| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Oasis of Peace [ISC101 - 8] |
0 | 2'25 | Michel-Yves Kochmann | Middle Eastern. Mystical, dreamlike, captivating & atmospheric. Oud & | 热沙漠 漂泊 传统东方音乐 中东 | Am | 130 | |||
|
Go With the Flow [CEZ4663 - 7] |
1'53 | Laurent Dury | Whimsical, circular, fluid & dreamlike. Marimba, celesta, pizz, | 魔术师 慢镜头 迷人 现代芭蕾 | Em | 100 | ||||
|
Go With the Flow Alternate [CEZ4663 - 18] |
版本. | 1'53 | Laurent Dury | Underscore version | 魔术师 慢镜头 迷人 现代芭蕾 | Em | 150 | |||
|
Mechanical Metamorphosis [BIB285 - 3] |
4'04 | James Cameron | Concerned, fresh, excitable. A muffled bass tone playing out a | 忧伤 社会悲剧 电子琴 信息技术 | Am | 140 | ||||
|
Mechanical Metamorphosis
[BIB285 - 16] |
版本. | 2'39 | James Cameron | Concerned, fresh, excitable. Floaty pad above sizzling texture FX | 忧伤 社会悲剧 信息技术 周期性的 | Am | 140 | |||
|
Mechanical Metamorphosis
[BIB285 - 17] |
版本. | 4'03 | James Cameron | Concerned, fresh, excitable. Eerie muffled pads give way to sorrowful | 海底 忧伤 伴音 信息技术 | Am | 139 | |||
|
Out Of Sync [BIB285 - 6] |
2'49 | James Cameron | Mysterious, glum, bouncy. Muffled bassline offers a downbeat tone, | 社会悲剧 疑问 周期性的 反省 | C | 70 | ||||
|
Out Of Sync (Underscore) [BIB285 - 21] |
版本. | 2'49 | James Cameron | Mysterious, glum, bouncy. Strange glassy rumblings offer an uncertain | 社会悲剧 疑问 周期性的 反省 | Am | 70 | |||
|
Passing Years [TBX220 - 2] |
2'35 | Sergey Kolosov | Sneaky, dramatic, determined. Trip hop beat pushes forward with | 都市景色 社会悲剧 夜晚 电子鼓 | Am | 99 | ||||
|
Passing Years (Underscore) [TBX220 - 14] |
版本. | 2'35 | Sergey Kolosov | Sneaky, dramatic, determined. Bright piano gives rise to rumbling | 都市景色 社会悲剧 夜晚 电子鼓 | Am | 99 | |||
|
Heaven Incorporated [TBX220 - 11] |
1'48 | Sergey Kolosov | Epic, climactic, grand. Large synth sequence marches out with a slow, | 太空 全景图 画面感 气氛 | Am | 103 | ||||
|
Heaven Incorporated
[TBX220 - 23] |
版本. | 1'48 | Sergey Kolosov | Epic, climactic, grand. Large synth sequence marches out with a slow, | 太空 全景图 画面感 气氛 | Am | 72 | |||
|
Intelligence Service [CEG5056 - 11] |
2'04 | Grégory Cotti | Electro Jazz. Investigative, atmospheric, improvisational & | 司法 电子爵士 神秘 夜晚 | Em | 140 | ||||
|
Intelligence Service
[CEG5056 - 68] |
版本. | 2'01 | Grégory Cotti | Underscore 1. | 司法 电子爵士 神秘 夜晚 | Em | 140 | |||
|
Intelligence Service
[CEG5056 - 69] |
版本. | 2'00 | Grégory Cotti | Underscore 2. | 司法 电子爵士 神秘 夜晚 | E | 140 | |||
|
Intelligence Service Edit 1
[CEG5056 - 70] |
版本. | 0'20 | Grégory Cotti | 20 second cut. | 司法 电子爵士 神秘 夜晚 | Em | 140 | |||
|
Intelligence Service Edit 2
[CEG5056 - 71] |
版本. | 0'30 | Grégory Cotti | 30 second cut. | 司法 电子爵士 神秘 夜晚 | Em | 140 | |||
|
Intelligence Service Edit 3
[CEG5056 - 72] |
版本. | 1'00 | Grégory Cotti | 60 second cut. | 司法 电子爵士 神秘 夜晚 | Em | 140 | |||
|
Intelligence Service Edit 4
[CEG5056 - 73] |
版本. | 0'15 | Grégory Cotti | Sting. | 司法 电子爵士 神秘 夜晚 | Em | 105 | |||
|
Paranoid Office [CEG5056 - 12] |
3'19 | Gopal Sound | Electro Jazz. Disconcerting, insidious, ghostly, supported & | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | ||||
|
Paranoid Office Alternate [CEG5056 - 74] |
版本. | 3'17 | Gopal Sound | Underscore version. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 1 (20
[CEG5056 - 75] |
版本. | 0'20 | Gopal Sound | 20 second cut. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 2 (30
[CEG5056 - 76] |
版本. | 0'30 | Gopal Sound | 30 second cut. | 间谍片 调查研究 神秘 令人不安 | Dbm | 65 | |||
|
Paranoid Office Edit 3 (60
[CEG5056 - 77] |
版本. | 1'00 | Gopal Sound | 60 second cut. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 4 (sting) [CEG5056 - 78] |
版本. | 0'17 | Gopal Sound | Sting. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Secret Lab [CEG5055 - 2] |
2'16 | Louis Edlinger | Organic electro. Obstinate, scientific & attentive with an aquatic | 原声电子 工业 极简电子音乐 间谍片 | Cm | 110 | ||||
|
Secret Lab Alternate 1 [CEG5055 - 13] |
版本. | 2'15 | Louis Edlinger | Version without bass. | 原声电子 工业 极简电子音乐 间谍片 | Cm | 110 | |||
|
Secret Lab Alternate 2 [CEG5055 - 14] |
版本. | 2'13 | Louis Edlinger | Version with less synth and no rythm. | 原声电子 工业 间谍片 稳定的 | C | 110 | |||
|
Liquefaction [CEG5055 - 5] |
2'11 | Louis Edlinger | Organic electro. Dark & mysterious intro. Determined, tense & | 信息技术 极简电子音乐 奇怪 潮湿 | Cm | 100 | ||||
|
Liquefaction Alternate 1 [CEG5055 - 19] |
版本. | 2'09 | Louis Edlinger | Version without melody & without sound Fx. | 信息技术 极简电子音乐 司法 进行中 | Cm | 100 | |||
|
Liquefaction Alternate 2 [CEG5055 - 20] |
版本. | 2'12 | Louis Edlinger | Version without bass, synth pad & less drums. | 信息技术 极简电子音乐 周期性的 进行中 | Cm | 100 | |||
|
Irradiation [CEG5055 - 6] |
2'01 | Louis Edlinger | Organic electro. Atmospheric, soaring & enigmatic. Synth pads, | 通透 催眠 稳定的 司法 | Ab | 61 | ||||
|
Irradiation Alternate 1 [CEG5055 - 21] |
版本. | 2'01 | Louis Edlinger | Version without melody & without bass. | 稀疏 催眠 稳定的 社会悲剧 | Ab | 61 | |||
|
Irradiation Alternate 2 [CEG5055 - 22] |
版本. | 2'01 | Louis Edlinger | Version without pad. | 通透 催眠 稳定的 司法 | Ab | 61 | |||
|
Caught in Speculations [CEG5055 - 8] |
2'06 | Louis Edlinger | Organic electro. Ominous, insidious & heavy. Piano, synth pulse & | 自然灾害 稀疏 警匪片 令人不安 | Cm | 98 | ||||
|
Caught in Speculations
[CEG5055 - 25] |
版本. | 2'05 | Louis Edlinger | Version without pulsation & without synth strings. | 自然灾害 稀疏 警匪片 叙述 | Cm | 74 | |||
|
Caught in Speculations
[CEG5055 - 26] |
版本. | 2'06 | Louis Edlinger | Version without strings & without piano. | 自然灾害 阴险 诡异 pulsation | Cm | 99 | |||
|
Miniatures No 2 [AUD046 - 2] |
0'27 | Bruno Letort | Orchestral. Stealthy, intriguing & mysterious. Piano, pizz & cello. | 社会悲剧 阴险 疑问 神秘 | Dm | 90 | ||||
|
Miniatures No 2 Short Edit [AUD046 - 7] |
版本. | 0'13 | Bruno Letort | Short edit version | 社会悲剧 阴险 疑问 神秘 | Am | 90 | |||
|
Plenitude [CCB1067 - 1] |
2'57 | Thomas Lucas | Inspirational, aerial, celestial & panoramic. Soothing heavenly | 从容 飞行 环境 反省 | Gbm | 90 | ||||
|
Plenitude Alternate [CCB1067 - 11] |
版本. | 2'56 | Thomas Lucas | Underscore version | 飞行 反省 神奇 高雅 | Gbm | 89 | |||
|
Plenitude Edit 1 20 sec [CCB1067 - 12] |
版本. | 0'20 | Thomas Lucas | Cut 20 secondes | 飞行 反省 神奇 高雅 | Gbm | 89 | |||
|
Plenitude Edit 2 30 sec [CCB1067 - 13] |
版本. | 0'30 | Thomas Lucas | Cut 30 secondes | 飞行 反省 神奇 高雅 | A | 89 | |||
|
Plenitude Edit 3 60 sec [CCB1067 - 14] |
版本. | 1'00 | Thomas Lucas | Cut 60 secondes | 飞行 反省 神奇 高雅 | Gbm | 90 | |||
|
Plenitude Edit 4 Sting [CCB1067 - 15] |
版本. | 0'12 | Thomas Lucas | Sting | 飞行 反省 神奇 高雅 | Dbm | 118 | |||
|
Source Code [TBX217 - 8] |
2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | ||||
|
Source Code (Underscore) [TBX217 - 38] |
版本. | 2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is met with signal-like | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (Underscore No
[TBX217 - 39] |
版本. | 2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (30 Sec) [TBX217 - 40] |
版本. | 0'30 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (Sting) [TBX217 - 41] |
版本. | 0'13 | Gary Meek | Cold, eerie, distant. Icey synths driven forward by drums with | 信息技术 神秘 电子琴 气氛 | E | 109 | |||
|
Neural Network [TBX217 - 9] |
2'11 | Gary Meek | Investigative, intelligent, hopeful. Popping synths flutter out into | 信息技术 气氛 神秘 梦幻 | Eb | 126 | ||||
|
Neural Network (Underscore) [TBX217 - 42] |
版本. | 2'11 | Gary Meek | Investigative, intelligent, hopeful. Popping synths flutter out into | 信息技术 气氛 神秘 梦幻 | Eb | 126 | |||
|
Neural Network (Underscore No
[TBX217 - 43] |
版本. | 2'11 | Gary Meek | Investigative, intelligent, hopeful. Popping synths flutter out into | 信息技术 气氛 神秘 梦幻 | Eb | 167 | |||
|
Neural Network (30 Sec) [TBX217 - 44] |
版本. | 0'30 | Gary Meek | Investigative, intelligent, hopeful. Popping synths flutter out into | 信息技术 气氛 神秘 梦幻 | Eb | 126 | |||
|
Neural Network (Sting) [TBX217 - 45] |
版本. | 0'15 | Gary Meek | Investigative, intelligent, hopeful. Light keys over soft ambient | 信息技术 气氛 神秘 梦幻 | Cm | 126 | |||
|
I Was There [BIB284 - 2] |
4'17 | Omer Agca, Alexandre Méaux | Ornate, melancholy, yearning. Layers of mandolin or light stringed | 电影原声带 命运 社会悲剧 忧伤 | Cm | 148 | ||||
|
I Was There (Underscore A) [BIB284 - 12] |
版本. | 4'17 | Omer Agca, Alexandre Méaux | Ornate, melancholy, yearning. Loamy pads play out into a rainy scene. | 社会悲剧 忧伤 美国独立制片电影 BEAT MAKING | Cm | 148 | |||
|
I Was There (Underscore B) [BIB284 - 13] |
版本. | 4'13 | Omer Agca, Alexandre Méaux | Ornate, melancholy, yearning. Loamy pads play out into a rainy scene. | 电影原声带 社会悲剧 美国独立制片电影 BEAT MAKING | Cm | 148 | |||
|
Dernier Appel [BIB284 - 3] |
1'56 | Omer Agca, Alexandre Méaux | Astute, thoughtful, optimistic. Acoustic guitar plays out a | 命运 美国独立制片电影 电影原声带 独立电影 | Ab | 99 | ||||
|
Dernier Appel (Underscore) [BIB284 - 14] |
版本. | 1'56 | Omer Agca, Alexandre Méaux | Astute, thoughtful, optimistic. Acoustic guitar plays out a | 命运 美国独立制片电影 电影原声带 独立电影 | Ab | 99 | |||
|
Time To Act [CET9103 - 6] |
2'03 | Salvador Casais | Jazzy spy movie trailer. Tense & urgent introduction with | 预告片 紧急 爆炸 黑色电影 | Cm | 112 | ||||
|
Time To Act Alternate 1 [CET9103 - 38] |
版本. | 2'03 | Salvador Casais | Version without percussion. | 预告片 紧急 黑色电影 火热 | Cm | 112 | |||
|
Time To Act Alternate 2 [CET9103 - 39] |
版本. | 2'03 | Salvador Casais | Version with percussion only. | 预告片 紧急 爆炸 黑色电影 | Abm | 112 | |||
|
Time To Act Alternate 3 [CET9103 - 40] |
版本. | 2'03 | Salvador Casais | Bed version. | 预告片 紧急 爆炸 黑色电影 | Cm | 112 | |||
|
Time To Act Alternate 4 [CET9103 - 41] |
版本. | 2'03 | Salvador Casais | Underscore version. | 预告片 紧急 爆炸 黑色电影 | Cm | 112 | |||
|
Time To Act Edit 1 30 sec [CET9103 - 42] |
版本. | 0'30 | Salvador Casais | 30 second cut. | 预告片 紧急 爆炸 黑色电影 | Cm | 112 | |||
|
Time To Act Edit 2 15 sec [CET9103 - 43] |
版本. | 0'15 | Salvador Casais | 15 second cut. | 预告片 紧急 爆炸 黑色电影 | Eb | 112 | |||
|
Les Grands Ensembles [CEO2170 - 2] |
0 | 2'06 | Pur-Sang | Animated, optimistic & decided in a corporate mood. Synth sequences, | 耐心 进行中 调查研究 神秘 | C | 109 |