Captivating, fervent & passionate Latin flamenco-trap. Inspired by ...Captivating, fervent & passionate Latin flamenco-trap. Inspired by Spain's contemporary urban dance culture. Spanish guitar, cajon, castanets, palmas, synth, fx riser, male vocal sample, electronic percussion. Flamenco break followed by drop @ 0'54 & @ 1'30.
Cool, confident, meaningful. Brush drumbeat helps along an angsty ...Cool, confident, meaningful. Brush drumbeat helps along an angsty instrumentation with wistful chords and shivering organ. Positive chord change at 00:34 into male vocals about feeling love and taking in life's challenges, trying to keep a level head. Reminiscent of a lovelorn individual. Making their way through life and trying to keep stable through love's ups and downs.歌词
I feel I feel I feel, The way that I want to feel when I want to feel it, I feel I feel I feel, The way that i want to feel when I want to feel it. I've got all kinds of love for you, But what am I to do? Just thinking about the things I’m gonna do for you, It’s enough to turn my brown eyes blue. And as if i don't have enough on my mind, I figured your love would always stand the test of time. I feel I feel I feel, The way that I want to feel when I want to feel it, I feel I feel I feel, The way that i want to feel when I want to feel it. But yet and still I’m the same, Never ever gonna walk away, And at the dawning of each new day, Lets live how we want to , Love how we want to, OK? And every night when we get on my knees and pray, Get up and do what we want to, OK? I'm black and white in a world full of colour, You make me want to walk on water. And as if my heart isn't heavy enough I have the added pressure of being in love with your love. I feel. I feel. I feel. The way that I want to feel when I want to feel it, I feel. I feel. I feel. The way that I want to feel when I want to feel it.
Cool, confident, meaningful. Brush drumbeat helps along an angsty ...Cool, confident, meaningful. Brush drumbeat helps along an angsty instrumentation with wistful chords and shivering organ. Positive chord change at 00:34, with dreamy, warm strings. Reminiscent of a lovelorn individual. Making their way through life and trying to keep stable through love's ups and downs. Instrumental version.
African-American spiritual song of the 19th century. "Go, tell it on ...African-American spiritual song of the 19th century. "Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain,That Jesus lives again...". Introduction with gospel lead vocal & choir a cappella. Rhythm section & electric guitar @ 0'31. Instrumental tr-30.歌词
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 1 While shepherds kept their watching, Over silent flocks by night Behold, throughout the heavens, There shone a holy light
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 2 The shepherds feared and trembled, When low above the earth Rang out ,angels chorus that hailed Our saviours birth
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Chorus as lib Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is bornGo tell it! Go tell itGo tell it! On the mountain
Go tell it! Everywhere Go tell it! Everywhere Go tell it! Can you tell the story Go tell it! About when He came, to the mountain Go tell it! OOOHH, Lord! Go tell it! Go tell it!
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
The Talk of the Town ...The Talk of the Town Instrumental 1 [CEZ4511 - 12]
2'26
Julien Vega
Instrumental version with tap dance @ 1'08, Confident, easy going & ...Instrumental version with tap dance @ 1'08, Confident, easy going & carefree. Swing orchestra with strings, brass, vibes & rhythm. In the spirit of the musicals of the 50s & 60s.
The Talk of the Town ...The Talk of the Town Instrumental 2 [CEZ4511 - 13]
版本.
2'25
Julien Vega
Instrumental version without tap dance. Confident, easy going & ...Instrumental version without tap dance. Confident, easy going & carefree. Jazz orchestra with strings, brass, vibes & rhythm. In the spirit of the musicals of the 60s & 70s.
Cinematic. Emotive. Poignant. Tumbling, cyclic melodies are overlaid ...Cinematic. Emotive. Poignant. Tumbling, cyclic melodies are overlaid with a majestic piano top line and elegant stately strings, and acoustic guitar. A bittersweet, dignified, uplifting piece.
Accusatory, dramatic, impassioned. Pizzicato strings play out a nervy ...Accusatory, dramatic, impassioned. Pizzicato strings play out a nervy sequence, supported by muted noir trumpets. Rolling double bass and percussion communicate a sense of impending judgement, with dramatic string melody conveying feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows, careful not to be seen.
Accusatory, dramatic, impassioned. Bells and percussion play out a ...Accusatory, dramatic, impassioned. Bells and percussion play out a nervy sequence. Rolling double bass and drums communicate a sense of impending judgement, moving into dramatic string melody conveying feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows careful not to be seen. Stripped back underscore version.
Accusatory, dramatic, impassioned. Bells and icy strings play out a ...Accusatory, dramatic, impassioned. Bells and icy strings play out a nervy sequence. Dramatic piano melody conveys feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows careful not to be seen. Stripped back underscore version.
Bittersweet, passionate, emotional. Lonely piano plays out a downbeat ...Bittersweet, passionate, emotional. Lonely piano plays out a downbeat sequence with tinges of quaintness. Explorative flute melody drives forward a feeling of progression into a swaying gentle tune. Resonant minor chord pushes piano into longing melodic sequence accented by floating flute melodies. Visions of an emotional individual walking through twilight, or cute creatures hiding away from a stormy night. Organic texture of flute sound gifts a feeling of humanity.
Bittersweet, passionate, emotional. Lonely piano plays out a downbeat ...Bittersweet, passionate, emotional. Lonely piano plays out a downbeat sequence with tinges of quaintness. Low pad sounds bolster emotion with resonant euphoria. Delicate piano notes meld with feelgood melody before launching into heartfelt sequence. Resonant minor chord pushes piano into longing melodic sequence accented by floating flute melodies. Visions of an emotional individual walking through twilight, or cute creatures hiding away from a stormy night. Stripped back underscore version.
Bittersweet, passionate, emotional. Muddy resonant chords give way to ...Bittersweet, passionate, emotional. Muddy resonant chords give way to glassy keys and sub bass playing out an emotive but yearning sequence. Glittery keys add a sense of magnitude, reminiscent of a sublime starry sky. Stripped back underscore version.
Fancy, romantic, upbeat. Buoyant accordion melody sways with a waltz ...Fancy, romantic, upbeat. Buoyant accordion melody sways with a waltz rhythm, conjuring images of cobbled French streets and romantic Parisian landscapes. Jovial melodies tinged with a sense of nostalgia and bittersweet happiness, reminiscent of an older French individual remembering the good old days. Quaint and antiquated aura with fun, pacy feeling.
Dormant, impassioned, soulful. Timid guitar gives rise to ascending ...Dormant, impassioned, soulful. Timid guitar gives rise to ascending brass melodies as brush drums assert a sibilant and airy percussive structure. Brisk pace as piano dances atop the fast moving momentum, reminiscent of a busy cityscape. Rock guitar sends licks through the middle of jazzy instrumentation, followed by piano improvisation and brass riffs. Launch into more determined section at 01:46 with meaningful chord change. Hand drums increase the intensity and momentum leading to subtle percussive breakdown at 02:09. Sharp snappy guitars contrast the smooth piano, frantic instrumentation at 02:32 infers a dormant chaotic energy. Pace picks up with shaker percussion and passionate vocal performances.
Dormant, impassioned, soulful. Timid guitar gives rise to to brush ...Dormant, impassioned, soulful. Timid guitar gives rise to to brush drums that assert a sibilant and airy percussive structure. Brisk pace as piano dances atop the fast moving momentum, reminiscent of a busy cityscape. Rock guitar sends licks through the middle of jazzy instrumentation. Launch into more determined section at 01:46 with meaningful chord change. Hand drums increase the intensity and momentum leading to subtle percussive breakdown at 02:09. Sharp snappy guitars contrast the smooth piano, frantic instrumentation at 02:32 infers a dormant chaotic energy. Stripped back underscore version.
Typical telenovela pop song in the style of the 70's, sung in ...Typical telenovela pop song in the style of the 70's, sung in Spanish. Female singer, pop band with Hammond organ & Wurlitzer piano. 歌词
Como no aceptarQue todo eso que vivíSi me trajo hoy a estarfrente a ti Fácil nunca es,pero valor hay que tenerpara amar así sin desvanecer Ahora dime, lo sientes tu también?Toma mi mano y saltemos al vacíoQue fluya como el río Volvamos a empezarTomemos juntos la oportunidadQue nada puede hacernos dañonada puede hacernos daño Volvamos a empezarQue las penas se queden atrásQue nada puede hacernos dañoNada puede hacernos daño Volvamos a empezarTomemos juntos la oportunidadQue nada puede hacernos dañonada puede hacernos daño Volvamos a empezarY que las penas se queden atrásQue nada puede hacernos dañoNada puede hacernos daño
Instrumental. Typical telenovela pop track in the style of the 70's. ...Instrumental. Typical telenovela pop track in the style of the 70's. Pop band with Hammond organ & Wurlitzer piano.
Tropical latin rhythms. Dancing, warm yet fervid. Female singer, sung ...Tropical latin rhythms. Dancing, warm yet fervid. Female singer, sung in Spanish in a salsa/pop mood. Spanish guitar, brass & Latin percussion.歌词
Vámonos pa Puerto Velero Fue ahí te vi por primera vez Ví tu sonrisa de miel con tus ojitos cafés que iluminaron mi vida.
Pensé ¿quién es ese hermoso ser?ese que con su bailao’tiene todo el pueblo alocao’pensando en sus caderas Y ese contoneo sensual que tienes en ticuestionaron todo lo que creía de mi y entre las palmeras bailando frente al mar.
Con el fuego y el aire hiciste complicidad.
Tropical tan sensual como la brisa refresca mi alma y ser ven pa’ acá pa’ bailar.Frente al mar que me mire solo bastará...Tropical tan sensualTu piel morena brilla por si sola hablará ven pa’ acá pa’ bailar.que puedo ver en ti mucha magia ancestral. mucha magia ancestral. mucha magia ancestral. No sé¡ay dime qué más hacer!te busco por todo lao’ y nada que te he encontradomandame señal de humo.
Pensé ¿quién es ese hermoso ser?ese que con su bailao’tiene todo el pueblo alocao’pensando en sus caderas.
Y ese contoneo sensual que tienes en ticuestionaron todo lo que creía de mi y entre las palmeras bailamos frente al mar.
Con el fuego y el aire hiciste complicidad.
Tropical tan sensual como la brisa refresca mi alma y ser ven pa’ acá pa’ bailar.Frente al mar que me mire solo bastará...Tropical tan sensualTu piel morena brilla por si sola hablará ven pa’ acá pa’ bailar.que puedo ver en ti mucha magia ancestral. Tropical tan sensual como la brisa refresca mi alma y ser ven pa’ acá pa’ bailar.Frente al mar que me mire solo bastará...Tropical tan sensualTu piel morena brilla por si sola hablará ven pa’ acá pa’ bailar.que puedo ver en ti mucha magia ancestral.
Traditional Afrocaribbean roots folk, sung in Spanish. Joyful & ...Traditional Afrocaribbean roots folk, sung in Spanish. Joyful & danceable. Female singer, Afrocaribbean percussion & male choir.歌词
Pindero, pindero, tú mamá te parió encuero sin camisa y sin sombrero... cuando la partera vino ya tu coleaba, pinderó ya tu coleabas , pinderooooPindero, pindero, tú mamá te parió encuero sin camisa y sin fajero detrás del gallinero y toca el tambó! Tamborero y toca el tambó! Tamborero y toca el tambó! Tamborero La sapa se fue a mete’ debajo e la tomatera y el sapo le decía y pujá pujá! puñetera ay! pujá pujá! puñetera Rá rá rá que la mochila está esfondá!-Ra, rá, rá que la mochila ejta esfondáCon que la remendaremos ay que con majagua! - ColoráAy que con majagua! - ColoráAy que con majagua! - Colorá Pindero, pindero tu mamá te parió encuero sin camisa y sin sombreroDetrás del gallinero Ay toca el tambó! -TamboreroAy! toca el tambó! -TamboreroAy toca el tambó! -Tamborero. La sapa se fue a mete’ debajo e la tomatera y el sapo le decíaay! pujá pujá! puñeteraay! pujá pujá! puñetera Y el Florón está es tu mano y en tu mano está el FlorónEl florón está en tu mano y en tu mano está el florón, la patilla de sereno prima hermana del melónLa patilla de sereno prima hermana del melón -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó Y El florón está en tu casa y en tu casa está el florón,El florón está en tu casa y en tu casa está el florón, la patilla de sereno prima hermana del melónLa patilla de sereno prima hermana del melón -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó Por aquí pasó, por aquí pasó y ese ehy ese eh, suena el tambó carajoooo -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó Y el Florón esta es tu mano y en tu mano está el Florón,El florón está en tu mano y en tu mano está el florón, la patilla de sereno prima hermana del melónLa patilla de sereno prima hermana del melón. -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó Tú , cagalita e chivoTú Cagalita e puerco,tú que la tienes dámela acá dámela acáTú Cagalita e vacaTú Cagalita e chivoTú que la tienes dámela acá dámela acáTú cagalita e burroTú Cagalita e gatoTú que la tienes dámela acá, dámela acáTú cagalita e vaca,tú Cagalita e muloTú que la tienes dámela acá , dámela acáaaa Aaaaayyyy - por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó -Por aquí pasó pasó pasóPor aquí pasó pasó pasó Y se acabó!
