| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
End of Play [CEZ4051 - 30] |
0 | 1'53 | Loïs Blanca | Time running out. Ambient filtered string drone & repetitive clock fx | 军事冲突 轰隆声 嗡嗡声 灾难 | C | 66 | |||
|
Listed Seveso [CEZ4051 - 31] |
0 | 2'06 | Jean-Philippe Dutheil | Swelling intensity. Heavy & vibrating mechanical drone. | 轰隆声 嗡嗡声 有毒 恐怖 | B | 153 | |||
|
Las Dos Américas [CEZ4049 - 3] |
0 | 2'47 | Pajaro Canzani, Daniel Diaz | The wild and endless route towards the frontier. Panoramic. The vast | 沉闷 疑问 安静 稳定的 | E | 152 | |||
|
Tren a las Nubes [CEZ4048 - 5] |
0 | 2'49 | Daniel Diaz | Another Chaya rhythm. Deserted & panoramic. Quena, bombo, classical | 玻利维亚 安第斯笛 秘鲁 kena | Em | 61 | |||
|
Crystal Light [CEZ4046 - 4] |
0 | 2'43 | Christof Déjean | Simple & evocative. Subtle whistles & bells with gentle piano. | 自然灾害 抱歉 调查研究 美国独立制片电影 | Am | 61 | |||
|
L'Entrée des Juges [CEZ4043 - 11] |
0 | 2'24 | Marc Marder | Evocative & frightening. Plodding bass with echoing strings. Eve of | 进行中 令人不安 无情 pulsation | D | 86 | |||
|
Evil Intent [CEZ4040 - 9] |
0 | 1'52 | Elisabeth Skornik, Guy Skornik | Dark sound design. Waves of FX over bass drone. | 冰冷 地下 抱歉 嗡嗡声 | Cm | 99 | |||
|
Under Surveillance [CEZ4040 - 14] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Drone with circling FX. Pizz strings/ piano. | 调查研究 悬念 伴音 工业 | C | 89 | |||
|
Inside Information [CEZ4040 - 15] |
0 | 1'49 | Elisabeth Skornik, Guy Skornik | Intrigue. Strange echoing percussion with synth pad. | 海底 气氛 稀疏 潮湿 | Fm | 143 | |||
|
Phone Tapping [CEZ4040 - 20] |
0 | 1'38 | Elisabeth Skornik, Guy Skornik | Layered voices and scanner FX over synth drone. | 间谍片 (音效)广播 (音效)电话 神秘 | C | 127 | |||
|
The Trial [CEZ4040 - 21] |
0 | 1'44 | Elisabeth Skornik, Guy Skornik | In the balance. Bold drum pattern with synth chords. | 调查研究 战士 令人不安 悬念 | C | 93 | |||
|
The Fear Within [CEZ4040 - 29] |
0 | 1'37 | Elisabeth Skornik, Guy Skornik | Dark slow drone with subtle FX. | 抱歉 低沉 有毒 深邃 | C | 123 | |||
|
Crime Replayed [CEZ4040 - 40] |
0 | 2'15 | Elisabeth Skornik, Guy Skornik | Thematic guitar with Trip-Hop loop & syncopated strings. | 慢镜头 进行中 进步 梦幻 | Em | 64 | |||
|
Hurricane [CEZ4038 - 17] |
0 | 2'18 | Teddy Lasry | Menacing wind effect. Electro-acoustic sound. Accordion bellows. Bass | 稀疏 低沉 自然灾害 嗡嗡声 | Gbm | 153 | |||
|
Mami Wata [CEZ4036 - 22] |
0 | 1'08 | Baba Toumani Keita, Rico Brinx | Simple & sparse. Balafon solo. (Africa) | 西非 早期艺术 非洲木琴 逝去的文明 | Bb | 130 | |||
|
Dougouba [CEZ4036 - 24] |
0 | 2'59 | Rico Brinx, Baba Toumani Keita | Urban & nocturnal. Tenor sax, guitar, ngouni & percussion @ 0'57. | 非洲 ngouni 七十年代 八十年代 | Bbm | 94 | |||
|
Cotonou [CEZ4036 - 25] |
0 | 1'45 | Baba Toumani Keita, Rico Brinx | Unconfortable & urban. Tenor saxophone & djembe. (Africa) | 非洲 回响 七十年代 八十年代 | Abm | 118 | |||
|
Lafia [CEZ4036 - 26] |
0 | 1'36 | Baba Toumani Keita, Rico Brinx | Nocturnal & sparse. Balafon & clarinet. (Africa) | 非洲木琴 七十年代 八十年代 九十年代 | Cm | 65 | |||
|
Ouida [CEZ4036 - 29] |
0 | 0'57 | Baba Toumani Keita, Rico Brinx | Nocturnal. Suspended atmosphere. Tenor saxophone & balafon. (Africa) | 非洲 七十年代 八十年代 九十年代 | Gm | 86 | |||
|
Cache Cache [CEZ4035 - 11] |
0 | 2'32 | Rico Brinx, Anne Rakotofiringa | Unusual & quirky. Polyphony after the manner of the Pygmies. (Africa) | 民族女声独唱 女声民族合唱团 周期性的 民族 | C | 83 |