| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Silhouette Approaches [TBX006 - 11] |
0 | 2'10 | Sergey Kolosov | Building, tough and electronic soundscape. Expansive and determined | 诡异 气氛 令人不安 神秘 | Am | 90 | |||
|
Catching a Killer [TBX006 - 12] |
0 | 2'33 | Peter Nickalls | Sinister and deep bass with deranged ambient sfx. Undulations give | 灾难 悬念 漂泊 调查研究 | Cm | 120 | |||
|
Drone Two [TBX006 - 20] |
0 | 1'57 | Peter Henry Mayne | Electronic pulses and ambience, with a melancholic overtone. | 令人不安 全景 悬念 调查研究 | Bb | 130 | |||
|
Hidden Network [CEZ4309 - 1] |
0 | 1'58 | Colo Colo | Analog electro. Organic, rigorous & nocturne. Arpeggiator, analog | 信息技术 科幻片 机械的 严谨 | Dm | 120 | |||
|
Stolen Identity [CEZ4309 - 5] |
0 | 2'11 | Colo Colo | Analog electro. Interrogative, mysterious & dark. Arpeggiator, analog | 科幻片 信息技术 神秘 琶音器 | Bb | 93 | |||
|
Now We are United [BIB054 - 8] |
0 | 3'22 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Pulsing synths and distorted piano & strings create an atmospheric | 琶音器 神秘 电子 调查研究 | Am | 120 | |||
|
The Perfect Heist [CEZ4305 - 8] |
0 | 2'08 | Rémi Saboul | Interrogative, suspenseful & mysterious. Clavinet, electric guitar & | 间谍片 神秘 电视连续剧 疑问 | Cm | 127 | |||
|
Unique [CEZ4304 - 23] |
0 | 1'52 | Gautier Galard, Laetitia Placido | Corporate, craft, science. Mysterious & melancholic. Piano & | 气氛 飞行 手工业 安静 | Dm | 62 | |||
|
Black Tale [TBX005 - 7] |
0 | 1'43 | Sergey Kolosov | Spooky and slightly melancholic intro builds with steady kick and | 魔幻电影 神秘 进步 画面感 | Dm | 63 | |||
|
Palace of Mirrors [TBX001 - 14] |
0 | 1'00 | Sergey Kolosov | Delicate and eerie, piano melody with underlying strings. A minimal | 黑色电影 社会悲剧 神秘 无电声钢琴 | Dm | 66 | |||
|
Profiler [CEZ4295 - 7] |
0 | 2'23 | Gabriel Saban, Philippe Briand | Trip hop / downtempo. Secret, desolate & dark. Electric guitar, synth | 调查研究 间谍片 缓拍 社会悲剧 | Gm | 86 | |||
|
Malediction [CEZ4286 - 9] |
0 | 1'54 | Gabriel Saban, Philippe Briand | Sad, nostalgic & disturbing. Keyboard & electronics. | 社会悲剧 神秘 电影乐团 画面感 | Bbm | 90 | |||
|
Ghost Avenue [CEZ4262 - 2] |
0 | 3'01 | Lionel Lhote, Morgan Sansous | Hip Hop / Beat making. Mysterious, heavy & dangerous. Synth & rhythm. | 都市景色 都市 BEAT MAKING 现代 | Dbm | 130 | |||
|
Justine à Disparu [CEO2038 - 9] |
0 | 1'15 | Jérôme Lemonnier | Mysterious & worrying. Piano, hang & synth. | 神秘 疑问 pulsation 气氛 | Gb | 80 | |||
|
Public Opinion [CEZ4252 - 9] |
2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | 神秘 警匪片 疑问 企业宣传 | Fm | 162 | ||||
|
Public Opinion 2 [CEZ4252 - 27] |
版本. | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with | 神秘 警匪片 疑问 周期性的 | F | 161 | |||
|
At the Crossroads [CEZ4252 - 10] |
2'12 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics & strings @ 0'58. | 调查研究 神秘 警匪片 社会悲剧 | Cm | 90 | ||||
|
At the Crossroads 2 [CEZ4252 - 28] |
版本. | 2'38 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics, sound design @ 0'42 & strings | 调查研究 神秘 警匪片 社会悲剧 | Cm | 90 | |||
|
Spreading Rumors [CEZ4252 - 14] |
0 | 2'44 | Elisabeth Skornik, Guy Skornik | Urgent & mysterious. Séquence, string pad & piano. | 工业 神秘 企业宣传 疑问 | Cm | 120 | |||
|
According to the Evidence [CEZ4252 - 17] |
2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | 神秘 间谍片 疑问 害羞 | Cm | 100 | ||||
|
According to the Evidence 2 [CEZ4252 - 33] |
版本. | 2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | 调查研究 神秘 伴音 强调突出 | C | 100 | |||
|
Cold Sweat [CEZ4206 - 1] |
0 | 1'56 | Baptiste Thiry | Underscore. Distressing & inexorable. Electronics. | 社会悲剧 悬念 伴音 间谍片 | Fm | 105 | |||
|
Water Marble [BIB006 - 12] |
0 | 3'30 | David Baluteau | Intricate electronics and sweeping synth lines give this track an | 潮湿 神秘 疑问 介绍 | Bm | 120 |