| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Critical Condition [CCB1027 - 1] |
0 | 1'39 | Eric Lohrer, David Taieb | Electro / hip hop beat. Obstinate, nocturne & constant. Synth, | 不平稳 循环 稳定的 electro beat | Bm | 90 | |||
|
Blue Mondays [CCB1027 - 4] |
0 | 2'26 | Eric Lohrer, David Taieb | Electro. Sad, lonely & atmospheric. Electric guitar, synth & kick. | 社会悲剧 懒惰 漂泊 调查研究 | Gm | 108 | |||
|
After Dark [CCB1027 - 7] |
2'55 | Eric Lohrer, David Taieb | Electro beat. Mysterious, unstable & nocturne. Synth, electric guitar | 社会悲剧 神秘 气氛 electro beat | Gm | 65 | ||||
|
After Dark Alternative
[CCB1027 - 18] |
版本. | 2'30 | Eric Lohrer, David Taieb | Electro beat. Dark, wandering & mysterious. Synth, electric guitar & | 灾难 抱歉 漂泊 令人不安 | F | 128 | |||
|
Waiting for Change [BIB054 - 4] |
0 | 3'07 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A heartfelt bittersweet vibe with a tactile depth. Builds as the | 完成 钢鼓 全景图 梦幻 | Am | 60 | |||
|
Now We are United [BIB054 - 8] |
0 | 3'22 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Pulsing synths and distorted piano & strings create an atmospheric | 琶音器 神秘 电子 调查研究 | Am | 120 | |||
|
Blinded by Science [BIB054 - 11] |
0 | 2'44 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Reflective ambient bed intro that builds into a more dramatic | 电子 神秘 科学 电子琴 | D | 121 | |||
|
It's Good to be Bad [CEZ4305 - 3] |
0 | 2'20 | Eric Lohrer | Progressive rock. Wild, urgent & obstinate. Electric guitar, synth & | 果断 车库摇滚 电视连续剧 电吉他 | Am | 156 | |||
|
The Perfect Heist [CEZ4305 - 8] |
0 | 2'08 | Rémi Saboul | Interrogative, suspenseful & mysterious. Clavinet, electric guitar & | 间谍片 神秘 电视连续剧 疑问 | Cm | 127 | |||
|
The Girl with Golden Eyes [CEZ4305 - 11] |
0 | 2'44 | Pascal Macaigne | Spy movies in a surf music mood. Strange, mysterious & nocturnal. | 间谍片 神秘 美式复古电视剧 英式复古连续剧 | A | 63 | |||
|
From the Unknown [CEZ4305 - 14] |
0 | 2'42 | Stéphane Laporte, Sylvain Quément | Progressive rock. Disturbing, mysterious & dark. Glockenspiel, | 渐进摇滚 恐怖片 电视连续剧 钟琴 | Am | 89 | |||
|
Slightly Contorted [CCB1026 - 4] |
0 | 2'10 | Ray Bartok | Experimental rock. Nocturnal, melancholic & sad. Rock band. | 浪 社会悲剧 乐队 夜晚 | Bm | 142 | |||
|
The Lizard Lounge [CCB1026 - 9] |
0 | 2'18 | Ray Bartok | Experimental rock. Nocturne, relax & confident. Rock band with | 乐队 夜晚 试验摇滚 当代艺术 | Ebm | 98 | |||
|
Sinister Dreams [BIB051 - 2] |
2'26 | Dominik Johnson, Alexius Tschallener | Unsettling string intro, setting an edgy atmosphere with a build | 令人不安 恐怖片 灾难 自然灾害 | B | 97 | ||||
|
Sinister Dreams (30s) [BIB051 - 13] |
版本. | 0'30 | Dominik Johnson, Alexius Tschallener | Unsettling string intro, setting an edgy atmosphere with a build | 令人不安 恐怖片 灾难 自然灾害 | Bm | 97 | |||
|
Sinister Dreams (15s) [BIB051 - 14] |
版本. | 0'15 | Dominik Johnson, Alexius Tschallener | Unsettling string intro, setting an edgy atmosphere with a build | 令人不安 恐怖片 灾难 自然灾害 | F | 109 | |||
|
Dark Shores [BIB051 - 3] |
2'10 | Dominik Johnson, Alexius Tschallener | Brooding atmospheric bed, with an element of dark intrigue. | 恐怖片 令人不安 伴音 深邃 | B | 83 | ||||
|
Dark Shores (30s) [BIB051 - 15] |
版本. | 0'30 | Dominik Johnson, Alexius Tschallener | Brooding atmospheric bed, with an element of dark intrigue. | 恐怖片 令人不安 伴音 深邃 | B | 110 | |||
|
Dark Shores (15s) [BIB051 - 16] |
版本. | 0'14 | Dominik Johnson, Alexius Tschallener | Brooding atmospheric bed, with an element of dark intrigue. | 恐怖片 令人不安 伴音 深邃 | B | 80 | |||
|
Impending Dread [BIB051 - 5] |
1'51 | Dominik Johnson, Alexius Tschallener | Brooding, creeping and frightening. Sinister bowed strings and | 灾难 恐怖片 自然灾害 恐怖 | Cm | 75 | ||||
|
Impending Dread (30s) [BIB051 - 19] |
版本. | 0'30 | Dominik Johnson, Alexius Tschallener | Brooding, creeping and frightening. Sinister bowed strings and | 灾难 恐怖片 自然灾害 恐怖 | Cm | 93 | |||
|
Impending Dread (15s) [BIB051 - 20] |
版本. | 0'15 | Dominik Johnson, Alexius Tschallener | Brooding, creeping and frightening. Sinister bowed strings and | 灾难 恐怖片 自然灾害 恐怖 | Cm | 88 | |||
|
Brooding Sky [BIB051 - 8] |
2'19 | Dominik Johnson, Alexius Tschallener | Dusky, darkly panoramic with open-air widescreen tone. Unnerving | 恐怖 恐怖片 令人不安 神秘 | Em | 130 | ||||
|
Brooding Sky (30s) [BIB051 - 25] |
版本. | 0'30 | Dominik Johnson, Alexius Tschallener | Dusky, darkly panoramic with open-air widescreen tone. Unnerving | 恐怖 恐怖片 令人不安 神秘 | Em | 129 | |||
|
Brooding Sky (15s) [BIB051 - 26] |
版本. | 0'20 | Dominik Johnson, Alexius Tschallener | Dusky, darkly panoramic with open-air widescreen tone. Unnerving | 恐怖 恐怖片 令人不安 神秘 | Em | 130 | |||
|
Blunted Scalpel [EOS22 - 1] |
0 | 2'36 | Eric Volpatti | Sound design. Interrogative, sad & cold. Piano, glitch & electronics. | 伤心 冷沙漠 抱歉 fx backwards | Em | 65 | |||
|
The Last Night [CEZ4302 - 2] |
0 | 3'55 | Vermair | Electronic Dance Music. Dreamy but driving. Electric piano, synth, | 电子舞曲 动人 人物 俱乐部 | Am | 125 | |||
|
Waiting in the Rain [TBX001 - 15] |
0 | 1'02 | Mark Peter Revell | This minimal jazz score is suspenseful and eerie. Minimal in | 黑色电影 神秘 疑问 调查研究 | Em | 67 | |||
|
City Limits [CEZ4297 - 1] |
3'51 | André Charlier, Benoît Sourisse | Interrogative & relax. 60s. Jazz quintet with trumpet, sax, piano & | 硬波普爵士乐 爵士俱乐部 新流派 爵士五重奏 | Ebm | 100 | ||||
|
City Limits Alternate Version [CEZ4297 - 21] |
版本. | 3'50 | André Charlier, Benoît Sourisse | Interrogative & relax. 60s. Jazz quartet with hammond organ, piano & | 硬波普爵士乐 哈蒙德管风琴 六十年代 即兴发挥 | Ebm | 100 |