Uplifting french touch track with 80's inspiration. Synth, pitch ...Uplifting french touch track with 80's inspiration. Synth, pitch voices & catchy beat. Break @ 0'41 building-up with an energetic groove. Perfect for dance party, festive content & fashion.歌词
Take me higher Take me higher, Can you make me, make me a believer?Take me higher Can you make me, make me a believer? Take me higher Can you make meTake meTake me higher Take me higher, Can you make me, make me a believer? Take me
Energetic, upbeat & intense Latin-Rock sung in Spanish. Exploring a ...Energetic, upbeat & intense Latin-Rock sung in Spanish. Exploring a diversity of sounds without leaving the main rock aesthetic behind. Male singer, distorted electric guitar, synth, Latin percussion & rock band.歌词
ES:
No se lo tome personal
17 noches en Kuwait
Premeditando no ser tú
Prevaleciendo en el fragante mood
De tu
Caminar
Manumitiendo al ser profano regular
Sin versos ni oraciones necesarias para amar
Devoto al pensamiento de verte llegar
Estafando visiones
Soy lo que me dan
tu veneno personal
Soy lo que me das
tu simpleza inmortal
La paranoia es anormal
Siento deber de más
Que decisiones al azar
Y nuestras partes para el mar
Pleased to meet u
We are Los Makenzy
Welcome to the world of us
Ellos conciben lo mortal
Más que vital algo normal
Para poder un día llegar
A un paraíso terrenal
Soy lo que me das
Tu remedio emocional
Soy lo que me dan
Tu veneno personal
Soy lo que me dan
Tu simpleza inmortal
Soy lo que me dan
No se puede esperar mas
EN:
Don't take it personally
17 nights in Kuwait
Premeditating not to be you
Prevailing in the fragrant mood
Of your
Walking
Manumitting the regular profane being
Without verses or prayers necessary to love
Devoted to the thought of seeing you arrive
Swindling visions
I am what you give me
your personal poison
I am what you give me
your immortal simplicity
Paranoia is abnormal
I feel I owe more
Than random decisions
And our parts for the sea
Pleased to meet u
We are Los Makenzy
Welcome to the world of us
They conceive the mortal
More than vital something normal
To be able one day to arrive
To an earthly paradise
I am what you give me
Your emotional remedy
I am what you give me
Your personal poison
I am what you give me
Your immortal simplicity
I am what they give me
You can't expect more
Pop song, pop music, with a dub feeling. 90s and 2000s vibe. Catchy, ...Pop song, pop music, with a dub feeling. 90s and 2000s vibe. Catchy, lively & mainstream. Female singer with auto-tune, synth & rhythm. Suggested for fashion, attitude, daily life & teen tv series.歌词
I come to understand it’s you that i need
you’re always on my mind
you are my love indeed
i’ll be you slave
no i’m not afraid
24/7 you dwell in my brain
oh he eh oh oh eh eh oh
i’m addicted
oh he eh oh oh eh eh oh
i’m addicted
Je suis accro
I want your lovin’ 7 days of the week
want it ruff , want it smooth
your love is sweet
i’ve been waiting so long long
want you do me dongdong
give me it on the floor
make me roar
i give you my melody
oh he eh oh oh eh eh oh
i’m addicted
oh he eh oh oh eh eh oh
i’m addicted
Je suis accro
sometime i wonder if it’s fake or real
I don’t know if i have to be true to you
yes or know
but it’s just the way that you make me feel
oh boy i’m addicted to you oh boy i’m addicted to you
Confident, energetic, celebratory. Commercial house music trumpet ...Confident, energetic, celebratory. Commercial house music trumpet sets out a fun, poppy, party energy. Dynamic female vocalist raps fast about money and a sociable party atmosphere. Heavy kick drum moving with sub bass creates a house beat, shifting into a build up that is released with explosive trumpet and lyrics inviting everyone to get low and dance. Latin trap energy with rave whistles and pulsing rhythm.歌词
Step up to the spot everybody look at me now Who dat who dat fire burn call me Tina Kodak Kodak now they wanna picture Watch yourself or I might just take your mister
Woop woop! Get it up and get it in Woop woop! I think I need to call a friend Woop woop! We going till the end Spending money give me dollars and the yen
Everyone on the ground here I come hold it down Watch me go watch me go Uno dos tres GO
Get you body down real low get your body down real low get your body down real low Back it up back it up GO!
Get you body down real low get your body down real low get your body down real low Pam pam pam pam pam pam GO!
They need her they want her mamacita you cant ignore Her legs in that dress what a wonder
Encore!
Woop woop! Steppin on the gasoline Woop woop! Comin at ya like hyena Woop woop! Magical like Sabrina pam pam pam Get you body down real low, get your body down real low get your body down real low Back it up back it up GO!
Get you body down real low get your body down real low get your body down real low Pam pam pam pam pam pam GO!
Confident, energetic, celebratory. Commercial house music trumpet ...Confident, energetic, celebratory. Commercial house music trumpet sets out a fun, poppy, party energy. Heavy kick drum moving with sub bass creates a house beat, shifting into a build up of percussion and pitched vocal sample that is released with explosive trumpets. Latin trap energy with rave whistles and pulsing rhythm. Instrumental version.
Confident, energetic, celebratory. Commercial house music trumpet ...Confident, energetic, celebratory. Commercial house music trumpet sets out a fun, poppy, party energy with lively ad libs. Heavy kick drum moving with sub bass creates a house energy, shifting into a build up of percussion that is released with explosive trumpets. Latin trap energy with rave whistles and pulsing rhythm. Stripped back underscore version.
Rowdy, energetic, determined. Club bass plays through a hypnotic ...Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence, UK female rapper talks about people copying her style, having a different level of wealth and success. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy.歌词
Watch me go like this like this These haters don’t like me I level up my game excites me Wanna imitate they bite me Cause you’re a snack three course I’m saucy
He's a joke, you’re a joke you’re a meme Wanna steal my style what a thief
Bullet proof like nuns stay clean I’m the catwalk
queen whole world see me strut like whaaaaaaaaaaa!
Second class you’re a deacon My money talks loud no speaking So rich that my currency’s preaching Tall like trees see it buss through the ceiling!
Swag’s so hot I need cool ai Twist up his head like shoelace Like kicks, fresh I’m the new Range Rover (ex)cept I’m the coupe!
Watch me go like this Watch me go like this Money tall to the ceiling Wake me up think I’m dreaming
Watch me go like this Watch me go like this Swag of mine never seen it You can’t catch me keep dreaming
So fly gone viral tiktok Elsa I’mma make you frost So hot that you melt like Olaf Shinning pop like lipgloss
So ahead of my time wrist watch Eyes all on me won’t stop Won’t stop for nothing I’m on top In my own league I’m a real boss
Swag’s so hot I need cool aid, Twist up his head like shoelace Like kicks fresh I’m the new Range Rover (ex)cept I’m the coupe!
Rowdy, energetic, determined. Club bass plays through a hypnotic ...Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy. Instrumental version.
Rowdy, energetic, determined. Club bass plays through a hypnotic ...Rowdy, energetic, determined. Club bass plays through a hypnotic house sequence. UK grime club style with carefree energy and heavy percussion. Friends in a club having a fun time, being cheeky and rowdy. Slow, trappy drill breakdown at 01:14 with gritty bass, rising up back into hook with fun, daring energy. Stripped back underscore version.
In the spirit of the 60's & 70's US movies and series. Exotic, ...In the spirit of the 60's & 70's US movies and series. Exotic, cheerful, catchy & jazzy with a touch of kitsch. Orchestra with brass, Brazilian percussion, whistle & cuica. Lead fuglehorn @1'18.
Traditional samba/choro in the spirit of the 20's, 30's & 40's. ...Traditional samba/choro in the spirit of the 20's, 30's & 40's. Carefree, catchy, old-fashionned & joyful. Cavaquihno, guitar & Brazilian percussion.
Brazilian dance/clubbing music based on a traditional rhythm. ...Brazilian dance/clubbing music based on a traditional rhythm. Brazilian & electronic percussion, cuica, agogo, pandeiro & synth.
Lively, fun, swift. Swells of organic instrumentation play out a fun ...Lively, fun, swift. Swells of organic instrumentation play out a fun but foreboding tune, launching into fast-paced oom-pah rhythm in a Klezmer style. Violin and clarinet play rapid trilling melodies in unison. Energetic atmosphere communicated through fast marching tempo and ornate solos. Accordion sweeps in to support the animated rhythm, before violin and clarinet wheel off in decadent and intricate riffs.
Lively, fun, swift. Swells of organic instrumentation play out a fun ...Lively, fun, swift. Swells of organic instrumentation play out a fun but foreboding tune, launching into fast-paced oom-pah rhythm in a Klezmer style. Energetic atmosphere communicated through fast marching tempo and Phrygian dominant scale. Accordion sweeps forward to support the animated rhythm. Stripped back underscore version.
Lively, fun, swift. Swells of accordion in a fun but foreboding tune, ...Lively, fun, swift. Swells of accordion in a fun but foreboding tune, launching into fast-paced oom-pah rhythm in a Klezmer style. Energetic atmosphere communicated through fast marching tempo and Phrygian dominant scale. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion, high-pitched clarinet and violin to sweep in and support fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion to sweep in and bolster fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Double bass launches into rushing ...Pacy, celebratory, energetic. Double bass launches into rushing oom-pah melody alongside piano. Trumpet and trombone unite creating a more dense atmosphere. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion and high-pitched clarinet to sweep in and support fast-paced momentum. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Excitable, fun. Light accordion playing leads into violin melody, ...Excitable, fun. Light accordion playing leads into violin melody, joined by clarinet. Impassioned but lamenting performance gives way to oom-pah rhythm with screeching trumpet. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable party atmosphere.
Excitable, fun. Light accordion playing leads into sharp trumpet ...Excitable, fun. Light accordion playing leads into sharp trumpet stabs. Shift into piano and accordion in oom-pah rhythm. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable party atmosphere. Stripped back underscore version.
Excitable, fun. Light accordion playing leads into sharp trumpet ...Excitable, fun. Light accordion playing leads into sharp trumpet stabs and ornate clarinet. Shift into piano in oom-pah rhythm. Upbeat and abrupt instrumentation combined with trilling instruments illustrates a well organised and excitable atmosphere. Stripped back underscore version.
Celebratory, happy, nostalgic. Warm organ keys swiftly make way for ...Celebratory, happy, nostalgic. Warm organ keys swiftly make way for rousing piano stabs. Vocals excitedly sing about returning home, moving into harmonies, creating a homely warmth. Staccato section conveys a frantic excitement, whereas more euphoric moments convey that nostalgic feeling of seeing recognisable streets and people, a community in which you belong.歌词
I’m coming homeComing homeComing homeMhm mhm I’m coming homeComing homeComing homeI’m coming to a place where I know I belong Oh yeahOh yeahOh yeahNo place I’d rather be
Happy, nostalgic, congenial. Rousing piano stabs join with vocals ...Happy, nostalgic, congenial. Rousing piano stabs join with vocals singing excitedly about returning home. Moving into harmonies that create a homely warmth. Staccato section conveys a frantic excitement, whereas more euphoric moments convey that nostalgic feeling of seeing recognisable streets and people, a community in which you belong. Acoustic version.
Celebratory, happy. Warm organ keys swiftly make way for rousing ...Celebratory, happy. Warm organ keys swiftly make way for rousing piano stabs. Staccato section conveys a frantic excitement, whereas more euphoric, R&B moments convey that nostalgic feeling of seeing recognisable streets and people, a community in which you belong. Instrumental version.
☆ WINNER "Latin Track of the Year" @Mark Awards 2022"☆ Very fast ...☆ WINNER "Latin Track of the Year" @Mark Awards 2022"☆ Very fast electronic batucada building-up with trailer percussion, in a festive spirit. Fun, positive & dancing. Break @ 0'45 building-up to a intense & tribal finale. Suggested for Brazilian soccer.
Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).歌词
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
