| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Sept Prières pour un Canard
[CEZ4020 - 5] |
0 | 1'33 | Quintette Nielsen | Weird and interrogative. Wind quintet. | 复杂 不和谐音 | Em | 62 | |||
|
Steppes Empires [CEO2015 - 10] |
0 | 0'49 | Bruno Alexiu | Interrogative & melancholic conclusion. Orchestra with woodwinds & | 悬念 疑问 冒险片 改变 | Gm | 80 | |||
|
Jerusalem [CEO2017 - 3] |
0 | 2'43 | Armand Frydman | Moving & sad. Solo cello & bowed double-bass. | 以色列 犹太教 卡迪什 大提琴 | Fm | 82 | |||
|
Jerusalem at Twilight [CEO2017 - 12] |
0 | 2'34 | Armand Frydman | Moving & sad. Solo cello. | 大提琴 以色列 命运 葬礼 | Ab | 86 | |||
|
Occident #2 [CEO2017 - 14] |
0 | 2'58 | Armand Frydman | Desolate & moving. Solo cello. | 大提琴 抱歉 命运 反省 | Bbm | 112 | |||
|
Heartache [CEO2016 - 7] |
0 | 2'31 | Pierre Adenot | Melancholic & meditative. Orchestra with harp. | 多愁善感 爱情 法国电影 内心活动 | A | 65 | |||
|
Fumata Bianca [CEO2012 - 30] |
0 | 0'26 | Bruno Alexiu | Solemn & meditative. Organ & symphonic orchestra. | 教堂管风琴 天主教音乐 葬礼 庄重 | Em | 117 | |||
|
Beat the Clock [CEZ4113 - 9] |
0 | 1'33 | Christof Déjean | Ambient electro. Patient & constant. Electronics & rhythm. 92 BPM. | 时间(滴答声) 夜晚 现代 稳定的 | Bm | 92 | |||
|
Internal Clock [CEZ4113 - 14] |
0 | 3'26 | Sophia Domancich | Suspense. Tense but patient. Piano, electronics & rhythm. 40 BPM. | 极简电子音乐 漂泊 冰冷 (音效)石头 | Gm | 40 | |||
|
Miguel y Santiago [CEO2003 - 1] |
0 | 2'01 | Selma Mutal | Nostalgic, restrained & ethereal in a Andean Spirit. Acoustic guitar, | 社会悲剧 忧伤 全景 美国独立制片电影 | Em | 67 | |||
|
Miguel y Mariela [CEO2003 - 2] |
0 | 3'45 | Selma Mutal | Meticulous & melancholic. Acoustic guitar, piano, fretless bass & | 社会悲剧 内心活动 忧伤 全景 | Gm | 93 | |||
|
En la Playa [CEO2003 - 3] |
0 | 0'53 | Selma Mutal | Pensive & patient. Charengo & fretless bass. | 耐心 爱情 社会悲剧 内心活动 | Bb | 106 | |||
|
Buscando a Santiago [CEO2003 - 4] |
0 | 1'00 | Selma Mutal | Nostlagic & chrystal clear. Acoustic guitar, piano & strings. | 爱情 社会悲剧 忧伤 全景 | Em | 133 | |||
|
De la Mano [CEO2003 - 5] |
0 | 3'17 | Javier Fuentes-León | Intimate & delicate. Solo acoustic guitar. | 社会悲剧 内心活动 忧伤 美国独立制片电影 | G | 61 | |||
|
La Decisión [CEO2003 - 8] |
0 | 0'42 | Selma Mutal | Sad & restrained. Piano & strings. | 命运 忧伤 全景 谨慎 | Am | 88 | |||
|
La Despedida [CEO2003 - 12] |
0 | 1'04 | Selma Mutal | Moving & nostalgic. Charango, acoustic guitar & piano. | 爱情 社会悲剧 内心活动 忧伤 | Gm | 93 | |||
|
El Final [CEO2003 - 13] |
0 | 3'02 | Selma Mutal | Aerial & quiet. Acoustic guitar & strings. | 爱情 社会悲剧 忧伤 全景 | Em | 89 | |||
|
Saliendo de Casa [CEO2003 - 14] |
0 | 0'44 | Selma Mutal | Delicate & pensive. Piano, acoustic guitar & cordes. | 内心活动 耐心 社会悲剧 忧伤 | Gm | 92 | |||
|
Out Of Step [CEZ4112 - 4] |
0 | 1'18 | Piotr Moss | Doubtful & disturbing. Piano, cello with phasing fx. | 悬念 恐怖片 不可归类 令人不安 | Am | 77 | |||
|
Nagging Question [CEZ4112 - 10] |
0 | 1'17 | Piotr Moss | Haunting & sparse. Solo clarinet. | 叙述 稀疏 单簧管 乐器 | A | 72 |