Meaningful, beautiful, adventurous. Muffled bell sequence gives Meaningful, beautiful, adventurous. Muffled bell sequence gives glassy wondrous energy, emerging further as clean guitar plays bright chords. An individual realising an opportunity, taking it and not looking back. Bravery and excitement as kick drums and percussion give a sense of momentum. Burst of drums at 01:15 with a sense of lifting off the ground and flying high in the sky. Searching for glory and happiness. Cooing vocals give a human softness. A story of people's' success and happiness.
Meaningful, beautiful, adventurous. Muffled bell sequence gives a Meaningful, beautiful, adventurous. Muffled bell sequence gives a glassy wondrous energy, emerging further as clean guitar plays bright chords. An individual realising an opportunity, taking it and not looking back. Bravery and excitement as kick drums and percussion give a sense of momentum. Burst of drums at 01:15 with a sense of lifting off the ground and flying high in the sky. Searching for glory and happiness. Instrumental version.
Meaningful, beautiful, adventurous. Muffled bell sequence gives a Meaningful, beautiful, adventurous. Muffled bell sequence gives a glassy wondrous energy, emerging further as clean guitar plays bright chords. An individual realising an opportunity, taking it and not looking back. Bravery and excitement as kick drums and percussion give a sense of momentum. Burst of drums at 01:15 with a sense of lifting off the ground and flying high in the sky. Searching for glory and happiness. Stripped back underscore version.
Rhythm called "Toque de Congo" originating from the Afro-Brazilian Rhythm called "Toque de Congo" originating from the Afro-Brazilian tradition of candomblé. A song evoking the enchantment of love. Smooth, catchy & playful with a touch of irony. Vocal percussion, 7-string guitar, Brazilian guitars, Brazilian percussion, male singer & backing vocals.歌词
BR
A bozozeira foi na casa do bozozeiro
Para fazer uma bozozada para me bozozar
Fiquei doente
Perdido de amor
Porque a sua bozozada me bozozo
A bozozeira foi na casa do bozozeiro
Para fazer uma bozozada para me bozozar
Fiquei doente
Perdido de amor
Porque a sua bozozada me bozozo
Tomava banho, botava talco
Ana morena da rosa flor
O seu pecado me faz menina
Me fez menino
Ser seu amor
En
The bozozeira went to the bozozeiro's house
To make a bozozada to bozozar me
I got sick
Lost in love
Because his bozozada bozozo me
The bozozeira went to the bozozeiro's house
To make a bozozada to bozozar me
I got sick
Lost in love
Because his bozozada bozozo me
Showered, put on talcum powder
Ana morena da rosa flor
Your sin makes me a girl
Made me a boy
Be your love
Late 19th century Spanish zarzuela-inspired vintage Latin symphony Late 19th century Spanish zarzuela-inspired vintage Latin symphony orchestra. Seductive & melodic, sentimental yet bombastic. Lead trumpet @ 0'42 & @ 1'44. Lead clarinet @ 1'26. Ideal for funny adverts or flirty epoch scenes.
Late 19th century Spanish zarzuela-inspired vintage Latin symphony Late 19th century Spanish zarzuela-inspired vintage Latin symphony orchestra. Seductive & melodic, sentimental yet bombastic. No strings. Lead trumpet @ 0'42 & @ 1'44. Lead clarinet @ 1'26. Ideal for funny adverts or flirty epoch scenes.
Late 19th century Spanish zarzuela-inspired vintage Latin symphony Late 19th century Spanish zarzuela-inspired vintage Latin symphony orchestra. Seductive & melodic, sentimental yet bombastic. No strings, no woods. Lead trumpet @ 0'42 & @ 1'44. Ideal for funny adverts or flirty epoch scenes.
30 sec edit. Late 19th century Spanish zarzuela-inspired vintage 30 sec edit. Late 19th century Spanish zarzuela-inspired vintage Latin symphony orchestra. Seductive & melodic, sentimental yet bombastic. Ideal for funny adverts or flirty epoch scenes.
Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Dramatic, tense & poignant, with a descending, anticlimactic ending. Piano, oboe, strings, trumpet. Snare drum, cymbals, timpani & climax @ 1'00. Drop & flamenco castanets @ 1'27. Ideal for passionate vintage archive scenes.
Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Dramatic, tense & poignant, with a descending, anticlimactic ending. No brass, no strings. Piano, oboe. Snare drum, cymbals, timpani & climax @ 1'00. Drop & flamenco castanets @ 1'27. Ideal for passionate vintage archive scenes.
Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Dramatic, tense & poignant, with a descending, anticlimactic ending. No brass, no woods. Piano, strings. Snare drum, cymbals, timpani & climax @ 1'00. Drop & flamenco castanets @ 1'27. Ideal for passionate vintage archive scenes.
30 sec edit. Late 19th century Spanish zarzuela-inspired Latin 30 sec edit. Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Dramatic, tense & poignant, with a climactic ending. Piano, oboe, strings, trumpet, snare drum, cymbals & timpani. Ideal for passionate vintage archive scenes.
Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Suspenseful, enigmatic & solemn. Pizzicato double bass, staccato strings, lead oboe @ 0'21. Spanish guitar, riser & climax @ 0'47. Lead Mexican trumpet @ 1'06. Ideal for vintage tension build-up western pre-duel "face to face" scenes.
Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Suspenseful, enigmatic & solemn. No brass, no strings. Pizzicato double bass, lead oboe @ 0'21. Spanish guitar, riser & climax @ 0'47. Lead Mexican trumpet @ 1'06. Ideal for vintage tension build-up western pre-duel "face to face" scenes.
Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Suspenseful, enigmatic & solemn. No brass, no guitar, no oboe. Pizzicato double bass, staccato strings. Reverse crash & climax @ 0'47. Ideal for vintage tension build-up western pre-duel "face to face" scenes.
30 sec edit. Late 19th century Spanish zarzuela-inspired Latin 30 sec edit. Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. Suspenseful, enigmatic & solemn. Pizzicato double bass, staccato strings, Spanish guitar. Ideal for vintage tension build-up western pre-duel "face to face" scenes.
Part 2 of suite # 2 Daphnis and Chloé and finale. Majestic, Part 2 of suite # 2 Daphnis and Chloé and finale. Majestic, panoramic, bucolic then animated until the grand climax.
R&B 2000s. Catchy, strong & sensual. Singer, brass, synth & R&B 2000s. Catchy, strong & sensual. Singer, brass, synth & percussion. Suggested for love, relationship, lifestyle, people & teen culture.歌词
Verse 1:
You’re into me
I know for sure
There’s some love hiding under that cold exterior
I set you free
You came asking for more
Feeling like a stranger
When you knock on my door
Pre-Chorus:
Don’t leave your problems in the past
You let your attachment issues
Get the best out of you
I bet
You know I haven’t met my match
You are growing oh bitter every day
Chorus:
You know I’m on your side (I say that)
I know you got the pride (Don’t play that)
Are you willing to try (And weigh the)
Pros & Cons, Pros & Cons
Baby I’ll make you feel so high
Come along with me and we’ll touch the sky
Maybe it doesn’t have to be so hard
Once you open up your heart
Verse 2:
Sometimes you must be wondering
What you’re heading towards
When you jog in the morning right past lovers in their porch
Companionship ain’t easy
Love always asks for more
True honesty and maybe courage just to rock the score
Wonder why I’m so fly, lightness in my chest ?
Wanna know why I always seem so restful ?
Pre-Chorus:
I leave my problems on the past
I don’t let my past mistakes determine what I’m feeling today
I know I am my perfect match
I am growing oh wiser everyday
Chorus:
You know I’m on your side (I say that)
I know you got the pride (Don’t play that)
Are you willing to try (And weigh the)
Pros & Cons, Pros & Cons
Baby I’ll make you feel so high
Come along with me and we’ll touch the sky
Maybe it doesn’t have to be so hard
Once you open up your heart
Heartfelt and elegant. Delicate piano and emotional strings. Cello @ Heartfelt and elegant. Delicate piano and emotional strings. Cello @ 1'12. Sunrise over the fjords.
Hopeful and positive. Bright delicate piano and smooth strings with Hopeful and positive. Bright delicate piano and smooth strings with cello. A blossoming Nordic morning.
Assured, determined, elegant. Soft piano begins, edging out with Assured, determined, elegant. Soft piano begins, edging out with dramatic high notes and a sense of momentum, starting gently and building slowly. Euphoria builds into soaring tone as strings buffet energy forward with a remarkable feeling of willpower. High strings offer a feeling of flight or beauty.
Assured, determined, elegant. Piano inches out into a cold atmosphere Assured, determined, elegant. Piano inches out into a cold atmosphere with hopeful energy. Euphoria builds into soaring tone as piano continues to search onward. A sense of being in flight or witnessing something beautiful. Stripped back underscore version.
Quaint, excited, sunny. Guitar tone offers positive chord Quaint, excited, sunny. Guitar tone offers positive chord progressions with bubbly lead melody inspiring a feeling of sunny fun and carefree energy. Female vocals sing with a spontaneous vibe, going travelling suddenly on a whim, living for adventure and good times. Shaker rhythmic elements and claps bring a positive momentum. A holiday energy.歌词
Pick up your passport, And meet me at the station, There’s no time to waste, I'm sick and tired of waiting.Let’s go, Anywhere you wanna go.Pack up your suitcase, And walk out of the door, I want to feel the sun on my back and, I'm not waiting anymore.Let’s go, Anywhere you wanna go.Cos I wanna get out of here, I wanna get out of here.Let’s go, Anywhere you wanna go.Cos I wanna get out of here, I wanna get out of here.
Quaint, excited, sunny. Ukulele offers positive chord progressions Quaint, excited, sunny. Ukulele offers positive chord progressions with bubbly lead melody inspiring a feeling of sunny fun and carefree energy. People enjoying the sun and giving themselves a relaxing break from life. Shaker rhythmic elements and claps bring a positive momentum. A holiday energy. Instrumental version.
Quaint, excited, sunny. Ukulele offers positive chord progressions Quaint, excited, sunny. Ukulele offers positive chord progressions before being backed up by fun bass in a childlike positive rhythm. People enjoying the sun and giving themselves a relaxing break from life. Shaker rhythmic elements and claps bring a positive momentum. A holiday energy. Stripped back underscore version.
Folk song, jazz ballad with a balkan touch. Sentimental, nocturnal & Folk song, jazz ballad with a balkan touch. Sentimental, nocturnal & melancholic. Cronner, organ, electric piano, trumpet & rhythm. 歌词
I want to be a butterfly
I have the disease of Modern Living All too desperate and lonely Hopping around, from one vagina to another Looking for the real thing.
I want to be Some kind of Butterfly Things would be better Things would be better If I was The kind of butterfly Things would be better Certainly better
Saying no it’s not a problem for me You see, it never has been My tragedy of all times Is that I said yes, when I wanted to say no
I want to be Some kind of Butterfly Things would be better Things would be better If I was a kind of butterfly Things would be better Most certainly better
We just hoop and hoop to the next And fuck again Spreading all kinds of bacteria along the way And all this in the name of love In the name of love and I, of loneliness Because if you fuck good enough This time you might
never, never be lonely again
I want to be Some kind of Butterfly Things would be better Things would be better If I was a kind of
butterfly Things would be better Certainly better
There is a funny woman sitting across the bar from me Twisting with her red hair and golden chain She keeps on smiling I don’t smile back She stares at me perpetually
I want to be Some kind of Butterfly Things would be better Things would be better If I was a kind of butterfly Things would be better Most certainly better
If I was a kind of butterfly Things would be better I know, I know Most certainly better
Funereal, melancholy & moving. Piano played in arpeggios, strings & Funereal, melancholy & moving. Piano played in arpeggios, strings & clarinet. Suggested for historical documentaries & World War II aftermath.
Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's Vallenati pop. broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
Extended intro. Lively, rhythmic & sentimental Colombian vallenato Extended intro. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung 30's vocal. Lively, rhythmic & sentimental Colombian vallenato sung in Spanish. My accordion doesn't want to play anymore, maybe it's broken, just like my heart. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Ay qué le pasa a mi acordeón, que ya no quiere sonar?
Será que se siente mal, como está mi corazón
Será que se siente mal, como está mi corazón
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Ay si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
Ya no suena mi acordeón, así como antes sonaba
Ya no suena mi acordeón, así como antes sonaba
Que alegraba las parrandas por todita la región
Que alegraba las parrandas por todita la región
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Si tú no te consuelas de mí, yo no vuelvo más por aquí
Las parrandas se acabarán cuando Rey ya no quiera tocar
Ay las parrandas se acabarán cuando Rey ya no quiera tocar
EN:
What's wrong with my accordion that it doesn't want to play anymore?
What's wrong with my accordion that it doesn't want to play anymore?
Maybe it feels bad, like my heart does
Maybe it feels bad, like my heart does
If you don't find solace in me, I won't come back here anymore
Oh, if you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
My accordion doesn't play anymore, like it used to
My accordion doesn't play anymore, like it used to
It used to bring joy to the parties all around the region
It used to bring joy to the parties all around the region
If you don't find solace in me, I won't come back here anymore
If you don't find solace in me, I won't come back here anymore
The parties will end when Rey no longer wants to play
Oh, the parties will end when Rey no longer wants to play
