| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Viral Campaign [BIB014 - 1] |
0 | 1'34 | Sergey Kolosov | Soft glitch drum beat with relaxed, ambient melodic piano. | 手工业 疑问 科学 悬念 | D | 108 | |||
|
Glacial Fortress [BIB014 - 15] |
0 | 3'13 | Matthew Howes | Cold, high glowing sounding sounds with an occasional electronic | 抱歉 稳定的 嗡嗡声 恐怖 | F | 62 | |||
|
The Restless [BIB014 - 16] |
0 | 1'19 | Matthew Howes | Cold, distant windy sound with peaking choral-like vocal. End cuts | 嗡嗡声 稳定的 抱歉 悬念 | Eb | 109 | |||
|
Dial F For Feedback [BIB014 - 20] |
0 | 4'46 | Matthew Howes | Gritty, feedback sections leading to a darker place, building to an | 嗡嗡声 稳定的 固执 悬念 | Bb | 97 | |||
|
Intro [BIB013 - 14] |
0 | 2'44 | Glen Robert Nicholls | A building, layering, hypnotic track with guitars, synth and vocals. | 渐强 令人不安 悬念 琶音器 | Fm | 110 | |||
|
Tonight [BIB013 - 19] |
0 | 3'09 | Sergey Kolosov | A thoughtful and dramatic song. Builds throughout the quieter verses | 社会悲剧 夜晚 工业摇滚 电子键盘 | Dm | 80 | |||
|
Unforgiving [BIB013 - 20] |
0 | 4'07 | Glen Robert Nicholls | An eerie, ominous and dark minimal intro builds and layers into a | 深邃 吵闹 悬念 冲击 | Em | 100 | |||
|
Fire Eyes [BIB013 - 21] |
0 | 4'51 | Glen Robert Nicholls | A hypnotic and ominous minimal intro develops and builds into a dark | 深邃 稳定的 无情 令人不安 | Am | 140 | |||
|
We Are Dust [BIB013 - 23] |
0 | 2'36 | Sergey Kolosov | A lone guitar intro drops into a heavy and rousing chorus. Cinematic, | 社会悲剧 气势 画面感 动作片 | Dm | 102 | |||
|
Shored Up [BIB012 - 7] |
0 | 3'12 | Naive Machine | Contemporary mid-tempo electronica with 80s style synths, tough | 日常生活 沉重 忧伤 固执 | Am | 70 | |||
|
Tailspin [BIB008 - 8] |
0 | 2'19 | Matthew Leigh Sibley | Soft electronics, laid back beats, warm bassline and chopped sounds. | 不平稳 日常生活 自信 动人 | Em | 95 | |||
|
Sin [BIB007 - 1] |
0 | 2'02 | Peter Henry Mayne | Deep dubstep beat with heavy sawtooth glitch sounds and trance | 回响贝斯 不平稳 极限运动 动人 | Bbm | 140 | |||
|
Bags of Steppage [BIB007 - 6] |
0 | 2'31 | Gary Thomas Naylor | Heavily orientated around 2-step dubstep and 8-bit, the piece evolves | 固执 上升 故障 令人不安 | Em | 142 | |||
|
Falling Man [BIB005 - 6] |
0 | 3'51 | Benedic Jude Lamdin, Riaan Vosloo | Driving, energetic funky upright bass and drum groove with subtle | 黑人电影 警匪片 放松 悬念 | Em | 121 | |||
|
Insomnia [BIB004 - 17] |
0 | 2'04 | Sergey Kolosov | Ideas build melancholy around a simple, dark and dramatic motif. | 严谨 下降 回响 无情 | Dm | 109 | |||
|
The Last Duel [CEZ4163 - 28] |
2'15 | Claude Samard | Proud & mysterious. Harmonica, banjo, electric guitar, synth & | 全音阶口琴 意大利西部 骄傲 神秘 | Am | 150 | ||||
|
The Last Duel 2 [CEZ4163 - 29] |
版本. | 2'27 | Claude Samard | Proud & mysterious. Harmonica, banjo, whip fx, electric guitar, synth | 全音阶口琴 神秘 进步 意大利西部 | Am | 150 | |||
|
Change of Heart [BIB003 - 10] |
0 | 3'04 | Sergey Kolosov | Stabbing guitars and sweeping strings with a solid, tough driving | 果断 间谍片 爆炸 动作片 | Dm | 146 | |||
|
Bedlam [BIB002 - 13] |
0 | 2'13 | Sergey Kolosov | A deeply epic piece with many crescendos in the percussion. Choral | 史诗 混乱 冒险片 画面感 | Dm | 75 | |||
|
Comics Geek [MAG6001 - 15] |
0 | 3'43 | Chomsk' | Trap. Grave & dense. Male sampled voices, electronics & rhythm. | 艺术风格 社会悲剧 调查研究 神秘 | A | 74 | |||
|
Swamp City [MAG6001 - 22] |
0 | 4'50 | Chomsk' | House. Aerial & patient. Synth, flute, female sampled voice & rhythm. | 催眠 都市 现代 悬念 | F | 108 |