Romantic, loving & narrative. Pipa played in tremolo, keyboard & ...Romantic, loving & narrative. Pipa played in tremolo, keyboard & cello. Chinese movie style.
Desolate, tormented, sad & hopeless. Cello, piano & string orchestra. ...Desolate, tormented, sad & hopeless. Cello, piano & string orchestra. melodramatic lead erhu @ 1'13 & build-up. The end of a love story... Chinese movie style.
Romantic, longing, emotive. Bright, heartfelt piano melodies dance ...Romantic, longing, emotive. Bright, heartfelt piano melodies dance delicately, becoming reflective and poignant with expressive strings. Suspended sections become nostalgic, evolving to a rousing peak with powerful drums. Orchestral cue which moves from moments of sorrow to moments of uplifting hope.
Romantic, longing, emotive. Bright, heartfelt piano melodies dance ...Romantic, longing, emotive. Bright, heartfelt piano melodies dance delicately, becoming reflective and poignant with expressive violin. Suspended sections become nostalgic, evolving to a rousing peak. Orchestral cue which moves from moments of sorrow to moments of uplifting hope. Stripped back underscore version.
Romantic, longing, emotive. Bright, heartfelt string melodies dance ...Romantic, longing, emotive. Bright, heartfelt string melodies dance delicately, becoming reflective and poignant with expressive string textures. Suspended sections become nostalgic, evolving to a rousing peak. Orchestral cue which moves from moments of sorrow to moments of uplifting hope. Stripped back underscore version.
Sentimental, emotive, uplifting. Delicate, thoughtful piano melodies ...Sentimental, emotive, uplifting. Delicate, thoughtful piano melodies build with atmospheric, haunting string swells. Heartfelt, expressive and lyrical string toplines join, bringing a determined feel, building with propulsive drums to a rousing finale. Epic and romantic orchestral cue full of longing.
Sentimental, emotive, uplifting. Delicate, thoughtful piano melodies ...Sentimental, emotive, uplifting. Delicate, thoughtful piano melodies build, before being joined by heartfelt, expressive and lyrical violin toplines. Epic and romantic orchestral cue full of longing. Stripped back underscore version.
Sentimental, emotive, uplifting. Atmospheric, haunting string swells ...Sentimental, emotive, uplifting. Atmospheric, haunting string swells build, before being joined by heartfelt, expressive and lyrical toplines. Epic and romantic orchestral cue full of longing. Stripped back underscore version.
Original film score. Discreet, intimate, moving & narrative. Piano & ...Original film score. Discreet, intimate, moving & narrative. Piano & strings. Suggested for destiny & drama.
Original film score. Sad & nostalgic waltz in the spirit of the ...Original film score. Sad & nostalgic waltz in the spirit of the French cinema. Piano solo.
Original film score. Nostalgic & cyclic waltz in the spirit of ...Original film score. Nostalgic & cyclic waltz in the spirit of carousel music. Piano solo. Suggested for romance, destiny & drama.
Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk ...Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk guitar, electric piano, drums & strings @0'41. Full rock band @2'19.歌词
ES:
La conocí yendo a casa espontánea yo sin fe.
Para creer me la encontraba a punto de llover.
Había un tercer personaje admitiré también lo que sé, lo que sé.
Bella que te ves con él, enamorada de cien.
Inevitable tu juego de a la mañana ven,
escondidas, tiroteos y crispetas también.
Pupilas que van a cien, no podremos negar bien,
nada, nada…
Nos hundimos trago a trago hasta devolver.
Luego te vas y es muy tarde para ya volver.
No crecimos cautivos y sabemos correr y correr y correr...
Somos el mejor juego, fichas el uno del otro
¿Que esperabas buen final?
No.
EN:
I met her going home spontaneously, I had no faith.
To believe I met her when it was about to rain.
There was a third character I will also admit what I know, what I know.
Beautiful you look with him, in love a hundred ways.
Inevitable your game of in the morning come,
hide-and-seek, shootings and pop corn too.
Pupils that go a hundred ways, we won't be able to deny well,
nothing, nothing...
We sink drink by drink until we return.
Then you leave and it's too late to come back.
We didn't grow up captive and we know how to run and run and run...
We're the best game, tokens for each other.
Did you expect a good ending?
No.
Catchy, uplifting but disillusioned. Electro-pop sung in Spanish. ...Catchy, uplifting but disillusioned. Electro-pop sung in Spanish. Female singer, synths, electronic percussion. Suggested for telenovelas & teenagers TV drama. 歌词
ES:
La primera vez que te conocí debí haberlo presentido Muy encantador y seductor El bonito Don Jua?n ha venido La segunda vez que nos encontramos Trajiste un ramo de cien rosas Una flor por cada error Cada herida, cada palabra y cada tusa
Cuando me miras, no te miro Aún me siento incomoda No estoy interesada en tus jugadas No quiero verte nunca mas
*Te digo* (pitched down)
Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete ya No quiero verte acá porfa vete ya (2x)
La tercera vez, que te vi Llegaste completamente convencido De tu estrategia de conquista Para tenerme en tu bolsillo
La cuarta vez que estuviste aquí Lamentablemente lo recordamos Ahí fue donde descubrí Tus verdaderas intenciones
Cuando me miras, no te miro Todavía me siento incomoda No estoy interesada en tus jugadas No quiero verte más
*Te digo* (pitched down) Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete yaNo quiero verte acá porfa vete ya (2x)
*Te digo* (pitched down)
Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete ya No quiero verte acá porfa vete ya (4x)
EN:
The first time I met you I should have sensed it Very charming and seductive The beautiful Don Juan has come The second time we met You brought a bouquet of a hundred roses A flower for every mistake Every wound, every word, and every Tusa
When you look at me, I don't look at you I still feel uncomfortable I'm not interested in your moves I don't want to see you anymore
* I'm telling you * (pitched down)
Go away now please go away now I don't want to see you here please go now Go away now please go away now I don't want to see you here please go now (2x)
The third time, I saw you You arrived completely convinced Of your strategy of conquest To have me in your pocket
The fourth time you were here Sadly we remember That's where I discovered Your true intentions
When you look at me, I don't look at you I still feel uncomfortable I'm not interested in your moves I don't want to see you anymore
* I'm telling you * (pitched down) Go away now please go away now I don't want to see you here please go now Go away now please go away now I don't want to see you here please go now (2x)
* I'm telling you * (pitched down)
Go away now please go away now I don't want to see you here please go now I don't want to see you here please go now I don't want to see you here please go now (4x)
Sentimental & catchy rock-pop sung in Spanish. Female singer, ...Sentimental & catchy rock-pop sung in Spanish. Female singer, electric guitar & rhythm. Suggested for telenovelas & teen TV drama. 歌词
ES:
Suelo enmohecido por un firmamento dulce que se aleja lento.
Suelo que sé que se partirá en pedazos por la ausencia de su cielo.
Hoy sé lo que es quedarse sola en plena noche y perder la fe.
Hoy sé lo que es buscar la luz en las entrañas y volver a ver.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
Pienso otra vez en rabias infundadas contra una impotencia grande,
De vencer el miedo de aceptar que puedo transformarme en lo que quiera.
Hoy puedo entender que todo lo hasta ahora hecho se puede borrar.
Hoy miro hacia atrás y sé que lo que viene por delante importa más.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hay una forma concreta de explicar lo que es,
tener la vida en las manos, dejarla caer y atraparla otra vez.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
EN:
Moldy soil by a sweet firmament that slowly moves away.
A soil that I know will break into pieces because of the absence of its sky.
Today I know what it is to be alone in the middle of the night and lose faith.
Today I know what it is to search for the light in the guts and see again.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it will not defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is what you want and it will not defeat you.
I think again of unfounded rages against a great impotence,
Of overcoming the fear of accepting that I can transform myself into whatever I want.
Today I can understand that everything done so far can be erased.
Today I look back and I know that what lies ahead matters more.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want it to be and it will not defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it will not defeat you.
There is no concrete way to explain what it is,
to hold life in your hands, drop it and catch it again.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want it to be and it won't defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it won't beat you.
