| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Gathering Storm [INP081 - 8] |
2'44 | Chun-Hsiang Chen, Sebastian Sprenger | Epic, uncertain, powerful. Concerned strings push out, joined by | 画面感 史诗 科幻片 动作片 | Dm | 80 | ||||
|
Gathering Storm Underscore [INP081 - 18] |
版本. | 2'44 | Chun-Hsiang Chen, Sebastian Sprenger | Epic, uncertain, powerful. Concerned strings push out, joined by | 画面感 史诗 科幻片 动作片 | Dm | 120 | |||
|
Wild Taikos [CEC8062 - 8] |
2'07 | Zhang Hao, Peng Qu | Warrior, epic, adventurous, ceremonial & explosive. Taïkos | 战士 功夫 骄傲 中国 | Em | 117 | ||||
|
Wild Taikos Alternate [CEC8062 - 12] |
版本. | 2'07 | Zhang Hao, Peng Qu | Instrumental version. | 战士 功夫 骄傲 中国 | Em | 117 | |||
|
Possession [INP080 - 3] |
1'45 | Bradley White | Panicked, scary, terrifying. Tense dissonance and screeching sounds | 画面感 恐怖片 令人不安 紧急 | Dm | 140 | ||||
|
Possession Underscore [INP080 - 13] |
版本. | 1'45 | Bradley White | Panicked, scary, terrifying. Quiet tension from strings as screeching | 画面感 恐怖片 令人不安 冲突 | Dm | 140 | |||
|
Cloaked [INP080 - 5] |
1'23 | Bradley White | Eerie, ghostly, otherworldly. Haunting shroud of sound is met with | 冲突 恐怖 令人不安 沉重 | Dm | 107 | ||||
|
Cloaked Underscore [INP080 - 15] |
版本. | 1'23 | Bradley White | Eerie, ghostly, otherworldly. Haunting shroud of sound is met with | 冲突 恐怖 令人不安 沉重 | Dm | 107 | |||
|
Presence Without Form [BIB289 - 12] |
2'27 | Richard Lewis, Paper Boy | Glorious, striking, important. Angelic euphoria climbs past metallic | 画面感 冰冷 神秘 全景 | Gm | 94 | ||||
|
Presence Without Form Alt
[BIB289 - 27] |
版本. | 2'27 | Richard Lewis, Paper Boy | Glorious, striking, important. Angelic euphoria climbs past metallic | 画面感 全景 科幻片 冒险片 | Gm | 95 | |||
|
Presence Without Form Alt
[BIB289 - 28] |
版本. | 2'27 | Richard Lewis, Paper Boy | Glorious, striking, important. Angelic euphoria climbs past metallic | 画面感 冰冷 神秘 全景 | Gm | 111 | |||
|
Dimension Scope [ISC103 - 1] |
2'11 | Emmanuel Rousseau | Classic movie score. Nervous, tense & threatening. Full orchestra | 动荡 动画 恐怖片 令人不安 | Cm | 123 | ||||
|
Dimension Scope Alternate [ISC103 - 11] |
版本. | 2'11 | Emmanuel Rousseau | Version without percussion. | 动荡 动画 恐怖片 令人不安 | Cm | 124 | |||
|
Vault of Eternity [ISC103 - 6] |
2'04 | Emmanuel Rousseau | Classic movie score. Mysterious & suspenseful flowing strings | 神秘 恐怖片 令人不安 orchestral score | Cm | 149 | ||||
|
Vault of Eternity Alternate [ISC103 - 16] |
版本. | 2'04 | Emmanuel Rousseau | Version without percussion. | 神秘 恐怖片 令人不安 orchestral score | Cm | 149 | |||
|
Judgement Day [AMS5053 - 1] |
2'00 | Thomas Langan | Trailer. Toxic intro with layers of synths & cinematic percussion. | 预告片 冲突 画面感 战争 | B | 147 | ||||
|
Judgement Day Alternate 1 [AMS5053 - 9] |
版本. | 2'00 | Thomas Langan | Version without percussion. | 画面感 预告片 科幻片 战争 | B | 98 | |||
|
Judgement Day Alternate 2 [AMS5053 - 10] |
版本. | 2'00 | Thomas Langan | Version with percussion only. | 画面感 预告片 冲突 沉重 | Ebm | 147 | |||
|
Judgement Day Alternate 3 [AMS5053 - 11] |
版本. | 2'00 | Thomas Langan | Bed version. | 画面感 预告片 沉重 科幻片 | B | 98 | |||
|
Judgement Day Edit 1 30 sec [AMS5053 - 12] |
版本. | 0'33 | Thomas Langan | 30 second cut. | 画面感 预告片 冲突 沉重 | B | 147 | |||
|
Judgement Day Edit 2 15 sec [AMS5053 - 13] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 画面感 预告片 冲突 沉重 | B | 98 | |||
|
Machine Learning [AMS5053 - 5] |
2'05 | Thomas Langan | Trailer. Anticipating intro. Dark, urgent, percussive & aggressive. | (音效)滴答声 冲击 恐怖 沉重 | Cm | 129 | ||||
|
Machine Learning Alternate 1 [AMS5053 - 29] |
版本. | 2'05 | Thomas Langan | Version without percussion. | 恐怖 沉重 预告片 画面感 | C | 97 | |||
|
Machine Learning Alternate 2 [AMS5053 - 30] |
版本. | 2'05 | Thomas Langan | Version with percussion only. | 冲击 恐怖 沉重 预告片 | Gbm | 129 | |||
|
Machine Learning Alternate 3 [AMS5053 - 31] |
版本. | 2'05 | Thomas Langan | Bed version. | 冲击 恐怖 沉重 预告片 | Cm | 129 | |||
|
Machine Learning Edit 1 30 sec [AMS5053 - 32] |
版本. | 0'32 | Thomas Langan | 30 second cut. | 冲击 恐怖 沉重 预告片 | C | 129 | |||
|
Machine Learning Edit 2 15 sec [AMS5053 - 33] |
版本. | 0'17 | Thomas Langan | 15 second cut. | 冲击 恐怖 沉重 预告片 | Cm | 129 | |||
|
Killer Instinct [TBX218 - 9] |
2'07 | Jeffrey Richardi | Heavy, competitive, dirty. Riser hits with massive impacts and tick | 动人 极限运动 赛车 预告片 | Cm | 125 | ||||
|
Killer Instinct (Underscore) [TBX218 - 28] |
版本. | 2'07 | Jeffrey Richardi | Heavy, competitive, dirty. Riser hits with massive impacts and tick | 动人 极限运动 赛车 预告片 | Cm | 125 | |||
|
Netrunner [TBX220 - 4] |
3'01 | Sergey Kolosov | Heroic, vast, explorative. Rough synth binary tune starts a rhythm | 抱歉 自然灾害 悬念 太空 | Dm | 116 | ||||
|
Netrunner (Underscore) [TBX220 - 16] |
版本. | 2'53 | Sergey Kolosov | Heroic, vast, explorative. Pained chords push out into an epic space. | 抱歉 自然灾害 悬念 太空 | Dm | 116 | |||
|
Starlit Highway [TBX220 - 10] |
2'43 | Sergey Kolosov | Adventurous, momentous, starlit. Coded synth sequences offer a sense | 工业 令人不安 固执 都市景色 | Gm | 146 | ||||
|
Starlit Highway (Underscore) [TBX220 - 22] |
版本. | 2'27 | Sergey Kolosov | Adventurous, momentous, starlit. Coded synth sequences explodes with | 工业 令人不安 固执 都市景色 | Gm | 146 | |||
|
A Diplomatic Rush [CEG5056 - 3] |
1'42 | SHIFUMI | Electro Jazz. Filtered intro. Fiery, up-tempo & pressed. Funky slap | 动作片 固执 火热 都市景色 | Am | 80 | ||||
|
A Diplomatic Rush Alternate 1 [CEG5056 - 25] |
版本. | 1'43 | SHIFUMI | Underscore 1. | 动作片 固执 火热 都市景色 | Am | 80 | |||
|
A Diplomatic Rush Alternate 2 [CEG5056 - 26] |
版本. | 1'42 | SHIFUMI | Underscore 2. | 动作片 固执 火热 都市景色 | Am | 80 | |||
|
A Diplomatic Rush Edit 1 (20
[CEG5056 - 27] |
版本. | 0'20 | SHIFUMI | 20 second cut. | 动作片 固执 火热 都市景色 | Am | 80 | |||
|
A Diplomatic Rush Edit 2 (30
[CEG5056 - 28] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 动作片 固执 火热 都市景色 | Am | 80 | |||
|
A Diplomatic Rush Edit 3 (60
[CEG5056 - 29] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 动作片 固执 火热 都市景色 | Am | 80 | |||
|
A Diplomatic Rush Edit 4
[CEG5056 - 30] |
版本. | 0'13 | SHIFUMI | Sting. | 动作片 固执 火热 都市景色 | Am | 80 | |||
|
Thunderclap [CET9104 - 3] |
2'15 | Sigurd Johnk-Jensen | Electro-inspired rock trailer. Toxic intro with synthesizers, then | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | ||||
|
Thunderclap Alternate 1 [CET9104 - 20] |
版本. | 2'15 | Sigurd Johnk-Jensen | Version without percussion. | 态度 影院摇滚 沉重 预告片 | Cm | 145 | |||
|
Thunderclap Alternate 2 [CET9104 - 21] |
版本. | 2'15 | Sigurd Johnk-Jensen | Version with percussion only. | 态度 影院摇滚 预告片 动作片 | Cm | 145 | |||
|
Thunderclap Alternate 3 [CET9104 - 22] |
版本. | 2'15 | Sigurd Johnk-Jensen | Bed version. | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | |||
|
Thunderclap Alternate 4 [CET9104 - 23] |
版本. | 2'15 | Sigurd Johnk-Jensen | Underscore version. | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | |||
|
Thunderclap Edit 1 30s [CET9104 - 24] |
版本. | 0'33 | Sigurd Johnk-Jensen | 30 second cut. | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | |||
|
Thunderclap Edit 2 15s [CET9104 - 25] |
版本. | 0'16 | Sigurd Johnk-Jensen | 15 second cut. | 垃圾音效 态度 影院摇滚 沉重 | Cm | 145 | |||
|
Fight for Life [CET9105 - 2] |
2'55 | Brian Delgado | Epic tension trailer. Intro as a psychological preparation with | 动作片 战争 画面感 史诗 | Dm | 140 | ||||
|
Fight for Life Alternate 1 [CET9105 - 13] |
版本. | 2'55 | Brian Delgado | Version without percussion. | 画面感 史诗 动作片 战争 | Dm | 140 | |||
|
Fight for Life Alternate 2 [CET9105 - 14] |
版本. | 2'55 | Brian Delgado | Tense version without choir, strings & brass. | 画面感 史诗 动作片 战争 | Dm | 105 | |||
|
Tipping Point [EOS135 - 3] |
0 | 2'32 | Astronotes | Serious, disturbing & inexorable. Tense progression. Piano, | 间谍片 无情 令人不安 调查研究 | Am | 144 | |||
|
Nothing But Motion [CCB1067 - 4] |
3'32 | Thomas Lucas | Futuristic, busy & innovative. Repetitive synth pattern intro with | 画面感 信息技术 太空 加速镜头 | Cm | 148 | ||||
|
Nothing But Motion Alternate [CCB1067 - 26] |
版本. | 3'13 | Thomas Lucas | Underscore version | 信息技术 太空 画面感 命运 | Cm | 147 | |||
|
Nothing But Motion Edit 1 20
[CCB1067 - 27] |
版本. | 0'19 | Thomas Lucas | Cut 20 secondes | 信息技术 太空 画面感 命运 | Cm | 148 | |||
|
Nothing But Motion Edit 2 30
[CCB1067 - 28] |
版本. | 0'30 | Thomas Lucas | Cut 30 secondes | 信息技术 太空 画面感 命运 | Cm | 148 | |||
|
Nothing But Motion Edit 3 60
[CCB1067 - 29] |
版本. | 1'00 | Thomas Lucas | Cut 60 secondes | 信息技术 太空 画面感 命运 | Cm | 148 | |||
|
Nothing But Motion Edit 4
[CCB1067 - 30] |
版本. | 0'11 | Thomas Lucas | Sting | 信息技术 太空 画面感 命运 | Eb | 104 | |||
|
Fierce Opponent [IOM035 - 5] |
2'00 | David Birnie | Intimidating, daunting, raw. Large resonant bass rumble opens out | 冲突 画面感 预告片 火热 | Em | 120 | ||||
|
Fierce Opponent (Underscore) [IOM035 - 42] |
版本. | 2'00 | David Birnie | Intimidating, daunting, raw. Large resonant bass rumble opens out | 冲突 画面感 预告片 火热 | E | 120 | |||
|
Fierce Opponent (Percussion
[IOM035 - 43] |
版本. | 2'00 | David Birnie | Intimidating, daunting, raw. Large resonant bass rumble opens out | 冲突 画面感 预告片 火热 | Em | 120 | |||
|
Fierce Opponent (60 sec) [IOM035 - 44] |
版本. | 1'02 | David Birnie | Intimidating, daunting, raw. Large resonant bass rumble opens out | 冲突 画面感 预告片 火热 | Em | 118 | |||
|
Fierce Opponent (30 sec) [IOM035 - 45] |
版本. | 0'31 | David Birnie | Intimidating, daunting, raw. Large impact provides a scary abrupt | 冲突 画面感 预告片 火热 | Em | 120 | |||
|
Fierce Opponent (15 sec) [IOM035 - 46] |
版本. | 0'15 | David Birnie | Intimidating, daunting, raw. Large impact rises into electro beat | 冲突 画面感 预告片 火热 | Em | 120 | |||
|
Fierce Opponent (10 sec) [IOM035 - 47] |
版本. | 0'11 | David Birnie | Intimidating, daunting, raw. Large impact launches into electro beat | 冲突 画面感 预告片 火热 | Em | 117 | |||
|
Fierce Opponent (5 sec) [IOM035 - 48] |
版本. | 0'07 | David Birnie | Intimidating, daunting, raw. Large impact launches into electro beat | 冲突 画面感 预告片 火热 | Em | 119 | |||
|
Fierce Opponent (Sting) [IOM035 - 49] |
版本. | 0'07 | David Birnie | Intimidating, daunting, raw. Industrial electro explosion for epic | 冲突 画面感 预告片 火热 | E | 118 | |||
|
Scratch And Claw [INP077 - 9] |
2'36 | Willie Eaglin, Ashley Holbrook | Dramatic, heroic, meaningful. Large bass impact fires out, giving | 嘻哈预告风 沉重 固执 极限运动 | Cm | 130 | ||||
|
Scratch And Claw (Underscore) [INP077 - 19] |
版本. | 2'36 | Willie Eaglin, Ashley Holbrook | Dramatic, heroic, meaningful. Large bass impact fires out, giving | Cm | 130 | ||||
|
Treachery [INP077 - 10] |
2'31 | Willie Eaglin, Ashley Holbrook | Brave, anticipatory, climactic. Gritty synth gives atmosphere a raw | 嘻哈预告风 气势 极限运动 态度 | Gm | 162 | ||||
|
Treachery (Underscore) [INP077 - 20] |
版本. | 2'31 | Willie Eaglin, Ashley Holbrook | Brave, anticipatory, climactic. Gritty synth gives atmosphere a raw | Gm | 162 |