| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Thirst for Conquest [CEO2151 - 7] |
0 | 2'25 | Baptiste Thiry | Enigmatic & expectant introduction. Riser @ 0'37 then powerful & | 令人不安 冒险片 画面感 战士 | Bm | 88 | |||
|
Conflict of Civilization [CEO2151 - 12] |
0 | 1'23 | Baptiste Thiry | Dark, ominous, percussive & scary. Cinematic strings & percussion. | 战士 军事冲突 史诗 令人不安 | Dm | 118 | |||
|
Priest or Wizard [CEO2151 - 17] |
0 | 1'10 | Baptiste Thiry | Wild, archaic & percussive. Percussion & electronics. | 进行中 令人不安 沉重 突然 | D | 93 | |||
|
Glass Foils [CEZ4577 - 6] |
0 | 2'06 | Variéras | Organic electro. Inexorable, abundant & mesmerising. Modular synth. | 催眠 信息技术 内心 周期性的 | Gm | 101 | |||
|
Shoot Fast Ride Hard [CEZ4575 - 8] |
0 | 1'26 | Thierry Caroubi | Cinematic / Western Americana. On the hunt, in pursuit, determined, | 冒险片 画面感 史诗 动作片 | Dbm | 135 | |||
|
Crossing New Borders Variation [CEZ4570 - 14] |
0 | 1'40 | Elisabeth Skornik, Guy Skornik | Mysterious, obstinate, cyclic & constant. Electronics, strings, | 稳定的 工业 夜晚 信息技术 | E | 104 | |||
|
Hyperlapse Alternate 2 [CEZ4570 - 44] |
1'41 | Elisabeth Skornik, Guy Skornik | Very fast action. Urgent, vibrant, positive & constant. Strings, | 固执 政治 悬念 紧急 | C | 140 | ||||
|
Hyperlapse [CEZ4570 - 25] |
版本. | 1'50 | Elisabeth Skornik, Guy Skornik | Urgent, determined, constant & obstinate. Staccato strings, layers & | 固执 加速镜头 周期性的 工业 | C | 140 | |||
|
Rare Earth Value Chain [CEZ4566 - 15] |
1'48 | Louis Edlinger | Atmospheric, misty, minimalist, sparse & mysterious. Piano with delay | 悬念 全景 稀疏 反省 | Bm | 66 | ||||
|
Rare Earth Value Chain
[CEZ4566 - 59] |
版本. | 1'47 | Louis Edlinger | Minimalist alternate (paino & delay FX) | 悬念 稀疏 飞行 气氛 | B | 66 | |||
|
Rare Earth Value Chain
[CEZ4566 - 60] |
版本. | 1'47 | Louis Edlinger | Atmospheric alternate version | 悬念 稀疏 伴音 飞行 | D | 63 | |||
|
Rare Earth Value Chain
[CEZ4566 - 61] |
版本. | 1'41 | Louis Edlinger | Sparse alternate version (layers & piano) | 悬念 稀疏 伴音 飞行 | D | 66 | |||
|
Slow Motion Dreams [ISC033 - 5] |
2'24 | Garrett Weyenberg | Cinematic jazz. Introspective, solitary & elegant. Muted trumpet, | 懒惰 夜晚 新流派 带刷小鼓 | Bb | 120 | ||||
|
Slow Motion Dreams Alternate 1 [ISC033 - 18] |
版本. | 2'24 | Garrett Weyenberg | Alternative version without percussion. | 懒惰 夜晚 新流派 安静 | Bb | 172 | |||
|
Slow Motion Dreams Alternate 2 [ISC033 - 19] |
版本. | 2'24 | Garrett Weyenberg | Alternative version without trumpet | 懒惰 夜晚 新流派 带刷小鼓 | Bb | 60 | |||
|
Worlds Of Wonder [TBX159 - 1] |
2'06 | Jack Pierce | Intriguing, bright, engaging. Clean xylophone bells push out into an | 自信 木琴 果断 全景 | Cm | 116 | ||||
|
Worlds Of Wonder (Underscore
[TBX159 - 13] |
版本. | 2'06 | Jack Pierce | Intriguing, bright, engaging. Clean xylophone bells push out into an | 自信 木琴 果断 全景 | Cm | 151 | |||
|
Worlds Of Wonder (Underscore
[TBX159 - 14] |
版本. | 2'06 | Jack Pierce | Intriguing, bright, engaging. Clean xylophone bells push out into an | 自信 木琴 果断 全景 | Cm | 117 | |||
|
Why Me [TBX159 - 12] |
2'30 | Michael Tedstone | Deep, yearning, vulnerable. A steady rhythm strides alongside an | 精致 木琴 自信 温柔 | Gm | 125 | ||||
|
Why Me (Underscore) [TBX159 - 28] |
版本. | 2'30 | Michael Tedstone | Deep, yearning, vulnerable. Impassioned piano sequence is ensnared by | 精致 自信 温柔 田园 | Gm | 125 | |||
|
Pulsar [BIB236 - 7] |
2'46 | Pat Lennix, Xander Talim | Explorative, futuristic, progressive. Soft plosive notes land on | 原声乐器 工业 电子 耐心 | Abm | 110 | ||||
|
Pulsar (Underscore A) [BIB236 - 23] |
版本. | 2'46 | Pat Lennix, Xander Talim | Explorative, futuristic, progressive. Soft plosive notes land as | 原声乐器 工业 电子 耐心 | Abm | 110 | |||
|
Pulsar (Underscore B) [BIB236 - 24] |
版本. | 2'46 | Pat Lennix, Xander Talim | Explorative, futuristic, progressive. Soft plosive piano lands with | 原声乐器 工业 电子 耐心 | Ab | 110 | |||
|
Serious [BIB235 - 8] |
2'35 | Ian Britt, Richard Lewis | Rhythmic, climactic, cool. Simple bell melody meets with trappy hi | 固执 赛车 回响贝斯 追逐场面 | Am | 120 | ||||
|
Serious (Instrumental) [BIB235 - 25] |
版本. | 2'35 | Ian Britt, Richard Lewis | Rhythmic, climactic, cool. Simple bell melody meets with trappy hi | 固执 赛车 回响贝斯 追逐场面 | Am | 120 | |||
|
Serious (Underscore) [BIB235 - 26] |
版本. | 2'35 | Ian Britt, Richard Lewis | Rhythmic, climactic, cool. Simple bell melody meets with trappy hi | 固执 赛车 回响贝斯 追逐场面 | Am | 120 | |||
|
Waterbreak [EOS88 - 2] |
0 | 1'57 | Sébastien Gisbert, Lone Kent | Introduction fx. reverse. Punctuated & cyclic piano. Interrogative & | 进行中 阴险 稳定的 周期性的 | Cm | 144 | |||
|
Perpetual [EOS88 - 6] |
0 | 1'42 | Sébastien Gisbert, Lone Kent | Interrogative & mysterious. Refined then rhythmic acceleration @ | 司法 社会悲剧 稀疏 无声 | F | 129 | |||
|
Aguila Dub [MAG6085 - 4] |
2'49 | Hector Guerra | Latin electro, electro dancehall, Latin dub from Brazil. Disturbing, | 电子强节奏音乐 巴西 加勒比雷鬼乐 节奏感 | Gm | 135 | ||||
|
Aguila Dub Alternate [MAG6085 - 7] |
版本. | 2'47 | Hector Guerra | Alternate instrumental. | 电子强节奏音乐 巴西 加勒比雷鬼乐 节奏感 | Gm | 135 | |||
|
Riding the Milky Way [CEZ4558 - 3] |
0 | 2'41 | Antoine Berquet | Electronica, organic electro. Cosmic, floating & relax. Suggested for | 冷阱 艺术风格 气氛 电子 | Fm | 95 | |||
|
Echoes from the Sky [CEZ4558 - 13] |
0 | 1'51 | Thomas Didier | Electronica, organic electro. Nocturne, sad & helpless. Suggested for | 现代 电子 忧伤 原声电子 | Cm | 125 | |||
|
Beach Bum [CEZ4559 - 12] |
0 | 2'47 | The Wave Chargers | Surf rock. 60s. Driving & carefree & a bit mysterious. Suggested for | 滑行运动 冲浪摇滚 六十年代 果断 | Dm | 99 | |||
|
Skies are Talking [AMS5004 - 4] |
2'25 | Andrii Yefymov | Film score. Delicate, airy & ethereal intro. Build-up @ 0'38. Moving, | 高潮 令人激动 预告片 飞行 | F | 110 | ||||
|
Skies are Talking Alternate [AMS5004 - 14] |
版本. | 2'25 | Andrii Yefymov | Alternate version without percussion. | 高潮 令人激动 预告片 飞行 | F | 110 |