabriel Saban, Claude Samard | Pondering, sudden, riding & rising intro with acoustic & country ... | 冒险片 画面感 骄傲 美国西部 ... | A | 125 |
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Dusty Roads Alternate [CET9054 - 22] |
版本. | 2'44 | Gabriel Saban, Claude Samard | Alternate version without percussion. | 冒险片 画面感 骄傲 史诗 ... | A | 125 |
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When Leaves Dance [ISC006 - 6] |
0 | 3'21 | Anne-Sophie Versnaeyen | Post-classical. Tormented, moody & wandering. Strings, clarinet & ... | 心理剧 历史片 叙述 历史旁白 ... | Cm | 100 |
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