Italiano: A Londra sono stato, Mamma mia, Mamma mia, A Londra sono stato a mangiare un po’ di gnocchi. Il cuoco mi ha servito, Mamma mia, Mamma mia, dei gnocchi cosi cotti, Che sembrano cemento! A Parigi sono stato, Mamma mia, Mamma mia, A Parigi sono stato a mangiare maccheroni. Il cuoco mi ha servito, Mamma mia, Mamma mia, Tre scarsi maccheroni, che del gusto solo l’ombra! Ah, Mamma! Ah Mamma !Ah Mamma mia, la tua pasta, Al po-po-po-po-po-po-po-mo-do-ro, Nessuno la fà, con la tua salsa Con pep-pe-pe-pe-pe-pe-pe-pe-ron-ni. Dei ravioli, dei tortellini, E l'o-l'o-l'o-l'o-l'o-l'o-glio d'o-li-va, Da mamma mamma mia, io son' in paradiso, Da mam-ma mam-ma mi-a, io son in pa-pa-ra-diso. A Pechino loro fanno, Mamma mia, Mamma mia, A Pechino loro fanno Stranissimi spaghetti. Mangiar con le bacchette, Mamma mia, Mamma mia, Ma mangiar con le bacchette, c'è da diventar matto! A Miami ho ordinato, Mamma mia, Mamma mia, A Miami ho ordinato Pesto e parmigiano. E che mi hanno portato? Mamma mia, Mamma mia, E che mi hanno portato? Ketchup e coca cola!Ah, Mamma! Ah Mamma mia, la tua pasta, Al po-po-po-po-po-po-po-mo-do-ro, Nessuno la fà, con la tua salsa Con pep-pe-pe-pe-pe-pe-pe-pe-ron-ni. Dei ravioli, dei tortellini, E l'o-l'o-l'o-l'o-l'o-l'o-glio d'o-li-va, Da mamma mamma mia, io son' in paradiso, Da mam-ma mam-ma mi-a, io son in pa-pa-ra-diso.
Français: Je suis allé à Londres, Mamma mia, Mamma mia,Je suis allé à Londres manger des gnocchis.Le chef m’a servi, Mamma mia, Mamma mia,Des gnocchis tellement cuits,Qu’on aurait dit du ciment. Je suis allé à Paris, Mamma mia, Mamma mia,Je suis allé à Paris manger des maccheronis.Le chef m’a servit, Mamma mia, Mamma mia,Trois pauvres maccheronis, qui n’avait que l’ombre de leur goût ! Ah Mamma mia, tes pâtesAux tomates,Personne ne sait la faireAvec ta sauce aux piments.Des raviolis, des tortellinis,Et l’huile d’olive,De maman, Mamma mia, je suis au paradis A Pekin il font, Mamma mia, Mamma mia,A Pekin il fontD’étranges spaghettis.Manger avec les baguettes, Mamma mia, Mamma mia,Mais manger avec les baguettes, c’est à devenir fou
A Miami j’ai commandé, Mamma mia, Mamma mia,A Miami j’ai commandé,Du pesto et du parmesan.Et qu’est-ce qu’ils m’ont apporté ?Du ketchup et du coca cola !!
English: I went to London, Mamma mia, Mamma mia,I went to London and ate gnocchi.The chef served me, Mamma mia, Mamma mia,Gnocchi so overcookedYou’d have thought it was cement. I went to Paris Mamma mia, Mamma mia,I went to Paris and ate maccheroni, The chef served me, Mamma mia, Mamma mia,Three poor maccheroni, a pale shadow. Ah !Mamma mia,
your pastaWith tomatoes,No one, can make it your spicy sauceMamma’s ravioli, tortellini,And olive oilMamma mia I am in heaven In Peking they make Mamma mia, Mamma mia,In Peking they make strange spaghettiTo eat with chopsticks,
Mamma mia, Mamma mia,But to eat with chopsticks is to go crazy. In Miami I ordered Mamma mia, Mamma mia,In Miami I orderedPesto and parmesan.And what did they bring me?Ketchup and a Coca cola!!
Italiano : RitornelloChe bella storia, storia d'amore, amore mio, mi porti sù, sù, sù
lassù nel cielo, cielo d'estate solo per noi. (l'estat' è solo per noi) Strofa :Noi siam' felici il giorno la notte con cento mila baci l'amore è sempre piu dolce mi porta sempre più in alto, sempre più forte Français :
RefrainQuelle belle histoire, Histoire d'amour, Mon amour, tu m'emportes là-haut, la-haut dans le ciel, le ciel d'été, rien que pour nous (l'été n'est rien que pour nous.) Couplet:Nous sommes heureux le jour et la nuit avec cent mille baisers l'amour est toujours plus doux il m'emporte toujours plus haut Et toujours plus fort. English :
ChorusWhat a lovely story A love story My love You take me up there Up there in the sky The summer sky Just for us (the summer just for us)
VerseWe are happy Day and night With a hundred thousand kisses Love is always sweeter It takes me up there And always more intense
Song. Sung in Italian. 60's. Twist. Determined & dancing. Male voice, Song. Sung in Italian. 60's. Twist. Determined & dancing. Male voice, alto sax, electric guitar, female back-ups & rhythm.歌词
Italiano
Tutti giorni in questa strada,
alle sette ogni mattina,
il cuor turbato ma son pronto ad aspettare, un po’ nervoso,
questa ragazza camminando,
vedo passar davanti a me,
mi sembra un angelo caduto
solo per me.
Con tua pelle d'oro,
tuoi capelli di grano, e tuoi occhi d'azzurro,
tu sei, tu sei,
Con tua pelle d'oro,
tuoi capelli d’ebano di grano, e tuoi occhi d'azzuro,
tu sei, tu sei,
oh tu sei mi-o cie-lo.
Un lunedì dal cielo grigio,
vidi una stella nel tuo sguardo,
un enigma il tuo sorriso sulle tue labbra di velluto
il cuore mi suonò il tamburo,
ma presto lo sentii spezzare,
quando capii ché questa fiamma
bruciava, ma non per me.
Français
Tous les jours dans cette rue A sept heure tous les matins Le cœur troublé mais prêt à attendre un peu nerveux Cette fille qui avance, Que je vois passer devant moi, Et qui me semble être un ange tombé du ciel Seulement pour moi
Avec ta peau dorée Tes cheveux de blé Et tes yeux bleus Tu es, tu es, Avec ta peau dorée Tes cheveux de blé Et tes yeux bleus Tu es mon ciel
Un lundi de ciel gris Je vis une étoile dans ton regard Sur tes lèvres de velours Ton sourire était une énigme Mon cœur se mit à battre Mais très vite il se brisa
Quand je compris que cette flamme Brûlait Mais pas pour moi
English
Every day in this street At seven o’clock each morning The heart troubled but ready to way a little anxiously For this girl to go by She walks in front of me And seems to me like an angel Fallen from the sky Just for me
With your skin of gold And your hair of silk And your azure eyes You are you are Oh! you are my heaven
One Monday beneath a grey sky I saw a star in your eyes On your velvet lips Your smile was an enigma My heart began to beat But was quickly broken When I realized that this flame Was burning But not for me.
Bluesy, sultry, romantic. Cool, strutting drums with dramatic and Bluesy, sultry, romantic. Cool, strutting drums with dramatic and confident jazz flute flourishes are joined by relaxed female vocals and piano. Warm 60s late-night jazz song with attitude.
Bluesy, sultry, romantic. Cool, strutting drums with dramatic and Bluesy, sultry, romantic. Cool, strutting drums with dramatic and confident jazz flute flourishes are joined by relaxed piano. Warm 60s late-night jazz song with attitude. Instrumental version.
Relaxed, playful, quirky. Cool, propulsive drums with upbeat electric Relaxed, playful, quirky. Cool, propulsive drums with upbeat electric guitar melodies and brass and woodwind motifs build to lighthearted and carefree chorus section with reflective keyboard. Fun and determined instrumental 60's jazz cue with attitude and style.
Mysterious, attitude, determined. Cool, propulsive jazz drums with Mysterious, attitude, determined. Cool, propulsive jazz drums with brooding piano, ethereal and eerie atmospheric textures. Pizzicato strings in investigative melodies join, building in suspense luxurious strings to sophisticated, confident and motivating peaks. Upbeat and cinematic 60's jazz with a mischievous sense of adventure.
Attitude, confident, mysterious. Propulsive, swaggering drums with Attitude, confident, mysterious. Propulsive, swaggering drums with determined bass are joined by cool jazz piano. Intriguing bridge intros expressive strings from 00:59, becoming motivating and investigative. Upbeat and sophisticated orchestral jazz with style.
Fast & positive piano arpeggio intro. Exhilarating @ 1'18. Climax @ Fast & positive piano arpeggio intro. Exhilarating @ 1'18. Climax @ 1'58. Sequencing, electric guitar & rhythm. Crescendo building up gradually. Modern corporate.
Country-rock song about the call of the road, freedom & wide open Country-rock song about the call of the road, freedom & wide open spaces. Positive & determined. Male singer, rhythm section, piano, lead electric guitar @ 1'52 & pedal steel.歌词
HIGHWAY CALL VERSE Don’t try to tie me down, don’t hang my picture on the wall I see that look in your eye, and you don’t have far to fall And even this big Montana sky will feel too small when I hear that highway callVERSE I’ll just start lookin’ around the bend, it happens time and time again Keep it friendly let’s be friends, don’t try to rope me in And I’ll hang my hat on your wall, till I hear that highway callCHORUS Oh I think about the time that I’ve wasted, Lettin’ this old restless heart get in the way But everytime the smoke cleared, time dried up those tears And I saddled up and rode away…rode away…. ay ay INSTRUMENTAL BREAK
CHORUS Now I think about the times that I’ve wasted, Lettin’ this old restless heart get in the way But every time the smoke cleared, time dried up those tears And I saddled up and rode away…rode away….
VERSE So don’t try to tie me down, don’t hang my picture on the wall I see that look in your eye, and you don’t have far to fall Even this big Montana sky will feel too small, yah this big Montana sky’s gonna feel too small, when I hear that highway call, highway call.
Honky-tonk / western-swing song in the spirit of the late 40's & Honky-tonk / western-swing song in the spirit of the late 40's & early 50's. Confident & bouncy. Male singer, fiddle & pedal steel solo @ 0'50, rhythm & piano.歌词
TOO MANY HONKY TONKS
VERSE I know she didn’t mean to hurt me She tried so hard to make it right I guess I lost out to the whisky But I wonder where my baby is tonight
CHORUS ‘Cause when her tears start fallin’ Her goodtime friends come callin’ And they won’t keep her feet
On solid ground From lonely street to misery Uptown on down There’re just too many honky tonks around
INSTRUMENTAL
VERSE The neon lights are shinin’ Right thru the warm glow of this wine And my ole heart is pinin’ And I wonder where she’ll be
At closing time.
CHORUS ‘Cause when her tears start fallin’ Her goodtime friends come callin’ And they won’t keep her feet
On solid ground From lonely street to misery Uptown on down There’re just too many honky tonks around
From lonely street to misery Uptown on down There’re just too many honky tonks around
Underscore. Honky-tonk / western-swing in the spirit of the late 40's Underscore. Honky-tonk / western-swing in the spirit of the late 40's & early 50's. Confident & bouncy. Fiddle & pedal steel solo @ 0'50, rhythm & piano.
Positive, rousing, uplifting. Dreamy, hypnotic new wave guitars with Positive, rousing, uplifting. Dreamy, hypnotic new wave guitars with playful, upbeat layers of melodies weaving with propulsive drums. Summery rock cue with a motivating, carefree feel.
Positive, rousing, uplifting. Dreamy, hypnotic new wave guitars with Positive, rousing, uplifting. Dreamy, hypnotic new wave guitars with playful, upbeat layers of melodies weaving with propulsive drums. Summery rock cue with a motivating, carefree feel.
Confident, lively & optimistic. Break @ 0'54. Finale with crescendo @ Confident, lively & optimistic. Break @ 0'54. Finale with crescendo @ 1'40. Solo piano.
Pop song / contemporary soul. Driving, catchy & groovy. Male singer, Pop song / contemporary soul. Driving, catchy & groovy. Male singer, synth & rhythm.歌词
Let's try to sayThat you're lovingThat you're risingIt's not so badThat's what you sayYou're insaneCause you're lovingAnd now it's heavenIt's what you sayCause here's the painCause here's the mainIt sounds scaryYou wanna go backI need to goJust take it backBefore the storm That's what you sayThat you're lovingThat you're fadingIt's not so badHere's what you sayYou're insaneCause you're lovingThere's no more heavenLet's try to you sayCause here's the mainCause here's the jailIt's so scaryYou fall on your backToo late to goYou look at your backI feel the storm But if you playYou have to know Which is the end you really want to go
I know what you did beforeFutile things you should ignoreWhen you won’t care anymoreYou’ll see there is so much, so much left to score Cause everlasting onirismRight in you head will lead the rhythmYou get around, you’re not a victimYou are free to drown Cause everlasting onirismHelp you to sing and they will listenYou get around, you’re not a victimYou’re alive, alive, alive Like a mask you’ve always woreIn the maze you should escapeWith your gaze, watch and reshapeAs an open open cosmos to explore Cause everlasting onirismRight in you head will lead the rhythmYou get around, you’re not a victimYou are free to drown Cause everlasting onirismHelp you to sing and they will listenYou get around, you’re not a victimYou’re alive, alive, alive
Mysterious, atmospheric, determined. Expansive, reflective intro of Mysterious, atmospheric, determined. Expansive, reflective intro of thoughtful guitars is joined by dramatic stomp clap beats and confident slide guitar at 00:24. Builds with tough male wordless vocals and brooding electric guitar riffs to a cinematic, heroic peak. Swaggering rock with a rebellious blues feel.
Mysterious, atmospheric, determined. Expansive, reflective intro of Mysterious, atmospheric, determined. Expansive, reflective intro of thoughtful guitars is joined by dramatic stomp clap beats and confident slide guitar at 00:24. Builds with brooding electric guitar riffs to a cinematic, heroic peak. Swaggering rock with a rebellious blues feel. Stripped back underscore version.
Mysterious, atmospheric, determined. Expansive, intro of thoughtful Mysterious, atmospheric, determined. Expansive, intro of thoughtful guitars is joined by dramatic stomp clap beats and confident slide guitar. Builds with tough male wordless vocals and brooding electric guitar riffs to a cinematic, heroic peak. Swaggering rock with a rebellious blues feel.
Propulsive, dramatic, determined. Mysterious, atmospheric intro of Propulsive, dramatic, determined. Mysterious, atmospheric intro of driving electric guitar, drums and tough male wordless vocal textures builds in suspenseful melodic and percussive layers, brooding riffs and handclaps to epic, rousing and tough peaks with organ. Motivating, swaggering rock with attitude and a rebellious, confident and positive edge.
Propulsive, dramatic, determined. Mysterious, atmospheric intro of Propulsive, dramatic, determined. Mysterious, atmospheric intro of driving electric guitar and drums builds in suspenseful melodic and percussive layers, brooding riffs and handclaps to epic, rousing and tough peaks with organ. Motivating, swaggering rock with attitude and a rebellious, confident and positive edge. Stripped back underscore version.
Propulsive, dramatic, determined. Mysterious, atmospheric intro of Propulsive, dramatic, determined. Mysterious, atmospheric intro of driving electric guitar, drums and tough male wordless vocal textures builds in suspenseful melodic and percussive layers, brooding riffs and handclaps to an epic, rousing and tough peak with organ. Motivating, swaggering rock with attitude and a rebellious, confident and positive edge.
