| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Apocalyptic Symphony [INP069 - 8] |
2'14 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact with wilting choral voices | 画面感 追逐场面 紧急 冲突 | Cm | 123 | ||||
|
Apocalyptic Symphony (Alt
[INP069 - 26] |
版本. | 2'14 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact with wilting choral voices | 画面感 追逐场面 紧急 冲突 | Cm | 123 | |||
|
Apocalyptic Symphony
[INP069 - 27] |
版本. | 2'13 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact sets out a powerful | 画面感 追逐场面 紧急 冲突 | Cm | 164 | |||
|
The Killer Has Returned [TBX188 - 3] |
1'39 | Marvin Mcmahon | Terrifying, menacing, dangerous. Tapping notes play out a percussive | 追逐场面 战士 野性 悬念 | Cm | 162 | ||||
|
The Killer Has Returned
[TBX188 - 17] |
版本. | 1'36 | Marvin Mcmahon | Terrifying, menacing, dangerous. Strange eerie dissonance creates an | 追逐场面 战士 野性 悬念 | Cm | 162 | |||
|
The Killer Has Returned (30
[TBX188 - 18] |
版本. | 0'30 | Marvin Mcmahon | Terrifying, menacing, dangerous. Eerie bass and percussive FX give a | 追逐场面 战士 野性 悬念 | Cm | 107 | |||
|
Mysterious Investigation [TBX184 - 7] |
1'45 | Jack Pierce | Pacy, panicked, investigative. Fast-paced synths bleats out suddenly, | 令人不安 悬念 画面感 司法 | Dm | 120 | ||||
|
Mysterious Investigation
[TBX184 - 24] |
版本. | 1'45 | Jack Pierce | Pacy, panicked, investigative. Fast-paced synths bleats out suddenly, | 令人不安 悬念 画面感 司法 | Dm | 120 | |||
|
Mysterious Investigation
[TBX184 - 25] |
版本. | 1'45 | Jack Pierce | Pacy, panicked, investigative. Fast-paced synths bleats out suddenly, | 令人不安 悬念 画面感 司法 | D | 162 | |||
|
Moebius [IOM010 - 7] |
3'28 | Roland Roberts, Nico Willems | Vast, explorative, intriguing. Steady and grand piano arpeggiation | 电影原声带 心理剧 令人不安 飞行 | Dm | 75 | ||||
|
Moebius (Alt Version) [IOM010 - 23] |
版本. | 3'31 | Roland Roberts, Nico Willems | Vast, explorative, intriguing. Steady and grand piano arpeggiation | 电影原声带 心理剧 令人不安 飞行 | Dm | 150 | |||
|
Moebius (Underscore) [IOM010 - 24] |
版本. | 3'28 | Roland Roberts, Nico Willems | Vast, explorative, intriguing. Low piano sets out an uncertain | 电影原声带 心理剧 令人不安 飞行 | Dm | 150 | |||
|
Time is Up [CET9092 - 3] |
2'03 | Zoltan Zadori | Cinematic. Threatening & ominous intro with rumbling sound design & | 画面感 军事冲突 恐怖片 (音效)滴答声 | Em | 140 | ||||
|
Time is Up Alternate 1 [CET9092 - 15] |
版本. | 2'03 | Zoltan Zadori | Alternate version without percussion. | 画面感 恐怖片 战争 令人不安 | E | 140 | |||
|
Time is Up Alternate 2 [CET9092 - 16] |
版本. | 2'03 | Zoltan Zadori | Alternate version with percussion only. | 画面感 恐怖片 (音效)滴答声 战争 | Em | 140 | |||
|
Game Over [CET9092 - 8] |
1'45 | Zoltan Zadori | Cinematic. Discontinuous & eerie intro with sound design & heartbeat. | 冲突 画面感 (音效)滴答声 战争 | Dm | 120 | ||||
|
Game Over Alternate 1 [CET9092 - 25] |
版本. | 1'45 | Zoltan Zadori | Alternate version without percussion. | 冲突 画面感 战争 战士 | Dm | 120 | |||
|
Game Over Alternate 2 [CET9092 - 26] |
版本. | 1'45 | Zoltan Zadori | Alternate version with percussion only. | 冲突 画面感 (音效)滴答声 战争 | Am | 120 | |||
|
Strikeforce [CET9092 - 9] |
2'03 | Zoltan Zadori | Cinematic. Insidious, pure, undulating & metallic intro with sound | (音效)滴答声 冲突 画面感 恐怖片 | G | 162 | ||||
|
Strikeforce Alternate [CET9092 - 27] |
版本. | 2'03 | Zoltan Zadori | Alternate version with percussion only. | (音效)滴答声 冲突 画面感 恐怖片 | Gbm | 162 | |||
|
Murder's Theme [CEG5040 - 1] |
0 | 1'59 | Apollo Noir | Electronic music in the spirit of an 80s horror film. Ominous intro | 恐怖片 独立电影 阴险 悬念 | C | 101 | |||
|
Blood And Blade [AMS5018 - 1] |
1'54 | Salvador Casais | Cinematic. Warrior, powerful, imposing, aggressive & combative. | 战士 冲突 画面感 战争 | Dm | 162 | ||||
|
Blood And Blade Alternate 1 [AMS5018 - 9] |
版本. | 1'54 | Salvador Casais | Alternate version without percussion. | 战士 冲突 画面感 战争 | D | 162 | |||
|
Blood And Blade Alternate 2 [AMS5018 - 10] |
版本. | 1'54 | Salvador Casais | Alternate version without choirs. | 战士 冲突 画面感 战争 | Dm | 162 | |||
|
Blood And Blade Alternate 3 [AMS5018 - 11] |
版本. | 1'54 | Salvador Casais | Alternate version without strings. | 战士 冲突 画面感 战争 | Dm | 162 | |||
|
Blood And Blade Alternate 4 [AMS5018 - 12] |
版本. | 1'54 | Salvador Casais | Alternate version percussion only. | 战士 冲突 画面感 战争 | Ebm | 162 | |||
|
Blood And Blade Alternate 5 [AMS5018 - 13] |
版本. | 1'54 | Salvador Casais | Alternate bed version. | 战士 冲突 画面感 战争 | D | 162 | |||
|
Blood And Blade Alternate 6 [AMS5018 - 14] |
版本. | 1'00 | Salvador Casais | Alternate version 60 seconds. | 战士 冲突 画面感 战争 | Dm | 161 | |||
|
Blood And Blade Alternate 7 [AMS5018 - 15] |
版本. | 0'30 | Salvador Casais | Alternate version 30 seconds. | 战士 冲突 画面感 战争 | Dm | 162 | |||
|
Blood And Blade Alternate 8 [AMS5018 - 16] |
版本. | 0'16 | Salvador Casais | Alternate version 15 seconds. | 战士 冲突 画面感 战争 | Dm | 161 | |||
|
Echoes Of The Past [AMS5018 - 2] |
2'13 | Salvador Casais | ☆ Nominated "Best Epic Hybrid Trailer" @Production Music Awards UK | 战士 预告片 冲突 画面感 | C | 138 | ||||
|
Echoes Of The Past Alternate 1 [AMS5018 - 17] |
版本. | 2'13 | Salvador Casais | Alternate version without percussion. | 战士 冲突 画面感 战争 | C | 136 | |||
|
Echoes Of The Past Alternate 2 [AMS5018 - 18] |
版本. | 2'13 | Salvador Casais | Alternate version without choirs. | 战士 预告片 冲突 画面感 | C | 137 | |||
|
Echoes Of The Past Alternate 3 [AMS5018 - 19] |
版本. | 2'13 | Salvador Casais | Alternate version without strings. | 战士 预告片 冲突 画面感 | C | 138 | |||
|
Echoes Of The Past Alternate 4 [AMS5018 - 20] |
版本. | 2'13 | Salvador Casais | Alternate version percussion only. | 战士 预告片 冲突 画面感 | Em | 138 | |||
|
Echoes Of The Past Alternate 5 [AMS5018 - 21] |
版本. | 2'13 | Salvador Casais | Alternate bed version. | 战士 预告片 冲突 画面感 | C | 138 | |||
|
Echoes Of The Past Alternate 6 [AMS5018 - 22] |
版本. | 2'13 | Salvador Casais | Alternate underscore version. | 战士 预告片 冲突 画面感 | C | 138 | |||
|
Echoes Of The Past Alternate 7 [AMS5018 - 23] |
版本. | 0'59 | Salvador Casais | Alternate version 60 seconds. | 战士 预告片 冲突 画面感 | C | 138 | |||
|
Echoes Of The Past Alternate 8 [AMS5018 - 24] |
版本. | 0'31 | Salvador Casais | Alternate version 30 seconds. | 战士 预告片 冲突 画面感 | C | 138 | |||
|
Echoes Of The Past Alternate 9 [AMS5018 - 25] |
版本. | 0'16 | Salvador Casais | Alternate version 15 seconds. | 战士 预告片 冲突 画面感 | Cm | 138 | |||
|
The Last Battle [AMS5018 - 8] |
1'50 | Salvador Casais | Cinematic. Ominous intro with guttural warrior chorus. Wild, eerie & | 冲突 战士 气势 野性 | Dm | 105 | ||||
|
The Last Battle Alternate 1 [AMS5018 - 69] |
版本. | 1'50 | Salvador Casais | Alternate version without percussion. | 冲突 战士 气势 野性 | D | 104 | |||
|
The Last Battle Alternate 2 [AMS5018 - 70] |
版本. | 1'50 | Salvador Casais | Alternate version without choirs. | 冲突 战士 气势 野性 | Dm | 105 | |||
|
The Last Battle Alternate 3 [AMS5018 - 71] |
版本. | 1'50 | Salvador Casais | Alternate version without strings. | 冲突 战士 气势 野性 | Dm | 105 | |||
|
The Last Battle Alternate 4 [AMS5018 - 72] |
版本. | 1'50 | Salvador Casais | Alternate version percussion only. | 冲突 战士 气势 野性 | Gbm | 105 | |||
|
The Last Battle Alternate 5 [AMS5018 - 73] |
版本. | 1'50 | Salvador Casais | Alternate bed version. | 冲突 战士 气势 野性 | Gbm | 105 | |||
|
The Last Battle Alternate 6 [AMS5018 - 74] |
版本. | 1'50 | Salvador Casais | Alternate underscore version. | 冲突 战士 气势 野性 | Dm | 105 | |||
|
The Last Battle Alternate 7 [AMS5018 - 75] |
版本. | 1'00 | Salvador Casais | Alternate version 60 seconds. | 冲突 战士 气势 野性 | Dm | 105 | |||
|
The Last Battle Alternate 8 [AMS5018 - 76] |
版本. | 0'29 | Salvador Casais | Alternate version 30 seconds. | 冲突 战士 气势 野性 | Dm | 105 | |||
|
The Last Battle Alternate 9 [AMS5018 - 77] |
版本. | 0'16 | Salvador Casais | Alternate version 15 seconds. | 冲突 战士 气势 野性 | Dm | 105 | |||
|
Cold Lang Syne [INP060 - 2] |
2'35 | Trad | Creepy, raw, dramatic. Grimy electronic instrumentation plays out | 冲突 固执 electro beat 失真效果器 | Bm | 96 | ||||
|
Cold Lang Syne (Instrumental) [INP060 - 16] |
版本. | 2'28 | Trad | Creepy, raw, dramatic. Grimy electronic instrumentation plays out. | 冲突 固执 electro beat 失真效果器 | Bm | 96 | |||
|
Cold Lang Syne (Underscore) [INP060 - 17] |
版本. | 1'23 | Trad | Creepy, dangerous, looming. Bass drones move into solitary old | 稀疏 失真效果器 令人不安 电子琴 | B | 96 | |||
|
We Wish You A Merry Christmas [INP060 - 9] |
2'12 | Trad | Robotic, dystopian, christmas. Monotonous robot voice sings through | 进行曲 撞击电子乐 沉重 科幻片 | Dm | 89 | ||||
|
We Wish You A Merry Christmas
[INP060 - 29] |
版本. | 2'02 | Trad | Robotic, dystopian, christmas. Large percussive impacts and droning | 进行曲 撞击电子乐 沉重 科幻片 | Dm | 90 | |||
|
We Wish You A Merry Christmas
[INP060 - 30] |
版本. | 1'08 | Trad | Robotic, dystopian, christmas. Droning bass sets out a sinister | 阴险 进行曲 失真效果器 轰隆声 | D | 67 | |||
|
Savage [INP059 - 7] |
2'13 | Markus Gleissner | Evil, catastrophic, raw. Sci-fi ambience gradually emerges with icy | 冲突 军事冲突 动作片 极限运动 | Cm | 110 | ||||
|
Savage (Underscore) [INP059 - 19] |
版本. | 2'13 | Markus Gleissner | Evil, catastrophic, raw. Sci-fi ambience gradually emerges with icy | 冲突 军事冲突 动作片 极限运动 | Cm | 110 | |||
|
Melancholia [ISC042 - 8] |
2'36 | Francesco Bondi | Cinematic thriller. Ominous, frightening, tormented & psychotic. | 令人不安 声音设计 画面感 阴险 | Am | 96 | ||||
|
Melancholia Alternate [ISC042 - 18] |
版本. | 2'36 | Francesco Bondi | Alternative light version with vocals only. | 令人不安 画面感 阴险 练声 | Am | 96 | |||
|
Fear Out There [CET9084 - 5] |
2'27 | Salvador Casais | Demoniac Intro with dark noisy & creepy textures. Shrilling @ 0'32. | 画面感 沉重 悬念 令人不安 | Cm | 100 | ||||
|
Fear Out There Alternate [CET9084 - 17] |
版本. | 2'27 | Salvador Casais | Alternative version without percussion. | 画面感 悬念 令人不安 动作游戏 | Cm | 99 | |||
|
The Night It All Began [CEZ4578 - 9] |
2'27 | Anthony Corteel, Morgan Sansous | Cinematic. Mysterious, strange & fantastic. Constant progression. | 万圣节 画面感 恐怖片 令人不安 | Bbm | 120 | ||||
|
The Night It All Began
[CEZ4578 - 31] |
版本. | 2'27 | Anthony Corteel, Morgan Sansous | Alternate no fx & no vocal. | 画面感 恐怖片 令人不安 万圣节 | Bbm | 120 | |||
|
Whispers in the Darkness [CEZ4578 - 14] |
1'41 | Claude Samard | Cinematic. Dark, dangerous & fatal. Cinematic orchestra with | 无情 令人不安 恐怖片 神经病 | Am | 120 | ||||
|
Whispers in the Darkness
[CEZ4578 - 35] |
版本. | 1'39 | Claude Samard | Alternate no vocal, no perc & no fx. | 无情 令人不安 恐怖片 神经病 | Am | 120 | |||
|
Danger from the Sky Alternate [CEZ4570 - 36] |
2'05 | Elisabeth Skornik, Guy Skornik | Resonant, repetitive, claking & minimalist. Keyboard arpeggio, waves | 通透 司法 令人不安 周期性的 | Cm | 120 | ||||
|
Danger from the Sky [CEZ4570 - 3] |
版本. | 2'07 | Elisabeth Skornik, Guy Skornik | Menacing, interrogative, anticipating & intriguing. Constant pulse, | 令人不安 pulsation 嗡嗡声 进行中 | C | 120 | |||
|
Astral Mysteries [CET9081 - 4] |
2'38 | Zoltan Zadori | Film score / Trailer. Suspenseful & intriguing intro with sequence & | 预告片 画面感 令人不安 科幻片 | Dm | 76 | ||||
|
Astral Mysteries Alternate 1 [CET9081 - 22] |
版本. | 2'38 | Zoltan Zadori | Alternate without percussion. | 预告片 画面感 令人不安 科幻片 | Dm | 152 | |||
|
Astral Mysteries Alternate 2 [CET9081 - 23] |
版本. | 2'38 | Zoltan Zadori | Alternate wihtout choir. | 预告片 画面感 令人不安 科幻片 | Dm | 76 |