| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Time for Crime Alternative
[CEZ4311 - 23] |
1'35 | Gregory Cotti | Action, trailer, investigation. Mysterious & frightening. Sequencing | 警匪片 画面感 动作片 令人不安 | C | 120 | ||||
|
Time for Crime [CEZ4311 - 8] |
版本. | 1'36 | Gregory Cotti | Impacts. Trailers. Action. Sudden, evil & cavernous. Cinematic | 画面感 动作片 预告片 回响 | Cm | 120 | |||
|
Submarine Warfare Alternative
[CEZ4311 - 24] |
1'40 | Gregory Cotti | Drone. Investigation. Mysterious & atmospheric. Cinematic percussion | 军事冲突 伴音 低沉 有毒 | A | 130 | ||||
|
Submarine Warfare [CEZ4311 - 11] |
版本. | 1'40 | Gregory Cotti | Impacts. Trailers. Action. Bombing. Sudden & intense. Cinematic | 回响 战争 大电影打击乐 画面感 | Am | 98 | |||
|
On the Threshold of Becoming [CEZ4312 - 4] |
2'27 | Elisabeth Skornik, Guy Skornik | Shivering, bizarre but serious. Female vocal with fx, staccato | 疑问 人物 合成女音 广告 | Bb | 120 | ||||
|
On the Threshold of Becoming
[CEZ4312 - 22] |
版本. | 1'53 | Elisabeth Skornik, Guy Skornik | Détermined & rigorous. Beatlesque. String orchestra playing staccato. | 新古典音乐 英格兰 果断 弦乐乐团 | Bb | 120 | |||
|
On the Threshold of Becoming
[CEZ4312 - 23] |
版本. | 2'22 | Elisabeth Skornik, Guy Skornik | Obstinate & rigorous. Electronics, sampled voice & electric guitar @ | 人物 固执 广告 悬念 | Bb | 120 | |||
|
A Moment's Reflection [CEZ4312 - 10] |
2'31 | Elisabeth Skornik, Guy Skornik | Interrogative, pensive & introspective. Electronics, chimes, strings | 疑问 社会悲剧 进行中 不可归类 | Cm | 60 | ||||
|
A Moment's Reflection
[CEZ4312 - 34] |
版本. | 1'35 | Elisabeth Skornik, Guy Skornik | Sad, moody & introspective. Piano arpeggio & strings. | 进行中 社会悲剧 伤心 琶音 | Cm | 120 | |||
|
A Moment's Reflection
[CEZ4312 - 35] |
版本. | 1'56 | Elisabeth Skornik, Guy Skornik | Doubtful, mysterious & interrogative. Electronics. | 阴险 调查研究 社会悲剧 进行中 | Cm | 119 | |||
|
An Alternative Solution [CEZ4312 - 12] |
0 | 2'35 | Elisabeth Skornik, Guy Skornik | Alternate version of tr 11 The Solution Unfolds with backwards | fx backwards 耐心 闪回 催眠 | D | 120 | |||
|
The Mind Palace Alternate 3 [CEZ4312 - 33] |
2'18 | Elisabeth Skornik, Guy Skornik | Mystérious, worrying & suspended. Prepared piano with backward fx. | 当代历史 不可归类 神秘 中断 | Am | 60 | ||||
|
The Mind Palace [CEZ4312 - 9] |
版本. | 2'52 | Elisabeth Skornik, Guy Skornik | Tense, obstinate & determined. Piano, electronics & staccato strings | 当代历史 固执 果断 工业 | Am | 120 | |||
|
Gaining Ground [TBX006 - 3] |
3'15 | Paul Thorne | Pulse underscore with investigatory tone. Tension, ambience and | 果断 悬念 调查研究 警匪片 | Dm | 98 | ||||
|
Gaining Ground (Underscore) [TBX006 - 21] |
版本. | 3'15 | Paul Thorne | Pulse underscore with investigatory tone. Tension, ambience and | light tension 果断 乐器 其他版本 | Dm | 98 | |||
|
Hacktivist [CEZ4309 - 8] |
0 | 2'12 | Claude Samard | Analog electro. Disturbing, obstinate then violent. Build-up and | 进步 令人不安 突然 模拟合成器 | Am | 124 | |||
|
Deep Web [CEZ4309 - 11] |
0 | 2'20 | Colo Colo | Analog electro. Inevitable, tense & dark. Arpeggiator, analog synth. | 信息技术 太空 科幻片 琶音器 | Gm | 112 | |||
|
Vortex [CEZ4309 - 12] |
0 | 2'55 | Jeremy Levy | Analog electro. Build-up. Organic, whirling & intense. Arpeggiator, | 科幻片 琶音器 果断 信息技术 | Abm | 162 | |||
|
Lost in Computerland [CEZ4309 - 13] |
0 | 3'35 | Arno Riva | Analog electro. Deep, cosmic & mysterious. Analog synth & rhythm. | 夜晚 八十年代 electro beat 太空 | Fm | 80 | |||
|
Rippling Dreams [CEZ4307 - 9] |
0 | 2'15 | Baptiste Thiry | Nature, adventure, trail, environment. Peaceful & bewitching. Harp, | 乡村 宁静 安静 小说纪录片 | Cm | 98 | |||
|
Haunting Visions [CEZ4307 - 19] |
0 | 1'43 | Baptiste Thiry | Nature, adventure, trail, environment, wild life. Threatening & | 画面感 电影乐团 恐怖 恐怖片 | Em | 106 | |||
|
Burn [BIB055 - 12] |
0 | 1'42 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A sense of impending tension with brooding low looping electric | 企业宣传 抱歉 周期性的 热沙漠 | Am | 60 | |||
|
As the Crow Flies [BIB054 - 10] |
0 | 2'20 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A dark and suspenseful start, atmospheric thriller 'film noir' vibe. | 声音设计 深邃 抱歉 黑色电影 | Bm | 60 | |||
|
Vast Array [BIB052 - 15] |
0 | 2'28 | Christopher Boot | Dramatic, building, cyclical arpeggiated synth underscore. | 琶音器 科幻片 琶音 阴暗氛围 | Fm | 60 | |||
|
Zombie Nation [CEZ4305 - 1] |
0 | 2'34 | Franck Fossey | Rock. Driving, evil & efficient. Distorted electric guitar, theremin, | 电视连续剧 夜晚 飞碟 恐怖片 | Em | 129 | |||
|
It's Good to be Bad [CEZ4305 - 3] |
0 | 2'20 | Eric Lohrer | Progressive rock. Wild, urgent & obstinate. Electric guitar, synth & | 果断 车库摇滚 电视连续剧 电吉他 | Am | 156 | |||
|
From the Unknown [CEZ4305 - 14] |
0 | 2'42 | Stéphane Laporte, Sylvain Quément | Progressive rock. Disturbing, mysterious & dark. Glockenspiel, | 渐进摇滚 恐怖片 电视连续剧 钟琴 | Am | 89 | |||
|
Grindhouse Cult [CEZ4305 - 24] |
0 | 2'15 | Grand David | Interrogatif but driving, mysterious. Clavinet, Farfisa organ, congas | 间谍片 康加鼓 神秘 美式复古电视剧 | Fm | 125 |