| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
U-Bahnhof [CEG5052 - 2] |
1'58 | Louis Edlinger | Minimal techno. Mechanical, steady & repetitive. Breaks @ 0'34 & | 工业 简约科技 信息技术 神秘 | Dm | 85 | ||||
|
U-Bahnhof Alternate 1 [CEG5052 - 15] |
版本. | 1'51 | Louis Edlinger | Version without lead synth. | 工业 都市 简约科技 信息技术 | Gm | 85 | |||
|
U-Bahnhof Alternate 2 [CEG5052 - 16] |
版本. | 1'58 | Louis Edlinger | Version without bass. | 工业 神秘 简约科技 都市 | Ebm | 86 | |||
|
Eisiger Winter [CEG5052 - 11] |
2'37 | Louis Edlinger | Minimal ambient. Cold, atmospheric & eerie. Soundscape & electronics. | 背景音 极简电子音乐 漂泊 神秘 | Am | 68 | ||||
|
Eisiger Winter Alternate 1 [CEG5052 - 33] |
版本. | 2'36 | Louis Edlinger | Version without lead synth. | 背景音 极简电子音乐 漂泊 神秘 | Am | 68 | |||
|
Eisiger Winter Alternate 2 [CEG5052 - 34] |
版本. | 2'15 | Louis Edlinger | Version without bass, sfx & percussion. | 极简电子音乐 漂泊 神秘 冷沙漠 | Bm | 68 | |||
|
Rumors Spread Fast [CEG5049 - 5] |
1'54 | Lars Jebsen | Ominous, patient, insidious & mysterious. Clock FX, piano, | 令人不安 固执 神秘 间谍片 | Cm | 80 | ||||
|
Rumors Spread Fast Alternate [CEG5049 - 17] |
版本. | 1'54 | Lars Jebsen | Reduced version without strings. | 令人不安 固执 神秘 间谍片 | Cm | 80 | |||
|
Ego Death [CEZ4641 - 1] |
0 | 2'29 | Variéras | Ambient electro, analog horror. Bone-chilling, esoteric & obscure. | 深邃 背景电子乐 冰冷 奇怪 | Em | 103 | |||
|
On the Edge [CEZ4641 - 4] |
2'58 | Jon Du | Ambient cinematic. Dark, fragile & tragic. Constant progression. | 画面感 神秘 夜晚 全景 | Bm | 130 | ||||
|
On the Edge Alternate [CEZ4641 - 14] |
版本. | 2'58 | Jon Du | Alternate no perc. | 画面感 神秘 夜晚 全景 | Bm | 129 | |||
|
The Mechanics of Evil [CEZ4641 - 6] |
3'34 | Adrien Degioanni | Ambient electro, analog horror. Ominous, dark & evil. Ideal for | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 67 | ||||
|
The Mechanics of Evil
[CEZ4641 - 15] |
版本. | 3'34 | Adrien Degioanni | Alternate no perc. | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 65 | |||
|
The Mechanics of Evil
[CEZ4641 - 20] |
版本. | 2'23 | Adrien Degioanni | Alternate no perc. | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | |||
|
Lingering Doubts [TBX208 - 1] |
2'03 | Justin Desjardins West, Andrew Hind | Buoyant, doubtful, serious. Soft but stern tone communicated through | 社会悲剧 电影节奏 调查研究 固执 | Bm | 90 | ||||
|
Lingering Doubts (Alt Version) [TBX208 - 11] |
版本. | 2'03 | Justin Desjardins West, Andrew Hind | Buoyant, doubtful, serious. Soft but stern tone communicated through | 社会悲剧 调查研究 固执 orchestral score | Bm | 90 | |||
|
Lingering Doubts (Underscore) [TBX208 - 12] |
版本. | 2'03 | Justin Desjardins West, Andrew Hind | Buoyant, doubtful, serious. Soft but stern tone communicated through | 社会悲剧 电影节奏 调查研究 固执 | Bm | 90 | |||
|
Abysses [INP075 - 1] |
2'21 | Michael Adels | Eerie, apocalyptic, epic. Discordant cymbal creeking gives way to a | 阴暗氛围 恐怖片 令人不安 诡异 | Cm | 108 | ||||
|
Abysses (Instrumental) [INP075 - 11] |
版本. | 2'20 | Michael Adels | Eerie, apocalyptic, epic. Numb bass tone emerges giving a sense of | 阴暗氛围 恐怖片 令人不安 诡异 | Cm | 103 | |||
|
Abysses (Underscore) [INP075 - 12] |
版本. | 2'21 | Michael Adels | Eerie, apocalyptic, epic. Torrent of voices communicate horror and | 阴暗氛围 恐怖片 令人不安 诡异 | Cm | 136 | |||
|
My Demons [INP075 - 7] |
2'18 | Michael Adels | Weary, brave, despondent. Trip hop rhythm inches out into a landscape | 恐怖片 阴险 无情 令人不安 | Gm | 120 | ||||
|
My Demons (Instrumental) [INP075 - 25] |
版本. | 2'18 | Michael Adels | Weary, brave, despondent. Serious strings step out with a embattled | 恐怖片 阴险 无情 令人不安 | Gm | 80 | |||
|
My Demons (Underscore) [INP075 - 26] |
版本. | 2'18 | Michael Adels | Weary, brave, despondent. Serious strings step out into a landscape | 恐怖片 阴险 无情 令人不安 | Gm | 80 | |||
|
Fertile Nile Valley [CEO2174 - 6] |
2'10 | Erella Atlan | Suspended, mysterious & dry as a dream. Piano, synth, kanoun with | 热沙漠 电影原声带 地理政治 神秘 | Dm | 74 | ||||
|
Fertile Nile Valley Alternate [CEO2174 - 20] |
版本. | 2'10 | Erella Atlan | Version without percussion. | 热沙漠 电影原声带 地理政治 神秘 | Dm | 72 | |||
|
Into The Unknown [CEG5050 - 9] |
2'19 | Jia | Cinematic Ambient Score. Intriguing, moving, soft & inspiring intro | 背景电子乐 仙境 神秘 梦幻 | D | 107 | ||||
|
Into The Unknown Alternate [CEG5050 - 17] |
版本. | 2'19 | Jia | Version underscore. | 背景电子乐 仙境 神秘 梦幻 | D | 70 | |||
|
Fading Light [CCB1065 - 4] |
2'12 | Benjamin Doherty, Vincent Leibovitz | Minimal score, ambient, post-classical. Mysterious, organic, | 神秘 原声乐器 梦幻 气氛 | Gm | 60 | ||||
|
Fading Light Alternate [CCB1065 - 14] |
版本. | 2'11 | Benjamin Doherty, Vincent Leibovitz | Underscore version. | 伴音 背景电子乐 原声乐器 梦幻 | Gm | 118 | |||
|
Evidence is Mounting [CEG5048 - 4] |
1'51 | Antoine Glatard | Disturbing, punctuated, expectant, mysterious & serious. Strings & | 政治 进行中 疑问 调查研究 | Gm | 104 | ||||
|
Evidence is Mounting Alternate [CEG5048 - 19] |
版本. | 1'52 | Antoine Glatard | Alternate minimalist version | 电影原声带 社会悲剧 进行中 政治 | G | 104 | |||
|
Lost Expectation [CEG5048 - 11] |
2'06 | Julien Vega | Solitary, suspended, misty, trembling & insidious. Layers of synth, | 抱歉 进行中 悬念 神秘 | Fm | 60 | ||||
|
Lost Expectation Alternate 1 [CEG5048 - 26] |
版本. | 2'03 | Julien Vega | Alternate minimalist version | 抱歉 神秘 社会悲剧 悬念 | Fm | 60 | |||
|
Lost Expectation Alternate 2 [CEG5048 - 27] |
版本. | 2'06 | Julien Vega | Alternate minimalist version | 抱歉 悬念 神秘 稀疏 | Fm | 118 | |||
|
Forsaken Gods [ISC079 - 3] |
3'05 | Tony Gram | ☆ Nominated "Best Fantasy Trailer" @Production Music Awards UK 2025 | 史诗 预告片 战士 超级英雄 | Dm | 150 | ||||
|
Forsaken Gods Alternate 1 [ISC079 - 15] |
版本. | 3'05 | Tony Gram | Version without percussion. | 史诗 预告片 神秘 冒险片 | Dm | 149 | |||
|
Forsaken Gods Alternate 2 [ISC079 - 16] |
版本. | 3'05 | Tony Gram | Version without vocals. | 史诗 预告片 神秘 冒险片 | Dm | 150 | |||
|
Desolation [ISC079 - 5] |
3'03 | Tony Gram | Orchestral trailer. Desolated soundscape intro. Eerie & harmful build | 史诗 战士 气势 画面感 | D | 126 | ||||
|
Desolation Alternate 1 [ISC079 - 19] |
版本. | 3'03 | Tony Gram | Version without percussion. | 神秘 画面感 史诗 魔幻电影 | D | 95 | |||
|
Desolation Alternate 2 [ISC079 - 20] |
版本. | 3'03 | Tony Gram | Version without vocals. | 神秘 画面感 史诗 魔幻电影 | D | 126 | |||
|
Commuter Train [CEG5045 - 1] |
3'10 | DoubtingThomas | Downtempo, trip-hop. Regular, patient & atmospheric. Synth, strings & | 缓拍 调查研究 夜晚 都市景色 | Em | 84 | ||||
|
Commuter Train Alternate [CEG5045 - 9] |
版本. | 3'14 | DoubtingThomas | Alternate version. | 缓拍 调查研究 夜晚 都市景色 | Bm | 85 | |||
|
Underground Plotting [TBX201 - 3] |
1'56 | Guy Thackeray | Suspicious, quaint, mysterious. Sharp xylophone sounds play out in a | 动画 马林巴琴 神秘 orchestral score | Em | 130 | ||||
|
Underground Plotting
[TBX201 - 17] |
版本. | 1'56 | Guy Thackeray | Suspicious, quaint, mysterious. Sharp xylophone sounds play out in a | 动画 马林巴琴 神秘 orchestral score | Em | 130 | |||
|
Underground Plotting (30 Sec) [TBX201 - 18] |
版本. | 0'30 | Guy Thackeray | Suspicious, quaint, mysterious. Splash cymbal leads into sharp | 动画 马林巴琴 神秘 orchestral score | B | 129 | |||
|
Sanctuary Forest [CEO2165 - 15] |
0 | 1'09 | Camille Delafon | Mysterious, fairytale-like, sparse & narrative. Timpani, cello, light | 温带森林 神秘 耐心 原声乐器 | D | 67 | |||
|
The Cunnings of Seduction [CEO2162 - 3] |
0 | 2'27 | Baptiste Thiry | Hybrid score. First surreptitious then determined. Piano & | 神秘 信息技术 阴险 调查研究 | E | 90 |