| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Killer Stalks [CEZ4288 - 8] |
0 | 1'51 | Thierry Caroubi | Insidious & disturbing. Electronics, rhythm @ 0'46 & cinematic | 调查研究 警匪片 恐怖 社会悲剧 | Em | 124 | |||
|
Driving the L.A River [CEZ4263 - 2] |
0 | 2'19 | Colo Colo | Synthwave. Atmospheric, intense & driving. Synth & rhythm. | 夜晚 合成波 现代 都市 | Am | 112 | |||
|
The Memory Lingers [CEZ4263 - 5] |
0 | 2'46 | Morgan Sansous | Hip-hop / Beat making. Nostalgic, sad & relentless. Piano, synth & | 社会悲剧 夜晚 现代 都市 | Am | 151 | |||
|
Night Tide [CEZ4262 - 3] |
0 | 3'04 | Rémo | Downtempo. Dark, driving & obstinate. Synth, wah-wah guitar, pitched | 缓拍 夜晚 都市景色 现代 | Em | 85 | |||
|
Sweet and Sweaty [CEZ4092 - 8] |
0 | 2'50 | Hoosky | Mellow & smart jazzy ballad. So cool... | 高雅 夜晚 都市景色 酸爵士 | Cm | 74 | |||
|
A Road to Nowhere [CEZ4084 - 11] |
0 | 2'12 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Sombre & tense. Electric guitar & electronics. | 调查研究 夜晚 催眠 伴音 | Bm | 104 | |||
|
Emotional Blackmail [CEZ4056 - 13] |
0 | 2'41 | Nicolas Mizrachi, Jean-Francois Morin | Emotional & manipulative. Slow & mysterious beat with sustained notes. | 缓拍 夜晚 体育中的戏剧性 恐怖 | Gbm | 92 | |||
|
WINTER ARC [CEM3026 - 2] |
2'02 | Léo Natale | Melodic liquid phonk. Slow. Introspective, proud & nocturnal. | phonk 气氛 时尚 都市景色 | D | 110 | ||||
|
WINTER ARC Alternate 1 [CEM3026 - 20] |
版本. | 2'02 | Léo Natale | Instrumental version | phonk 气氛 时尚 都市景色 | D | 110 | |||
|
WINTER ARC Alternate 2 [CEM3026 - 21] |
版本. | 2'22 | Léo Natale | Slowed version | 进行曲 phonk 气氛 时尚 | Gbm | 94 | |||
|
WINTER ARC Alternate 3 [CEM3026 - 22] |
版本. | 2'22 | Léo Natale | Instrumental slowed version | phonk 气氛 时尚 都市景色 | Gbm | 94 | |||
|
WINTER ARC Edit 1 (60 sec) [CEM3026 - 23] |
版本. | 1'00 | Léo Natale | 60 second cut | phonk 气氛 时尚 都市景色 | Am | 110 | |||
|
WINTER ARC Edit 2 (30 sec) [CEM3026 - 24] |
版本. | 0'30 | Léo Natale | 30 second cut | phonk 气氛 时尚 都市景色 | Am | 110 | |||
|
WINTER ARC Edit 3 (20 sec) [CEM3026 - 25] |
版本. | 0'20 | Léo Natale | 20 second cut | phonk 气氛 时尚 都市景色 | Am | 110 | |||
|
WINTER ARC Edit 4 (sting) [CEM3026 - 26] |
版本. | 0'11 | Léo Natale | Sting | phonk 气氛 时尚 都市景色 | D | 73 | |||
|
WINTER ARC
[CEM3026 - 27] |
版本. | 1'00 | Léo Natale | 60 second slowed cut | phonk 气氛 时尚 都市景色 | Gbm | 94 | |||
|
WINTER ARC
[CEM3026 - 28] |
版本. | 0'30 | Léo Natale | 30 second slowed cut | phonk 气氛 时尚 都市景色 | Gbm | 94 | |||
|
WINTER ARC Edit 7 (20 sec
[CEM3026 - 29] |
版本. | 0'20 | Léo Natale | 20 second slowed cut | phonk 气氛 时尚 都市景色 | Gbm | 94 | |||
|
WINTER ARC Edit 8 (sting
[CEM3026 - 30] |
版本. | 0'12 | Léo Natale | Slowed sting | phonk 气氛 时尚 都市景色 | B | 94 | |||
|
Ocean Road [EOS148 - 3] |
0 | 2'32 | Mathieu Harlaut | Nocturnal, enigmatic & melancholic. Rippling. Analog synth. | 独立电影 忧伤 夜晚 电视剧 | Eb | 89 | |||
|
Propagation [CEG5060 - 2] |
2'32 | Arttu Silvast | Hybrid Scoring. Tragic, sad, grim & unsettling. Evolving sequence | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | ||||
|
Propagation Alternate 2 [CEG5060 - 12] |
版本. | 2'32 | Arttu Silvast | Version without percussion | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | |||
|
Propagation Alternate 3 [CEG5060 - 13] |
版本. | 2'32 | Arttu Silvast | Underscore version | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | |||
|
Crowd Monitoring [CEG5064 - 6] |
2'51 | Rémo | Electronica. Atmospheric, inevitable & dark. Synth, strings & choir | 飞行 令人激动 阴险 神秘 | Bm | 86 | ||||
|
Crowd Monitoring Alternate [CEG5064 - 17] |
版本. | 2'51 | Rémo | Alternate no choir. | 飞行 令人激动 阴险 神秘 | Em | 116 | |||
|
Everyone's a Target [CEG5064 - 9] |
2'26 | Jérémy Vino | Electro beat. Fatal, determined & obstinate. Synth & rhythm. Ideal | 无情 司法 夜晚 electronic score | Em | 98 | ||||
|
Everyone's a Target Alternate [CEG5064 - 22] |
版本. | 2'26 | Jérémy Vino | Alternate no drums. | 无情 司法 夜晚 electronic score | Em | 98 | |||
|
Nightscape [ISC116 - 7] |
2'02 | Francesco Bondi | Electro. Heavy, powerful, rough & undulating. Climax @ 1'25 with big | 动作游戏 沉重 固执 追逐场面 | Cm | 130 | ||||
|
Nightscape Alternate 1 [ISC116 - 22] |
版本. | 2'02 | Francesco Bondi | Version without percussion. | 动作游戏 沉重 固执 追逐场面 | C | 130 | |||
|
Nightscape Alternate 2 [ISC116 - 23] |
版本. | 2'02 | Francesco Bondi | Version without lead. | 动作游戏 沉重 固执 追逐场面 | Cm | 130 | |||
|
As Life Flows - Electro
[CEZ4700 - 3] |
0 | 2'51 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate. Restrained but with emotion. Regular | electronic score 调查研究 悬念 稳定的 | A | 104 | |||
|
Time are Changing - Electro
[CEZ4700 - 6] |
0 | 2'03 | Elisabeth Skornik, Guy Skornik | Electronic version. Reflective intro then serious & technological. | electronic score light tension 稳定的 调查研究 | Gbm | 64 | |||
|
Afterglow [CEZ4682 - 4] |
3'00 | Iain Harper | Trip hop, easy-listening vibe. Chic, sentimental & shimmering. | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | ||||
|
Afterglow Alternate [CEZ4682 - 26] |
版本. | 3'00 | Iain Harper | Underscore version | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | |||
|
Afterglow Edit 1 60 sec [CEZ4682 - 27] |
版本. | 1'00 | Iain Harper | 60 second cut | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | |||
|
Afterglow Edit 2 30 sec [CEZ4682 - 28] |
版本. | 0'30 | Iain Harper | 30 second cut | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | |||
|
Afterglow Edit 3 20 sec [CEZ4682 - 29] |
版本. | 0'20 | Iain Harper | 20 second cut | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | |||
|
Afterglow Sting [CEZ4682 - 30] |
版本. | 0'12 | Iain Harper | Sting | 高雅 时尚 缓拍 无忧无虑 | Bbm | 76 | |||
|
When Times Go Slow [CEZ4682 - 7] |
2'18 | SHIFUMI | Trip hop, downtempo chill out. Ethereal, dreamy & peaceful. Slow | 都市 高雅 夜晚 气氛 | Bbm | 80 | ||||
|
When Times Go Slow Edit 1 60
[CEZ4682 - 43] |
版本. | 1'00 | SHIFUMI | 60 second cut | 都市 高雅 夜晚 气氛 | Bbm | 80 | |||
|
When Times Go Slow Edit 2 30
[CEZ4682 - 44] |
版本. | 0'30 | SHIFUMI | 30 second cut | 都市 高雅 夜晚 气氛 | Bbm | 80 | |||
|
When Times Go Slow Edit 3 20
[CEZ4682 - 45] |
版本. | 0'20 | SHIFUMI | 20 second cut | 都市 高雅 夜晚 气氛 | Bbm | 80 | |||
|
When Times Go Slow Sting [CEZ4682 - 46] |
版本. | 0'14 | SHIFUMI | Sting | 都市 高雅 夜晚 气氛 | Bbm | 162 | |||
|
The Net Closes [TBX231 - 5] |
2'36 | James Tearne | Tense, climactic, worried. Piano lands with a soft sense of nerves | 画面感 社会悲剧 阴险 司法 | Gbm | 110 | ||||
|
The Net Closes (Underscore) [TBX231 - 18] |
版本. | 2'36 | James Tearne | Tense, climactic, worried. Piano lands with a soft sense of nerves | 社会悲剧 阴险 画面感 司法 | Dbm | 110 | |||
|
Crime Scene [TBX231 - 8] |
2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 107 | ||||
|
Crime Scene (Underscore) [TBX231 - 22] |
版本. | 2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 78 | |||
|
Crime Scene (Underscore
[TBX231 - 23] |
版本. | 2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 118 | |||
|
Connecting The Dots [TBX231 - 10] |
2'27 | James Tearne | Raw, shocking, adventurous. Strings emerge slowly with a dusty sense | 自然灾害 阴险 气氛 画面感 | D | 70 | ||||
|
Connecting The Dots
[TBX231 - 25] |
版本. | 2'27 | James Tearne | Raw, shocking, adventurous. Strings emerge slowly with dusty | 自然灾害 阴险 气氛 画面感 | D | 70 | |||
|
Connecting The Dots
[TBX231 - 26] |
版本. | 2'27 | James Tearne | Raw, shocking, adventurous. Strings emerge slowly with dusty bass | 自然灾害 阴险 气氛 画面感 | D | 70 |