| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Son of the North [CET9075 - 8] |
2'23 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Worrying intro with deep guttural choir, heavy & martial percussion | 令人不安 斯堪的纳维亚 预告片 冒险片 | Bbm | 125 | ||||
|
Son of the North Alternate 1 [CET9075 - 25] |
版本. | 2'23 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Alternative version without percussion. | 令人不安 斯堪的纳维亚 冒险片 画面感 | Bbm | 125 | |||
|
Son of the North Alternate 2 [CET9075 - 26] |
版本. | 2'23 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Alternative version without choir. | 令人不安 斯堪的纳维亚 预告片 冒险片 | Bbm | 125 | |||
|
The Way of Viking [CET9075 - 10] |
2'36 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Anticipating, ancestral & suspenseful intro with lyre & kantele. | 令人不安 冒险游戏 中世纪 冒险片 | Ebm | 110 | ||||
|
The Way of Viking Alternate 1 [CET9075 - 29] |
版本. | 2'36 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Alternative version without percussion. | 令人不安 冒险游戏 中世纪 冒险片 | Eb | 110 | |||
|
The Way of Viking Alternate 2 [CET9075 - 30] |
版本. | 2'36 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Alternative version without choir. | 令人不安 冒险游戏 中世纪 冒险片 | Eb | 110 | |||
|
Predator [CEZ4547 - 7] |
2'41 | Vincent Leibovitz | Industrial electro, electro beat. Violent, dark & evil. Recommended | 冲突 撞击电子乐 夜晚 冲击 | Bm | 86 | ||||
|
Predator Alternate [CEZ4547 - 22] |
版本. | 2'40 | Vincent Leibovitz | Alternate no vocal. | 撞击电子乐 固执 高雅 electro beat | Em | 86 | |||
|
Boss Machine [INP052 - 10] |
1'51 | Richard Reinhardt | Terrifying, dangerous, dramatic. Glitched sounds give way to big | 冲突 固执 气势 预告片 | Cm | 150 | ||||
|
Boss Machine (Underscore) [INP052 - 20] |
版本. | 1'51 | Richard Reinhardt | Terrifying, dangerous, dramatic. Glitched sounds give way to big | 冲突 固执 气势 预告片 | Cm | 75 | |||
|
Pursuit [TBX155 - 10] |
1'52 | Sergey Kolosov, Paul Thorne | Epic, foreboding, daunting. Large drum and metallic dissonance moves | 令人不安 固执 冲击 悬念 | Abm | 128 | ||||
|
Pursuit (Underscore) [TBX155 - 22] |
版本. | 1'51 | Sergey Kolosov, Paul Thorne | Epic, foreboding, daunting. Large drum and metallic dissonance moves | 令人不安 固执 悬念 画面感 | Abm | 128 | |||
|
The Vanishing [BIB223 - 3] |
2'48 | Benedic Lamdin, Nathaniel Pearn | Menacing, sneaky, spooky. Cascading ride and crash cymbals move into | 疑问 都市景色 鼓 令人不安 | Abm | 87 | ||||
|
The Vanishing (Underscore) [BIB223 - 13] |
版本. | 2'48 | Benedic Lamdin, Nathaniel Pearn | Menacing, sneaky, spooky. Cascading ride and crash cymbals move into | 疑问 都市景色 鼓 令人不安 | Abm | 87 | |||
|
False Calculations [TBX153 - 2] |
2'20 | Sergey Kolosov | Mysterious, yearning, adventurous. Bell notes play out a mystical | 社会悲剧 令人不安 阴险 都市景色 | E | 155 | ||||
|
False Calculations
[TBX153 - 13] |
版本. | 2'17 | Sergey Kolosov | Mysterious, yearning, adventurous. Bell notes play out a mystical | 气氛 信息技术 社会悲剧 令人不安 | E | 104 | |||
|
Inlaw Outlaw [CET9072 - 5] |
2'41 | Giorgos Lorantakis | Americana country rock trailer. Warm, dry & interrogative intro with | 当代西部片 影院摇滚 令人不安 沉重 | Dm | 110 | ||||
|
Inlaw Outlaw Alternate [CET9072 - 17] |
版本. | 2'41 | Giorgos Lorantakis | Alternate version without percussion. | 当代西部片 令人不安 沉重 赛车 | Dm | 110 | |||
|
A Lone Wolf [CET9072 - 6] |
2'57 | Giorgos Lorantakis | Americana country rock trailer. Dramatic & sparse intro with acoustic | 令人不安 预告片 热沙漠 进行中 | Cm | 94 | ||||
|
A Lone Wolf Alternate [CET9072 - 18] |
版本. | 2'57 | Giorgos Lorantakis | Alternate version without percussion. | 影院摇滚 令人不安 预告片 热沙漠 | Cm | 93 | |||
|
Paradoxes [CEZ4529 - 5] |
0 | 2'09 | Sylvain Pelier | Ambiant music, electronica. Mathematical, random & serious. Constant | 信息技术 奇怪 催眠 工业 | Cm | 118 | |||
|
The Forgotten Place [CEZ4529 - 10] |
0 | 2'16 | Rémo | Lugubre and disturbing intro then wonderful @ 1'07. In between | 奇怪 神秘 诡异 灾难 | Fm | 114 | |||
|
Occult Symbols [CEZ4529 - 14] |
0 | 1'39 | Thomas Danigo | Alternative rock. Dark intro, then evil & disturbing. Recommended for | 无情 令人不安 神秘 固执 | Bm | 118 | |||
|
Purge [TBX150 - 3] |
2'12 | Adam Brown, Kyle Kniceley | Heavy, dangerous, serious. Foreboding bass drifts out with gentle | 警匪片 鼓 影院摇滚 动作片 | Gm | 140 | ||||
|
Purge (Underscore A) [TBX150 - 18] |
版本. | 2'12 | Adam Brown, Kyle Kniceley | Heavy, dangerous, serious. Foreboding bass drifts out into expansive | 警匪片 鼓 影院摇滚 动作片 | Cm | 140 | |||
|
Purge (Underscore B) [TBX150 - 19] |
版本. | 2'12 | Adam Brown, Kyle Kniceley | Heavy, dangerous, serious. Eerie pads drift into expansive | 警匪片 影院摇滚 动作片 电吉他效果器 | Gm | 140 | |||
|
Fear [TBX150 - 4] |
2'20 | Adam Brown, Kyle Kniceley | Sinister, powerful, evil. Guitar plays out dark notes that meld with | 间谍片 影院摇滚 动作片 令人不安 | Dm | 60 | ||||
|
Fear (Underscore) [TBX150 - 20] |
版本. | 2'20 | Adam Brown, Kyle Kniceley | Sinister, powerful, evil. Guitar plays out dark notes that meld with | 间谍片 影院摇滚 动作片 令人不安 | Dm | 120 | |||
|
Fusion [TBX150 - 9] |
2'27 | Adam Brown, Kyle Kniceley | Alien, threatening, trippy. Large electronic muffled bass creates a | 调查研究 鼓 画面感 令人不安 | Ab | 70 | ||||
|
Fusion (Underscore A) [TBX150 - 27] |
版本. | 2'27 | Adam Brown, Kyle Kniceley | Alien, threatening, trippy. Large electronic muffled bass creates a | 调查研究 鼓 画面感 令人不安 | Ab | 140 | |||
|
Fusion (Underscore B) [TBX150 - 28] |
版本. | 2'27 | Adam Brown, Kyle Kniceley | Alien, threatening, trippy. Large electronic muffled bass creates a | 调查研究 画面感 令人不安 阴险 | Ab | 139 | |||
|
Underground [TBX150 - 10] |
2'20 | Adam Brown, Kyle Kniceley | Secretive, foreboding, ominous. Bell sounds play out into a | 动作片 冲击 冲突 画面感 | Cm | 75 | ||||
|
Underground (Underscore) [TBX150 - 29] |
版本. | 2'20 | Adam Brown, Kyle Kniceley | Secretive, foreboding, ominous. Bell sounds play out into a | 动作片 冲击 冲突 画面感 | C | 75 | |||
|
Premonition [INP050 - 5] |
3'07 | Marco Madia | Intense, rapid, serious. Sudden riser with high pitched nervy chord | 冲击 画面感 爆炸 动作片 | Em | 132 | ||||
|
Premonition (Underscore) [INP050 - 15] |
版本. | 2'56 | Marco Madia | Intense, rapid, serious. Light drumwork and metallic FX build up with | 冲击 画面感 爆炸 动作片 | Em | 132 | |||
|
Entering the Stadium [CEZ4538 - 3] |
1'44 | Mark Alberts, Morgan Sansous | Obstinate, masculine, powerful & explosive. Rock band with chanted | 赛车 摇滚圣歌 男人 极限运动 | Am | 150 | ||||
|
Entering the Stadium Alternate [CEZ4538 - 41] |
版本. | 1'44 | Mark Alberts, Morgan Sansous | Alternate version without vocals. | 赛车 摇滚圣歌 男人 极限运动 | Am | 150 | |||
|
Darkside [INP049 - 3] |
2'33 | Lukas Roher | Raw, scary, cool. Heavy-set electro beat meets with chopped synth | 奇怪 科幻片 电子琴 强调突出 | Ab | 100 | ||||
|
Darkside (Underscore A) [INP049 - 15] |
版本. | 2'33 | Lukas Roher | Raw, scary, cool. Heavy-set electro beat meets with chopped synth | 科幻片 琶音器 信息技术 electro beat | Abm | 100 | |||
|
Darkside (Underscore B) [INP049 - 16] |
版本. | 2'33 | Lukas Roher | Raw, scary, cool. Heavy bass stabs meet with icy synth euphoria. An | 奇怪 科幻片 电子琴 强调突出 | Ab | 134 | |||
|
Transfixed [INP049 - 7] |
2'08 | Lukas Roher | Dramatic, anticipatory, focused. Muffled synth arpeggiation emerges | 科幻片 琶音器 电子琴 动荡 | Bbm | 90 | ||||
|
Transfixed (Underscore A) [INP049 - 21] |
版本. | 2'08 | Lukas Roher | Dramatic, anticipatory, focused. Light feedback meets with sci fi | 科幻片 画面感 electro beat 调查研究 | Bbm | 90 | |||
|
Transfixed (Underscore B) [INP049 - 22] |
版本. | 2'08 | Lukas Roher | Dramatic, anticipatory, focused. Muffled synth arpeggiation emerges | 科幻片 琶音器 电子琴 动荡 | Bbm | 89 |