Traditional samba/choro in the spirit of the 20's, 30's & 40's. Traditional samba/choro in the spirit of the 20's, 30's & 40's. Carefree, catchy, old-fashionned & joyful. Cavaquihno, guitar & Brazilian percussion.
Alternate without percussion. Enchanting, positive & bright intro Alternate without percussion. Enchanting, positive & bright intro with gentle piano. Optimistic, bouncy & catchy build-up @ 0'35 with guitar, synth & strings. Finale @ 1'31 in a festive & uplifting spirit. Animation pop trailer music suggested for kids, youth TV & computer animated comedy film.
Uplifting, inspirational, meaningful. Bright, upbeat instrumentation Uplifting, inspirational, meaningful. Bright, upbeat instrumentation with shouted vocals immediately conveying a poignant but positive energy supported by clean indie style. Male vocals sing about not giving into fears, having a confidence in yourself. Male and female vocals join together in chorus, asserting a universal and inclusive empowerment. Triumphant, community energy supported by full and positive instrumentation.歌词
This isn’t a song of surrender This is a song of hope This is a song of not giving in to your fears sometimes you see That it ain’t like on tv So chase it Embrace it And seize Your wildest dreams
No don’t quiet your voice Stand up till the last breath No we’re not giving in No we’re not giving in oh Sing out rejoice Raise up your hearts No we’re not giving in No we’re not giving in
Forever ain’t always that easy Everything ain’t always on your side No need to fix what has never been broke Dig deep you’ve got hope down inside Keep chasing that glory It’s not make believe Chase it Embrace it And seize Your wildest dreams
No don’t quiet your voice Stand up till the last breath No we’re not giving in No we’re not giving in oh Sing out rejoice Raise up your hearts No we’re not giving in No we’re not giving in
I know you’ve been here before sinking into the loss Don’t give in When you’ve ever been down you know that always picks up that you can turn it around And face the dawn
No don’t quiet your voice Stand up till the last breath No we’re not giving in No we’re not giving in oh Sing out rejoice Raise up your hearts No we’re not giving in No we’re not giving in
Melancholic, wholesome, bittersweet. Organic guitar picking meets Melancholic, wholesome, bittersweet. Organic guitar picking meets with passionate male vocals singing about memories, feeling grateful for times passed. Dramatic strings gift a sense of refined emotion, resolute feelings of nostalgia and remembrance. Pacy indie energy with impassioned rock vocals.歌词
Uplifting, inspirational, meaningful. Bright, upbeat instrumentation Uplifting, inspirational, meaningful. Bright, upbeat instrumentation with shouted vocals immediately conveying a poignant but positive energy supported by clean indie style. Heavy snares bring a driving, positive feeling. Triumphant, community aura supported by a powerful instrumentation. Alternative version.
Uplifting, inspirational, meaningful. Bright, upbeat instrumentation Uplifting, inspirational, meaningful. Bright, upbeat instrumentation with organic instrumentation conveying a fun and happy energy supported by a clean indie style. Excitable synth arpeggiation joined by claps imbue a forthright and triumphant aura, a sense of community and joyousness. Stripped back underscore version.
Uplifting, friendly, positive. Bright chord sequence with confident Uplifting, friendly, positive. Bright chord sequence with confident male vocal singing about new beginnings, shining bright and seeing the world as a colourful vibrant place. Steady pace and happy vocal performance convey a positive feeling. Unabashed and unrestrained feelings of cheerfulness create an inspirational positive energy. Gradual build up moves into exciting ascending scale at 02:36 back into chorus with renewed vigour.歌词
It’s been a long wait but the time has come It’s finally here You can turn the page Start a new It begins right here
Don’t run away run away Push against the grain keep the world spinning in your wake Oh you’re weird and you’re wonderful Come shine bright with me
it’s a technicolor life Just wait and see
Come on let’s go Come on let’s go It’s gonna be a good day good day It’s gonna be a good day Come and let go Come and let go It’s gonna be a good day it’s gonna be a good day good day
Slow it right Now don’t give in to fear You got it on the ropes Keep it going ’til it’s disappeared Step inside Just dive in the love you’ve made yeah there’s plenty more left to give No you can’t tame the storm But just wait and the clouds will clear It’s a technicolor life just wait and see
Come on let’s go Come on let’s go It’s gonna be a good day good day It’s gonna be a good day Come and let go Come and let go It’s gonna be a good day It’s gonna be a good day good day
Here we go again Here we go again just live for today Here we go again Here we go again keep riding the wave
Here we go again Here we go again come on seize the today Here it comes Here it comes
Come on let’s go Come on let’s go It’s gonna be a good day good day It’s gonna be a good day Come and let go Come and let go It’s gonna be a good day It’s gonna be a good day good day
Uplifting, friendly, positive. Bright chord sequence with heavy drums Uplifting, friendly, positive. Bright chord sequence with heavy drums at a steady pace convey a positive feeling. Unabashed and unrestrained feelings of cheerfulness create an inspirational positive energy. Gradual build up moves into exciting ascending scale at 02:36 back into chorus with renewed vigour. Instrumental version.
Uplifting, positive. Heavy drums alongside solid bassline present a Uplifting, positive. Heavy drums alongside solid bassline present a confident, progressive energy. Feelings of joy and excitement emanate from powerful instrumentation. Large kick drum impacts combine with rolling toms and hi hats to convey an upbeat striding rhythm. Stripped back underscore version.
Uplifting, friendly, positive. Bright piano sequence with subtle Uplifting, friendly, positive. Bright piano sequence with subtle sweeping ambience creates an upbeat atmosphere. Persistent notes at 00:35 and 01:39 create an affirming aura, a sense of progression and wholesome energy. Exciting ascending scale at 02:36 back into joyous chord sequence. Stripped back underscore version.
Happy, festive & lively salsa. Male singer, Latin percussion Happy, festive & lively salsa. Male singer, Latin percussion including bongo & clave, brass section, male choir & piano.歌词
ES:
Estamos cumpliendo 23
Estamos de aniversario
Estamos cumpliendo años
La familia Chaworó
Estamos cumpliendo 23
Estamos de aniversario
Estamos cumpliendo años
La familia Chaworó
Te invitamos a esta fiesta
Aprovecha la ocasión
Pa' que goces un montón
Ven que Chaworó ya comienza
Te invitamos a esta fiesta
Aprovecha la ocasión
Pa que goces un montón
Ven que Chaworó ya comienza
Salsa dura con Latin Jazz
Culo e' puya con quitipla
Son montuno con chachachá
Y los tambores bata
Coro 1: Chaworo celebra su aniversario
Ven pa ca que esta rumba es sin horario
Coro 2: 23, 23 dando batalla luchando y seguimos de frente
Vente vente que esta sabroso mi pueblo y bailando mi gente
Coro 3: Chaworó celebra su aniversario
23 con harmonía
Y el patrón de mi tambó
Con lo bueno de la vida
Esta fiesta se formó
El fogón del sentimiento
Siempre estará encendido
Porque aqui sobran los motivos
Para seguir vivos
Te digo yo
Coro 2: 23, 23 dando batalla luchando y seguimos de frente
Vente vente que esta sabroso mi pueblo y bailando mi gente
Mas de 20 años
Tocando por todas partes
Disfrutando de este arte
Que la música nos da
Le pedimos a Los Santos
que nos den mucha salud
Para que lo goces tu
cuando escuches este mambo
Mambo mambo mambo para Babalú
Fiesta a la venezolana
Monten las sopas las hallacas y las empanadas
Hay un run-run en la calle
Estamos de cumpleaños
Y ven pa' acá !
EN:
We are turning 23
It' s our anniversary
we are celebrating our birthday
The Chaworó family
We are turning 23
We are celebrating our anniversary
We are celebrating our birthday
The Chaworó family
We invite you to this party
Take advantage of the occasion
So that you enjoy a lot
Come that Chaworó already begins
We invite you to this party
Take advantage of the occasion
For you to enjoy a lot
Come that Chaworó already begins
Salsa dura with Latin Jazz
A lot of puya with quitipla
Son montuno with chachacha
And the bata drums
Chorus 1: Chaworo celebrates its anniversary
Come here, this rumba is without timetable
Chorus 2: 23, 23 giving battle fighting and we keep going forward
Come on come on come on my town is tasty and my people is dancing
Chorus 3: Chaworo celebrates its anniversary
23 with harmony
And the patron saint of my tambó
With the good things of life
This party was formed
The bonfire of feeling
Will always be lit
Because here there are plenty of reasons
To stay alive
I tell you
Chorus 2: 23, 23 giving battle fighting and we keep going forward
Come on come on come on my town is tasty and my people is dancing
More than 20 years
Playing everywhere
Enjoying this art
That music gives us
We ask The Saints
That they give us a lot of health
For you to enjoy it
When you listen to this mambo
Mambo mambo mambo mambo for Babalú
Venezuelan style party
Prepare the soups, the hallacas and the empanadas
There's a rumble in the street
We're having a birthday party
And come over here !
Colourful, festive & definitely in a good mood. Cuban cuatro, Latin Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).歌词
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Latin percussion, piano, male vocals, choir & Cuban cuatro.歌词
ES:
Yo no tengo ni una cabra no tengo buey
y me vine caminando de Camagüey
caminé todo el sendero sin descansar
y solo me queda el cuero pa' trabajar
Cuando consiga un trabajo lo juro yo
iré a comprar una joya de la mejor
pa' llevarle al amor mio a la niña que
me tenia de amorio alla en Camagüey
Que yo no tengo, nada tengo
No tengo, nada tengo
Que yo no tengo, no tengoNo no tengo, no tengo
Que yo no tengo, no tengo
Ay lala lala lalala..
EN:
I don't even have a goat I don't have an ox
and I came walking from Camagüey
I walked all the way without resting
and I only have the leather left to work
When I get a job I swear I will
I'll go and buy a jewel of the best
to take to my love to the girl who had my love
I have a love affair with back in Camagüey
That I don't have, I don't have nothing
I don't have, I don't have anything
That I don't have, I don't haveI don't have, I don't have
That I don't have, I don't have
Ay lala lala lala lalala...
FR:
J’en ai rien (P Canzani)
Je ne même pas de chèvre j’ai pas de bœuf
Et je suis venu en marchant depuis Camagüey
J’ai marché tout le sentier sans aucun repos
Il ne me reste que la peau pour travailler
Quand je trouverai un travail je te le jure
J’irais acheter un bijou le plus beau
Pour l’offrir a mon amour la fille que
Me faisais tourner la tête la bas à Camagüey
Que je n’ai rien rien de rien
Que je n’ai rien je n’ai rien
Que je n’ai rien de rien
Non je n’ai rien je n’ai rien
Que je n’ai rien de rien
Underscore version. Upbeat. Lively & festive progressive Latin jazz Underscore version. Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Lead Cuban cuatro, Latin percussion & piano.
Lively, dancey, uplifting, warm. Pacy ukulele strumming sets out a Lively, dancey, uplifting, warm. Pacy ukulele strumming sets out a feeling of vitality and joyousness. Accompanying riffs harmonise with each other, followed by light percussion instilling a sense of togetherness and fun. Offbeat clap rhythm maintaining a lively, sunny vibe.
Lively, dancey, uplifting, warm. Pacy ukulele strumming sets out a Lively, dancey, uplifting, warm. Pacy ukulele strumming sets out a feeling of vitality and joyousness. Light percussion instilling a sense of togetherness and fun. Offbeat clap rhythm and repeating secondary chord maintain a lively, sunny vibe. Stripped back underscore version.
Lively, dancey, uplifting, warm. Pacy ukulele strumming sets out a Lively, dancey, uplifting, warm. Pacy ukulele strumming sets out a feeling of vitality and joyousness. Light percussion instilling a sense of togetherness and fun. Shaker percussion and repeating secondary chord maintaining a lively, sunny vibe. Stripped back underscore version.
Electro beat, body music. Mechanical, amusing, a bit silly but funny. Electro beat, body music. Mechanical, amusing, a bit silly but funny. Suggested for cooking, advertising, childhood, daytime TV. Body percussion, onomatopeias, sampled vocals, snaps, claps, synth & rhythm.
Electro beat, body music. Mechanical, amusing, a bit silly but funny. Electro beat, body music. Mechanical, amusing, a bit silly but funny. Suggested for cooking, advertising, childhood, daytime TV. Body percussion, onomatopeias, sampled vocals, snaps, claps, synth, fx mouth & rhythm.
Underscore, electro beat, body music. Mechanical, amusing, a bit Underscore, electro beat, body music. Mechanical, amusing, a bit silly but funny. Suggested for cooking, advertising, childhood, daytime TV. Body percussion, snaps, claps, synth & rhythm.
Underscore, electro beat, body music. Mechanical, amusing, a bit Underscore, electro beat, body music. Mechanical, amusing, a bit silly but funny. Suggested for cooking, advertising, childhood, daytime TV. Body percussion, snaps, claps, synth, fx mouth & rhythm.
Indie folk bed, indie acoustic bed. Catchy intro with banjo gimmick, Indie folk bed, indie acoustic bed. Catchy intro with banjo gimmick, positive and happy. Recommended for cooking, daily life & TV programs. Banjo, piano, claps & drums.
Joyful & danceable. Classical guitar duet. From Gavotte (Cello Suite Joyful & danceable. Classical guitar duet. From Gavotte (Cello Suite n°5 in C major BWV 111) by J.S Bach.
Hip-hop comedy. Cha-cha-chá and salsa movement in a easy-listening Hip-hop comedy. Cha-cha-chá and salsa movement in a easy-listening style. Danceable, quirky & exotic. Keyboard, electric guitar @ 0'35, voices & scratch fx, hip-hop rhythm. Suggested for daytime TV, do-it-yourself & central america.
