| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Counterattack [CEZ4043 - 19] |
0 | 2'07 | Bruno Letort | Flighting back. Hard, edgy & optimistic strings with passion. | 现代音乐 令人不安 历史旁白 弦乐乐团 | C | 155 | |||
|
Death Factory [CEZ4043 - 34] |
0 | 1'35 | Piotr Moss | Contaminated, poisonous feel. Stylised piano with Fx. | 不平稳 1900年 滑稽 电影 | Gm | 122 | |||
|
Running Free [CEZ4042 - 2] |
0 | 2'11 | Silvano Michelino | Busy, time sensitive. Fast & rolling tom-toms & sticks, with singing | 非洲 地理政治 其他打击乐器 野性 | Em | 151 | |||
|
Karma Waves [CEZ4042 - 12] |
0 | 2'32 | Silvano Michelino | Mellow but uptempo. Shaker & donkey jaw. Tabla rhythms with acoustic | 神奇 亚洲 民族 催眠 | D | 120 | |||
|
Voyage vers l'Aubrac [CEZ4039 - 27] |
0 | 2'56 | Jean Michel Hervé | The emotion of the return... String quartet and electric bass... | 命运 新古典音乐 遗产 政治 | Bb | 140 | |||
|
Sahara (Desert Theme Part 3) [CEZ4037 - 24] |
0 | 2'12 | Laurent Caillon, Teddy Lasry | Meditative. Constant. Cellos & percussion. | 热沙漠 地理政治 中非 西非 | Am | 92 | |||
|
Viral Evolution [CEZ4034 - 13] |
0 | 2'22 | Guy Skornik, Elisabeth Skornik | Shimmering synths with simple pensive melody. | 调查研究 七十年代 背景电子乐 电子琴 | Gbm | 120 | |||
|
Cerebral Reaction [CEZ4034 - 17] |
0 | 1'46 | Elisabeth Skornik, Guy Skornik | Simple & neutral, punctuated synths with glassy drones. | 科学 稳定的 太空 (音效)心跳 | Eb | 97 | |||
|
The Human Condition [CEZ4034 - 20] |
0 | 1'53 | Elisabeth Skornik, Guy Skornik | Determined. Rippling piano with insistent strings. | 果断 严谨 公司 音效 | Em | 109 | |||
|
Transition [CEZ4034 - 30] |
0 | 1'27 | Elisabeth Skornik, Guy Skornik | Dark & heavy. Mechanical sound wash with Fx. | 深邃 严谨 机器人 声音设计 | B | 91 | |||
|
DNA [CEZ4034 - 37] |
0 | 1'57 | Elisabeth Skornik, Guy Skornik | Strange. Ethereal synthlines with ambient pulse. | pulsation 科学 严谨 稳定的 | Ebm | 141 | |||
|
Brick Move [BIB297 - 1] |
2'04 | Audio Aroma, Ari Goldhand | Hard, intimidating, sharp. Chattering trappy percussion accompanies | 稳定的 态度 循环 周期性的 | Em | 140 | ||||
|
Brick Move (Underscore) [BIB297 - 11] |
版本. | 2'04 | Audio Aroma, Ari Goldhand | Hard, intimidating, sharp. Chattering trappy percussion accompanies | 稳定的 态度 循环 周期性的 | Em | 140 | |||
|
Tales Of Ascension [TBX234 - 5] |
2'01 | Reid Durtschi | Mysterious, searching, elegant. High-pitched melody unfolds in an | 疑问 神秘 悬念 热带雨林 | Em | 112 | ||||
|
Tales Of Ascension
[TBX234 - 15] |
版本. | 2'01 | Reid Durtschi | Mysterious, searching, elegant. High-pitched melody unfolds in an | 疑问 神秘 悬念 热带雨林 | Em | 112 | |||
|
Metamorphosis [EOS147 - 7] |
0 | 2'13 | Simon Gruwé | Whirling, luminous & hypnotic. Strings, electric guitar, piano, | 周期性的 无电声钢琴 电子琴 琶音器 | Am | 133 | |||
|
False Light Theory [AMS5063 - 1] |
2'22 | Zoltan Zadori | Investigation underscore. Eerie, atmospheric & suspended. Piano, | 进行中 悬念 画面感 疑问 | Dm | 108 | ||||
|
False Light Theory Alternate 1 [AMS5063 - 9] |
版本. | 2'22 | Zoltan Zadori | Version without percussion | 悬念 画面感 疑问 调查研究 | Dm | 108 | |||
|
False Light Theory Alternate 2 [AMS5063 - 10] |
版本. | 2'22 | Zoltan Zadori | Bed version | 悬念 画面感 疑问 调查研究 | Dm | 108 | |||
|
False Light Theory Alternate 3 [AMS5063 - 11] |
版本. | 2'22 | Zoltan Zadori | Underscore version | 悬念 画面感 疑问 调查研究 | Dm | 108 | |||
|
Anomaly Field [AMS5063 - 4] |
2'18 | Zoltan Zadori | Investigation underscore. Drone intro. Haunting & repetitive | 间谍片 阴险 画面感 进行中 | C | 90 | ||||
|
Anomaly Field Alternate 1 [AMS5063 - 18] |
版本. | 2'18 | Zoltan Zadori | Version without percussion | 间谍片 阴险 画面感 令人不安 | C | 90 | |||
|
Anomaly Field Alternate 2 [AMS5063 - 19] |
版本. | 2'18 | Zoltan Zadori | Bed version | 间谍片 阴险 画面感 令人不安 | Dbm | 90 | |||
|
Anomaly Field Alternate 3 [AMS5063 - 20] |
版本. | 2'18 | Zoltan Zadori | Underscore version | 间谍片 阴险 画面感 令人不安 | C | 90 | |||
|
Neon Residue [AMS5061 - 2] |
2'17 | Felix Weber | Cinematic trap. Pulsating with a light Asian atmosphere, urban & | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | ||||
|
Neon Residue Alternate 1 [AMS5061 - 15] |
版本. | 2'18 | Felix Weber | Version without percussion | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Alternate 2 [AMS5061 - 16] |
版本. | 2'18 | Felix Weber | Version with percussion only | 电影节奏 疑问 科幻片 社会悲剧 | Bm | 150 | |||
|
Neon Residue Alternate 3 [AMS5061 - 17] |
版本. | 2'18 | Felix Weber | Version without vox | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Alternate 4 [AMS5061 - 18] |
版本. | 2'18 | Felix Weber | Bed version | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Alternate 5 [AMS5061 - 19] |
版本. | 2'18 | Felix Weber | Underscore version | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Edit 1 30 sec [AMS5061 - 20] |
版本. | 0'32 | Felix Weber | 30 second cut | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
Neon Residue Edit 2 15 sec [AMS5061 - 21] |
版本. | 0'16 | Felix Weber | 15 second cut | 电影节奏 疑问 科幻片 社会悲剧 | Em | 150 | |||
|
The Mechanics of Happiness [CEZ4692 - 12] |
2'03 | Jérémy Dirat | Folk-pop. Confident, positive & happy. Acoustic guitar, pizzicati | 开心 自信 童年 天真幼稚 | Eb | 102 | ||||
|
The Mechanics of Happiness
[CEZ4692 - 87] |
版本. | 2'04 | Jérémy Dirat | Light version. | 自信 童年 开心 天真幼稚 | Eb | 102 | |||
|
The Mechanics of Happiness
[CEZ4692 - 88] |
版本. | 2'03 | Jérémy Dirat | Light underscore version. | 自信 童年 开心 天真幼稚 | Eb | 102 | |||
|
The Mechanics of Happiness
[CEZ4692 - 89] |
版本. | 1'00 | Jérémy Dirat | 60 second cut. | 自信 童年 开心 天真幼稚 | Eb | 102 | |||
|
The Mechanics of Happiness
[CEZ4692 - 90] |
版本. | 0'30 | Jérémy Dirat | 30 second cut. | 自信 童年 开心 天真幼稚 | Eb | 102 | |||
|
The Mechanics of Happiness
[CEZ4692 - 91] |
版本. | 0'20 | Jérémy Dirat | 20 second cut. | 自信 童年 开心 天真幼稚 | Eb | 102 | |||
|
The Mechanics of Happiness
[CEZ4692 - 92] |
版本. | 0'07 | Jérémy Dirat | Sting. | 自信 童年 开心 天真幼稚 | Eb | 101 | |||
|
The Winds of Fate [CEZ4683 - 3] |
0 | 2'29 | Third Act | Electronic score. Tense, sinuous & mysterious. Piano, electronics & | 神秘 美国独立制片电影 司法 调查研究 | Ebm | 154 | |||
|
Where the Story Ends [CEC8064 - 10] |
0 | 1'35 | Zhang Hao, Qingfeng Mu | Ethereal then epic, solemn & dramatic. String ensemble, percussion, | 历史旁白 飞行 冒险片 命运 | Am | 95 |