Confident, energetic, celebratory. Commercial house music trumpet ...Confident, energetic, celebratory. Commercial house music trumpet sets out a fun, poppy, party energy. Dynamic female vocalist raps fast about money and a sociable party atmosphere. Heavy kick drum moving with sub bass creates a house beat, shifting into a build up that is released with explosive trumpet and lyrics inviting everyone to get low and dance. Latin trap energy with rave whistles and pulsing rhythm.歌词
Step up to the spot everybody look at me now Who dat who dat fire burn call me Tina Kodak Kodak now they wanna picture Watch yourself or I might just take your mister
Woop woop! Get it up and get it in Woop woop! I think I need to call a friend Woop woop! We going till the end Spending money give me dollars and the yen
Everyone on the ground here I come hold it down Watch me go watch me go Uno dos tres GO
Get you body down real low get your body down real low get your body down real low Back it up back it up GO!
Get you body down real low get your body down real low get your body down real low Pam pam pam pam pam pam GO!
They need her they want her mamacita you cant ignore Her legs in that dress what a wonder
Encore!
Woop woop! Steppin on the gasoline Woop woop! Comin at ya like hyena Woop woop! Magical like Sabrina pam pam pam Get you body down real low, get your body down real low get your body down real low Back it up back it up GO!
Get you body down real low get your body down real low get your body down real low Pam pam pam pam pam pam GO!
Confident, energetic, celebratory. Commercial house music trumpet ...Confident, energetic, celebratory. Commercial house music trumpet sets out a fun, poppy, party energy. Heavy kick drum moving with sub bass creates a house beat, shifting into a build up of percussion and pitched vocal sample that is released with explosive trumpets. Latin trap energy with rave whistles and pulsing rhythm. Instrumental version.
Confident, energetic, celebratory. Commercial house music trumpet ...Confident, energetic, celebratory. Commercial house music trumpet sets out a fun, poppy, party energy with lively ad libs. Heavy kick drum moving with sub bass creates a house energy, shifting into a build up of percussion that is released with explosive trumpets. Latin trap energy with rave whistles and pulsing rhythm. Stripped back underscore version.
Rowdy, energetic, determined. Club bass plays through a hypnotic ...Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence, UK female rapper talks about people copying her style, having a different level of wealth and success. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy.歌词
Watch me go like this like this These haters don’t like me I level up my game excites me Wanna imitate they bite me Cause you’re a snack three course I’m saucy
He's a joke, you’re a joke you’re a meme Wanna steal my style what a thief
Bullet proof like nuns stay clean I’m the catwalk
queen whole world see me strut like whaaaaaaaaaaa!
Second class you’re a deacon My money talks loud no speaking So rich that my currency’s preaching Tall like trees see it buss through the ceiling!
Swag’s so hot I need cool ai Twist up his head like shoelace Like kicks, fresh I’m the new Range Rover (ex)cept I’m the coupe!
Watch me go like this Watch me go like this Money tall to the ceiling Wake me up think I’m dreaming
Watch me go like this Watch me go like this Swag of mine never seen it You can’t catch me keep dreaming
So fly gone viral tiktok Elsa I’mma make you frost So hot that you melt like Olaf Shinning pop like lipgloss
So ahead of my time wrist watch Eyes all on me won’t stop Won’t stop for nothing I’m on top In my own league I’m a real boss
Swag’s so hot I need cool aid, Twist up his head like shoelace Like kicks fresh I’m the new Range Rover (ex)cept I’m the coupe!
Rowdy, energetic, determined. Club bass plays through a hypnotic ...Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy. Instrumental version.
Rowdy, energetic, determined. Club bass plays through a hypnotic ...Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy. Stripped back underscore version.
In the spirit of the 60's & 70's US movies and series. Exotic, ...In the spirit of the 60's & 70's US movies and series. Exotic, cheerful, catchy & jazzy with a touch of kitsch. Orchestra with brass, Brazilian percussion, whistle & cuica. Lead fuglehorn @1'18.
Traditional samba/choro in the spirit of the 20's, 30's & 40's. ...Traditional samba/choro in the spirit of the 20's, 30's & 40's. Carefree, catchy, old-fashionned & joyful. Cavaquihno, guitar & Brazilian percussion.
Brazilian dance/clubbing music based on a traditional rhythm. ...Brazilian dance/clubbing music based on a traditional rhythm. Brazilian & electronic percussion, cuica, agogo, pandeiro & synth.
Lively, fun, swift. Swells of organic instrumentation play out a fun ...Lively, fun, swift. Swells of organic instrumentation play out a fun but foreboding tune, launching into fast-paced oom-pah rhythm in a Klezmer style. Violin and clarinet play rapid trilling melodies in unison. Energetic atmosphere communicated through fast marching tempo and ornate solos. Accordion sweeps in to support the animated rhythm, before violin and clarinet wheel off in decadent and intricate riffs.
Lively, fun, swift. Swells of organic instrumentation play out a fun ...Lively, fun, swift. Swells of organic instrumentation play out a fun but foreboding tune, launching into fast-paced oom-pah rhythm in a Klezmer style. Energetic atmosphere communicated through fast marching tempo and Phrygian dominant scale. Accordion sweeps forward to support the animated rhythm. Stripped back underscore version.
Lively, fun, swift. Swells of accordion in a fun but foreboding tune, ...Lively, fun, swift. Swells of accordion in a fun but foreboding tune, launching into fast-paced oom-pah rhythm in a Klezmer style. Energetic atmosphere communicated through fast marching tempo and Phrygian dominant scale. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion, high-pitched clarinet and violin to sweep in and support fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion to sweep in and bolster fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Double bass launches into rushing ...Pacy, celebratory, energetic. Double bass launches into rushing oom-pah melody alongside piano. Trumpet and trombone unite creating a more dense atmosphere. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion and high-pitched clarinet to sweep in and support fast-paced momentum. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Excitable, fun. Light accordion playing leads into violin melody, ...Excitable, fun. Light accordion playing leads into violin melody, joined by clarinet. Impassioned but lamenting performance gives way to oom-pah rhythm with screeching trumpet. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable party atmosphere.
Excitable, fun. Light accordion playing leads into sharp trumpet ...Excitable, fun. Light accordion playing leads into sharp trumpet stabs. Shift into piano and accordion in oom-pah rhythm. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable party atmosphere. Stripped back underscore version.
Excitable, fun. Light accordion playing leads into sharp trumpet ...Excitable, fun. Light accordion playing leads into sharp trumpet stabs and ornate clarinet. Shift into piano in oom-pah rhythm. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable atmosphere. Stripped back underscore version.
Celebratory, happy, nostalgic. Warm organ keys swiftly make way for ...Celebratory, happy, nostalgic. Warm organ keys swiftly make way for rousing piano stabs. Vocals excitedly sing about returning home, moving into harmonies, creating a homely warmth. Staccato section conveys a frantic excitement, whereas more euphoric moments convey that nostalgic feeling of seeing recognisable streets and people, a community in which you belong.歌词
I’m coming homeComing homeComing homeMhm mhm I’m coming homeComing homeComing homeI’m coming to a place where I know I belong Oh yeahOh yeahOh yeahNo place I’d rather be
Happy, nostalgic, congenial. Rousing piano stabs join with vocals ...Happy, nostalgic, congenial. Rousing piano stabs join with vocals singing excitedly about returning home. Moving into harmonies that create a homely warmth. Staccato section conveys a frantic excitement, whereas more euphoric moments convey that nostalgic feeling of seeing recognisable streets and people, a community in which you belong. Acoustic version.
Celebratory, happy. Warm organ keys swiftly make way for rousing ...Celebratory, happy. Warm organ keys swiftly make way for rousing piano stabs. Staccato section conveys a frantic excitement, whereas more euphoric, R&B moments convey that nostalgic feeling of seeing recognisable streets and people, a community in which you belong. Instrumental version.
☆ WINNER "Latin Track of the Year" @Mark Awards 2022"☆ Very fast ...☆ WINNER "Latin Track of the Year" @Mark Awards 2022"☆ Very fast electronic batucada building-up with trailer percussion, in a festive spirit. Fun, positive & dancing. Break @ 0'45 building-up to a intense & tribal finale. Suggested for Brazilian soccer.
Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).歌词
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin ...Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin percussion, melodica, lead piano @ 1'24. Male choir @ 4'05. Solo drums & percussion @ 4'33.歌词
Electro beat, electro world, body music. Catchy intro with Indian ...Electro beat, electro world, body music. Catchy intro with Indian vibe, then active & percussive. Suggested for holidays & travel, advertising, Bollywood, sports. Body percussion, claps, snaps, Indian vocals (takatak), synth & rhythm.
Underscore, electro beat, electro world, body music. Catchy intro ...Underscore, electro beat, electro world, body music. Catchy intro with Indian vibe, then active & percussive. Suggested for holidays & travel, advertising, Bollywood, sports. Body percussion, claps, snaps, synth & rhythm.
Alternate vintage piano. Boogie rock'n'roll in the spirit of the ...Alternate vintage piano. Boogie rock'n'roll in the spirit of the 60's. Danceable, lively, positive & virtuoso. Solo piano.
EDM like with pitched voice & massive beat. Clubbing, extravagant & ...EDM like with pitched voice & massive beat. Clubbing, extravagant & festive. 1st build-up starting @ 0'33 with snare roll & riser. Climax @ 0'51 in a extreme house party mood. 2nd build-up starting @ 1'57 followed by a dance music climax. Electro trailer music perfect for night show, entertainment, e-sport & teen movie.
Salsa/mambo. Passionnate & dancing. Male singer, brass section & ...Salsa/mambo. Passionnate & dancing. Male singer, brass section & rhythm. Solo trumpet @ 1'50.歌词
La muchacha se fue
Se fue se fue
Y yo no se porque
Esa muchacha se fue
Se fue se fue
Pa donde pa donde se fue
Si tu me ve
Por ahi? busca?ndole
Es que me desespere
Ya te vua deci porque?
Suelta....
Esa mucha se fue y medejo el corazo?n roto
Con el alma echa polvo
Yo me recuperare?
Tu va ve
Pa cuando no se
La muchacha se fue
Se fueeeee...
La muchacha se fue
Se fue se fue
Desde q te fuiste
Las cosas no andan mal
Pero si quere?s volver
Con gusto sere? tu man
Compai mala mia
Me quedaron mal
Esta travesi?a
Te quedo en pan?al
EN:
The girl is gone
She's gone, she's gone
And I don't know why
She's gone, she's gone
It was left
Where?
I don't know
If you see me
Go there in search of her
And, because I'm desperate
Now you're going to say why?
Get off my back...
That girl's gone and left me heartbroken.
With the soul made dust
I'm going to be fine
You will see it
When?
I don't know
Since you left
Things are not bad
But if you want to come back
With pleasure I will be your man
"Compay" what a misfortune
She planted me
This story
That story was too big for you
FR:
La fille est partie
Elle est partie, elle est partie
Et je ne sais pas pourquoi
Elle est partie, elle est partieIl a e?te? laisse?Ou??Je ne sais pas
Si vous me voyezPars la?, a? sa recherche
Et, parce que je suis de?sespe?re?
Maintenant, tu vas dire pourquoi?
La?che-moi ...
Cette fille est partie et m'a laisse? le cœur brise?
Avec l'a?me faite poussie?re
Je vais m'en sortir
Vous le verrezQuand? Je ne sais pas
Depuis ton de?partLes choses ne sont pas mal
Mais si tu veux revenirAvec plaisir je serai ton homme
"Compay" quel malheur Elle m'a plante?
Cette histoire
Cette histoire e?tait trop grande pour toi
Explicit Lyrics. Modern rumba in a pop feel. Energic & dancing. Male ...Explicit Lyrics. Modern rumba in a pop feel. Energic & dancing. Male singers & ensemble with Afro-Cuban percussion.歌词
Que nadie se pierda la rumba
Ole la bongo
de?jame vivir mi vida
ole la bongo
vacila la vida
hoy me voy derecho
aunque el sol me queme la cara
hoy me voy derecho
hasta las 6 de la man?ana
hoy me voy derecho
pa?same el ron
pa bajarme las ganas
hoy me voy derecho
que no me esperen en la casa
Ole la bongo
de?jame vivir mi vida
ole la bongo
vacila la vida
ole la bongo
de?jame seguirla
ole la bongo
que es para vivirla
EN:
No one should miss the rumba
Ole la bongo
let me live my life
ole la bongo
life is shaky
I'm going straight today
even if the sun burns my face
I'm going straight today
until 6 a.m.
I'm going straight today
pass me the rum
to get me down
I'm going straight today
Do not wait for me at home
Ole la bongo
let me live my life
ole la bongo
life is shaking
ole la bongo
let me follow it
ole la bongo
That it is meant to be lived
Rumba pop. Positive & dancing. Ensemble with piano lead & Afro-Cuban ...Rumba pop. Positive & dancing. Ensemble with piano lead & Afro-Cuban percussion.
Explicit Lyrics. Salsa brava/mambo. Cool & festive. Male vocal & ...Explicit Lyrics. Salsa brava/mambo. Cool & festive. Male vocal & rhythm. Solo trombone @ 1'01.歌词
Ella va
Dispuesta a hacer un dan?o en la disco,
Nadie la para,
Si la ves,
dile que baile reggae conmigo,
Que le tengo ganas
Sudando, gozando este ritmo caliente,
Ven mamita que te quiero al frente,
Baila el saoco que te traje,
Morena,
Es pa ti, no es pa cualquiera,
Pe?gate, ensen?a tu tumbao,
Ba?ilame de medio lao,
Tu ropa como pintura,
Que al borde de la locura, estoy,
Si tu? no vienes pa ca yo voy,
Por que tu hombre quiero ser hoy,
De?jame tocarte la piel no temas,
Quiero sentirte pa ver si quemas,
Suelta tu, suelto yo,
Por que tonight tu hombre soy yo,
Ense?n?ame o te ensen?o yo,
Se que tu quieres,
No digas que no,
suelta tu, suelto yo,
Por que del ritmo me encargo yo,
Ense?n?ame, te ensen?o yo
Mi melodi?a ya te envolvio?
EN:
She goes
Ready to do damage in the club
No one stops her
If you see her, then..,
tell her to dance reggae with me
Because I want to
We sweat, we take advantage of this hot rhythm.
Come my little one I want you in front of me
Dance all the "saoco" that I brought to you
Morena,
It's for you, not for just anyone.
Come on, show your "Tumbao".
Side dancing
Your clothes like paint
On the verge of madness, I am...
If you don't come here, I'm going.
For your man I want to be today
Let me touch your skin, don't be afraid
I want to feel you to see if you're burning up
Let go, I let go
Cause I'm your man tonight
Show it to me or I'll do it
I know you want
Don't say no
Let go, I let go
Because I take care of the rhythm
Show me, or I do
My melody has already embraced you
FR:
Elle va
Pre?t a? faire des dommages en boi?te
Personne ne l'arre?te
Si vous la voyez,
dites-lui de danser du reggae avec moi
Car j'ai envie
On transpire, on profite de ce rythme chaud
Venez ma petite je te veux devant moi
Dansez tout le « saoco » que je t'ai apporte?
Morena,
Il est pour toi, pas pour n'importe qui
Colle-toi, montre ton "Tumbao"
Danse du co?te?
Tes ve?tements comme la peinture
Au bord de la folie, j’y suis
Si tu ne viens pas ici, j'y vais
Car ton homme je veux l'e?tre aujourd'hui
Laisse-moi toucher ta peau, n’ais pas peur
Je veux te sentir pour voir si t’es bru?lante
La?che-toi, je la?che
Parce que je suis ton homme ce soir
Montre-le moi ou je le fais
Je sais que tu veux
Ne dis pas non
La?che-toi, je la?che
Parce que du rythme je m'en occupe
Montre-moi, ou je le fais
Ma me?lodie t'a de?ja? embrasse?e
