| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Future Landscape [INP038 - 6] |
2'39 | Alessandro Ciani, Marco De Bonis | Cool, futuristic, daunting. Deep bass notes push through muffled | 画面感 动作片 固执 影院摇滚 | Dm | 117 | ||||
|
Future Landscape (Underscore
[INP038 - 26] |
版本. | 2'39 | Alessandro Ciani, Marco De Bonis | Cool, futuristic, daunting. Deep bass notes push through muffled | 画面感 动作片 固执 影院摇滚 | Dm | 117 | |||
|
Future Landscape (Underscore
[INP038 - 27] |
版本. | 2'39 | Alessandro Ciani, Marco De Bonis | Cool, futuristic, daunting. Deep bass notes push through muffled | 固执 电声低音 影院摇滚 令人不安 | Dm | 117 | |||
|
Future Landscape (Underscore
[INP038 - 28] |
版本. | 2'39 | Alessandro Ciani, Marco De Bonis | Futuristic, daunting. Deep bass ambience pushes through muffled | 动作片 固执 影院摇滚 果断 | Dm | 117 | |||
|
Soft Ascend [BIB182 - 5] |
0 | 2'20 | Sergey Kolosov | Dreamy, determined, cool. Ethereal, wondrous layers of synth sustains | 气氛 全景 都市景色 梦幻 | Am | 118 | |||
|
The Hidden Sea [CEZ4491 - 9] |
0 | 2'00 | Antoine Berquet | Hip-hop beat, downtempo/trip-hop. Aery, warm & sensual. Suggested for | BEAT MAKING 气氛 放松 飞行 | Am | 162 | |||
|
Go Don't Go [CEZ4491 - 11] |
0 | 3'47 | Rémo | Hip-hop beat, type beat. Chill, deep & arty. Constant progression. | BEAT MAKING 放松 夜晚 都市 | Dbm | 80 | |||
|
The Wooden Clock [CEC8020 - 4] |
0 | 2'07 | Zhang Hao, 赵君睿 | Intriguing, horrific & menacing. Taiko played with drumsticks like a | 令人不安 中国 进行中 (音效)滴答声 | Am | 98 | |||
|
An Unexpected Revelation [CEC8020 - 8] |
0 | 2'13 | Zhang Hao, 赵君睿 | Closing theme. Merciless, solemn & percussive. Taiko, pipa, dizi | 中国 动作片 冲击 气势 | Dm | 95 | |||
|
A Matter of Urgency [CEZ4486 - 3] |
0 | 2'43 | Elisabeth Skornik, Guy Skornik | Fast action, scientific, crystalline & persistent. Break @ 1'02. | 科学 信息技术 工业噪音 医疗 | Gm | 124 | |||
|
A Matter of Urgency Variation [CEZ4486 - 4] |
0 | 2'47 | Elisabeth Skornik, Guy Skornik | Sustained, serious, obstinate & rigorous. Electronics & staccato | 固执 信息技术 工业 夜晚 | G | 124 | |||
|
Droplets [BIB176 - 5] |
2'09 | Oliver Hamilton, Jesse Walton | Quaint, emotive, poignant. Simple ascending bell and harmonic guitar | 原声乐器 下雨 乡村 自信 | Bm | 124 | ||||
|
Droplets (Underscore) [BIB176 - 17] |
版本. | 1'34 | Oliver Hamilton, Jesse Walton | Emotive, poignant. Full-bodied piano plays solemn but steadfast | 自信 童年 伴音 乡村 | Bm | 124 | |||
|
The Big Day [CEZ4483 - 3] |
1'50 | Julien Vega | Enchanting, uplifting, animated, fabulous & childlike but with an | 浪漫喜剧 仙境 法国连续剧 爱情 | Fm | 150 | ||||
|
The Big Day alternate edit 1 [CEZ4483 - 28] |
版本. | 1'49 | Julien Vega | Enchanting, uplifting, animated, fabulous & childlike but with an | 浪漫喜剧 爱情 法国连续剧 迷人 | Fm | 150 | |||
|
The Big Day alternate edit 2 [CEZ4483 - 29] |
版本. | 0'42 | Julien Vega | Enchanting, uplifting, animated, fabulous & childlike but with an | 浪漫喜剧 爱情 法国连续剧 迷人 | F | 150 | |||
|
Uncertainty [INP036 - 12] |
3'36 | Sergey Kolosov, Paul Thorne | Heartfelt, spirited, apprehensive. Overdriven, dissonant noise 歌词 | 男歌手 忧伤 流行歌曲 多愁善感 | Gm | 115 | ||||
|
Uncertainty (Instrumental) [INP036 - 46] |
版本. | 3'37 | Sergey Kolosov, Paul Thorne | Heartfelt, spirited, apprehensive. Overdriven, dissonant noise | 男歌手 忧伤 流行歌曲 多愁善感 | Gm | 115 | |||
|
Uncertainty (Underscore A) [INP036 - 47] |
版本. | 3'39 | Sergey Kolosov, Paul Thorne | Heartfelt, spirited, apprehensive. Overdriven, dissonant noise | 男歌手 忧伤 流行歌曲 多愁善感 | Gm | 114 | |||
|
Uncertainty (Underscore B) [INP036 - 48] |
版本. | 2'16 | Sergey Kolosov, Paul Thorne | Heartfelt, spirited, apprehensive. Echoing guitar plays a worried | 男歌手 忧伤 流行歌曲 多愁善感 | Gm | 115 | |||
|
Absurdity [MAG6065 - 3] |
0 | 2'06 | Trifouille1er | Hip-hop beat, electro beat. Mysterious, obstinate & silly. Suggested | BEAT MAKING 日间节目 固执 现代 | Abm | 152 | |||
|
Ecos de Cajón [CEL7012 - 11] |
0 | 2'41 | Daniel Diaz | Whirling, hectic, hypnotic & in a suspended atmosphere. The sound of | 木箱鼓 奇怪 调查研究 无电声钢琴 | Bm | 113 | |||
|
Time For Reflection [BIB170 - 1] |
0 | 3'23 | Ruairidh Davey, Arthur Lea, Chris Redmond, Riaan Vosloo | Chillout lounge, morning, closing music. Piano, 4/4 staccato flanged | 酸爵士 电影爵士乐 反省 叙述 | A | 117 | |||
|
Lie Zi [CEC8018 - 15] |
0 | 2'54 | Yaping Wang | Sparse, delicate, thoughtful, introspective & restrained. Solo | 传统亚洲 稀疏 扬琴 安静 | D | 91 | |||
|
Daylight [TBX111 - 13] |
2'48 | Matthew Cocksedge | Uplifting, adventuring, electronica. Earthy synth, heartbeat kick | 朗朗上口 流行摇滚 进步 梦幻 | Am | 120 | ||||
|
Daylight (Instrumental ) [TBX111 - 39] |
版本. | 2'44 | Matthew Cocksedge | Uplifting adventuring, electronica. Piano reverb, soft piano. Sad | 梦幻 电子 进步 青春剧 | Am | 120 | |||
|
Daylight (Underscore A) [TBX111 - 40] |
版本. | 2'44 | Matthew Cocksedge | Uplifting, adventuring, electronica. Heartbeat kick drum 808, | 电子 进步 梦幻 青春剧 | Am | 120 | |||
|
Daylight (Underscore B) [TBX111 - 41] |
版本. | 2'43 | Matthew Cocksedge | Uplifting, adventuring, electronica. Heartbeat kick drum 808, | 梦幻 电子 进步 青春剧 | C | 120 | |||
|
Tension Builder [BIX002 - 2] |
1'50 | Liam Reay | Mysterious, dramatic, haunting. Eerie intro with heavy cinematic | 影院摇滚 冲突 动作片 轰隆声 | Db | 120 | ||||
|
Tension Builder (Underscore A) [BIX002 - 19] |
版本. | 1'50 | Liam Reay | Mysterious, dramatic, haunting. Eerie intro with heavy cinematic | 冲突 画面感 动作片 轰隆声 | Db | 120 | |||
|
Tension Builder (Underscore B) [BIX002 - 20] |
版本. | 1'50 | Liam Reay | Mysterious, dramatic, haunting. Eerie intro with heavy cinematic | 冲突 画面感 动作片 轰隆声 | Db | 120 | |||
|
Tension Builder (Underscore C) [BIX002 - 21] |
版本. | 1'50 | Liam Reay | Mysterious, dramatic, haunting. Eerie intro with heavy cinematic | 冲突 画面感 动作片 轰隆声 | Db | 120 | |||
|
Tension Builder (Sting) [BIX002 - 22] |
版本. | 0'12 | Liam Reay | Mysterious, dramatic, dark. Heavy cinematic synth blasts and eerie | 冲突 画面感 动作片 轰隆声 | Db | 118 | |||
|
Accelerando [BIX002 - 3] |
1'16 | Liam Reay | Mysterious, tense and gritty. Spacey, woozy, floating synth keyboards | 摇滚电子音乐 极限运动 动作片 无情 | Cm | 120 | ||||
|
Accelerando (Underscore A) [BIX002 - 23] |
版本. | 1'16 | Liam Reay | Mysterious, tense and gritty. Spacey, woozy, floating synth keyboards | 摇滚电子音乐 动作片 无情 粗糙 | Cm | 120 | |||
|
Accelerando (Underscore B) [BIX002 - 24] |
版本. | 1'16 | Liam Reay | Mysterious, tense and gritty. Spacey, woozy, floating synth keyboards | 摇滚电子音乐 动作片 无情 粗糙 | Cm | 120 | |||
|
Accelerando (Underscore C) [BIX002 - 25] |
版本. | 1'16 | Liam Reay | Mysterious, tense and gritty. Spacey, woozy, floating synth keyboards | 摇滚电子音乐 动作片 无情 粗糙 | Cm | 120 | |||
|
Accelerando (Sting) [BIX002 - 26] |
版本. | 0'12 | Liam Reay | Mysterious, tense and gritty. Spacey, woozy, floating synth keyboards | 摇滚电子音乐 动作片 无情 粗糙 | Cm | 118 | |||
|
Race Day [BIX002 - 4] |
2'39 | Matthew Terry | Mysterious, gritty, brooding. Distorted synth over atmospheric bed. | 赛车 影院摇滚 工业噪音 无情 | D | 115 | ||||
|
Race Day (Underscore A) [BIX002 - 27] |
版本. | 2'39 | Matthew Terry | Mysterious, woozy, brooding. Space-like atmospheric bed, dancing | 工业噪音 动作游戏 沉重 警匪片 | D | 115 | |||
|
Race Day (Underscore B) [BIX002 - 28] |
版本. | 2'39 | Matthew Terry | Mysterious, gritty, brooding. Distorted synth over atmospheric | 工业噪音 动作游戏 沉重 警匪片 | D | 115 | |||
|
Race Day (Sting) [BIX002 - 29] |
版本. | 0'12 | Matthew Terry | Dark, gritty, brooding. Hard hitting drums, dark swirling synths and | 工业噪音 动作游戏 沉重 警匪片 | D | 115 | |||
|
Sentinel [BIX002 - 8] |
3'05 | Matthew Terry | Driving, ethereal, dark. Swirling synths and trap style beats create | 电影节奏 固执 电子琴 夜晚 | Dm | 140 | ||||
|
Sentinel (Underscore A) [BIX002 - 42] |
版本. | 3'05 | Matthew Terry | Woozy, ethereal, dark. Swirling synths and percussive trap style | 固执 电子琴 电影节奏 夜晚 | Dm | 140 | |||
|
Sentinel (Underscore B) [BIX002 - 43] |
版本. | 2'24 | Matthew Terry | Rhythmic, ethereal, celestial. Metronomic drums and skittish hi-hats | 固执 电子琴 夜晚 都市景色 | Dm | 140 | |||
|
Sentinel (Underscore C) [BIX002 - 44] |
版本. | 3'05 | Matthew Terry | Ethereal, dark, celestial. Growling synths and harp melody combine to | 固执 电子琴 夜晚 都市景色 | Dm | 140 | |||
|
Sentinel (Sting) [BIX002 - 45] |
版本. | 0'10 | Matthew Terry | Driving, dramatic, dark. Swirling synths, orchestral flourishes and | 电影节奏 固执 电子琴 夜晚 | Dm | 139 |