Afropop. Swaying, dancing, proud, sunny, rhythmic & sentimental. Sung Afropop. Swaying, dancing, proud, sunny, rhythmic & sentimental. Sung in French. Singer, rhythm, bass, synth & Carribean percussion. Ideal for sentimental French teen series, French TV reality, teen lifestyle, summer romance, beach club & littoral.歌词
COUPLET 1 J’ai mes goûts, mes standards, ouai t’as la haine Tu veux les voir plus bas, c’est pas la peine Je parle en jet privé, tu parles en vélo Métro-boulot-dodo, j’ai trop la flemme
Trop chic, trop d’style, t’as du mal à follow Tu forces le game, mon gars vas-y molo Tu likes toutes mes story, tu vas finir accro Tu dérapes, tu dérapes, mec tu perds le réseau
Ton mood, ta vibe Je ne cautionne pas Ton look trop louche Je ne cautionne pas Tu manques de flow Je ne cautionne pas Je ne cautionne pas
REFRAIN Et tu nous mens, et tu te mens Tu fais le grand mais t’es qu’un p’tit garçon Non c’est pas bon, on a tous capté Donc vas-y doucement, c’est que du vent
Tu kiffes mon délire moi j’t’envoie balader Moi j’ai pas ton time j’suis déjà débordé, eh Tu kiffes mon délire moi j’t’envoie balader Moi j’ai pas ton time j’suis prête à décoller, eh
COUPLET 2 J’suis dans le thème, n’aies pas la haine Prends-en d’la graine bébé, change de repères J’suis dans l’coup, t’es dans l’flou Tu donnes tout bébé, mais t’es à bout (yiiiihhaaaa)
J’suis toujours avant, j’ai toujours la mélo qui te plaît Toujours à cent pour cent tu le sais je n’fais que briller Lancer les tendances, influencer, toi même tu connais J’suis sur ma lancée, plus personne ne pourra me stopper
Ton mood, ta vibe Je ne cautionne pas Ton look trop louche Je ne cautionne pas Tu manques de flow Je ne cautionne pas Je ne cautionne pas
REFRAIN Et tu nous mens, et tu te mens Tu fais le grand mais t’es qu’un p’tit garçon Non c’est pas bon, on a tous capté Donc vas-y doucement, c’est que du vent
Tu kiffes mon délire moi j’t’envoie balader Moi j’ai pas ton time j’suis déjà débordé, eh Tu kiffes mon délire moi j’t’envoie balader Moi j’ai pas ton time j’suis prête à décoller, eh
REFRAIN FINAL Moi j’ai pas ton time j’suis prête à décoller Tu kiffes mon délire moi j’t’envoie balader Moi j’ai pas ton time j’suis déjà débordé, eh Tu kiffes mon délire moi j’t’envoie balader Moi j’ai pas ton time j’suis prête à décoller, eh
Tu kiffes mon délire moi j’t’envoie balader Balader Moi j’ai pas ton time j’suis déjà débordé Débordé Débordé, Débordé Moi j’ai pas ton time j’suis déjà débordé
Wild, manic, competitive. Shouting vocals blurt out a frantic shout Wild, manic, competitive. Shouting vocals blurt out a frantic shout in hypnotic rhythm as percussion builds around it. Big snare rolls and booming tom drums offer a sense of power and strength, followed by fun trumpet tunes. A competition, a team flying out onto the field with unstoppable and crazed energy. Big drop @ 1'13 gives pumped energy. A crowd of people working themselves into a frenzy.歌词
Watch this, Jumps and then the, Move this, Jumps and then my, Watch this, Jumps and then the, Dutty [dirty] war, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then my, Watch this, Jumps and then the, Dutty [dirty] war, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then the, Watch this, Jumps and dash, The fire found, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then my, Watch this, Jumps and then the, Dutty [dirty] war, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then the, Watch this, Jumps and dash, The fire found, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then my, Watch this, Jumps and then the, Dutty [dirty] war, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then the, Watch this, Jumps and dash, The fire found, Get the fire.
Ya, Hiya, Ya, Hiya.
Ahh, Ay ay ay ay, Ya ya ya ya.
Woo, Ayy.
Woo, Ha, Yo, Woo, Yo.
Uh, Hey, Ya, Hiya, Hey.
Watch this, Jumps and then the, Move this, Jumps and then my, Watch this, Jumps and then the, Dutty [dirty] war, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then the, Watch this, Jumps and dash, The fire found, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then my, Watch this, Jumps and then the, Dutty [dirty] war, Get the fire.
Watch this, Jumps and then the, Move this, Jumps and then the, Watch this, Jumps and dash, The fire found, Get the fire.
Wild, manic, competitive. Big snare rolls and booming tom drums offer Wild, manic, competitive. Big snare rolls and booming tom drums offer a sense of power and strength, followed by fun trumpet tunes. A competition, a team flying out onto the field with unstoppable and crazed energy. Big drop @ 1'13 gives pumped energy. A crowd of people working themselves into a frenzy. Instrumental version.
Wild, manic, competitive. Big bass drum boom following stick rolls Wild, manic, competitive. Big bass drum boom following stick rolls give a team showdown vibe, falling into big bass rhythm, followed by fun trumpet tunes. A competition, a team flying out onto the field with unstoppable and crazed energy. A crowd of people working themselves into a frenzy. Stripped back underscore version.
Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp brilliance before diving into sub-bass pop. Breathy female vocals communicate a sparkly style. A feminine or LGBT vibe with loud bright energy. Female vocals give a sense of empowerment and materialist conquest. Shopping or out at the club.歌词
It goes around the world,
This feeling on the floor,
If no one told you that it could be yours,
It can be yours, it can be yours, It can be yours, the world is yours, Ahh,
C-can't you see the night is young, Come take the time to open up cause, The world is yours, the world is, (yours) It can be yours, the world is yours.
There’s nothing wrong with getting what you like,
And if you see it you can have it, Grab it, Reach it, Be it, With every step,
You spin the world around another time yeah,
So walk it out so we can feel it, We need it, Live in it.
It goes around the world, (ahh) This feeling on the floor, (ahh) If no one told you that it could be yours,
It can be yours, it can be, (yours) It can be yours, the world is yours, Ahh,
C-can't you see the night is young, (ahh) Come take the time to open up cause, (ahh) The world is yours, the world is, (yours) The world is yours. (the world is yours)
Tomorrow is waiting for nothing, Let’s hope you're planning for something,
You know you sleep through the sunrise each day, So tonight make an exception.
Ohh,
Throw away the sleep and take the hours,
Ohh, Push it ’til the speakers can't go louder.
It goes around the world, (ahh) This feeling on the floor, (ahh) If no one told you that it could be yours,
It can be yours, it can be, (yours) It can be yours, the world is yours, Ahh,
C-can't you see the night is young, (ahh) Come take the time to open up cause, (ahh) It could be yours, the world is, (yours) The world is yours. (the world is yours)
Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp brilliance before diving into sub-bass pop. Sparkly style with a feminine or LGBT vibe and loud bright energy. Shopping or out at the club. Instrumental version.
Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp brilliance before diving into sub-bass pop. Sparkly style with a feminine or LGBT vibe and loud bright energy. Shopping or out at the club. Stripped back underscore version.
Rude, powerful, explosive. Big sub bass joins confident female vocals Rude, powerful, explosive. Big sub bass joins confident female vocals giving a sense of arrogance and power. Booming beat takes over along with obnoxious lyrics. Empowered vibe with brazen attitude. Money and glamour with a side of rudeness and mean tenacity.歌词
Face, body, everything milly, Drip, down, keeping it chilly, You, never gonna touch this level, I rock hard, you still pebble.
Juggling about a million wins, Hips stay heated, got a couple jeans, Do what I want on every whim, don't play with sharks if you can't swim.
What I look like, what I shop like What I cook like, what I push like, What I look like, what I cook like What I shop like, she a bad, bad girl, I run the yard, yeah I'm the one in charge, yeah, She run the yard, yeah She a bad, bad girl.
I'm like, hold up Give me all your money, better run, run, run, Hold up We throw it up from where I'm from, Duck, she a shooter Got a dark eye for the future, You cool, but I'm cooler Got a more sugar than a ruler.
What I look like, what I shop like What I cook like, what I push like, What I look like, what I cook like What I shop like, she a bad, bad girl.
I'm on everybody's brain When I do what they like, she a saint, Trendsetter, best not upsetter Keep some stack on the bedroom dresser, Oh, you wanna spar with me? Didn't you hear how far I reach? Please don't make my dorms unleash terror, straight terror.
What I look like, what I shop like What I cook like, what I push like, What I look like, what I cook like What I shop like, she a bad, bad girl, Ooh, I run the yard, yeah I'm the one in charge, yeah, She run the yard, yeah She a bad, bad girl.
I'm like, hold up Give me all your money, better run, run, run, Hold up We throw it up from where I'm from, Ooh, I run the yard, yeah I'm the one in charge, yeah, She run the yard, yeah She a bad, bad girl.
What I shop like, what I cook like What I push like, What I look like, what I cook like What I shop like, she a bad, bad girl.
Rude, powerful, explosive. Big sub bass joined by clicking Rude, powerful, explosive. Big sub bass joined by clicking percussion. Booming beat takes over along with kick and snare. Empowered vibe with brazen attitude. Money and glamour with a side of rudeness and mean tenacity. Instrumental version.
Rude, powerful, explosive. Clicking percussion gives a sense of Rude, powerful, explosive. Clicking percussion gives a sense of anticipation until booming beat takes over with kick and snare. Empowered vibe with brazen attitude. Money and glamour with a side of rudeness and mean tenacity. Stripped back underscore version.
Hip hop. Heavy, bouncy, proud, provocative & nocturnal. Sample of Hip hop. Heavy, bouncy, proud, provocative & nocturnal. Sample of pitchy vocals, synth, saturated bass, keyboard & rhythm in an Afrobeats spirit. Suggested for street life, street fashion, sports & urban dance.
Hardy, inspired, explosive. Gospel vibe from vocal harmonies over R&B Hardy, inspired, explosive. Gospel vibe from vocal harmonies over R&B piano and backed by electronic percussion. Soulful female vocals sing about being down and picking yourself up, being tenacious despite feeling sad. A hopeful explosion. Gospel style gives a sense of spiritual awakening meshed with human power. Guitar riff at 01:38 gives a sense of fiery passion.
Hardy, inspired, explosive. R&B piano is backed by sharp bass and Hardy, inspired, explosive. R&B piano is backed by sharp bass and electronic percussion. A tenacious energy. A hopeful explosion. Soulful instrumentation tinged by poppy energy. Guitar riff at 01:38 gives a sense of fiery passion. Instrumental version.
Hardy, inspired, explosive. R&B piano is backed by percussion. An Hardy, inspired, explosive. R&B piano is backed by percussion. An uplifting energy. A hopeful explosion. Spiritual key sound tinged by poppy energy. Stripped back underscore version.
Can't show my feelings I'm scared love's going too fast soon I'm dead Old demons I have in my head oh find u this is the end Don't you care Don't swear, look around my dare Who will end all my pain Who will love me again? I don't know what I blame myself.
Can't show my feelings I'm scared love's going too fast soon I'm dead Old demons I have in my head oh find u this is the end Don't you care Don't swear, look around my dare Who will end all my pain Who will love me again? I don't know what I blame myself.
Can't show my feelings I'm scared love's going too fast soon I'm dead Old demons I have in my head oh find u this is the end Don't you care Don't swear, look around my dare Who will end all my pain Who will love me again? I don't know what I blame myself.
Can't show my feelings I'm scared love's going too fast soon I'm dead Old demons I have in my head oh find u this is the end Don't you care Don't swear, look around my dare Who will end all my pain Who will love me again? I don't know what I blame myself.
Tenacious, confident, stylish. Droning sub bass hits out as male Tenacious, confident, stylish. Droning sub bass hits out as male vocals spit with dexterity and fast-paced confidence. Lyrics about being a perfect specimen, made for greatness and assured victory. Electro rock breakdown @ 0'31 with sharp bass notes and large drum impacts. Sidechained vocals and keys give a melodic aspect, a self-assured dramatic power. An individual that exists a step above most competitors, immortal.歌词
Iʼm automatic and innovative, Iʼm causing havoc, Iʼm breaking barriers, Elevate into, Larger status, Exhilarating, Itʼs my nature, To be the baddest, They wanna break us, But greatness can never be divided, So tragic Iʼm killin em all, They really appalled In battle Iʼm dressed with the scars Iʼm ready for war, Youʼre better off, Taking a loss, Than step to the God, Not just a boss, But Iʼm down in the trench with the dogs, Honestly, An anomaly Iʼm everything that you wanna be, The mob deep Iʼm a prodigy, Odysseusʼs on his odyssey, Itʼs the pride thatʼs inside of me.
Iʼm a different a breed, You messing with a whole other different beast, Ainʼt another soul that can get with me, Watch me take control, Ima Ima Iʼm a different a breed, You messing with a whole other different beast, Ainʼt another soul that can get with me, Watch me take control Iʼm in a different league.
One of a kind, One in a mill, Been on the grind, A hunger for thrills, Weʼre nothing like Iʼm actually ill Iʼm built different, Thereʼs no competition, The outlier, My steps are order on mount Zion, Iʼm bout tired, Got no remorse for these foul liars, Feeling like Yeezy, Iʼm spitting these with my mouth wired, Yʼall wanted peace, You should give me reason to not fire, Whoo Iʼm Invincible, What you really saying, They donʼt make em like this no more, Going super saiyan, Screaming DANGER like Mystikal, We just too advanced, You ainʼt never been here before.
Iʼm a different a breed, You messing with a whole other different beast, Ainʼt another soul that can get with me, Watch me take control, Ima Ima Iʼm a different a breed, You messing with a whole other different beast, Ainʼt another soul that can get with me, Watch me take control, Iʼm in a different league.
Tenacious, confident, stylish. Droning sub bass hits out as beat Tenacious, confident, stylish. Droning sub bass hits out as beat begins to build up, muffled drum samples give a rough and ready aura. Electro rock breakdown at 00:31 with sharp bass notes and large drum impacts. Sidechained vocals and keys give a melodic aspect, a self-assured dramatic power. Instrumental version.
Tenacious, confident, stylish. Impacts are followed by droning sub Tenacious, confident, stylish. Impacts are followed by droning sub bass and eerie atmospheric sounds emerging gradually. Large percussion and sub bass breaks through with rocky melody. Sidechained vocals and keys give a melodic aspect, a self-assured dramatic power. Stripped back underscore version.
Tenacious, confident, stylish. Large murmuring sub bass carried by Tenacious, confident, stylish. Large murmuring sub bass carried by kick drum impacts as rough and ready drum samples start up. Large sub bass breaks through with rocky melody. Sidechained vocals and keys give a melodic aspect, a self-assured dramatic power. A high-octane competition, taken to with arrogance and self-assurance. Someone born for victory. Stripped back underscore version.
Tenacious, confident, stylish. Large murmuring sub bass carried by Tenacious, confident, stylish. Large murmuring sub bass carried by kick drum impacts as rough and ready drum samples start up. Exploding into big drums and rocky bassline, sidechained vocals giving a sense of drama and energy. 60 second version.
Tenacious, confident, stylish. Droning sub bass enlivened by kick Tenacious, confident, stylish. Droning sub bass enlivened by kick drums explodes into rocky bass melody with tenacious drum beat, communicating power and energy. 30 second version.
Tenacious, confident, stylish. Explosive rocky electro bassline Tenacious, confident, stylish. Explosive rocky electro bassline pushes out with big impacts and rough and ready drumming, communicating power and energy. 15 second version.
Tenacious, confident, stylish. Explosive rocky electro bassline Tenacious, confident, stylish. Explosive rocky electro bassline pushes out with big impacts and rough and ready drumming, communicating power and energy. 10 second version.
Tenacious, confident, stylish. Explosive rocky electro bassline Tenacious, confident, stylish. Explosive rocky electro bassline pushes out with big impacts and rough and ready drumming, communicating power and energy. 5 second version.
Tenacious, confident. Large sharp impact gives a sense of shortlived Tenacious, confident. Large sharp impact gives a sense of shortlived action and explosive power. Sting version.
Arrogant, confident, tough. Rattling percussion emerges alongside Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with cool male vocal ad libs. Lyrics about dominating and self-belief leading to victory. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition.歌词
Let me tell you how it's gonna go down, I ain't coming just to win, I am coming to be crowned king.
When we're done you won't wanna run it back, When gonna see my hand raised, Then it's time to fall back.
Oh you might talk the talk, But I walk the walk, One mistake away from coming up short.
Face to face now, Time to double down, There’s two of us but only one crown.
When it’s all said and done, And I got you on the run, I'll say, I came I saw I conquered.
Let me take some time to set the record straight, I came to dominate, Not here to hesitate.
If you're gonna take me lightly, It’s gonna get unsightly, You think it’ a nightmare? It might.
Everyday I'm out here grindin, While you’ve been finding excuses & hiding, Face to face now, Time to double down, There ain't enough room in this town.
When it’s all said and done, And I got you on the run, I'll say, I came I saw I conquered,
I came, I saw, I came, I saw, I came, I saw, I came, I saw, I conquered.
Arrogant, confident, tough. Rattling percussion emerges alongside Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with powerful chords and rhythmic cowbell. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition. Instrumental version.
Arrogant, confident, tough. Rattling percussion emerges alongside Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with powerful chords and rhythmic cowbell. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition. Stripped back underscore version.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy as people chat in a party situation. Launch into fun hip hop vibe with male vocals setting a party pace for people dancing. Lively vibe contrasted with cool relaxed instrumentation. Male vocals flirt with lyrics about two people liking eachother, complimentary to a significant other.歌词
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
You just clocked out your day shift, On the way to the club for your late shift, I mean you dance but you're not kind that take tips, But you should, ‘cause I seen how you shake hips (dang hold on), I want to see you, work, This ya song gon’ hit a little twerk, It’s getting late, hope you ain't gotta work, In the morning, be safe getting home, They patrolling, You said bye fuve times as you going, You ain't really trying to leave we be knowing, Man You know you're about to call in and, Next week you're going to call in again.
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Launch into fun hip hop vibe with monophonic lead melody contrasted cloudy delayed keys. Relaxed vibe gives a warm sultry energy. Instrumental version.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Relaxed vibe gives a warm sultry energy, jazzy chords offer a sense of comfort and coolness. Stripped back underscore version.
Tough, dangerous, climactic. Impact joined by alarm FX creating an Tough, dangerous, climactic. Impact joined by alarm FX creating an uncertain and dangerous atmosphere. A boxing ring or wrestling ring as two individuals size each other up. Heavy bass slams alongside kicks giving a sense of raw power. Repetitive synth offers a slick vibe with a sense of panic and danger.
Tough, dangerous, climactic.Alarm FX synth creates an uncertain and Tough, dangerous, climactic.Alarm FX synth creates an uncertain and dangerous atmosphere. A boxing ring or wrestling ring as two individuals size each other up. Repetitive synth offers a slick vibe with a sense of panic and danger. Stripped back underscore version.
Hip-hop beat. Nocturne, wandering & sad. Music box, synth, sampled Hip-hop beat. Nocturne, wandering & sad. Music box, synth, sampled vocals & rhythm. Ideal for nightlife, investigation & social drama.
Hip hop électro, wonky beat, break dance & beat making. Danceable, Hip hop électro, wonky beat, break dance & beat making. Danceable, attitude, eccentric & bouncy. Piano, synth & drum machine. Suggested for advertising, street sport, video games & teen series.
Orchestral Swagger Hip Hop. Powerful, fast, impactful, bold, proud & Orchestral Swagger Hip Hop. Powerful, fast, impactful, bold, proud & energetic. Hip Hop beats with orchestral patterns & trailer FX in the spirit of game time & training tracks. Perfect for sport achievement, headlights & fight sport (UFC / MMA).
Energetic, swagger & attitude merengue trap sung in Spanish. She Energetic, swagger & attitude merengue trap sung in Spanish. She accepted my invitation for a drink. Male singer, accordion, electronic keyboard, synth, Latin & electronic percussion.歌词
ES:
Yo la invité un trago y ella a mí me lo aceptó
Cruzamos las miradas mientras sonaba el dembow
Unos labios rosados que me pedían acción
La vi en un bar
Ella tomando botellas de tequila
Yo viendo como una viene, otra se va
Cabello negro que la veo y me mata
Ay me mata
La vi en un bar
Viste de negro, y ella resalta en el bar
No quiere a nadie, ella feliz así esta
Par de coyotes la siguen a donde va
Pero ella quiere que la pongan a bailar
(Yeah yeah, que la ponga' a bailar)
(Yeah yeah, que la ponga' a bailar)
Yo la invité un trago y ella a mí me lo aceptó
Cruzamos las miradas mientras sonaba el dembow
Unos labios rosados que me pedían acción
Y yo todo perdido se me subía el calor
Yo la invité un trago y ella a mí me lo aceptó
Cruzamos las miradas mientras sonaba el dembow
Unos labios rosados que me pedían acción
Y yo todo perdido se me subía el calor
Calor subiendo mami
Tú te ves muy fancy así
Y yo pensando que te quitaras
Todito el panty
Tú me querías y me tienes
Ahora todo pa' ti
Hay dos razones suficientes
Para ir de party
Una que estoy yo
Y la pasamos bien
Segundo que estamos
Disfrutando del edén
Ahora que voy yo
Para que estés al cien
Tranqui disfruta del momento
Yo me la sé muy bien
Yo la invité un trago y ella a mí me lo aceptó
Cruzamos las miradas mientras sonaba el dembow
Unos labios rosados que me pedían acción
Y yo todo perdido se me subía el calor
Yo la invité un trago y ella a mí me lo aceptó
Cruzamos las miradas mientras sonaba el dembow
Unos labios rosados que me pedían acción
Y yo todo perdido se me subía el calor
Yeah yeah, se me subió el calor
Yeah yeah, se me subió el calor
Yeah yeah, se me subió el calor
Yeah yeah, se me subió el calor
EN:
I invited her for a drink, and she accepted
We exchanged glances while the dembow played
Pink lips asking for action
I saw her in a bar
Drinking tequila bottles
I watched as one comes, another goes
Black hair that I see and it kills me
Oh, it kills me
I saw her in a bar
Dressed in black, and she stands out in the bar
She doesn't want anyone, she's happy as she is
A couple of guys follow her wherever she goes
But she wants to be put to dance
(Yeah yeah, make her dance)
(Yeah yeah, make her dance)
I invited her for a drink, and she accepted
We exchanged glances while the dembow played
Pink lips asking for action
And I, all lost, felt the heat rising
I invited her for a drink, and she accepted
We exchanged glances while the dembow played
Pink lips asking for action
And I, all lost, felt the heat rising
Heat rising, mami
You look very fancy like this
And I'm thinking you'll take off
All your panties
You wanted me, and you have me
Now everything is for you
There are two good reasons
To go party
One, because I'm here
And we have a good time
Second, because we are
Enjoying the Eden
Now that I'm going here
So you can be at your best
Relax, enjoy the moment
I know it very well
I invited her for a drink, and she accepted
We exchanged glances while the dembow played
Pink lips asking for action
And I, all lost, felt the heat rising
I invited her for a drink, and she accepted
We exchanged glances while the dembow played
Pink lips asking for action
And I, all lost, felt the heat rising
Yeah yeah, the heat rising
Yeah yeah, the heat rising
Yeah yeah, the heat rising
Yeah yeah, the heat rising
Arrogant, confident, tough. Rattling percussion emerges alongside Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with cool male vocal ad libs. Lyrics about dominating and self-belief leading to victory. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition.歌词
Let me tell you how it's gonna go down, I ain't coming just to win, I am coming to be crowned king. When we're done you won't wanna run it back, When gonna see my hand raised, Then it's time to fall back.
Oh you might talk the talk, But I walk the walk, One mistake away from coming up short. Face to face now, Time to double down, There’s two of us but only one crown.
When it’s all said and done, And I got you on the run, I'll say, I came I saw I conquered. Let me take some time to set the record straight, I came to dominate, Not here to hesitate. If you're gonna take me lightly, It’s gonna get unsightly, You think it’ a nightmare? It might.
Everyday I'm out here grindin, While you’ve been finding excuses & hiding, Face to face now, Time to double down, There ain't enough room in this town. When it’s all said and done, And I got you on the run, I'll say, I came I saw I conquered, I came, I saw, I came, I saw, I came, I saw, I came, I saw, I conquered.
Arrogant, confident, tough. Rattling percussion emerges alongside Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with powerful chords and rhythmic cowbell. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition. Instrumental version.
Arrogant, confident, tough. Rattling percussion emerges alongside Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with powerful chords and rhythmic cowbell. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition. Stripped back underscore version.
Energetic, naughty, boastful. Old school hip hop beat offers a fun Energetic, naughty, boastful. Old school hip hop beat offers a fun and bouncy energy. Bass-y instrumentation supports charismatic female rap vocals. Lyrics about having a selfish attitude, wanting a partner with money to afford sweet, expensive things. Fast rhythm provides a brisk energy. A stylish individual strutting their stuff. Skilful lyricism including fashion brands in rhyming schemes.歌词
Hey Baby, I was born ready, Private jetty, On my way, Feelin sexy from my bevy, Time to get saucy, Sitting pretty, Actin petty, Call up Ricky, Tom and Teddy, Let ‘em think that they can get me, Call me queen, And rub my pedi.
First class, High taste, Don't want no man, If he can't pay, Sweet tooth, Well made, Got that loot, Now buy me cake, First class High taste, Don't want no man, If he can't pay, Sweet tooth, Well made, Got that loot, Now buy me cake. Better have bank, And buy me cake, Better have bank, And buy me cake, Better have bank, And buy me cake, Better have bank, And buy me cake. Watch I love Lucy, Wearing Gucci, Feel like Madonna, In my Prada, I want Louie, Couture Juicy, Bake them diamonds, Take me out to Fendi, Get my sexy, If you spendy, Gimme sugar, Cotton candy, I might let you hold my handy.
Energetic, naughty, boastful. Old school hip hop beat offers a fun Energetic, naughty, boastful. Old school hip hop beat offers a fun and bouncy energy. Bass-y instrumentation with excitable percussive FX. Reminiscent of a stylish individual strutting their stuff. ast rhythm provides a brisk energy. Instrumental version.
Energetic, naughty, boastful. Old school hip hop beat offers a fun Energetic, naughty, boastful. Old school hip hop beat offers a fun and bouncy energy. Lyrics about having a selfish attitude, wanting a partner with money to afford sweet, expensive things. Fast rhythm provides a brisk energy. A stylish individual strutting their stuff. Skilful lyricism including fashion brands in rhyming schemes. Stripped back underscore version.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, with male vocalist warming up into autotuned hook. Sharp trap style with chattering hi hats and heavy bass. Lyrics tell a story of heartbreak and betrayal, confident in talents but expressive around emotions and feelings of sadness. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion.歌词
I'm just gonna let it ride for a second. I took it all for you, I took it all, I took it all for you, I took it all, Locked away my heart and den you threw away the key. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. High standards (high), really fly status (fly), You know it ain’t cappin (cap) if you really good at it (yeah), Take me out da hood but you can’t take my hood habits (hood habits), Brick for a verse and I call it jugg rapping (jugg), Know you heard dem stories about me now I’m a dog (dog), But every late night I be in ya call log, Hit it so good in the morning call off, Girl, I’m up right now, I could never fall off. Who dem must be trippin' know that I don't work for free (hey), Burning all this sage man keep that away from me, Baby I can’t play the game if I can’t play for keeps (keeps), Treat me like a dog you need to keep me on a leash (leash). I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. Play me like a sucker, I could love her but don’t trust her, I be lookin' in the mirror, And be feelin' so disgusted, And you can leave today, And then tomorrow have another, But they’ll never be another, Just remember when he touch it, Riding with my pistol (pistol), Blow me like a whistle (whistle), Mane I’m so authentic, And you know they artificial, Baby I’m a shark off in the water with the fishes (water with the fishes), Made a split decision and you really did me vicious. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. All for you, All, All for you, I took it all, All for you, All, All for you, I took it all.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, echoing notes convey a wistful energy. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion. Instrumental version.
