Comedic, adventurous, anticipatory. Clarinet bounces along shaker ...Comedic, adventurous, anticipatory. Clarinet bounces along shaker rhythm giving a feeling of cool excitement or liveliness. An interesting show or intriguing performance. Groovy energy offers a lighthearted vibe.
Comedic, adventurous, anticipatory. Clarinet bounces along with ...Comedic, adventurous, anticipatory. Clarinet bounces along with woodblock giving a sense of excitement and liveliness. An interesting show or intriguing performance. Groovy energy offers a lighthearted vibe. Stripped back underscore version.
Buoyant, fun, sneaky. Double bass and clarinet give a sense of ...Buoyant, fun, sneaky. Double bass and clarinet give a sense of intrigue and lively energy. An individual sneaking around on an adventure. Bell sounds and light percussion give a adventurous momentum, supported by open-ended mysterious chords and notes. Wooden block percussion gives a bright, silly vibe.
Buoyant, fun, sneaky. Double bass and clarinet give a sense of ...Buoyant, fun, sneaky. Double bass and clarinet give a sense of intrigue and energy. An individual sneaking around on an adventure. Bell sounds and light percussion give a adventurous momentum, supported by open-ended mysterious chords and notes. Stripped back underscore version.
Buoyant, fun, sneaky. Pizzicato strings and dynamic bowed string ...Buoyant, fun, sneaky. Pizzicato strings and dynamic bowed string notes give a playful feeling of intrigue. An individual sneaking around on an adventure. Mysterious plodding notes offer a sense of fun mystery. Stripped back underscore version.
Buoyant, fun, sneaky. Pizzicato strings and clarinet give a playful ...Buoyant, fun, sneaky. Pizzicato strings and clarinet give a playful feeling of intrigue. Bell sounds and light percussion give an adventurous plodding momentum. 30 second version.
Playful, sneaky, bright. Clarinet joins with buoyant strings to offer ...Playful, sneaky, bright. Clarinet joins with buoyant strings to offer a elegant and dubious dynamic. Bright xylophone gives the sense of a mystery afoot, with sneering clarinet notes and classy flourishes. A charismatic character sneaking around, moving in secret. Tinkling xylophone notes give a sense of elegance and delicate style.
Playful, sneaky, bright. Snaky cymbals lead elegant buoyant strings ...Playful, sneaky, bright. Snaky cymbals lead elegant buoyant strings forward in a dubious tone. A charismatic character sneaking around, moving in secret. Light percussion, triangles and shakers provide a sense of variety and vibrancy. Stripped back underscore version.
Playful, sneaky, bright. Clarinet joins with buoyant strings to offer ...Playful, sneaky, bright. Clarinet joins with buoyant strings to offer a elegant and dubious dynamic. Bright xylophone gives the sense of a mystery afoot, with sneering clarinet notes and classy flourishes. A charismatic character sneaking around, moving in secret. Tinkling xylophone notes give a sense of elegance and delicate style. 30 second version.
Passionate, fun, daring. Deep saxophone plays out rhythmic melody, ...Passionate, fun, daring. Deep saxophone plays out rhythmic melody, helped along by light percussion and riffing melody. Intricate snare drum beat gives brass accompaniment an opportunity to create a strutting proud melody. Building intensity with wailing instruments into big blow out at 00:56.
Passionate, fun, daring. Deep saxophone plays out rhythmic melody, ...Passionate, fun, daring. Deep saxophone plays out rhythmic melody, helped along by light percussion. Intricate snare drum beat gives brass accompaniment an opportunity to create a strutting proud melody. Building intensity into big blow out at 00:56. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion, high-pitched clarinet and violin to sweep in and support fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion to sweep in and bolster fast-paced momentum. Trumpet solo at 01:24 reminiscent of laughter or excitable wailing. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Double bass launches into rushing ...Pacy, celebratory, energetic. Double bass launches into rushing oom-pah melody alongside piano. Trumpet and trombone unite creating a more dense atmosphere. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, ...Pacy, celebratory, energetic. Piano plays rushing oom-pah melody, enticing percussion and high-pitched clarinet to sweep in and support fast-paced momentum. Impassioned and excitable atmosphere suitable for Bar Mitzvah or Bat Mitzvah. Stripped back underscore version.
Fun, silly, confident. Silly nursery rhyme melody instils a ...Fun, silly, confident. Silly nursery rhyme melody instils a playfulness, followed by male vocals talking about how they value money over everything. Working hard for financial reward. Autotuned hook and simple drumbeat pulls focus towards noughties hip hop from fun melody.歌词
What would you do for the paper, What would you do for the funds, What would you do for the capital, What we all do for the loot get us tons, Checks coins follow me close, Fresh as a shower I hop out and go, You keep the flowers, I don't need the roses, I just want the dough.
I just want the money, I just want the cash, I just the want the hundreds, I just want the bag.
I want the money, I want the cash, I want the green, I want the hundreds, I want the bag, I want the cream, I want the dollars, I want the fetti, I want the Gs Let me bow my head, I want the bread plus all of the cheese, I want every dime and penny on me, Just put it on me, I'm all about mine I get it and leave, Like it fell off a tree, I get it and flip it and let it go, Don't ask if I'm winning cause you should know, Don't you see me grinning grinning like a gremlin I'm one like I'm Penny so.
I just want the money, I just want the cash, I just the want the hundreds, I just want the bag, I just want the money, I just want the cash, I just the want the hundreds, I just want the bag.
Fun, silly, confident. Silly nursery rhyme melody instils a ...Fun, silly, confident. Silly nursery rhyme melody instils a playfulness, simplistic drumbeat with comical percussive FX provides a sense of fun and an upbeat vibe with a noughties hip hop energy. Instrumental version.
Fun, silly, confident. Chunky bassline aligns with simplistic hip hop ...Fun, silly, confident. Chunky bassline aligns with simplistic hip hop drumbeat. Comical percussive FX provide a sense of fun that gesture towards a cheeky noughties hip hop energy. Stripped back underscore version.
Simplistic, jaunty, colourful. Theatrical piano part with upright ...Simplistic, jaunty, colourful. Theatrical piano part with upright folky vibe gives a feeling of comical fun. Silly characters running around or involved in a comedic scene. High-pitched male vocals give a sense of distraction and a spacey mindset. A person staring out of the window mindlessly. Oom-pah rhythm accentuated by drums accentuating sense of silliness and vocal synth offers a sense of strangeness and intrigue.歌词
Mind not open, Mind not open, I was in another world, Mind not open, Mind not open, I was dreaming of a girl, And all I ever wanted was one, And all I ever wanted was to run, And all I ever needed to worship was the sun.
Simplistic, jaunty, colourful. Theatrical piano part with upright ...Simplistic, jaunty, colourful. Theatrical piano part with upright folky vibe gives a feeling of comical fun. Silly characters running around or involved in a comedic scene. A person staring out of the window mindlessly. Oom-pah rhythm accentuated by drums accentuating sense of silliness and vocal synth offers a sense of strangeness and intrigue. Instrumental version.
Simplistic, jaunty, colourful. Theatrical piano part with upright ...Simplistic, jaunty, colourful. Theatrical piano part with upright folky vibe gives a feeling of comical fun. Silly characters running around or involved in a comedic scene. A person staring out of the window mindlessly. Oom-pah rhythm accentuated by drums accentuating sense of silliness and vocal synth offers a sense of strangeness and intrigue. Stripped back underscore version.
Medium-fast - Bouncy and groovy 1960's easy-listening in a modern ...Medium-fast - Bouncy and groovy 1960's easy-listening in a modern way. Brass, clavinet, organ, Rhodes, muted trumpet, cosmic fx. Break @ 0'37. Fun and relaxed. Cocktail time for the clumsy spy.
Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ ...Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ gives a sense of arrogance, teasing men with their irresistible style. Sultry hip hop instrumentation adds to a sense of smooth womanising aura. Male vocals calmly deliver lyrics giving confidence.歌词
We apologize, If your girl left you tonight, We sorry.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo.
Aw damn that that was your girl, Thats your girl, The one that just chose us, Ima smoother operator, Shoes alligator, You a imitator, Ima innovator, She just came to me with an invitation after hittin' you with an ultimatum, After birth, I destroyed the mold in which they made em, You aint freshazimiz dawg aint no debatin, I was holding auditions sorry she kept you waiting, You might get you a lil sumn for participating, You might get you al lil whip nah I was just playing, I mean I got but I aint got a chick is what im saying, I mean you is looking thick but, Somebody come get their chick bruh.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo, don't watch your girl, Go watch your girl, Come watch your girl.
Smooth, charismatic, romantic. Dramatic organs and piano play out ...Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Instrumental version.
Smooth, charismatic, romantic. Dramatic organs and piano play out ...Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Stripped back underscore version.
Rushed, tense, retro. Fast-paced reverb guitar sets out a cool spooky ...Rushed, tense, retro. Fast-paced reverb guitar sets out a cool spooky tune as drums join at a fast pace and sharp organ stabs offer chilling tone. Wailing organ gives an old school energy. People running through the note away from a costumed villain. Theremin solos conjure images of dark alleyways and UFOs. Distorted and echoing guitars add to hazy jangly rock style. Rushed percussion at the end gives the sense of a scary chase.
Rushed, tense, retro. Fast-paced reverb guitar sets out a cool spooky ...Rushed, tense, retro. Fast-paced reverb guitar sets out a cool spooky tune as drums join at a fast pace and sharp organ stabs offer chilling tone. People running through the note away from a costumed villain. Distorted and echoing guitars add to hazy jangly rock style. Rushed percussion at the end gives the sense of a scary chase. Stripped back underscore version.
Chilled, sultry, positive. Woody acoustic guitar plays out with a ...Chilled, sultry, positive. Woody acoustic guitar plays out with a bossa nova style tune, joined by swaying percussion and chipper vocals, giving an exotic sends of brightness and joy. Echoing guitar at 00:46 offers a feeling chilled dreaminess. A relaxing beach at sunset, people enjoying the sound of the waves and the ambience.
Chilled, sultry, positive. Woody acoustic guitar plays out with a ...Chilled, sultry, positive. Woody acoustic guitar plays out with a bossa nova style tune, joined by swaying percussion, giving a feeling of brightness and joy. Echoing guitar at 00:46 offers a feeling chilled dreaminess. A relaxing beach at sunset, people enjoying the sound of the waves and the ambience. Instrumental version.
Chilled, sultry, positive. Woody acoustic guitar plays out with a ...Chilled, sultry, positive. Woody acoustic guitar plays out with a bossa nova style tune, giving a feeling of brightness and joy. A relaxing beach at sunset, people enjoying the sound of the waves and the ambience. Stripped back underscore version.
Celebratory, lovely, communal. Positive chords play, with strumming ...Celebratory, lovely, communal. Positive chords play, with strumming communicating a determination. Overwhelming goodness in a country Americana setting, through banjo and guitar-based instrumentation. Chord progression gives a twinkling vibe as female vocals offer a celebration of Christmas time.
Celebratory, lovely, communal. Positive chords play, with strumming ...Celebratory, lovely, communal. Positive chords play, with strumming communicating a determination. Overwhelming goodness in a country Americana setting. Chord progression gives a twinkling vibe as female vocals offer a celebration of Christmas time. Acoustic version.
Celebratory, lovely, communal. Positive chords play, with strumming ...Celebratory, lovely, communal. Positive chords play, with strumming communicating a determination. Overwhelming goodness in a country Americana setting, through banjo and guitar-based instrumentation. Chord progression gives a twinkling vibe offering a celebration of Christmas time. Instrumental version.
Slow - Solo bass flute in a tango nuevo style. Reflective intro, ...Slow - Solo bass flute in a tango nuevo style. Reflective intro, playful and positive @ 0'44. An improvisation in Buenos Aires. For documentary, travel, culture.
Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. ...Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's Vallenati pop. broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Extended intro. Lively, rhythmic & sentimental Colombian vallenato ...Extended intro. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung ...30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Festive, happy & romantic Colombian vallenato sung in Spanish. I like ...Festive, happy & romantic Colombian vallenato sung in Spanish. I like you more and more ever since that night we kissed. Male singer, accordion, guitar, guacharaca & Latin percussion.歌词
ES:
Yo no sé
En que momento te metiste en mi cabeza
Solo sé
Que estar contigo es lo único que me interesa
Hoy te llamo
Porque quiero repetir todo lo que vivimos
Y perdona si es directo lo que hoy te escribo
Pero me tienes enamorado
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Ay por culpa tuya
Hoy me tienes adicto a tus besos
Solo vivo soñando despierto
Con verte de nuevo
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Y hasta más
Que sabrosura
Es culpa tuya que hoy me tienes tragado
Es que me tienes como en las nubes mi vida
Que me gusta más y más y más y más
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que... tú sabes
Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Es que me tienes tragado
De ti, de tu locura mi vida
EN:
I don't know
At what moment you got into my head
I only know
That being with you is all I care about
Today I call you
Because I want to repeat everything we lived
And forgive me if what I write to you today is direct
But you have me in love
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night we kissed
I'm liking you
It's a complete madness
If ours was an adventure
And today you have me in love
Oh, because of you
Today I'm addicted to your kisses
I only live daydreaming
About seeing you again
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night we kissed
And even more
What a delight
It's your fault that today you have me hooked
It's that you have me like in the clouds, my life
That I like more and more and more and more
I'm liking you
I don't know what's happening
All the time I'm thinking
About the night when... you know
I'm liking you
It's a complete madness
If ours was an adventure
And today you have me in love
It's that you have me hooked
On you, on your craziness, my life
30's vocal. Festive, happy & romantic Colombian vallenato sung in ...30's vocal. Festive, happy & romantic Colombian vallenato sung in Spanish. I like you more and more ever since that night we kissed. Male singer, accordion, guitar, guacharaca & Latin percussion.歌词
ES:
Yo no sé
En que momento te metiste en mi cabeza
Solo sé
Que estar contigo es lo único que me interesa
Hoy te llamo
Porque quiero repetir todo lo que vivimos
Y perdona si es directo lo que hoy te escribo
Pero me tienes enamorado
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Ay por culpa tuya
Hoy me tienes adicto a tus besos
Solo vivo soñando despierto
Con verte de nuevo
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que nos besamos
Y hasta más Que sabrosura
Es culpa tuya que hoy me tienes tragado Es que me tienes como en las nubes mi vida Que me gusta más y más y más y más
Me estás gustando
Yo no sé lo que está pasando
Todo el tiempo vivo pensando
En la noche en que... tú sabes Me estás gustando
Es una completa locura
Si lo nuestro era una aventura
Y hoy me tienes enamorado
Es que me tienes tragado
De ti, de tu locura mi vida
EN:
I don't know
At what moment you got into my head
I only know
That being with you is all I care about
Today I call you
Because I want to repeat everything we lived
And forgive me if what I write to you today is direct
