| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Stunner Gunner [CET9022 - 1] |
2'05 | Nick Tzios | Weird ticking clock intro. Violent, vehement & impulsive cinematic | 冲突 进行中 无情 预告片 | Cm | 130 | ||||
|
Stunner Gunner Alternate 1 [CET9022 - 13] |
版本. | 2'05 | Nick Tzios | Alternate without percussion. Weird, urban, tough & mysterious. Sound | 冲突 进行中 无情 固执 | C | 129 | |||
|
Stunner Gunner Alternate 2 [CET9022 - 14] |
版本. | 2'01 | Nick Tzios | Alternate percussion only. Weird ticking clock intro. Violent, | 进行中 时间(滴答声) 冲突 爆炸 | Ebm | 130 | |||
|
Bricks [CEO2100 - 23] |
0 | 1'05 | Elisabeth Skornik, Guy Skornik | Repetitive & urgent. Bass sequence & sound of stone. | 固执 无情 调查研究 间谍片 | Am | 90 | |||
|
A Question of Prestige [CEZ4381 - 7] |
0 | 2'42 | Rémo from P.D. | Classical arrangement / electronica / beat making. Inexorable & | 古典音乐改编曲 无情 电子 固执 | Gbm | 100 | |||
|
Magma [INP018 - 3] |
2'17 | Alessandro Ciani | Dark, horror, tension. Crunching, glitchy sound design with growing, | 无情 追逐场面 固执 赛车 | Gbm | 106 | ||||
|
Magma - Underscore [INP018 - 17] |
版本. | 2'17 | Alessandro Ciani | Dark, horror, tension. Stripped back underscore version. Layers of | 无情 追逐场面 固执 赛车 | Gbm | 106 | |||
|
Magma - 30 sec [INP018 - 18] |
版本. | 0'30 | Alessandro Ciani | Dark, horror, tension. Crunching, glitchy sound design with growing, | 无情 追逐场面 固执 赛车 | Gbm | 106 | |||
|
Anger Problem [INP018 - 6] |
2'34 | Alessandro Ciani | Dramatic, intense, ominous. Eerie synth atmospheres and glitchy sound | 无情 追逐场面 预告片 动作片 | Gm | 140 | ||||
|
Anger Problem - Underscore [INP018 - 23] |
版本. | 2'34 | Alessandro Ciani | Dramatic, intense, ominous. Stripped back underscore version. Eerie | 无情 追逐场面 气势 冲突 | Gm | 140 | |||
|
Anger Problem - 30 sec [INP018 - 24] |
版本. | 0'30 | Alessandro Ciani | Dramatic, intense, ominous. Eerie synth atmospheres and glitchy sound | 无情 追逐场面 气势 冲突 | Gm | 140 | |||
|
Kick the Clock [CET9012 - 3] |
1'33 | Gabriel Saban, Philippe Briand | Bizarre, suspensful & frightening. Regular orchestral impacts & | 时间(滴答声) 追逐场面 无情 悬念 | Em | 120 | ||||
|
Kick the Clock Alternate 1 [CET9012 - 19] |
版本. | 1'33 | Gabriel Saban, Philippe Briand | Alternate without percussion. Bizarre & frightening. Regular | 时间(滴答声) 追逐场面 悬念 预告片 | Em | 120 | |||
|
Kick the Clock Alternate 2 [CET9012 - 20] |
版本. | 1'33 | Gabriel Saban, Philippe Briand | Alternate without clock. Bizarre, discontinuous & frightening. | 无情 预告片 令人不安 固执 | Em | 120 | |||
|
On the Front Line [CEO2094 - 3] |
0 | 1'45 | Bruno Alexiu | Fatal, tragic & imperious. String orchestra with dramatic piano | 无情 军事冲突 后古典 悲剧 | Dbm | 80 | |||
|
Dystopian Futures [TBX030 - 11] |
1'31 | Mark Peter Revell | Dark, dramatic, ominous. Brooding, modulating synth atmospheres with | 无情 科幻片 军事冲突 令人不安 | Gm | 86 | ||||
|
Dystopian Futures - 30sec [TBX030 - 23] |
版本. | 0'31 | Mark Peter Revell | Dark, dramatic, ominous. Brooding, modulating synth atmospheres with | 无情 科幻片 军事冲突 令人不安 | Gm | 85 | |||
|
Alien Invasion [CEZ4355 - 21] |
2'16 | Tuomas | Trailer / cinematic / sci fi movie. Inexorable, threatening & | 阴险 预告片 地理政治 无情 | Fm | 100 | ||||
|
Alien Invasion 2 [CEZ4355 - 31] |
版本. | 2'09 | Tuomas | Trailer / cinematic. Inexorable, threatening & mysterious. Synth, | 无情 预告片 画面感 恐怖 | Fm | 100 | |||
|
Invaders [CEZ4064 - 4] |
0 | 1'31 | Bernard Becker | Variation on « Warriors ». Crescendo & dramatic conclusion @ | 无情 冒险片 史诗 令人不安 | Cm | 125 | |||
|
Antibody [CEG5060 - 9] |
2'58 | Arttu Silvast | Hybrid Scoring. Intro with clinical, investigative & constant | 固执 无情 社会悲剧 工业 | Em | 122 | ||||
|
Antibody Alternate 1 [CEG5060 - 27] |
版本. | 2'57 | Arttu Silvast | Version without percussion | 固执 无情 社会悲剧 工业 | Em | 122 | |||
|
Antibody Alternate 2 [CEG5060 - 28] |
版本. | 2'58 | Arttu Silvast | Underscore version with percussion | 固执 无情 社会悲剧 工业 | Em | 122 | |||
|
The Missing Hour [ISC103 - 4] |
1'53 | Emmanuel Rousseau | Classic movie score. Stressful & tense high staccato by strident | 有节奏感 神经病 无情 固执 | Gm | 162 | ||||
|
The Missing Hour Alternate [ISC103 - 14] |
版本. | 1'53 | Emmanuel Rousseau | Version without percussion. | 有节奏感 神经病 无情 固执 | Gm | 161 | |||
|
Sabotage Unit [CEO2175 - 2] |
0 | 2'05 | Olivier Militon | Cinematic/Hybrid orchestra. Grand, serious & gripping. More emotional | 画面感 战士 无情 气势 | Cm | 130 | |||
|
Technocracy [CEZ4664 - 5] |
3'12 | The Quantum | Corporate electro. Cut & Drop @ 1'18. Flowing, touching & | 预告片 史诗 电子乐宣传片 周期性的 | Bb | 104 | ||||
|
Technocracy Alternate [CEZ4664 - 33] |
版本. | 3'13 | The Quantum | Alternate no rhythm. | 预告片 史诗 电子乐宣传片 周期性的 | Bb | 104 | |||
|
Technocracy Edit 60 sec [CEZ4664 - 34] |
版本. | 1'00 | The Quantum | 60 second cut. | 预告片 史诗 电子乐宣传片 周期性的 | Bb | 104 | |||
|
Technocracy Edit 30 sec [CEZ4664 - 35] |
版本. | 0'29 | The Quantum | 30 second cut. | 预告片 史诗 电子乐宣传片 周期性的 | Bb | 78 | |||
|
Technocracy Edit 15 sec [CEZ4664 - 36] |
版本. | 0'15 | The Quantum | 15 second cut. | 预告片 史诗 电子乐宣传片 周期性的 | Bb | 103 | |||
|
Technocracy Edit Sting [CEZ4664 - 37] |
版本. | 0'08 | The Quantum | Sting. | 预告片 史诗 电子乐宣传片 周期性的 | Bb | 103 | |||
|
Clash Of Titans [INP077 - 6] |
3'48 | Orfeas Dialinos, Willie Eaglin | Ominous, epic, explosive. Large lumbering boom impacts offer a sense | 史诗 嘻哈预告风 爆炸 战士 | Fm | 130 | ||||
|
Clash Of Titans (Underscore) [INP077 - 16] |
版本. | 3'48 | Orfeas Dialinos, Willie Eaglin | Ominous, epic, explosive. Large lumbering boom impacts offer a sense | Fm | 130 | ||||
|
Battle Armor [INP077 - 8] |
3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass gives rise to rolling war drums | 动作游戏 冲击 冲突 沉重 | Fm | 90 | ||||
|
Battle Armor (Underscore) [INP077 - 18] |
版本. | 3'52 | Orfeas Dialinos, Willie Eaglin | Legendary, raw, gritty. Droning bass and guitar moans gives rise to | Fm | 90 | ||||
|
Anticipated Emergence [BIB283 - 3] |
2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings fall into fast beat, | 地理政治 画面感 战争 令人不安 | G | 120 | ||||
|
Anticipated Emergence
[BIB283 - 15] |
版本. | 2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings cause a sense of | 画面感 地理政治 动作片 无情 | G | 120 | |||
|
Anticipated Emergence
[BIB283 - 16] |
版本. | 2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings fall into fast beat, | 画面感 地理政治 无情 pulsation | Gm | 120 | |||
|
Insinuation [CEG5049 - 8] |
2'13 | Felix Halbe | Mysterious, in suspense, unsettling & menacing. Piano, percussion, | 无情 神秘 画面感 心理剧 | Cm | 86 | ||||
|
Insinuation Alternate 1 [CEG5049 - 20] |
版本. | 2'13 | Felix Halbe | Calmer version without mid-climax & orchestral elements. | 无情 神秘 画面感 心理剧 | Cm | 86 | |||
|
Insinuation Alternate 2 [CEG5049 - 21] |
版本. | 2'08 | Felix Halbe | More reduced version without piano. | 无情 神秘 画面感 心理剧 | Cm | 66 | |||
|
Asylum Escape [CEZ4641 - 2] |
0 | 2'40 | Balthazar Dao | Ambient cinematic. Nervous, threatening & agressive. Ideal for | 冲突 画面感 令人不安 无情 | Cm | 117 | |||
|
Titans of the Cosmos [CET9100 - 9] |
3'53 | Martin E. Insaurgarat | Cinematic / Trailer. Suspended intro with piano ping. Adventurous & | 画面感 无情 冲击 有节奏感 | Em | 115 | ||||
|
Titans of the Cosmos
[CET9100 - 29] |
版本. | 3'53 | Martin Emilio Insaurgarat | Version without percussion. | 画面感 无情 有节奏感 史诗 | Em | 115 | |||
|
Titans of the Cosmos
[CET9100 - 30] |
版本. | 3'53 | Martin Emilio Insaurgarat | Version without choir. | 画面感 无情 冲击 有节奏感 | Em | 115 |