Passionate, pacy, celebratory. Austere spanish guitar runs at a brisk ...Passionate, pacy, celebratory. Austere spanish guitar runs at a brisk tempo, joined by trickling hi hat conveying a sense of vibrancy and fiery liveliness. A Latin vibe, a sultry dance session with flowing dresses and people pushing themselves with a love of dance and movement. Choral voices give a skipping sense of confidence at 00:40, rough quick strumming further conveying an hot, passionate energy.
Passionate, pacy, celebratory. Austere spanish guitar runs at a brisk ...Passionate, pacy, celebratory. Austere spanish guitar runs at a brisk tempo, joined by trickling hi hat conveying a sense of vibrancy and fiery liveliness. A Latin vibe, a sultry dance session with flowing dresses and people pushing themselves with a love of dance and movement. Rough quick strumming further conveying an hot, passionate energy. Instrumental version.
Passionate, pacy, celebratory. Austere spanish guitar runs at a brisk ...Passionate, pacy, celebratory. Austere spanish guitar runs at a brisk tempo, joined by trickling hi hat conveying a sense of vibrancy and fiery liveliness. A Latin vibe, a sultry dance session with flowing dresses and people pushing themselves with a love of dance and movement. Rough quick strumming further conveying an hot, passionate energy. Stripped back underscore version.
Passionate, pacy, celebratory. Layered buoyant Latin percussion ...Passionate, pacy, celebratory. Layered buoyant Latin percussion provides passion and fun. A fiery liveliness. Percussion only version.
Bluesy, fiery, rough. Solo female vocals illustrate a passionate ...Bluesy, fiery, rough. Solo female vocals illustrate a passionate atmosphere, joined by large steady drumbeat and sharp harmonica. Lyrics lamenting loneliness and hard times, looking to the lord for guidance and acceptance. Country-style religious sentiment. An individual in the blaring sun, making their way through a dustbowl place, a rough rebellious figure. Bluesy verse dives into slow heavy chorus, communicating pain but relentless hope.歌词
I 'been shaking in my boots too long.
Lookin' out babe, how these boots are made, God made them for walking, You know I couldn't help and stop when I heard, heard those people talking, The Lord went for these lonely walks, now it won't be long till the hailstorm starts, I don't wanna be here no more, what am I waiting for.
Lord, Lord, Lord don't let me down, Lord, Lord, I'm on shaky ground.
Moving right along after the storm the dawn is drawing night, My heart is breaking my legs are shaking, here comes another night, The stars will soon be shining bright, got to get my head right, It might be a long walk, you know I can't stop.
Lord, Lord, Lord don't let me down, Lord, Lord, I'm on shaky ground.
Now I've walked for miles, feeling sanctified, I was high when the skies turned blue at night, I was just a little girl and every time my hair would curl, Little boy blue he was a prince, he just walked by.
Lord, Lord, Lord don't let me down, Lord, Lord, I'm on shaky ground.
Bluesy, fiery, rough. Steady drumbeat and sharp harmonica give a ...Bluesy, fiery, rough. Steady drumbeat and sharp harmonica give a rough and unforgiving atmosphere. Lyrics lamenting loneliness and hard times, looking to the lord for guidance and acceptance. Country-style religious sentiment. An individual in the blaring sun, making their way through a dustbowl place, a rough rebellious figure. Bluesy verse dives into slow heavy chorus, communicating pain but relentless hope. No lead vocal version.
Bluesy, fiery, rough. Steady drumbeat and sharp harmonica give a ...Bluesy, fiery, rough. Steady drumbeat and sharp harmonica give a rough and unforgiving atmosphere. Country-style religious sentiment. An individual in the blaring sun, making their way through a dustbowl place, a rough rebellious figure. Instrumental version.
Medium-fast - Lively and motivational electro-tango. Bandoneon, fat ...Medium-fast - Lively and motivational electro-tango. Bandoneon, fat double-bass, cajon, berimbau, ukulele, piano. Driving and groovy build up. Passion on the dancelfoor in Buenos Aires.
Determined, straightforward & adventurous. Duo of cSpanish guitars & ...Determined, straightforward & adventurous. Duo of cSpanish guitars & light percussion. Suggested for road movies, contemporary western & tracking shot.
Amusing, energetic & festive Colombian vallenato sung in Spanish. ...Amusing, energetic & festive Colombian vallenato sung in Spanish. Money's worth nothing nowadays, it seems to vanish every time. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
La cuento pero alcanza
Y la plata se vuelve nada
Nada se vuelve la plata
¡Claro que sí!
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
Fui a comprar a la tienda
Lo de la semana
Saqué mi cartera
Y no tenía nada
Y me quedó la nevera
Vacía, ni con qué llenarla
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
Saqué un billete de a cien
Pa’ comprar unas cositas
Saqué un billete de a cien
Pa’ comprar unas cositas
Pero cuando vine a ver
Me quedó una monedita
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
Yo la cojo en la mañana
Hago cuenta' y no me alcanza
Ay la plata se vuelve nada
Nada se vuelve la plata
La plata se vuelve nada
Nada se vuelve la plata
Ay la plata se vuelve nada
Nada se vuelve la plata
La cojo por la mañana
Hago cuenta' y no me alcanza
EN:
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
And money becomes nothing
Nothing becomes money
Of course!
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
I went to buy at the store
Some stuff for the week
I took out my wallet
And had nothing
And the fridge was left
Empty, with nothing to fill it
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
I took out a hundred
To buy some things
I took out a hundred
To buy some things
But when I looked
I only had a little coin left
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
Oh, money becomes nothing
Nothing becomes money
Money becomes nothing
Nothing becomes money
Oh, money becomes nothing
Nothing becomes money
I take it in the morning
I count it but it's not enough
30's vocal. Amusing, energetic & festive Colombian vallenato sung in ...30's vocal. Amusing, energetic & festive Colombian vallenato sung in Spanish. Money's worth nothing nowadays, it seems to vanish every time. Male singer, accordion, guacharaca & Latin percussion.歌词
ES:
Ay la plata se vuelve nada Nada se vuelve la plata La plata se vuelve nada Nada se vuelve la plata La cojo por la mañana La cuento pero alcanza Y la plata se vuelve nada Nada se vuelve la plata
¡Claro que sí! La plata se vuelve nada Nada se vuelve la plata La cojo por la mañana Hago cuenta' y no me alcanza
Fui a comprar a la tienda Lo de la semana Saqué mi cartera Y no tenía nada Y me quedó la nevera Vacía, ni con qué llenarla
Ay la plata se vuelve nada Nada se vuelve la plata La plata se vuelve nada Nada se vuelve la plata La cojo por la mañana Hago cuenta' y no me alcanza
Saqué un billete de a cien Pa’ comprar unas cositas Saqué un billete de a cien Pa’ comprar unas cositas Pero cuando vine a ver Me quedó una monedita
Ay la plata se vuelve nada Nada se vuelve la plata La plata se vuelve nada Nada se vuelve la plata Yo la cojo en la mañana Hago cuenta' y no me alcanza
Ay la plata se vuelve nada Nada se vuelve la plata La plata se vuelve nada Nada se vuelve la plata Ay la plata se vuelve nada Nada se vuelve la plata La cojo por la mañana Hago cuenta' y no me alcanza
EN:
Oh, money becomes nothing Nothing becomes money Money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough And money becomes nothing Nothing becomes money
Of course!
Money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough
I went to buy at the store Some stuff for the week I took out my wallet And had nothing And the fridge was left Empty, with nothing to fill it
Oh, money becomes nothing Nothing becomes money Money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough
I took out a hundred To buy some things I took out a hundred To buy some things But when I looked I only had a little coin left
Oh, money becomes nothing Nothing becomes money Money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough
Oh, money becomes nothing Nothing becomes money Money becomes nothing Nothing becomes money Oh, money becomes nothing Nothing becomes money I take it in the morning I count it but it's not enough
Inspirational, focused, prepared. Proud piano sequence pushes forward ...Inspirational, focused, prepared. Proud piano sequence pushes forward with an emotive sense of duty and energy. Trappy percussion gives energy momentum and explosive drive as twinkly piano communicates beauty and passion.
Inspirational, focused, prepared. Meaningful strings mesh with ...Inspirational, focused, prepared. Meaningful strings mesh with serious sub bass sequence.Trappy percussion gives energy momentum and explosive drive as twinkly piano communicates beauty and passion. Stripped back underscore version.
Captivating, fervent & passionate Latin flamenco-trap. Inspired by ...Captivating, fervent & passionate Latin flamenco-trap. Inspired by Spain's contemporary urban dance culture. Spanish guitar, cajon, castanets, palmas, synth, fx riser, male vocal sample, electronic percussion. Flamenco break followed by drop @ 0'54 & @ 1'30.
Cool, confident, meaningful. Brush drumbeat helps along an angsty ...Cool, confident, meaningful. Brush drumbeat helps along an angsty instrumentation with wistful chords and shivering organ. Positive chord change at 00:34 into male vocals about feeling love and taking in life's challenges, trying to keep a level head. Reminiscent of a lovelorn individual. Making their way through life and trying to keep stable through love's ups and downs.歌词
I feel I feel I feel, The way that I want to feel when I want to feel it, I feel I feel I feel, The way that i want to feel when I want to feel it. I've got all kinds of love for you, But what am I to do? Just thinking about the things I’m gonna do for you, It’s enough to turn my brown eyes blue. And as if i don't have enough on my mind, I figured your love would always stand the test of time. I feel I feel I feel, The way that I want to feel when I want to feel it, I feel I feel I feel, The way that i want to feel when I want to feel it. But yet and still I’m the same, Never ever gonna walk away, And at the dawning of each new day, Lets live how we want to , Love how we want to, OK? And every night when we get on my knees and pray, Get up and do what we want to, OK? I'm black and white in a world full of colour, You make me want to walk on water. And as if my heart isn't heavy enough I have the added pressure of being in love with your love. I feel. I feel. I feel. The way that I want to feel when I want to feel it, I feel. I feel. I feel. The way that I want to feel when I want to feel it.
Cool, confident, meaningful. Brush drumbeat helps along an angsty ...Cool, confident, meaningful. Brush drumbeat helps along an angsty instrumentation with wistful chords and shivering organ. Positive chord change at 00:34, with dreamy, warm strings. Reminiscent of a lovelorn individual. Making their way through life and trying to keep stable through love's ups and downs. Instrumental version.
African-American spiritual song of the 19th century. "Go, tell it on ...African-American spiritual song of the 19th century. "Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain,That Jesus lives again...". Introduction with gospel lead vocal & choir a cappella. Rhythm section & electric guitar @ 0'31. Instrumental tr-30.歌词
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 1 While shepherds kept their watching, Over silent flocks by night Behold, throughout the heavens, There shone a holy light
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 2 The shepherds feared and trembled, When low above the earth Rang out ,angels chorus that hailed Our saviours birth
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Chorus as lib Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is bornGo tell it! Go tell itGo tell it! On the mountain
Go tell it! Everywhere Go tell it! Everywhere Go tell it! Can you tell the story Go tell it! About when He came, to the mountain Go tell it! OOOHH, Lord! Go tell it! Go tell it!
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
The Talk of the Town ...The Talk of the Town Instrumental 1 [CEZ4511 - 12]
2'26
Julien Vega
Instrumental version with tap dance @ 1'08, Confident, easy going & ...Instrumental version with tap dance @ 1'08, Confident, easy going & carefree. Swing orchestra with strings, brass, vibes & rhythm. In the spirit of the musicals of the 50s & 60s.
The Talk of the Town ...The Talk of the Town Instrumental 2 [CEZ4511 - 13]
版本.
2'25
Julien Vega
Instrumental version without tap dance. Confident, easy going & ...Instrumental version without tap dance. Confident, easy going & carefree. Jazz orchestra with strings, brass, vibes & rhythm. In the spirit of the musicals of the 60s & 70s.
Cinematic. Emotive. Poignant. Tumbling, cyclic melodies are overlaid ...Cinematic. Emotive. Poignant. Tumbling, cyclic melodies are overlaid with a majestic piano top line and elegant stately strings, and acoustic guitar. A bittersweet, dignified, uplifting piece.
Accusatory, dramatic, impassioned. Pizzicato strings play out a nervy ...Accusatory, dramatic, impassioned. Pizzicato strings play out a nervy sequence, supported by muted noir trumpets. Rolling double bass and percussion communicate a sense of impending judgement, with dramatic string melody conveying feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows, careful not to be seen.
Accusatory, dramatic, impassioned. Bells and percussion play out a ...Accusatory, dramatic, impassioned. Bells and percussion play out a nervy sequence. Rolling double bass and drums communicate a sense of impending judgement, moving into dramatic string melody conveying feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows careful not to be seen. Stripped back underscore version.
Accusatory, dramatic, impassioned. Bells and icy strings play out a ...Accusatory, dramatic, impassioned. Bells and icy strings play out a nervy sequence. Dramatic piano melody conveys feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows careful not to be seen. Stripped back underscore version.
