| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Hour has Come [CET9021 - 10] |
01'31 | Philippe Briand | Anticipating, ticking, tribal & warlike. Heavy cinematic drum rolls, | 军事冲突 进行中 冲击 时间(滴答声) | Fm | 110 | ||||
|
The Hour has Come Alternate [CET9021 - 23] |
版本. | 01'31 | Philippe Briand | Alternate without percussion. Anticipating, tribal & warlike. Tense | 进行中 影院摇滚 恐怖片 火热 | Fm | 110 | |||
|
Hidden Temple Remastered [CEZ4388 - 5] |
2'38 | Romain Magnan | Tribal, urban & insidious. Synth & rhythm. | 打击乐合奏 打击流行乐 电子鼓 响指 | C | 120 | ||||
|
Hidden Temple Remastered
[CEZ4388 - 32] |
版本. | 1'50 | Romain Magnan | Tribal, urban & insidious. Synth & rhythm. | 打击乐合奏 电子鼓 野性 极限运动 | C | 120 | |||
|
No Game for Losers [CEZ4388 - 15] |
0 | 1'47 | Thomas Didier | Inexorable, wild & powerful. cinematic percussion. | 无情 大电影打击乐 冲击 极限运动 | Em | 150 | |||
|
Under Construction [CEZ4388 - 18] |
0 | 0'50 | Mathieu Laurent | Jerky, urgent & wild. Percussion ensemble. | 功夫 固执 打击乐合奏 电子鼓 | Em | 129 | |||
|
Tropical Tropism [CEG5019 - 15] |
2'20 | Michel Roche | Percussive, constant & bizarre. Ethnic percussion & sound design | 加勒比 地理政治 民族打击乐器 固执 | Am | 135 | ||||
|
Tropical Tropism Alternate [CEG5019 - 34] |
版本. | 2'21 | Michel Roche | Alternate. Percussive, hypnotique & constant. Ethnic percussion & | 地理政治 民族打击乐器 固执 加勒比 | Fm | 133 | |||
|
Tropical Tropism Underscore [CEG5019 - 35] |
版本. | 2'07 | Michel Roche | Underscore. Minimalist, mysterious. Percussion & sound design fx. | 加勒比 民族打击乐器 神秘 节奏乐器组 | Gbm | 100 | |||
|
Industrial Collapse [CEZ4380 - 34] |
0 | 1'48 | Maxence Dussere, David Gubitsch | Soundscape / dark ambient. Sudden, metallic, horrifying & creepy. | 声音设计 背景音 金属 灾难 | Am | 63 | |||
|
The Thousand Hills [CEG5017 - 2] |
0 | 2'25 | Abaji | Spy movie / underscore. Tribal & groovy. Male & female voices, | 南非 地理政治 野性 悬念 | Am | 86 | |||
|
Zimbabwe Wounds [CEG5017 - 7] |
0 | 2'13 | Abaji | Spy movie / adventure / underscore. Mysterious, nocturnal & | 逝去的文明 令人不安 南非 稳定的 | F | 120 | |||
|
Gun-Running [CEG5015 - 21] |
0 | 2'46 | Christophe Zurfluh | Disturbing, haunting & tribal. Electronic percussion. 118 BPM. | 热带雨林 野性 紧急 沉重 | Dm | 118 | |||
|
Ce que Nous dit la Nuit [CEG5015 - 30] |
0 | 3'01 | Bernard Parmegiani | Weird. Futuristic. | 太空 电子音乐 sequencing 热带雨林 | Bbm | 147 | |||
|
Kick Off [CEG5012 - 3] |
0 | 1'59 | Silvano Michelino, Baptiste Thiry | Trailer / cinematic / batucada / underscore. Wild, relentless & | 追逐场面 团队运动 民族打击乐器 跟踪摄影 | Gm | 120 | |||
|
Night Escape [CEG5012 - 20] |
0 | 2'09 | Silvano Michelino | Underscore / adventure / action movie. Wild, relentless & percussive. | 早期艺术 逝去的文明 追逐场面 野性 | Abm | 140 | |||
|
Alma De Sao Luis [CEG5012 - 21] |
0 | 1'31 | Silvano Michelino, Pedro Martins | Bumba meu boi / afro-brazilian / shamanistic / ethnic & traditional. | 早期艺术 Bumba meu boi 野性 非裔巴西人 | Ebm | 66 | |||
|
Snaked [BIB106 - 1] |
1'44 | Lawrence Mau-Yip Wong | Driving, energetic, suspenseful. Brooding, pulsing synths with cool, | 极限运动 社会悲剧 调查研究 都市景色 | Fm | 145 | ||||
|
Snaked - Underscore [BIB106 - 11] |
版本. | 1'44 | Lawrence Mau-Yip Wong | Driving, energetic, suspenseful. Stripped back, instrumental | 极限运动 社会悲剧 调查研究 都市景色 | Fm | 145 | |||
|
Snaked - Underscore No Drums [BIB106 - 12] |
版本. | 1'44 | Lawrence Mau-Yip Wong | Driving, energetic, suspenseful. Underscore with minimal electronic | 极限运动 社会悲剧 调查研究 都市景色 | F | 144 | |||
|
Snaked - 30 sec [BIB106 - 13] |
版本. | 0'30 | Lawrence Mau-Yip Wong | Driving, energetic, suspenseful. Brooding, pulsing synths with cool, | 极限运动 社会悲剧 调查研究 都市景色 | Fm | 145 | |||
|
Keep Sweatin [BIB106 - 4] |
1'53 | Lawrence Mau-Yip Wong | Determined, attitude, dramatic. Atmospheric heartbeat sound design is | 机械的 固执 电子鼓 冲击 | Fm | 135 | ||||
|
Keep Sweatin - Underscore [BIB106 - 19] |
版本. | 1'53 | Lawrence Mau-Yip Wong | Determined, attitude, dramatic. Percussive underscore version. | 机械的 固执 电子鼓 冲击 | Fm | 135 | |||
|
Keep Sweatin - 30 sec [BIB106 - 20] |
版本. | 0'31 | Lawrence Mau-Yip Wong | Determined, attitude, dramatic. Propulsive electronic beats, | 机械的 固执 电子鼓 冲击 | Fm | 135 | |||
|
The Sting [BIB106 - 10] |
2'52 | Lawrence Mau-Yip Wong | Upbeat, dynamic, driving. Tense intro of ticking beats and ominous | 固执 冲击 节奏乐器组 污 | Dbm | 120 | ||||
|
The Sting - Underscore [BIB106 - 33] |
版本. | 2'52 | Lawrence Mau-Yip Wong | Upbeat, dynamic, driving. Minimal underscore version. Tense intro of | 沉重 固执 电子鼓 冲击 | Abm | 60 | |||
|
The Sting - 30 sec [BIB106 - 34] |
版本. | 0'30 | Lawrence Mau-Yip Wong | Upbeat, dynamic, driving. Industrial hits with confident vocal cuts | 冲击 追逐场面 野性 污 | Abm | 120 | |||
|
Sakouma [CEG5011 - 6] |
0 | 1'33 | Gabriel Saban, Philippe Briand | Safari. Traveling. Powerful, wild & urgent. Cinematic percussion | 追逐场面 大电影打击乐 冲击 非洲 | Gbm | 150 | |||
|
Monkey Business [CEG5011 - 29] |
0 | 2'21 | Silvano Michelino | Animals. Safari. Mischievous, unsteady & funny. Ethnic flute, | 讯息鼓 非洲 热带雨林 野性 | Ebm | 172 | |||
|
The Marshes of Santa Marta [CEO2085 - 9] |
0 | 2'16 | Gregory Cotti | Tropical forest. Journey. Landscape. Mysterious, calm & panoramic. | 全景图 地理政治 神秘 野性 | C | 77 | |||
|
Constant Fear [CEC8001 - 4] |
0 | 2'09 | Bo Tian | Kung fu / adventure. Anticipation, warlike & relentless. Solo taiko. | 中国 逝去的文明 太鼓 战士 | Gbm | 131 |