| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Gang Up [CEZ4649 - 4] |
2'58 | Sebastijan Duh | Trap beat, hip-hop beat. Cinematic, mysterious & heavy. Ideal for | 令人激动 神秘 体育运动 陷阱音乐 | Gm | 145 | ||||
|
Gang Up Alternate 1 [CEZ4649 - 31] |
版本. | 2'58 | Sebastijan Duh | Alternate no vocal. | 果断 动人 令人激动 联盟 | Abm | 144 | |||
|
Gang Up Alternate 2 [CEZ4649 - 32] |
版本. | 1'00 | Sebastijan Duh | 60 second cut. | 果断 动人 令人激动 联盟 | Gm | 145 | |||
|
Gang Up Alternate 3 [CEZ4649 - 33] |
版本. | 0'30 | Sebastijan Duh | 30 second cut. | 果断 动人 令人激动 联盟 | Gm | 145 | |||
|
Gang Up Alternate 4 [CEZ4649 - 34] |
版本. | 0'15 | Sebastijan Duh | 15 second cut. | 果断 动人 令人激动 联盟 | Gm | 144 | |||
|
Gang Up Alternate 5 [CEZ4649 - 35] |
版本. | 0'11 | Sebastijan Duh | Sting. | 果断 动人 令人激动 联盟 | Gm | 144 | |||
|
Night Drifters Takeover [CEZ4649 - 9] |
1'56 | SHIFUMI | Trap beat, hip-hop beat. Nocturne, fatal & sharp. Synth & rhythm. | 陷阱音乐 调查研究 电子琴 都市 | Gb | 137 | ||||
|
Night Drifters Takeover
[CEZ4649 - 66] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 陷阱音乐 调查研究 电子琴 都市 | C | 137 | |||
|
Night Drifters Takeover
[CEZ4649 - 67] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 陷阱音乐 调查研究 电子琴 都市 | C | 137 | |||
|
Night Drifters Takeover
[CEZ4649 - 68] |
版本. | 0'15 | SHIFUMI | 15 second cut. | 陷阱音乐 调查研究 电子琴 都市 | C | 137 | |||
|
Night Drifters Takeover
[CEZ4649 - 69] |
版本. | 0'07 | SHIFUMI | Sting. | 陷阱音乐 调查研究 电子琴 都市 | Cm | 137 | |||
|
Industrial Process Automation [CEG5051 - 4] |
2'59 | Bruno Alexiu | Tumultuous, teeming, repetitive, heavy & mechanical. Electronic | 动作片 工业 阴险 沉重 | Cm | 120 | ||||
|
Industrial Process Automation
[CEG5051 - 25] |
版本. | 2'58 | Bruno Alexiu | Version with percussion only. | 动作片 工业 沉重 机械的 | Cm | 120 | |||
|
Industrial Process Automation
[CEG5051 - 26] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 动作片 工业 阴险 沉重 | Cm | 120 | |||
|
Industrial Process Automation
[CEG5051 - 27] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 动作片 工业 阴险 沉重 | Cm | 120 | |||
|
Industrial Process Automation
[CEG5051 - 28] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 动作片 工业 阴险 沉重 | Cm | 120 | |||
|
Time Runs Fast [CEG5051 - 6] |
3'33 | Bruno Alexiu | Haunting, steady, mechanical & robotic. Electronic percussion, bass | 紧急 低沉 沉重 稳定的 | Cm | 110 | ||||
|
Time Runs Fast Alternate [CEG5051 - 33] |
版本. | 3'33 | Bruno Alexiu | Version with percussion only. | 沉重 冲击 低沉 工业 | Cm | 110 | |||
|
Time Runs Fast Edit 1 (60s) [CEG5051 - 34] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
|
Time Runs Fast Edit 2 (30s) [CEG5051 - 35] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
|
Time Runs Fast Edit 3 (15s) [CEG5051 - 36] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 紧急 低沉 沉重 稳定的 | Cm | 110 | |||
|
Chasing the Fog [CEG5051 - 7] |
3'03 | Bruno Alexiu | Strange, jerky, constant, hypnotic & nightmarish. Electronic | 低沉 工业 机械的 电子鼓 | Fm | 120 | ||||
|
Chasing the Fog Alternate [CEG5051 - 37] |
版本. | 3'03 | Bruno Alexiu | Version with percussion only. | 追逐场面 进行中 低沉 工业 | Dm | 120 | |||
|
Chasing the Fog Edit 1 (60s) [CEG5051 - 38] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 2 (60s) [CEG5051 - 39] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 3 (30s) [CEG5051 - 40] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 4 (30s) [CEG5051 - 41] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Am | 118 | |||
|
Chasing the Fog Edit 5 (15s) [CEG5051 - 42] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 6 (15s) [CEG5051 - 43] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | Am | 120 | |||
|
A Brilliant Idea [ISC087 - 2] |
2'24 | Norbert Gobor | Cinematic score. Pulsating, technological & positive. Synths, synth | 工业 气氛 信息技术 electro beat | Dm | 131 | ||||
|
A Brilliant Idea Alternate [ISC087 - 12] |
版本. | 2'24 | Norbert Gobor | Version without lead synth | 工业 气氛 信息技术 electro beat | Dm | 131 | |||
|
Codebreaker [ISC087 - 5] |
2'19 | Norbert Gobor | Cinematic score. Mysterious, edgy & futuristic. Slowly building with | 警匪片 稳定的 electro beat 调查研究 | Dm | 99 | ||||
|
Codebreaker Alternate [ISC087 - 16] |
版本. | 2'19 | Norbert Gobor | Version without percussion | 稳定的 electro beat 调查研究 固执 | D | 99 | |||
|
Warschauer Strasse [CEG5052 - 7] |
2'14 | Louis Edlinger | Minimal Techno. Lively, catchy & trippy. Hypnotic beat, synths & drum | 俱乐部 简约科技 果断 动人 | D | 126 | ||||
|
Warschauer Strasse Alternate 1 [CEG5052 - 25] |
版本. | 2'05 | Louis Edlinger | Version without pad & percussion & with reduced rhythm. | 俱乐部 简约科技 果断 动人 | Dm | 126 | |||
|
Warschauer Strasse Alternate 2 [CEG5052 - 26] |
版本. | 1'43 | Louis Edlinger | Version without percussion & with reduced rhythm & bass. | 俱乐部 简约科技 果断 动人 | Bm | 126 | |||
|
Nachtstreife [CEG5052 - 12] |
3'10 | Louis Edlinger | Minimalism. Elegant, reflective & inspirational with a hint of | 疑问 神秘 社会悲剧 调查研究 | Fm | 73 | ||||
|
Nachtstreife Alternate 1 [CEG5052 - 35] |
版本. | 3'03 | Louis Edlinger | Version without melody. | 疑问 神秘 社会悲剧 调查研究 | Fm | 73 | |||
|
Nachtstreife Alternate 2 [CEG5052 - 36] |
版本. | 2'48 | Louis Edlinger | Version without rhythm & pad. | 疑问 神秘 社会悲剧 调查研究 | Fm | 72 | |||
|
Credit Card Scam [CEG5049 - 4] |
2'07 | Lars Jebsen | Patient, restrained, mysterious & intriguing. Synth sequences, | 令人不安 司法 固执 间谍片 | Cm | 90 | ||||
|
Credit Card Scam Alternate [CEG5049 - 16] |
版本. | 1'54 | Lars Jebsen | Reduced version with thinned bassline & without piano. | 令人不安 司法 固执 间谍片 | Cm | 90 | |||
|
Heartbeat [CEG5049 - 9] |
2'09 | Lars Jebsen | Obsessive, insidious, dark, eerie & mysterious. Heartbeat-like | 催眠 令人不安 画面感 社会悲剧 | Em | 80 | ||||
|
Heartbeat Alternate 1 [CEG5049 - 22] |
版本. | 2'12 | Lars Jebsen | Reduced version without melody. | 催眠 令人不安 画面感 社会悲剧 | Em | 80 | |||
|
Heartbeat Alternate 2 [CEG5049 - 23] |
版本. | 2'03 | Lars Jebsen | Reduced version with thinned bass line. | 催眠 令人不安 画面感 社会悲剧 | Em | 80 | |||
|
Persistent Question [CEG5049 - 10] |
1'59 | Felix Halbe | Suspense. Interrogative, mysterious, tragic & insidious. Piano, synth | 信息技术 社会悲剧 疑问 神秘 | Bbm | 140 | ||||
|
Persistent Question Alternate [CEG5049 - 24] |
版本. | 1'59 | Felix Halbe | Reduced version with lowpassed main synth & without deep pulse. | 信息技术 社会悲剧 疑问 神秘 | Bbm | 140 | |||
|
An Open Secret [CEG5049 - 11] |
1'32 | Lars Jebsen | Tragic, fateful, menacing & unsettling. Synths, piano, FX, | 神秘 信息技术 阴险 疑问 | Em | 162 | ||||
|
An Open Secret Alternate 1 [CEG5049 - 25] |
版本. | 1'30 | Lars Jebsen | Reduced version without strings. | 神秘 信息技术 阴险 疑问 | Em | 162 | |||
|
An Open Secret Alternate 2 [CEG5049 - 26] |
版本. | 1'30 | Lars Jebsen | More reduced version. | 神秘 信息技术 阴险 疑问 | Em | 155 | |||
|
Mother Bunker [EOS125 - 1] |
0 | 2'17 | Anthony Mowat, Tommy Rizzitelli, Laurent Rochelle | Mysterious, nocturnal & city-dweller. Bass, drums, guitar, synth, | 社会悲剧 漂泊 调查研究 神秘 | E | 122 | |||
|
Angels and Demons at Play [EOS125 - 2] |
0 | 3'02 | Anthony Mowat | Waiting, suspended & tense. BAss, guitar, drums, synth& distant | 社会悲剧 进行中 漂泊 间谍片 | Fm | 60 | |||
|
A Man at the Crossroads [EOS125 - 4] |
0 | 1'22 | Anthony Mowat, David Poirier, Tommy Rizzitelli, Laurent Rochelle | Mysterious, distant & wandering. Guitar, clarinet, bass, drums & wind | 令人不安 神秘 夜晚 气氛 | Bb | 101 | |||
|
Jazz from Hell [EOS125 - 6] |
0 | 1'38 | Anthony Mowat | Waiting, enigmatic & nocturnal. Synth, guitar, bass, drums, distant | 进行中 神秘 夜晚 电声低音 | Fm | 80 | |||
|
Faith [EOS125 - 8] |
0 | 2'08 | Anthony Mowat | Sad, with regret then resilience. Drums, guitar, bass & synth. | 忧伤 漂泊 夜晚 内心 | B | 80 | |||
|
Black Marble Shrine [EOS125 - 9] |
0 | 3'00 | Anthony Mowat, Laurent Rochelle | Uncanny, nocturnal & in suspension. Piano, cello, flute, clarinet, | 气氛 独立电影 悬念 漂泊 | E | 104 | |||
|
The Wait [EOS125 - 10] |
0 | 1'02 | Anthony Mowat | Waiting, mysterious, wandering & nocturnal. Bass, guitar, drums, | 气氛 社会悲剧 进行中 悬念 | Cm | 108 |