| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Alternative Thinking
[CEZ4540 - 3] |
0 | 2'35 | Michel Barengo, Beda Thornton | Thoughtful / light tension version. Minimalist, dreamy, organic & | 调查研究 天气预告 稳定的 政治 | D | 105 | |||
|
Unwoven [BIB226 - 1] |
4'29 | Conor O'Brien | Cool, minimalist, anticipatory. Soft quiet keys play out a knowing | 电子 信息技术 艺术风格 自信 | D | 120 | ||||
|
Unwoven (Underscore) [BIB226 - 11] |
版本. | 4'29 | Conor O'Brien | Cool, minimalist, anticipatory. Soft quiet keys play out a knowing | 电子 信息技术 艺术风格 自信 | D | 120 | |||
|
Elegancia [CEZ4539 - 8] |
1'58 | Emmanuel Russ | Electro neo classical, cinematic electro. Intimate, introspective, | 反省 忧伤 电子 疑问 | Db | 115 | ||||
|
Elegancia Alternate [CEZ4539 - 39] |
版本. | 1'00 | Emmanuel Russ | 疑问 固执 广告 现代芭蕾 | Gbm | 117 | ||||
|
Midnight in Motion [CEZ4539 - 15] |
2'16 | Hiroki Ishikura | Cinematic electro. Misty, floating, almost atmospheric, gritty & | 反省 环境 气氛 漂泊 | Am | 81 | ||||
|
Midnight in Motion Alternate 1 [CEZ4539 - 46] |
版本. | 2'16 | Hiroki Ishikura | Alternate version without drum. | 反省 环境 艺术风格 社会悲剧 | Am | 162 | |||
|
Midnight in Motion Alternate 2 [CEZ4539 - 47] |
版本. | 2'15 | Hiroki Ishikura | Alternate version without drum, sans violon | 反省 环境 艺术风格 社会悲剧 | Am | 162 | |||
|
Between the Lines [CEZ4539 - 16] |
2'16 | Hiroki Ishikura | Electro. Fascinating, complex, stubborn & contemporary. Synth, FX, | 反省 社会悲剧 神秘 electronic score | Cm | 100 | ||||
|
Between the Lines Alternate [CEZ4539 - 48] |
版本. | 2'16 | Hiroki Ishikura | Alternate version without voice & bass. | 神秘 社会悲剧 催眠 疑问 | Cm | 100 | |||
|
Closer [TBX147 - 2] |
0 | 2'12 | Sergey Kolosov | Striving, determined, sentimental. Rhythmic piano note gives way to | 医疗 无电声钢琴 手工业 命运 | G | 87 | |||
|
Going Up [TBX147 - 5] |
0 | 2'19 | Sergey Kolosov | Momentous, grandiose, important. Fragile high-pitched piano is joined | 反省 手工业 命运 社会悲剧 | Em | 119 | |||
|
In The Vastness Of Space [TBX147 - 9] |
0 | 2'06 | Sergey Kolosov | Jazzy, sombre, laidback. Jazz chord sets out a feeling of complex | 反省 命运 社会悲剧 悬念 | C | 100 | |||
|
Gnossienne No.1 [BIB212 - 3] |
2'23 | Pat Lennix, Xander Talim | Sophisticated, classical, eerie. Thrumming strings meet with creeping | 反省 梦幻 古典音乐改编曲 摇篮曲 | F | 83 | ||||
|
Gnossienne No.1 (Alt Version) [BIB212 - 14] |
版本. | 2'24 | Pat Lennix, Xander Talim | Sophisticated, classical, eerie. Thrumming strings meet with creeping | 梦幻 气氛 古典音乐改编曲 摇篮曲 | Fm | 81 | |||
|
Balancelle [CEZ4500 - 20] |
0 | 2'05 | Selma Mutal | Folk. Melancholic, tender & pastoral. Acoustic guitar and piano. | 忧伤 乡村 宁静 童年 | Cm | 104 | |||
|
Calm as the Rain [CEZ4521 - 5] |
3'27 | Hiroki Ishikura | Ambiant track with beautiful & soothing synth pads evolving slowly to | 环境 中立 气氛 悬念 | Eb | 107 | ||||
|
Calm as the Rain Alternate [CEZ4521 - 40] |
版本. | 2'16 | Hiroki Ishikura | Minimalist & neutral alternate soundscape version. | 环境 海洋 中立 背景音 | Eb | 104 | |||
|
Proliferation of Ideas [CEZ4521 - 7] |
2'00 | Vincent Leibovitz | Repetitive keyboard with keyboard FX & modular synth layers. Linear, | 背景电子乐 反省 神秘 中立 | Cm | 90 | ||||
|
Proliferation of Ideas
[CEZ4521 - 42] |
版本. | 1'57 | Chomsk' | Minimalist & neutral alternate version. | 背景电子乐 悬念 反省 神秘 | Eb | 63 | |||
|
Thinking Back [TBX131 - 5] |
1'41 | Fabrice Choudry | Heartfelt, spirited, cleansing. Drawn out piano and strings flow into | 反省 新古典音乐 飞行 悬念 | E | 72 | ||||
|
Thinking Back (Underscore) [TBX131 - 15] |
版本. | 1'41 | Fabrice Choudry | Heartfelt, spirited, cleansing. Drawn out piano and strings flow into | 反省 飞行 悬念 新古典音乐 | E | 72 | |||
|
For All Men Kill [CCB1052 - 5] |
0 | 1'09 | Rykarda Parasol | Sad, vibrant & soulful interlude. Outro with reverse fx. Suggested | 反省 民族民谣 社会悲剧 独立电影 | Am | 81 | |||
|
Emerging Mysteries [CEZ4510 - 5] |
0 | 2'53 | Arttu Silvast | Cold, troubling & windy like a blizzard. Animated drone pads & | 调查研究 神秘 北欧风 灾难 | Dm | 107 | |||
|
The Gods Left Us [CEZ4510 - 11] |
1'59 | Blesvik | Sad, dignified & heartbroken piano with textures & strings. Loosing | 反省 社会悲剧 忧伤 叙述 | Dm | 111 | ||||
|
The Gods Left Us Alternate [CEZ4510 - 22] |
版本. | 1'36 | Blesvik | Alternate piano solo. | 反省 社会悲剧 忧伤 叙述 | Dm | 87 | |||
|
Black Sand Footprints [CEZ4510 - 12] |
2'02 | Sonny Nieuwenhuizen | Atmospheric intro with frozen drone pads. Percussion @ 0'29. Lonely, | 反省 神秘 斯堪的纳维亚 抱歉 | Gm | 67 | ||||
|
Black Sand Footprints
[CEZ4510 - 23] |
版本. | 2'01 | Sonny Nieuwenhuizen | Alternate without percussion. | 反省 神秘 斯堪的纳维亚 抱歉 | Gm | 100 | |||
|
Darkness of the Sea [CEZ4510 - 14] |
0 | 2'35 | Arttu Silvast | Emotional, resilient & poignant. Floating & punctuated strings. Piano | 反省 感动 悬念 忧伤 | Gbm | 152 | |||
|
Old Runes Shine [CEZ4509 - 5] |
0 | 2'18 | Steingrimur Thorhallsson | Obscure, broody & ancestral in a nordic way with nordic percussion, | 北欧风 冒险片 命运 反省 | C | 120 | |||
|
Attorney's Summing up [CEZ4505 - 6] |
0 | 2'46 | Sonny Nieuwenhuizen | Constant & reflective electro sequences with punctuated & floating | 疑问 调查研究 神秘 反省 | Dbm | 90 |