| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Ever-Present Threat [CEO2139 - 13] |
0 | 3'35 | Bruno Alexiu | 1st part. Profound & menacing low drone with intermittent & dramatic | 地理政治 令人不安 悬念 画面感 | C | 62 | |||
|
Electronic Memories [ISC010 - 6] |
0 | 2'31 | Gregory Cotti | Discontued & wavering smooth synth layers with intriguing sweeps & | 信息技术 悬念 漂泊 太空 | Gm | 70 | |||
|
Virtual Construct [ISC010 - 10] |
0 | 2'39 | Gregory Cotti | Confused & spark synth layers building an abstract soundscape perfect | 科幻片 阴暗氛围 太空 神秘 | Am | 66 | |||
|
The Last Rays of Summer
[CEZ4492 - 6] |
3'41 | Haelium & Anne-Sophie Versnaeyen | Dreamy electronica. Constant, hypnotic & arty. Break uplifting @ 1'32 | 电子 自信 时尚 remix | D | 105 | ||||
|
The Last Rays of Summer
[CEZ4492 - 18] |
版本. | 3'41 | Gabriel Kadiri, Anne-Sophie Versnaeyen | Alternate version without voice. | 电子 自信 时尚 remix | G | 105 | |||
|
The Last Rays of Summer [CEZ4492 - 24] |
版本. | 2'10 | Anne-Sophie Versnaeyen | Originale version. | 果断 宁静 手工业 自信 | D | 89 | |||
|
Call To War (Underscore B) [BIB189 - 25] |
2'26 | Pete Wilson | Eerie, brave, daunting. Repeated muffled brass scale sets out an | 气氛 悬念 神秘 伴音 | F | 92 | ||||
|
Call To War [BIB189 - 8] |
版本. | 2'45 | Pete Wilson | Eerie, brave, daunting. Monstrous dissonant note peels off into a | 固执 画面感 果断 令人激动 | Dm | 92 | |||
|
Clockwise Doom [CEZ4502 - 1] |
0 | 2'25 | EE HOON | Dark, enigmatic, mechanical & frightening. Whistling, whispered | 令人不安 韩剧 悬念 奇怪 | Am | 120 | |||
|
Better than Silence [ISC008 - 8] |
2'42 | D0D., Dosi | Carefree, peaceful & introspective laidback hip hop beat with lofi | 忧伤 现代 反省 lofi hip hop | Ab | 71 | ||||
|
Better than Silence (Dosi &
[ISC008 - 18] |
版本. | 2'42 | D0D., Dosi | Alternate without beat. | 忧伤 现代 反省 lofi hip hop | Ab | 71 | |||
|
Evanescent [ISC008 - 9] |
2'09 | Dosi | Cool & floating laidback lofi hip hop beat with a touch of aquatic | 现代 lofi hip hop 梦幻 日常生活 | Abm | 60 | ||||
|
Evanescent Alternate [ISC008 - 19] |
版本. | 2'09 | Dosi | Alternate without beat. | 现代 lofi hip hop 梦幻 日常生活 | Abm | 60 | |||
|
Somewhere [ISC008 - 10] |
2'05 | Dosi | Dreamy & peaceful piano perfect for relaxing. Hip hop lofi beat & | 宁静 放松 现代 内心活动 | C | 65 | ||||
|
Somewhere Alternate [ISC008 - 20] |
版本. | 2'05 | Dosi | Alternate without beat. | 宁静 放松 现代 漫画 | C | 65 | |||
|
Vol de Nuit [MAG6100 - 18] |
0 | 02'39 | Everydayz & Phazz | Electro club House, UK Vibe. Cheery, lively & perky. Sampled voices & 歌词 | 动人 时尚 俱乐部 舞动 | Gm | 133 | |||
|
Blind Faith [ISC006 - 4] |
0 | 3'56 | Anne-Sophie Versnaeyen | Post-classical. Intro with vinyl FX. Lost, inexorable & emotional. | 使人心碎 后古典 忧伤 感动 | Cm | 110 | |||
|
God Of The Wind (Underscore C) [INP038 - 22] |
2'23 | Alessandro Ciani, Marco De Bonis | Meaningful, austere. Tense piano and string partnership create a | 悬念 神秘 电子琴 悲剧 | Fm | 76 | ||||
|
God Of The Wind [INP038 - 4] |
版本. | 2'32 | Alessandro Ciani, Marco De Bonis | Meaningful, austere, spirited. Tense piano and string partnership | 预告片 画面感 史诗 动作片 | Fm | 115 | |||
|
Land Of Destruction
[INP038 - 25] |
2'35 | Alessandro Ciani, Marco De Bonis | Impassioned, tragic, powerful. Tense piano plays out across a silent | 令人不安 无电声钢琴 进步 冒险片 | Em | 118 | ||||
|
Land Of Destruction [INP038 - 5] |
版本. | 2'35 | Alessandro Ciani, Marco De Bonis | Impassioned, tragic, powerful. Tense piano plays out across a | 令人不安 进步 预告片 冒险片 | Em | 118 | |||
|
The Inquisition (Underscore C) [INP038 - 37] |
1'58 | Alessandro Ciani, Marco De Bonis | Austere, impassioned. Fragile low note shivers in echoing landscape. | 科幻片 令人不安 信息技术 神秘 | Gbm | 86 | ||||
|
The Inquisition [INP038 - 9] |
版本. | 2'01 | Alessandro Ciani, Marco De Bonis | Gothic, austere, impassioned. A low vibrating note echoes, joined by | 画面感 固执 进步 气势 | Gbm | 165 | |||
|
Don't Go That Way [TBX120 - 6] |
4'10 | Philip Surtees | Dormant, impassioned, soulful. Timid guitar gives rise to ascending | 黑人电影 自信 电吉他 动人 | Am | 82 | ||||
|
Don't Go That Way (Underscore) [TBX120 - 21] |
版本. | 4'08 | Philip Surtees | Dormant, impassioned, soulful. Timid guitar gives rise to to brush | 黑人电影 自信 电吉他 动人 | Am | 82 | |||
|
Interplanetary Tributary [BIB182 - 2] |
0 | 2'10 | Callum Murray | Wondrous, panoramic, emotive. Mysterious synth swells drift eerily. | 感动 全景 气氛 迷人 | Eb | 100 | |||
|
Outer Space [BIB182 - 3] |
0 | 3'42 | Barnabas Poffley, Pete Wilson | Dreamy, cinematic, determined. Expansive, wondrous flute textures | 飞行 宁静 全景 感动 | Am | 91 | |||
|
In the Dark [ISC005 - 3] |
0 | 2'43 | Gregory Cotti | Bluesy, sophisticated, fancy, sultry, classy & slightly | 懒惰 爵士俱乐部 无电声钢琴 蓝调 | Am | 89 | |||
|
Good Reasons [ISC005 - 5] |
0 | 2'03 | Gregory Cotti | Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit | 无电声钢琴 自信 时髦 爵士俱乐部 | Ab | 144 | |||
|
Nothing Back Home [MAG6066 - 6] |
3'45 | Penelope Antena | Avant-garde pop/electronica ballad with a touch of R&B. Edgy, 歌词 | 前卫流行 现代 催眠 梦幻 | Gb | 117 | ||||
|
Nothing Back Home Alternate [MAG6066 - 13] |
版本. | 3'45 | Penelope Antena | Alternate without lead vocal. Avant-garde pop/electronica with a | 现代 前卫流行 催眠 梦幻 | Gb | 60 |